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A Parliament of Novels: the Politics of Scottish Fiction 1979-1999 Un Parlement Dans La Littérature : Politique Et Fiction Écossaise 1979-1999
Revue Française de Civilisation Britannique French Journal of British Studies XIV-1 | 2006 La dévolution des pouvoirs à l'Écosse et au Pays de Galles 1966-1999 A Parliament of Novels: the Politics of Scottish Fiction 1979-1999 Un parlement dans la littérature : politique et fiction écossaise 1979-1999 David Leishman Electronic version URL: http://journals.openedition.org/rfcb/1175 DOI: 10.4000/rfcb.1175 ISSN: 2429-4373 Publisher CRECIB - Centre de recherche et d'études en civilisation britannique Printed version Date of publication: 2 January 2006 Number of pages: 123-136 ISBN: 2–911580–23–0 ISSN: 0248-9015 Electronic reference David Leishman, « A Parliament of Novels: the Politics of Scottish Fiction 1979-1999 », Revue Française de Civilisation Britannique [Online], XIV-1 | 2006, Online since 15 October 2016, connection on 02 May 2019. URL : http://journals.openedition.org/rfcb/1175 ; DOI : 10.4000/rfcb.1175 Revue française de civilisation britannique est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. A Parliament of Novels : the Politics of Scottish Fiction 1979-1999 David LEISHMAN Université de Grenoble 3 The Scottish literary scene enjoyed so great a resurgence at the end of the 20th century that the period has sometimes been termed the second Scottish renaissance.1 After a period of relative moroseness, initially exacerbated by the 1979 referendum result,2 Scottish fiction found a new vitality which can be charted by a number of factors: the strong growth in the number of new novels published;3 the linguistic, narratological and typographic experimentation of authors such as Alasdair Gray, James Kelman or Janice Galloway; the increased critical interest in Scottish letters; the commercial success of authors such as Ian Rankin or Irvine Welsh, who, despite their international popularity, remain distinctively Scottish in terms of orientation or voice. -
Class, Gender, and Identity in Contemporary Scottish Literature
UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická fakulta Katedra anglistiky a amerikanistiky Jan Horáček James Kelman: Class, Gender, and Identity in Contemporary Scottish Literature Diplomová práce Anglická filologie – Historie Vedoucí práce: Mgr. Ema Jelínková, Ph.D. Olomouc 2012 Prohlašuji, že jsem tuto bakalářskou práci vypracoval samostatně a uvedl úplný seznam citované a použité literatury. V Olomouci dne 11. května 2012 ………………………………… James Kelman: Class, Gender, and Identity in Contemporary Scottish Literature iii 1 Contents Acknowledgements . v Introduction. 1 I Kelman and Capitalism . 5 1. ‘When skint I am a hulk’: Unemployment and Poverty-Stricken Freedom . 7 2. ‘these capitalist fuckers’: The Breakdown of Welfare . 10 3. ‘On the margins of the traditional working-class life’: Past and Present . 12 4. Stealing and Reading: New Perspectives on Workerism. 15 5. ‘wealthy fuckers and rich cunts’: Class War and Beyond . 18 6. ‘Places where humans might perish forever’: Victims and Casualties . 21 II Kelman and Working-Class Community . 25 7. ‘When men expect women to stop work’: Challenging Masculinity . 25 8. Emasculated Men and Empowered Women . 29 9. ‘Middle-Class Wankers’: From Ambivalence to Estrangement . 32 10. The Collapse of Workers’ Solidarity . 34 III Kafka on the Clyde . 38 11. ‘Wee horrors’: Authentic Stories and Abnormal Events . 38 12. Concrete Facts and Genre Fiction . 41 13. Lack and Becoming: Changing Kelman? . 44 IV Kelman and Demotic Language . 48 14. Unity of Language: The Clash Between English and Scots Vernacular . 49 15. ‘ah jist open ma mooth and oot it comes’: Language of the Gutter . 53 16. Abrogation: Resisting Power and Cultural Marginalization . 56 17. ‘enerfuckinggetic’: Language Play and Innovation . -
'Not Not the “Real” James Kelman' Paul Shanks (University of Aberdeen) A
‘Not not the “real” James Kelman’ Paul Shanks (University of Aberdeen) A Review of Simon Kıvesi , James Kelman (Manchester University Press, 2007), ISBN 978-0-7190- 7096-9, xiv + 210pp Simon Kıvesi’s book forms the most substantial publication on James Kelman’s fiction to date. Given this fact, it is somewhat disconcerting to find an epigraph in the introduction that details Janet Todd’s mild dismissal of Kelman in an interview that appeared in The Herald in March 2006. In considering Todd’s reservations about Kelman (‘the trouble is one ought to admire him’), Kıvesi detects the hidden prejudices of the literary establishment and provocatively states that ‘one implication might be that most literary academics who claim to like Kelman’s work, actually do not. She seems to be suggesting that Kelman benefits from a silencing political correctness, a general fear that actually nobody really likes Kelman’s work much at all’ (1). In making this claim, Kıvesi illuminates one of the more problematic features of Kelman criticism in that it is often instilled with ‘a silencing political correctness’ that serves to overshadow the formal and linguistic subtlety of the fiction. While Kıvesi disparages those critics that have pigeon holed Kelman’s work within a narrowly defined form of social realism or that have illustrated classism in their solidarity or derision (both overt and covert) of the writer, he occasionally falls victim to a more insidious form of the very ‘political correctness’ that he seeks to efface. Throughout the study, Kelman’s statements on art, politics and culture are too often taken to the letter and discussion of the fiction frequently rests upon the critical parameters that Kelman himself has established. -
Maria Izabel Velazquez Domingues
MARIA IZABEL VELAZQUEZ DOMINGUES ALASDAIR GRAY’S LANARK IN THE SCOTTISH CONTEMPORARY SCENE: A MATTER OF POSTMODERN IDENTITY PORTO ALEGRE 2010 Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS CURSO DE PÓS-GRADUAÇÃO EM LETRAS ÁREA DE ESTUDOS DA LITERATURA LINHA DE PESQUISA: LITERATURA, IMAGINÁRIO E HISTÓRIA ALASDAIR GRAY’S LANARK IN THE SCOTTISH CONTEMPORARY SCENE: a matter of postmodern identity Tese de Doutorado submetida à Universidade Federal do Rio Grande do Sul como requisito parcial para obtenção do título de Doutor em Letras. Doutoranda: Maria Izabel Velazquez Domingues Orientadora: Professora Dra. Sandra Sirangelo Maggio Porto Alegre Maio 2010 FICHA CATALOGRÁFICA DOMINGUES, Maria Izabel Velazquez Alasdair Gray’s Lanark in the Scottish Contemporary Scene: a Matter of Postmodern Identity Maria Izabel Velazquez Domingues. Porto Alegre: UFRGS, Instituto de Letras, 2010. 185 p. Tese (Doutorado - Curso de Pós-graduação em Letras) Universidade Federal do Rio Grande do Sul. 1. Literatura Escocesa. 2. Crítica Literária. 3. Alasdair Gray. 4. Lanark. 5. Pós-modernismo. 6. Estudos Culturais. Fig. 1 Work as if you live in the early days of a better nation Alasdair Gray, 2002 Fig. 2 Words are, of course, the most powerful drug used by mankind Rudyard Kipling, Speech, 1923 Lanark’s Launching Poster, 1981 Fig. 3 AGRADECIMENTOS À CAPES (Coordenação de Aperfeiçoamento Pessoal do Ensino Superior), pela Bolsa de Doutorado. Ao Programa de Pós-Graduação em Letras da Universidade Federal do Rio Grande do Sul. Aos meus pais e irmãs, pelo incentivo, torcida e paciência. -
National Qualifications Curriculum Support
NATIONAL QUALIFICATIONS CURRICULUM SUPPORT English and Communication Using Scottish Texts Support Notes and Bibliographies [MULTI-LEVEL] Edited by David Menzies INTRODUCTION First published 1999 Electronic version 2001 © Scottish Consultative Council on the Curriculum 1999 This publication may be reproduced in whole or in part for educational purposes by educational establishments in Scotland provided that no profit accrues at any stage. Acknowledgement Learning and Teaching Scotland gratefully acknowledge this contribution to the Higher Still support programme for English. The help of Gordon Liddell is acknowledged in the early stages of this project. Permission to quote the following texts is acknowledged with thanks: ‘Burns Supper’ by Jackie Kay, from Two’s Company (Blackie, 1992), is reproduced by permission of Penguin Books Ltd; ‘War Grave’ by Mary Stewart, from Frost on the Window (Hodder, 1990), is reproduced by permission of Hodder & Stoughton Ltd; ‘Stealing’, from Selling Manhattan by Carol Ann Duffy, published by Anvil Press Poetry in 1987; ‘Ophelia’, from Ophelia and Other Poems by Elizabeth Burns, published by Polygon in 1991. ISBN 1 85955 823 2 Learning and Teaching Scotland Gardyne Road Dundee DD5 1NY www.LTScotland.com HISTORY 3 CONTENTS Section 1: Introduction (David Menzies) 1 Section 2: General works and background reading (David Menzies) 4 Section 3: Dramatic works (David Menzies) 7 Section 4: Prose fiction (Beth Dickson) 30 Section 5: Non-fictional prose (Andrew Noble) 59 Section 6: Poetry (Anne Gifford) 64 Section 7: Media texts (Margaret Hubbard) 85 Section 8: Gaelic texts in translation (Donald John MacLeod) 94 Section 9: Scots language texts (Liz Niven) 102 Section 10: Support for teachers (David Menzies) 122 ENGLISH III INTRODUCTION HISTORY 5 INTRODUCTION SECTION 1 Introduction One of the significant features of the provision for English in the Higher Still Arrangements is the prominence given to the study of Scottish language and literature. -
Read Ebook {PDF EPUB} the Busconductor Hines by James Kelman User Search Limit Reached - Please Wait a Few Minutes and Try Again
Read Ebook {PDF EPUB} The Busconductor Hines by James Kelman User Search limit reached - please wait a few minutes and try again. In order to protect Biblio.com from unauthorized automated bot activity and allow our customers continual access to our services, we may limit the number of searches an individual can perform on the site in a given period of time. We try to be as generous as possible, but generally attempt to limit search frequency to that which would represent a typical human's interactions. If you are seeing this message, please wait a couple of minutes and try again. If you think that you've reached this page in error, please let us know at [email protected]. If you are an affiliate, and would like to integrate Biblio search results into your site, please contact [email protected] for information on accessing our inventory APIs. Can you guess which first edition cover the image above comes from? What was Dr. Seuss’s first published book? Take a stab at guessing and be entered to win a $50 Biblio gift certificate! Read the rules here. This website uses cookies. We use cookies to remember your preferences such as preferred shipping country and currency, to save items placed in your shopping cart, to track website visits referred from our advertising partners, and to analyze our website traffic. Privacy Details. The Busconductor Hines by James Kelman. Glasgow-born James Kelman began to write at the age of twenty-two in London while working at the Barbican Centre. He had previously worked in Govan driving buses and had originally undertaken a six-year apprenticeship as a compositor, from which he developed an interest for the way words look on the page. -
Tense, Aspect and the Busconductor Hines--The Literary Function of Non-Standard Language in the Fiction of James Kelman
DOCUMENT RESUME ED 353 844 FL 020 98] AUTHOR Rodger, Liam TITLE Tense, Aspect and the Busconductor Hines--The Literary Function of Non-Standard Language in the Fiction of James Kelman. REPORT NO ISSN-0959-2253 PUB DATE 92 NOTE 10p.; For serial issue in which this paper appears, see FL 020 971. PUB TYPE Reports Research/Technical (143) Journal Articles (080) JOURNAL CIT Edinburgh Working Papers in Linguistics; n3 p116-123 1992 EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS *English; *Fiction; Foreign Countries; *Literary Styles; *Nonstandard Dialects; *Tenses (Grammar) IDENTIFIERS *Kelman (James) ABSTRACT The fiction of James Kelman is clearly not written in standard literary English. This paper examines some of the different ways in which the language of his novels and stories diverges from standard English, and discusses the extent tc which these divergences contribute to his stated literary aims. It will be argued that Kelman in his fiction, is developing a literary language that is neither "standard" nor "dialect," but trades on both in pursuit of specific literary ends. (Contains 13 references.) (Author) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. ********************************************************************** Tense Aspect and the Busconductor Hines- the Literary Function of Non-Standard Language in the Fiction of James Kelman Liam Rodger (DAL) REPRODUCE THIS U S OLOARTIAENTOF EDUCATION Research and improvement -
The Role of Literary Studies in Translation: an Introduction to Swing Hammer
UNIVERZITA KARLOVA V PRAZE FILOZOFICKÁ FAKULTA ÚSTAV ANGLOFONNÍCH LITERATUR A KULTUR THE ROLE OF LITERARY STUDIES IN TRANSLATION: AN INTRODUCTION TO SWING HAMMER SWING! BAKALÁŘSKÁ PRÁCE Vedoucí práce: Zpracovala: PhDr. Zdeněk Beran, PhD Křepelová Dana, DiS. Konsultant: Studijní obor: Colin S. Clark, M.A. Anglistika a amerikanistika Praha, září 2013 I declare that the following BA thesis is my own work for which I used only the sources and literature mentioned, and that this thesis has not been used in the course of other university studies or in order to acquire the same or another type of diploma. Prague, 14 August 2013 ______________________________________________ Křepelová Dana, DiS. I would hereby like to thank my supervisor PhDr. Zdeněk Beran, PhD for his beneficial, patient, and professional guidance regarding his comments on my translation and my thesis, and I would also like to thank my consultant Colin S. Clark, M.A. for the invaluable insight into the Scottish language and culture. I have no objections to the BA thesis being borrowed and used for study purposes. ABSTRACT This thesis analyses the process of translation of the opening four chapters of the novel Swing Hammer Swing! by Jeff Torrington with regard to the cultural, literary and linguistic point of view in order to point out the holistic approach to translation, which has been previously omitted as the functional aspect of translation. In other words, the original text needs to be analysed with regard to its literary, cultural and social context, so the functions of the text are properly reflected in the actual translation. The thesis is based on Jiří Levý´s functional structuralism, who is nowadays being discovered by the western linguistic theorists, whereas, in the Czech context, he was well-received and always associated with Prague Linguistic Circle. -
Iain Banks, James Kelman and the Art of Engagement: an Application of Jean Paul Sartre's Theories of Literature and Existentialism to Two Modern Scottish Novelists
Braidwood, Alistair (2011) Iain Banks, James Kelman and the art of engagement: an application of Jean Paul Sartre's theories of literature and existentialism to two modern Scottish novelists. PhD thesis. http://theses.gla.ac.uk/3024/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Iain Banks, James Kelman and the Art of Engagement: An Application of Jean Paul Sartre’s Theories of Literature and Existentialism to Two Modern Scottish Novelists Alistair Braidwood In fulfilment of the degree of Ph.D. Department of Scottish Literature School of Critical Studies University of Glasgow February 2011 - i - Abstract This thesis is a study of the key novels of Iain Banks and James Kelman in the light of Jean Paul Sartre’s theories of existentialism and literature as set out in his 1949 literary manifesto Literature and Existentialism . By comparing and contrasting these two contemporary Scottish writers with reference to Sartre’s ideas, valuable insights into their fiction and their Scottish literary context may be gained. -
A Study of Narrative Form in the Short Fiction of James Kelman
A Study of Narrative Form in the Short Fiction of James Kelman John Douglas Macarthur This thesis is submitted for the degree of Master of Letters University of Glasgow Department of Scottish Literature August 2001 (c) J.D. M acarthur, August, 2001 ProQuest Number: 13833991 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13833991 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 fGLASGOW UNIVERSITY LIBRARY: , IW 5 c o P n \ Abstract This thesis looks at the way in which the ideological and philosophical views of Scottish author James Kelman have aesthetic implications for the narrative form of his fiction. It does so by a close analysis of his short stories. These constitute a major part of the writer's total output, indicative of the importance which Kelman attaches to the form, and they provide examples of some of his best work. The study seeks to remedy the critical neglect of Kelman's writing. The Introduction considers Kelman's connection with realism, particularly American realism, a connection which he has himself acknowledged, and identifies an affinity with Modernism, and thereby tries to place Kelman within a Scottish and international context. -
The Obscure Subject: Working-Class Masculine Identity Under Neoliberalism in Three British Novels (1985-2009)
THE OBSCURE SUBJECT: WORKING-CLASS MASCULINE IDENTITY UNDER NEOLIBERALISM IN THREE BRITISH NOVELS (1985-2009) Simone Hutchinson BSc (Hons) MLitt Submitted in fulfillment of the requirements for the Degree of Master of Philosophy (MPhil) by research English Literature School of Critical Studies College of Arts University of Glasgow September 2014 2 Abstract This thesis examines the socio-political engagements with concepts of masculine working class identity in three British novels written between 1985 and 2009 by James Kelman, Magnus Mills and Monica Ali. It argues that the three primary texts each differently explore a similar conceptualization of masculine identity tied to forms of industrial work. With reference to Jacques Rancière’s writings, this thesis applies the interrelated concepts of ‘politics’, ‘police’ and ‘radical equality’ to the primary texts in an attempt to consider why and in what ways British novels produced during the neoliberal era represent and explore such an anachronistic masculine working-class identity. To aid that discussion, the thesis contemplates Rancière’s critique of the concept of the proletariat and considers the historical development in Britain of the masculine ‘worker’ persona in order to foreground my central argument that the protagonists in each text represent an obscure subject resisting the reach of the proletariat and worker identities, and whose very obscurity enables the different engagements played out within each text. This thesis aims to emphasize the importance for literature studies to reconsider the figure of the proletariat-styled ‘workingman’ in contemporary literature for rethinking politics within an era shaped by advanced neoliberal capitalism. 3 List of Figures Figure 1 - The Red Dawn, September 1915. -
Scottish National Identity in the Works of James Kelman
Scottish National Identity in the Works of James Kelman Olga Zderadičková University of Pardubice After analysing class in James Kelman’s novels, the next cultural aspect to be explored is national identity. The reader would perhaps expect that a contemporary Scottish writer, whom Kelman undoubtedly is considered, would not be able to avoid reflecting upon the issue often labelled as Scottishness (although the problematic nature of such term will yet be discussed). After the traumatic experience of the failed devolution vote in 1979, when Scotland lost the chance to finally alter its status of a stateless nation and instead after not being able to find the necessary forty per cent of votes to enable the abolishing of the Home Rule the sense of national identity sank into depths, the Scotland of mid-90s is once again disputing its future as an independent state after the Scottish Parliament is re-established (Devine and Finlay 1997: 8). On various occasions, the Scots are demonstrating their nationality mainly through its powerful symbols and icons, so unmistakably connected with the country and so often sought by the people visiting Scotland. It is the task of this paper to dispute the validity of such icons and assess to what extent do they comply with the nature of Scottishness, which can be found in contemporary Scottish fiction, specifically in the four analysed novels of James Kelman. When characterising Scottishness, it seems that adjective used most often to describe it is “problematic”. Part of the problem could perhaps be as David McCrone suggests, the different understanding of national identity in modernist and post modernist sense.