DOCSLIB.ORG

Home Mcr. Org Box Office 0161 200 1500

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Home Mcr. Org Box Office 0161 200 1500 POP-UP/ INSTIGATE ARTS: IDENTITY home box office Sat 8 Oct, 18:00 – 21:00 Drop in mcr. 0161 200 1500 ART A one night only, mixed-media pop-up org exhibition with performance, noise, film and intervention. home homemcr.org/identity EXHIBITION/ RACHEL MACLEAN: GALLERY TOUR EXPERIMENT/ PARADOXPARADOX BY WOT U :-) ABOUT? Sat 29 Oct, 14:00 PROTOVOULIA Preview Fri 28 Oct, 18:00 - 22:00 Join artist Rachel Maclean and Mon 10 – Fri 14 Oct, 12:00 – 20:00 Sat 29 Oct - Sun 8 Jan curator Bren O’Callaghan for a Drop in Main Gallery guided tour of Rachel’s work. Brazilian duo Rafael Abdala and Jessica Curated by Bren O’Callaghan and Goes join forces with nine Greater Sarah Perks Don’t miss I’m Too Happy, a season Manchester artists for a long-durational A major solo exhibition of entirely of films curated by Rachel Maclean, experiment on improvisation and the new work in large format print, taking place Oct – Dec. See film creative process. Drop into the gallery to film and sculpture by acclaimed seasons (overleaf) for details. see these artists at work. Scottish artist Rachel Maclean, homemcr.org/paradoxparadox who will represent Scotland at the 2017 Venice Biennale. Maclean uses Also get your hands on the first HOME PROJECTS/ MARK LEEMING: green screen techniques and the major publication of Rachel BEARDED BRUTES fairytale genre to examine the murky Maclean’s sweeter-than-candy Fri 11 Nov – Sun 22 Jan boundary between childhood and adventures in our bookshop and online at cornerhousepublications. Bearded Brutes is a collection of vivid adulthood, resulting in an unsettling photographic portraits bursting with org/rachel-maclean foray into a netherland reminiscent colour, sparkle and, perhaps unsurprisingly, of the candy coloured palette of beards. Mark Leeming’s labour of love children’s television. offers an enjoyable, offbeat insight into Want to master green screen Preview/Join us for complimentary juxtapositions of modern masculinity. technology? Check out our drinks at the preview and be We are grateful to Klein Imaging for amongst the first to see Rachel’s all Introduction to Green Screen supporting the exhibition print and framing new works. workshop. See Creatives section production for Bearded Brutes. overleaf for details. homemcr.org/rachel-maclean homemcr.org/mark-leeming VISIT OPENING TIMES Café HOME Box Office & Bookshop Mon – Thu: 11:00 – 23:00 Fri – Sat: 11:00 – 00:00 2 Tony Wilson Place Mon – Sun: 12:00 – 20:00 Manchester Sun: 11:00 – 22:30 M15 4FN Main Gallery *Except Bank Holiday Mondays Mon: Closed* INFORMATION & BOOKING Tue – Sat: 12:00 – 20:00 FILM PRICES HOMEmcr.org Sun: 12:00 – 18:00 Off Peak (before 17:00) 0161 200 1500 Full £7 / Member Full £5.50 [email protected] Granada Foundation Galleries Mon – Thu: 11:00 – 23:00 Peak (from 17:00) KEEP IN TOUCH Fri – Sat: 11:00 – 00:00 Full £9 / Member Full £7 e-news HOMEmcr.org/sign-up Sun: 11:00 – 22:30 Twitter @HOME_mcr £5 student advance tickets available Facebook HOMEmcr Bar (limited capacity). Mon – Thu: 10:00 – 23:00 Instagram HOMEmcr Concessions and discounts are available, Fri – Sat: 10:00 – 00:00 please see website for further details. Sun: 11:00 – 22:30 OCT- HOME is a trading name of Greater Manchester Arts Centre Ltd, a company limited by guarantee, registered in England and Wales No: 1681278. Registered office 2 Tony Wilson Place, Manchester, M15 4FN Charity No: 514719. NOV Nocturnal Animals, 2016 HOME and Film4 Nosferatu, 1922 I’m Too Happy Black British 20th UK Homeless Film present: Film Fear . Breakthroughs International Festival classics live broadcasts FILM FESTIVALS Our popular programme brings cinema classics to the big screen every month – so you Catch the best theatre and opera broadcast live in our cinemas from the world’s most . Sat 29 Oct – . Jewish Film . never need to miss those must-sees! Visit homemcr.org/classics for more details. prestigious companies. Visit homemcr.org/live-broadcasts for more details. AND SEASONS THU 27 – Mon 31 Tue 13 Dec Throughout Festival sun 13 nov Akira, 1988 SAFE PASSAGE (12A) Tristan und Isolde, 2016 Don Giovani, 2016 . (LAISSEZ-PASSER) Oct Selected by artist Rachel Maclean and November The Homeless Film Festival is a registered Rebel With DM16: Design City curator Bren O’Callaghan, our season of charity which uses filmmaking and the Sun 6 Nov, 12:45 Join us for a long weekend of horror EVENT/ HARMONIEBAND PRESENT films expands upon themes in the artist’s We shine a light on breakthrough Tue 8 – Sun 13 film industry as a way of tackling and Tue 8 Nov, 19:20 a Camera: . previews and genre favourites to NOSFERATU (PG) WITH LIVE MUSICAL rainbow-dipped, yet always unsettling performances from Black British actors confronting homelessness. The City of Lost Wed 9 Nov, 12:45 celebrate Halloween, programmed SCORE works that address childhood, happiness who went on to achieve stardom and Nov Children has been chosen for selection in Dir Bertrand Tavernier/FR DE ES 2002/170 mins/ The Cinema (NOSFERATU, EINE SYMPHONIE DES recognition for their performances on French wEng ST Sun 16 – Sun 23 together with Film4 and guest curators. and innocence as a context, state or The 20th UK International Jewish Film this year’s festival by patron Lemn Sissay. Jacques Gamblin, Denis Podalydès, Charlotte Kady GRAUENS) quality ripe for commodification and screen. All of the performers we are of Ousmane homemcr.org/film-fear Festival returns to HOME with a range of homemcr.org/homeless-2016 Based on true stories related by director Oct Sun 30 Oct, 13:30 exploitation. focusing on emerged at a key time for outstanding features and documentaries Jean-Devaivre and writer Jean Aurenche, MET OPERA/ TRISTAN UND MET OPERA/ DON GIOVANI (12A Sembène As part of DM16, Manchester’s fourth Dir F.W. Murnau/DE 1922/93mins/silent British cinema and have gone on to make AKIRA (15) THE FINAL GIRLS PRESENT: homemcr.org/im-too-happy from around the world as well as special THE CITY OF LOST CHILDREN (15) Tavernier’s superlative film tells of the ISOLDE (12A AS LIVE) AS LIVE annual city-wide festival celebrating Max Schreck, Alexander Granach, Greta Schröder their mark on the cultural landscape. Sun 2 Oct, 13:00 . PREVIEW/ PREVENGE (CTBA) guests for Q&As. LA CITÉ DES ENFANTS PERDUS) experiences of the Parisian filmmaking design in all forms, we screen a selection Nosferatu marked the first appearance homemcr.org/black-star Tue 4 Oct, 20:20 Sat 8 Oct, 16:45 Sat 22 Oct, 17:40 Thu 27 Oct, 18:10 Don’t miss Rachel Maclean’s exhibition homemcr.org/jewish-2016 Sun 13 Nov, 18:10 community during the Nazi occupation, of films with design at their heart. Dir Alice Lowe/GB 2016/88 mins on screen of Bram Stoker’s Dracula, and Wed 5 Oct, 13:00 Wot u :-) about? in our main gallery. See Dir Marc Caro, Jean-Pierre Jeunet/FR 1995/113 mins/ shining a light on an often-unexplored Tristan und Isolde opens the Met’s Live The charismatic baritone Simon Sat 8 – Mon 24 Alice Lowe, Kayvan Novak, Jo Hartley it remains the eeriest of the many film Part of the BFI Black Star season. Keep Quiet, 2016 French wEng ST Dir Katsuhiro Ôtomo/JP 1988/119 mins/Japanese homemcr.org/design-city overleaf for details. wEngST in HD season in a new production by Keenlyside plays the title hero, opera’s versions of the famous tale. With live Supported by the BFI Film Audience Ron Perlman, Daniel Emilfork, Judith Vittet period in French cinema history. Oct A ruthless black comedy from Alice Lowe Nozomu Sasaki, Mami Koyama, Mitsuo Iwata Mariusz Treliński. ultimate cad, who goes to hell in a Fight Club, 1999 that follows a pregnant mother-to-be on musical accompaniment from European Feed Me, 2015 Network, awarding funds from the In a futuristic society, a scientist kidnaps Ousmane Sembène, known as the father The definitive anime masterpiece, Screening from a 35mm print. dazzling coup de théâtre. a vengeful killing spree at the behest of film festival favourites, HarmonieBand, National Lottery. children to steal their dreams, hoping to RSC LIVE/ KING LEAR (12A AS of African cinema, is one of the key Katsuhiro Ôtomo’s landmark cyberpunk her persuasive unborn child. Presented by this is unmissable. bfi.org.uk/black-star slow his ageing process. The second film Don’t miss our French Film Festival, see LIVE) ROH LIVE/ LES CONTES figures of world cinema. This programme classic obliterated the boundaries of from Marc Caro and Jean-Pierre Jeunet seasons (left) for details. D’HOFFMANN (12A AS LIVE) explores his work through the new and feminist horror collective The Final Girls. The Ghoul, 2016 Wed 12 Oct, 18:45 DIRTY PRETTY THINGS (15) Japanese animation and forced the world highly acclaimed documentary Sembène!, Preview courtesy of Kaleidoscope Films/ has lost none of its dazzling originality Sun 20 Nov, 14:00 Mon 14 Nov, 18:15 to look into the future. Akira returns to IN THE HEAT OF THE NIGHT (12A) Lear has ruled for many years. As age Western Edge Pictures. with the passing of time. capturing the life of this prolific Dir Stephen Frears/GB 2002/97 mins KEEP QUIET (15) + Q&A the big screen to celebrate the 25th Sun 20 Nov, 13:00 begins to overtake him, he decides to The Royal Opera’s lavish production of filmmaker. Chiwetel Ejiofor, Audrey Tautou Tue 8 Nov, 18:25 anniversary of Manga Entertainment. Tue 22 Nov, 20:30 divide his kingdom amongst his children.
Load more

Recommended publications
  • IML-575: World Building As a Design Practice for Storytelling Fall 2015, 4
    IML-575: World Building as a Design Practice for Storytelling Fall 2015, 4 units Taught by Professor Alex McDowell Tuesdays and Wednesdays, 9:00 am - 11:50 am RZC 120 (Robert Zemeckis Center) Any storyteller can weave a compelling narrative, but world builders create storyworlds that can support myriad stories by multiple storytellers across disparate platforms –including those platforms for which there may not yet be a name. Such world building becomes even more powerful when it moves beyond transmedia entertainment experiences and tackles real-world challenges in real-world environments. IML 575: World Building as a Design Practice for Storytelling is a practice-based studio class that introduces world building as a comprehensive methodology that defines the connective tissue and logic of any story-driven world, allowing narratives to evolve organically and defining both history and future in either the real world or fictional ones. Students will learn: • the narrative designer’s art of world building • how to use world building to rethink existing narrative forms and practices • how to build compelling story worlds with new media technologies in mind Over the course of the semester, students will collaboratively create a new fictional storyworld, consulting with domain experts across multiple disciplines to ensure this world is imaginative, plausible and extensible. The robust, holistic and unified world developed in this class will support multiple narratives to be iterated, designed and prototyped by the class. These might include, but are not limited to, short films, animations, interactive media, comic books or VR experiences. In producing these narratives, the class will engage in design visualization, interactive prototyping, location scouting (virtual or real), research of environments, population, and inception, and development of characters and stories for various platforms.
    [Show full text]
  • Lunch with Jason King” - Nick Wray's Short Stories and Bedtime Tales from the Past, Present and Future of the Digital Age
    From “Lunch with Jason King” - Nick Wray's short stories and bedtime tales from the past, present and future of the Digital Age. Includes, ‘Three Clicks’ (full-version also available on the website here) as well as 'Machines for Singing', 'The Beach at Narbonne' and cult-classic 'Lunch with Jason King.’ As a tribute to mark the death of Peter Wyngarde, announced today (Friday 18th January 2018) I’m making this short story available, free of charge, for a limited time. It was inspired, in part, by the appalling Daily Mail ‘news’ story: “Is that really Jason King...” at: http://www.dailymail.co.uk/tvshowbiz/article-1259498/Is-really-Jason-King- suavest-man-TV.html If you enjoy it, please feel free to forward it to anyone else you know who admired the man and his various ‘parts’! More stories at www.lunchwithjasonking.com This file may be shared with other users for non-commercial use subject to the following conditions 1). This document remains unchanged in any way; 2). The Author, Nick Wray, is always attributed as the creator of this work, and 3). it’s source ‘Lunch with Jason King’ by Nick Wray – and the web address above – is fully and clearly attributed in any use. All other rights reserved. Nick Wray asserts his moral right to be identified as the author of this work. Lunch with Jason King The bloody sod was late. TV, media-types always were, weren’t they? A breeze stirred as he looked around, once again, searching the restaurant terrace. “One o’clock” he’d said.
    [Show full text]
  • Black Images and White Culture During the Decade Before the Civil Rights Movement
    Black Images and White Culture During the Decade before the Civil Rights Movement Thomas H. Pauly "I have assumed that the slaves were merely ordi­ nary human beings, that innately Negroes are, after all, only white men with black skins, nothing more, nothing less." "Preface" Kenneth Stampp The Peculiar Institution: Slavery intheAnte-Bellum South (1956) Walter: "We are very plain people ... what I am telling you is that we called you over here to tell you that we are very proud and that this is—this is my son, who makes the sixth generation of our family in this country, and that we have all thought about your offer and we have decided to move into our house because my father—my father—he earned it We don't want to make no trouble for nobody or fight no causes—but we will try to be good neighbors. That's all we got to say." Lorainne Hansberry Raisin in the Sun (1959) 0026-3079/90/3102-0101$! .50/0 101 It is usually assumed that the Civil Rights Movement began with the 1954 Supreme Court decision on Brown vs. the Board of Education of Topeka and the Montgomery bus boycott of the following year. However, this assumption surpresses an uneasy feeling that these beginnings were themselves outgrowths of earlier developments. One cannot help suspecting that the decade that followed the conclusion of World War II contributed more to the Civil Rights Movement than conventional thought allows.1 Admittedly, this period's notable lack of events of equivalent movement justifies this slighting.
    [Show full text]
  • THE INNOCENTS Directed by Jack Clayton UK­US, 1961, 100 Mins, Cert 12A
    THE INNOCENTS Directed by Jack Clayton UK­US, 1961, 100 mins, Cert 12A Starring Deborah Kerr, Peter Wyngarde, Michael Redgrave Martin Stephens, Pamela Franklin Opening on 13 December 2013 at BFI Southbank, IFI Dublin, QFT Belfast & selected cinemas nationwide 24 October 2013 – The second of three films to be released by the BFI in cinemas nationwide as part of GOTHIC: The DarK Heart of Film is Jack Clayton’s 1961 feature The Innocents, now widely considered to be one of the greatest of all cinematic tales of terror. This celebrated adaptation of Henry James’s The Turn of the Screw (1898) was scripted by William Archibald (whose play of the book had been on Broadway) and Truman Capote, with additional scenes and dialogue by John Mortimer. A brilliant exercise in psychological horror, The Innocents tells of an impressionable and repressed governess, Miss Giddens (Deborah Kerr), who agrees to tutor two orphaned children, Miles (Martin Stephens) and Flora (Pamela Franklin). On arrival at Bly House, she becomes convinced that the children are possessed by the perverse spirits of former governess Miss Jessel (Clytie Jessop) and her Heathcliff­like lover Quint (Peter Wyngarde), who both met with mysterious deaths. The sinister atmosphere of The Innocents is carefully created – not through shocK tactics – but through its cinematography, soundtrack, and decor: Freddie Francis’ beautiful CinemaScope photography, with its eerily indistinct long shots and mysterious manifestations at the edges of the frame; Georges Auric’s eVocative and spooky soundtrack; and the grand yet decaying Bly House, with spiders crawling from dilapidated statues, ants from the eyes of dolls, and rooms coVered in dust sheets.
    [Show full text]
  • Death and the Powers Release
    For Immediate Release: February 23, 2011 Contact: Kati Mitchell 617-495-2668 [email protected] American Repertory Theater in association with MIT’s FAST Arts Festival presents DEATH AND THE POWERS: The Robots’ Opera by Tod Machover directed by Diane Paulus March 18-25 Cutler Majestic Theatre at Emerson College When the eccentric patriarch Simon Powers departs his physical being and downloads himself into The System, his house assumes his immortal presence around his family and friends… So begins Death and the Powers, a groundbreaking new opera created by Tod Machover and his Opera of the Future Group at the MIT Media Lab, which receives its North American premiere at the American Repertory Theater. Performances take place at the Cutler Majestic Theater in Boston on March 18 (press opening), March 20, March 22, and March 25. The September 24, 2010 world premiere of Death and the Powers at l’Opéra de Monte-Carlo was praised by audiences and critics alike: “A grand, rich, deeply serious new opera, presented by a team with manifold, coherent accomplishments. Machover has a command of expressive vocal gesture. Voices and electronic sound are well balanced, often with telling counterpoints. Diane Paulus’s staging and Alex McDowell’s scenes were dazzling in their inventions.” — Opera magazine, London “The technological triumph of linking voice to stage, and the acoustical instruments of the excellent orchestra to the synthesized instruments is impressive… Mr. Machover and his students invented magical machines. “ — Herald Tribune The libretto for Death and the Powers is written by U.S. Poet Laureate Robert Pinsky, story by Pinsky and Randy Weiner and directed by Diane Paulus, with choreography by Karole Armitage.
    [Show full text]
  • February 2018 at BFI Southbank Events
    BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola.
    [Show full text]
  • Essential Journalism and Media Writing
    Казанский (Приволжский) федеральный университет Институт языка Кафедра английского языка Essential Journalism and Media Writing Учебное пособие для студентов, обучающихся по специальности «Журналистика» - 031300.62; 031300.68 Казанский (Приволжский) федеральный университет 2012 1 Печатается по решению Редакционно-издательского совета ФГАОУВПО «Казанский (Приволжский) федеральный университет» Заседания Учёного совета Института Языка КФУ Протокол № от 24 октября 2012 г. заседания кафедры английского языка Протокол № от 17 октября 2012 г. Составители: А.А. Благовещенская, А.А. Гильманова, С.Е. Никитина, Г.И. Сосновская Научный редактор Рецензенты: Essential English and Media Writing: Учебное пособие для студентов, обучающихся по специальности «Журналистика»/ А.А. Благовещенская, А.А. Гильманова, С.Е. Никитина, Г.И. Сосновская – Казань: Казанский (Приволжский) федеральный университет, 2012. – 24. Данное пособие предназначено для студентов, обучающихся по специальности «Журналистика», и содержит материалы по специальности, дополняющие основной курс английского языка. Пособие также адресовано всем тем, кто интересуется проблемами современной журналистики. © Казанский (Приволжский) федеральный университет, 2012 2 Предисловие В современных условиях английский язык стал официальным международным языком науки и бизнеса и является частью объективной реальности, поэтому одной из важнейших характеристик современного учѐного, специалиста и практика- профессионала является умение работать с оригинальными источниками на английском языке, читать и переводить
    [Show full text]
  • Célia Maria Silva Oliveira 995 – 20
    Universidade do Minho Instituto de Letras e Ciências Humanas 0) 1 Célia Maria Silva Oliveira 995 – 20 From the Margins into the Mainstream: y Williams and Black British Theatre (1 Roy Williams and Black British Theatre (1995 – 2010) tream: Ro he Mains he Margins into t rom t F Célia Maria Silva Oliveira 2 1 UMinho|20 outubro de 2012 Universidade do Minho Instituto de Letras e Ciências Humanas Célia Maria Silva Oliveira From the Margins into the Mainstream: Roy Williams and Black British Theatre (1995 – 2010) Dissertação de Mestrado Mestrado em Estudos Ingleses Trabalho realizado sob a orientação da Professora Doutora Francesca Clare Rayner outubro de 2012 Acknowledgments I would like to thank Professor Francesca Rayner for introducing me to the world of New Writing in Britain and leading me in a quest of discovery. Thank you for the support and for believing in me and in the work that I could do. Thank you for the always open office door and the kind words. Filipe Couto, thank you for seeing qualities in me that I was not aware they existed. Thank you for the image that I have in your eyes. Sérgio Oliveira, more than my brother, my best friend, thank you for the support and the technical help. Sometimes, writing a thesis might have moments of desperation and Daniela and Neuza were always at the distance of a phone call. Thank you for the readings and for listening to my monologues. I would also want to thank all the people that direct and indirectly helped me and were part of this journey.
    [Show full text]
  • Billboard-1987-11-21.Pdf
    ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market.
    [Show full text]
  • Hamlet West End Announcement
    FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer.
    [Show full text]
  • Best Picture of the Yeari Best. Rice of the Ear
    SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex­ perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz­ ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history.
    [Show full text]
  • Gjis1 IS, Will Should Enjoy by Toning up and Anient Location
    on the West. Tracy and McBrtde, the Cevene of "The Rosary" will be shown. GARRICK."The Han Bal-j troupe, and the UBual house features. Special Saturday matinees at the ' RESIGNATION IS ACCEPTED. Sunday at 3 and 8:15 this week's bill Blncoln begin at 2 p.m. with The President has accepted the cony." headed by Elsie Janis will be the performances from that hourcontinuousrestgnation by Maj. Paul K. The attraction at the offering.until closing* at 11 p.m. c United States infantry, ofManheijter,his iments commigsion as an officer of the FLORSHEIM SHOE Amust Theater next week,Shubert-Garrickbeginning Army. Sunday night, will be Frank BELASCO.Gertrude Hoffman. American. of Emll Gertrude FINANCIAL. m ii.I New played by the violins, and the production Nyitray'sSmithson's Hoffman, one of the Sunday, Cecil De DeMille's "Male | York Symphony. on the movements of the elephants.ponderouscomedy-drama, "The Man Interpretative dancers, willgreatesthead Female"; Monday, Colleen Moore, and Walter Damrosch, dean of to the bass viols, was Intrusted with Cyrlll Scott the featuredBalcony,"the Shubert bill, at the Belasco in "The Wall Flower"; Tuesday, Doris "WH Y N O T ? conductors, scored a veritableAmerican true to life, and yet was truly player. next week, beginning withTheaterthe May, in "The Understudy"; You ran earn from 12 to lS^v- on yonr amazirigrly the author of "The matinee Raving* by purelinaing our gilt-cdee no*ea. triumph both for himself and his melodiously beautiful. Quite the gem Emil Nyitray, Sunday. Norma Talmadge, in "ByWednesday.Right secured was familiar Man on the Balcony," is the author The Hoffman revue of Jane b.r second trust* on l)i*trirt real of the collection the production, Purchase"; Thursday.
    [Show full text]