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Fifteen Minutes of Fame, Fame in Fifteen Minutes
Andy Warhol and the Dawn of Modern-Day Celebrity Culture 113 Alicja Piechucka Fi!een Minutes of Fame, Fame in Fi!een Minutes: Andy Warhol and the Dawn of Modern-Day Celebrity Culture Life imitates art more than art imitates life. –Oscar Wilde Celebrity is a mask that eats into the face. –John Updike If someone conducted a poll to choose an American personality who best embodies the 1960s, Andy Warhol would be a strong candidate. Pop art, the movement Warhol is typically associated with, !ourished in the 60s. It was also during that decade that Warhol’s career peaked. From 1964 till 1968 his studio, known as the Silver Factory, became not just a hothouse of artistic activity, but also the embodiment of the zeitgeist: the “sex, drugs and rock’n’roll” culture of the period with its penchant for experimentation and excess, the revolution in morals and sexuality (Korichi 182–183, 206–208). "e seventh decade of the twentieth century was also the time when Warhol opened an important chapter in his painterly career. In the early sixties, he started executing celebrity portraits. In 1962, he completed series such as Marilyn and Red Elvis as well as portraits of Natalie Wood and Warren Beatty, followed, a year later, by Jackie and Ten Lizes. In total, Warhol produced hundreds of paintings depicting stars and famous personalities. "is major chapter in his artistic career coincided, in 1969, with the founding of Interview magazine, a monthly devoted to cinema and to the celebration of celebrity, in which Warhol was the driving force. -
Clue # 3 Did You Know? Andy Warhol Produced Around 60 Films
Clue # 3 Did you know? Andy Warhol produced around 60 films. • Andrew Warhola was born on August 6, 1928 in Pittsburgh, Pennsylvania. He was a famous artist during the Pop Art movement. His most famous works are Campbell's Soup Cans, Moonwalk, Marilyn Monroe, Che, and Eight Elvises. • He studied art at Carnegie Mellon University in Pittsburgh. • He worked with different forms of media such as: painting, printmaking, photography, drawing, sculpture, film and music. • On one of his first jobs his name was misspelled as "Warhol“ and he liked it. • He explored pop culture with brands like Coca Cola, Campbells’ and Watties' soup. In 1961, he began to mass-produce commercial goods with his art. He called it Pop Art. One example was the Campbell's Soup cans. In one of his paintings, he had two hundred Campbell's soup cans. • Andy also used pictures of famous people, repeating the same portrait over and over in different colors. He painted Marilyn Monroe, Elvis Presley, Elizabeth Taylor, and Mao Zedong. He used bright colors and silk screening techniques to create his artwork in large quantities. • He opened a new art studio called "The Factory" where he painted, held parties and sold a lot of his art to celebrities. He also founded the New York Academy of Art in 1979. • In 1968, he was shot three times by a woman named Valerie Solanas but he survived. What was the name of his studio where he sold art to celebrities? Question A. Carnegie Mellon B. New York Academy of Art C. Solanas Question D. -
Academic Writing
Academic Writing Most international students need to write essays and reports for exams and coursework, but writing good academic English is one of the most demanding tasks students face. This new, fourth edition of Academic Writing: A Handbook for International Students has been completely revised to help students reach this goal. The four main parts of Academic Writing are: • The Writing Process • Elements of Writing • Vocabulary for Writing • Writing Models Each part is divided into short units that contain examples, explanations and exercises, for use in the classroom or for self-study. The units are clearly organised to allow teachers and students to find the help they need with writing tasks, while cross-referencing allows easy access to relevant sections. In the first part, each stage of the writing process is demonstrated and practised, from selecting suitable sources, reading, note-making and planning through to rewriting and proofreading. The fourth edition of this popular book builds on the success of the earlier editions, and has a special focus on the vital topic of academic vocabulary in Part 3, ‘Vocabulary for Writing’. Part 3 deals with areas such as nouns and adjectives, adverbs and verbs, synonyms, prefixes and prepositions, in an academic context. More key features of the book include: • All elements of writing are clearly explained, with a full glossary for reference • Models provided for all types of academic texts: essays, reports, reviews and case studies • Full range of practice exercises, with answer key included • Use of authentic academic texts • A companion website offers further practice with a range of additional exercises • Fully updated, with sections on finding electronic sources and evaluating Internet material All international students wanting to maximise their academic potential will find this practical and easy-to-use book an invaluable guide to writing in English for their degree courses. -
Lucy Sparrow Photo: Dafydd Jones 18 Hot &Coolart
FREE 18 HOT & COOL ART YOU NEVER FELT LUCY SPARROW LIKE THIS BEFORE DAFYDD JONES PHOTO: LUCY SPARROW GALLERIES ONE, TWO & THREE THE FUTURE CAN WAIT OCT LONDON’S NEW WAVE ARTISTS PROGRAMME curated by Zavier Ellis & Simon Rumley 13 – 17 OCT - VIP PREVIEW 12 OCT 6 - 9pm GALLERY ONE PETER DENCH DENCH DOES DALLAS 20 OCT - 7 NOV GALLERY TWO MARGUERITE HORNER CARS AND STREETS 20 - 30 OCT GALLERY ONE RUSSELL BAKER ICE 10 NOV – 22 DEC GALLERY TWO NEIL LIBBERT UNSEEN PORTRAITS 1958-1998 10 NOV – 22 DEC A NEW NOT-FOR-PROFIT LONDON EXHIBITION PLATFORM SUPPORTING THE FUSION OF ART, PHOTOGRAPHY & CULTURE Art Bermondsey Project Space, 183-185 Bermondsey Street London SE1 3UW Telephone 0203 441 5858 Email [email protected] MODERN BRITISH & CONTEMPORARY ART 20—24 January 2016 Business Design Centre Islington, London N1 Book Tickets londonartfair.co.uk F22_Artwork_FINAL.indd 1 09/09/2015 15:11 THE MAYOR GALLERY FORTHCOMING 21 CORK STREET, FIRST FLOOR, LONDON W1S 3LZ TEL: +44 (0) 20 7734 3558 FAX: +44 (0) 20 7494 1377 [email protected] www.mayorgallery.com EXHIBITIONS WIFREDO ARCAY CUBAN STRUCTURES THE MAYOR GALLERY 13 OCT - 20 NOV Wifredo Arcay (b. 1925, Cuba - d. 1997, France) “ETNAIRAV” 1959 Latex paint on plywood relief 90 x 82 x 8 cm 35 1/2 x 32 1/4 x 3 1/8 inches WOJCIECH FANGOR WORKS FROM THE 1960s FRIEZE MASTERS, D12 14 - 18 OCT Wojciech Fangor (b.1922, Poland) No. 15 1963 Oil on canvas 99 x 99 cm 39 x 39 inches STATE_OCT15.indd 1 03/09/2015 15:55 CAPTURED BY DAFYDD JONES i SPY [email protected] EWAN MCGREGOR EVE MAVRAKIS & Friend NICK LAIRD ZADIE SMITH GRAHAM NORTON ELENA SHCHUKINA ALESSANDRO GRASSINI-GRIMALDI SILVIA BRUTTINI VANESSA ARELLE YINKA SHONIBARE NIMROD KAMER HENRY HUDSON PHILIP COLBERT SANTA PASTERA IZABELLA ANDERSSON POPPY DELEVIGNE ALEXA CHUNG EMILIA FOX KARINA BURMAN SOPHIE DAHL LYNETTE YIADOM-BOAKYE CHIWETEL EJIOFOR EVGENY LEBEDEV MARC QUINN KENSINGTON GARDENS Serpentine Gallery summer party co-hosted by Christopher Kane. -
Vintage Game Consoles: an INSIDE LOOK at APPLE, ATARI
Vintage Game Consoles Bound to Create You are a creator. Whatever your form of expression — photography, filmmaking, animation, games, audio, media communication, web design, or theatre — you simply want to create without limitation. Bound by nothing except your own creativity and determination. Focal Press can help. For over 75 years Focal has published books that support your creative goals. Our founder, Andor Kraszna-Krausz, established Focal in 1938 so you could have access to leading-edge expert knowledge, techniques, and tools that allow you to create without constraint. We strive to create exceptional, engaging, and practical content that helps you master your passion. Focal Press and you. Bound to create. We’d love to hear how we’ve helped you create. Share your experience: www.focalpress.com/boundtocreate Vintage Game Consoles AN INSIDE LOOK AT APPLE, ATARI, COMMODORE, NINTENDO, AND THE GREATEST GAMING PLATFORMS OF ALL TIME Bill Loguidice and Matt Barton First published 2014 by Focal Press 70 Blanchard Road, Suite 402, Burlington, MA 01803 and by Focal Press 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Focal Press is an imprint of the Taylor & Francis Group, an informa business © 2014 Taylor & Francis The right of Bill Loguidice and Matt Barton to be identified as the authors of this work has been asserted by them in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
LICHTENSTEIN, EN PROCESO Juan Antonio Ramírez
Todos nuestros catálogos de arte All our art catalogues desde/since 1973 Lichtenstein en proceso 2005 El uso de esta base de datos de catálogos de exposiciones de la Fundación Juan March comporta la aceptación de los derechos de los autores de los textos y de los titulares de copyrights. Los usuarios pueden descargar e imprimir gra- tuitamente los textos de los catálogos incluidos en esta base de datos exclusi- vamente para su uso en la investigación académica y la enseñanza y citando su procedencia y a sus autores. Use of the Fundación Juan March database of digitized exhibition catalogues signifies the user’s recognition of the rights of individual authors and/or other copyright holders. Users may download and/or print a free copy of any essay solely for academic research and teaching purposes, accompanied by the proper citation of sources and authors. www.march.es Fundación Juan March 001-023 Cat Licht Prim Pags 14/11/05 11:45 Página 1 Fundación Juan March 001-023 Cat Licht Prim Pags 14/11/05 11:45 Página 2 Fundación Juan March 001-023 Cat Licht Prim Pags 14/11/05 11:45 Página 3 Roy LICHTENSTEIN Fundación Juan March 001-023 Cat Licht Prim Pags 14/11/05 11:45 Página 4 Roy Lichtenstein en la presentación de su primera retrospectiva en España, que ofreció la Fundación Juan March en 1983. Fundación Juan March 001-023 Cat Licht Prim Pags 14/11/05 11:45 Página 5 LICHTENSTEIN en proceso museo de Arte abstracto español, Cuenca 25 NOVIEMBRE 2005 - 19 FEBRERO 2006 museu d’Art espanyol contemporani, Palma 7 MARZO - 17 JUNIO 2006 Fundación Juan -
Keith Haring - the Journey of a Steve Chua Graffiti Artist 38 Information the Legend of Lichtenstein 44 out in the Streets
ISSUE 16 | FEB 2011 FEBRUARY 2011 / 1 Yisulang-Confabu Mar 2011 1/15/11 9:37 AM Page 1 C M Y CM MY CY CMY K 2 / THE POCKET ARTS GUIDE Composite C M Y CM MY CY CMY K FEBRUARY 2011 / 3 CONTENTS 12 34 17 13 C M Y 24 26 44 CM MY 12 COMING UP 17 SPOTLIGHT 50 INTERVIEW CY LAND-TA-MORPHOSIS — Artist in Focus - Farhad Hussain An Interview — What the CMY Second of the Trilogy: Castle :Phunk? Beyond a Mountain 12 K Dorit Feldman: A Solo Exhibition by Art Facet Glimpses: A Solo Exhibition by 26 COVER STORY 61 SINGAPORE BenCab ART MAP The Window Project 13 Pop! Back into the Future with Burton Morris Will Siber: Sculpture, Wall Object & Painting Solo Exhibition By Seah Kang Chui 不变 50 年 Unchanged For 50 64 DIRECTORIES Years 14 34 FEATURES Singapore Art Galleries Other Listings ‘No si hijomiono’o jabesi soré Gurerro Habulan – jajivo’ The Warrior of pop! 34 Tourist Spots Malaysia Art Guide Limelight Blossoms by Keith Haring - The Journey of a Steve Chua Graffiti artist 38 InFORMATION The Legend of Lichtenstein 44 Out in the Streets 4 / THE POCKET ARTS GUIDE C M Y CM MY CY CMY K FEBRUARY 2011 / 5 CONTENTS SPOTLIGHT INTERVIEW SINGAPORE ART MAP 6 / THE POCKET ARTS GUIDE C M Y CM MY CY CMY K FEBRUARY 2011 / 7 Issue #16 (February 2011) ISSN 1793-9739 / MICA (P) 252/09/2010 www.thepocketartsguide.com On the Cover Burton Morris Poparazzi Acrylic on canvas 91.4 x 91.4cm Editor-in-Chief Remo Notarianni / [email protected] Guest Editor Saskia Joosse / [email protected] Art Director Amalina MN / [email protected] Contributors Bharti Lalwani Advertising Sales [email protected] General enquiries and feedback [email protected] Submission of press releases [email protected] THE POCKET ARTS GUIDE PTE LTD (TPAG) 215 Henderson Road, #03-03, Henderson Industrial Park Singapore 048545 For advertising enquiries, please email [email protected]. -
Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – January 26Th, 2018
Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – January 26th, 2018 www.stanfordauctioneers.com | [email protected] 1: PAUL KLEE - "M" Garden Gate ["Portail du jardin M"] USD 300 - 400 Paul Klee (Swiss/German, 1879 - 1940). ""M" Garden Gate ["Portail du jardin M"]". Original color collotype. 1932. Printed 1957. Signed in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 8 5/16 x 9 3/16 in. (211 x 233 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [23634-2-225] 2: ANDY WARHOL - $$ [dollar signs] USD 4,000 - 5,000 Andy Warhol (American, 1928 - 1987). "$$ [dollar signs] [drawing]". Marker drawing on paper. c1979. Signed in black marker, lower center. White wove bond paper. The "full sheet". Fine condition. Provenance: Private collector, Sweden, acquired c.1991 possibly from Frederick W. Hughes (Warhol's business manager); thence to our consignor. Overall size: 11 x 8 1/2 in. (279 x 216 mm). Marker drawings of dollar signs by Warhol are scarce/rare. Our example is rare as it was drawn on Warhol’s “Andy Warhol Enterprises, Inc.” letterhead at the Factory (or as it was known then, “the office”). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. -
Elliott Murphy the Last Rock Star
NOVELA MEMORIAS VARASEK POESÍA EDICIONES ON THE ROAD Título original: The Last Rock Star Dirección de arte y coordinación editorial: Beatriz Ruibal Diseño gráfico: Jaime Narváez Maquetación: Juanjo Pérez Corrección: Bruno Montané ELLIOTT Foto portada: Lluís Oliver Fotografía contraportada: Jack Mitchell MURPHY © 2019, Elliott Murphy © 2019, de la presente edición en castellano para todo el mundo: Varasek Ediciones, S.L. THE 1.ª edición, Madrid diciembre, 2019 © Varasek Ediciones S. L. Cava Baja, 24, 2.° Dcha. 28005, Madrid, España www.varasekediciones.es LAST © 2019, Peter Redwhite, por la traducción de Tramps y The Last Rock Star © 2019, Antonio Cordero y Marcos Canteli por las traducciones de los poemas y dos canciones ROCK © 2019, Santiago Alcanda por el Prólogo «Cuando no llueve» y listado hipotético de canciones que suenan en la novela Tramps STAR © de la fotografía de cubierta Lluís Oliver. Cortesía de Jorge Arenillas © de la fotografía de contraportada Jack Mitchell. Cortesía de Elliott Murphy MEMORIAS DE Créditos fotográficos: UN OUTSIDER Cortesía del archivo personal de Elliott Murphy: 250, 253, 257, 258, 262, 265, 267, 270, 271, 272, 280, 286, 290, 295, 298, 300, 308, 310, 311, 312, 314, 320, 325, 326, 327, 343, 345, 346, 347, 352, 356, 360, 361, 362,370, 376, 378, 381, 382, 392, 397, 400, 401, 404, 406, 412, 413, 421, 422, 424, 429, 430, 432, 436, 438, 439, 451, 461, 462, 466, 475 © Françoise Viallon-Murphy: 295, 475 © Mark Russo: 329, 330 © Vincent Lignier: 461 TRADUCCIÓN DE © Paul Waldman: 414 © Kate Simon: 418, 441 © Denys Schelfhaut: 447 © Nathalie Vergez: 294 PETER REDWHITE © David Godichaud: 467 © Michel Jolyot: 468 © Pierre Villard: 471 © J. -
Collectable Elvis
1 COLLECTIBLE ELVIS By Scott K. Van Den Berg EXT. BATHROOM - NIGHT A young Elvis Presley checks his reflection. It might be Elvis except that the sideburns are a decidedly different color than the greased hair, and more the texture of felt than of sideburn hair. Elvis, Wesley rather, talks to the mirror. It certainly sounds like Elvis. WESLEY You talking to me? You talking to me? Thank you very much. Wesley checks his watch, an Elvis watch, reacting with panic. WESLEY Oh man! He hurriedly squeezes toothpaste on a collectible Elvis toothbrush, then reconsiders and sucks some toothpaste out of the tube, swallows, puts on jeweled sunglasses and darts down a very narrow hallway to the livingroom. He wears the same black leather jumpsuit that Elvis wore for his 1968 comeback tour. INT. LIVINGROOM - NIGHT The small livingroom has a worn sofa along one wall, covered with a blanket bearing Elvis' likeness. A guitar case rests on the sofa. Wesley grabs it and a tiny amplifier which sets against one side of the sofa. EXT. TRAILER COURT - NIGHT Wesley exits a weather-beaten trailer and hops into a sad-looking old panel van which bears the license plate, "LV1S L1VS". A hand-painted sign on the side of the van reads, "Wesley 'Elvis' Wringer- Tribute to Elvis: Bookings Available, 555-505-0099". EXT. STREET - NIGHT Wesley's panel van races past a steel building bearing the sign, "The Door Store and More, Equipment Rental Here". A bit further down the road, Wesley blows past an old Volkswagon. He doesn't notice. -
Stanford Auctioneers Pop Art, Fine Art, Photographs: Day 1 of 3 Friday – January 27Th, 2017
Stanford Auctioneers Pop Art, Fine Art, Photographs: Day 1 of 3 Friday – January 27th, 2017 www.stanfordauctioneers.com | [email protected] 1: ANDY WARHOL - $ [dollar sign] USD 3,000 - 4,000 Andy Warhol (American, 1928 - 1987). "$ [dollar sign] [drawing]". Marker drawing on paper. c1980. Annotated "love" and signed in black marker. Cream wove thick tissue paper. Good condition; crinkled and with fold marks; sheet trimmed irregularly. Provenance: Borje Bengtsson, Bengtsson Fine Art, Landskrona, Sweden, thence to our consignor. Marker drawings of dollar signs by Warhol are scarce/rare. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. Overall size: 10 1/2 x 10 in. (267 x 254 mm). [29038] |2000| {R100} (TL2) czzz~szzz 2: ANDY WARHOL - $$ [dollar signs] USD 6,000 - 7,000 Andy Warhol (American, 1928 - 1987). "$$ [dollar signs] [drawing]". Marker drawing on paper. c1979. Signed in black marker, lower center. White wove bond paper. The "full sheet". Fine condition. Provenance: Borje Bengtsson, Bengtsson Fine Art, Landskrona, Sweden, acquired c.1991 possibly from Frederick W. Hughes (Warhol's business manager); thence to our consignor. Marker drawings of dollar signs by Warhol are scarce/rare. Our example is rare as it was drawn on Warhol’s “Andy Warhol Enterprises, Inc.” letterhead at the Factory (or as it was known then, “the office”). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. Overall size: 11 x 8 1/2 in. (279 x 216 mm). [29037] |4000| {R100} (TL2) nzzz~azzz 3: RCAF PHOTO - [African-American] Cake Walk and Minstrel Review USD 400 - 500 RCAF PHOTO (Canadian, 20th Century). -
Polish Journal for American Studies Yearbook of the Polish Association for American Studies and the Institute of English Studies, University of Warsaw
Polish Journal for American Studies Yearbook of the Polish Association for American Studies and the Institute of English Studies, University of Warsaw Vol. 8 (2014) Julia Fiedorczuk Can Poetry Save the Earth? An Interview with Gary Snyder Zoe Detsi-Diamanti Sarah Pogson’s The Female Enthusiast and American Republican Virtue Tunde Adeleke The Political Pragmatism of Martin R. Delany Zbigniew Maszewski Homesickness for the Wild and Hemingway’s African Dressing Gown Alicja Piechucka Andy Warhol and the Dawn of Modern-Day Celebrity Culture TYTUŁ ARTYKUŁU 1 Polish Journal for American Studies Yearbook of the Polish Association for American Studies and the Institute of English Studies, University of Warsaw Vol. 8 (2014) Warsaw 2014 2 IMIĘ NAZWISKO MANAGING EDITOR Marek Paryż EDITORIAL BOARD Paulina Ambroży, Patrycja Antoszek, Zofia Kolbuszewska, Karolina Krasuska, Zuzanna Ładyga ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWERS FOR VOL. 8 Tomasz Basiuk, Mirosława Buchholtz, Jerzy Durczak, Joanna Durczak, Dominika Ferens, Paweł Jędrzejko, Ewa Łuczak, Zbigniew Mazur, Tadeusz Pióro, Agata Preis-Smith, Justyna Wierzchowska, Beata Williamson, Justyna Włodarczyk ISSN 1733–9154 Copyright by the authors 2014 Polish Association for American Studies, Al. Niepodległości 22, 02–653 Warsaw www.paas.org.pl Publisher: Institute of English Studies, University of Warsaw ul. Nowy Świat 4, 00–497 Warsaw www. angli.uw.edu.pl Typesetting, cover design by Bartosz Mierzyński Cover Image: “Martin R. Delany,” National Portrait Gallery, Washington D.C.