Fifteen Minutes of Fame, Fame in Fifteen Minutes
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I.V., Campus Voter Registration Campaign Shifts Into Overdrive
T VOL. 53-N O . 9 TUESDAY, SEPTEMBER 26,1972 UNIVERSITY OF CALIFORNIA. SANTA BARBARA ■ I.V., campus voter registration campaign shifts into overdrive By DAVE CARLSON Building, Library, and McGovern organizer for Gary Hart, is If you have changed your, Headquarters at 6527 Madrid are particularly concerned. address in any way since you last other sites where registrars w ill be " I f people register in I.V .," he registered to vote, you must located. said, "they're more likely to have re-register or you , will be an effect because of the marginal ineligible. Assembly race. Also, it's a If your 18th birthday falls on genuine hassle to get absentee any date before November, you ballots in time." should register now. Supporters of Hart and Tim October 8 is the last day to ■ Lemucchi, who is running for photo: Tom Lendino register for the November Congress in the Bakersfield REPUBLICAN ASSEMBLYMAN Bill Ketchum: candidate for re-election. elections. District to which I.V. is These are the messages that connected, are basing much of partisan campaigners are trying to their hopes on a huge Isla Vista convey to Isla Vista's 13,000 flore. Daus io turnout. young and mobile inhabitants. Santa Barbara County is now Ketcham’s platform: The McGovern-Shriver and Gary Registern Wok over 50 percent Democratic, Hart for Assembly campaigns are thanks to I.V.'s contributions to working hard to register at least Persons need only register 30 the Democratic voters column. 8,000 Isla Vista ns- on the days before an election to qualify The Republicans will also be ‘cat, squeeze, trim’ assumption that the populous for voting, according to the working in Isla Vista, "but only enclave is rich in liberal Supreme Court, which struck on a door-to-door, personal By SCOTT LARSON The Paso Robles assemblyman Democratic voters. -
Storm Disrupts Power Service, Halts Traffic
-Pi^U'< s- 10-year Jail Sentence r" SEE STOKY BELOW' TheWeatnw Mostly sunny, less warn FINAL and humid today; clear and T Red Bank, Freehold f cool tonight Mostly sonny and l_ Long Branch 7 pleasant tomorrow. EDITION nr • ' • Monmouth County's Outstanding Home Newspaper 34 PAGES VOL.95 NO. 22 RED BANK, NJ. WEDNESDAY, JULY 26,1972 TEN CENTS niraimiii Affected Towns Ponder Beach Fee Ruling A state Supreme Court rul- decision is made on a course Bright charges residents ?5 decision "ridiculous,1' and Mayor Norton said, "is a democracy," she said, "but nicipal beach would not make George Hoffman said the new ing that shore communities of action. per year for season passes added, "It may certainly grave problem in our then sometimes we wonder if as much profit. "We would state ruling will not have cannot charge nonresidents "We have instructed our and $10 for nonresidents. At bring more people to our borough. If the governor we do." lose approximately 4Q to 59 much effect on the city. higher beach fees than they borough attorney, Richard L. the same time, a. 50-cent ad- beach on season passes, but at wants this decision to apply Mayor Sidney B. Johnson of per cent of our revenue." "The only effect it will charge residents will have Bonello," said Mayor Cecile mission is charged for the, the same time this would then i>e should make available Monmouth Beach said he had He saw no plans for appeal- have," he said, "would be on little U any effect on Bayshore F. -
Clue # 3 Did You Know? Andy Warhol Produced Around 60 Films
Clue # 3 Did you know? Andy Warhol produced around 60 films. • Andrew Warhola was born on August 6, 1928 in Pittsburgh, Pennsylvania. He was a famous artist during the Pop Art movement. His most famous works are Campbell's Soup Cans, Moonwalk, Marilyn Monroe, Che, and Eight Elvises. • He studied art at Carnegie Mellon University in Pittsburgh. • He worked with different forms of media such as: painting, printmaking, photography, drawing, sculpture, film and music. • On one of his first jobs his name was misspelled as "Warhol“ and he liked it. • He explored pop culture with brands like Coca Cola, Campbells’ and Watties' soup. In 1961, he began to mass-produce commercial goods with his art. He called it Pop Art. One example was the Campbell's Soup cans. In one of his paintings, he had two hundred Campbell's soup cans. • Andy also used pictures of famous people, repeating the same portrait over and over in different colors. He painted Marilyn Monroe, Elvis Presley, Elizabeth Taylor, and Mao Zedong. He used bright colors and silk screening techniques to create his artwork in large quantities. • He opened a new art studio called "The Factory" where he painted, held parties and sold a lot of his art to celebrities. He also founded the New York Academy of Art in 1979. • In 1968, he was shot three times by a woman named Valerie Solanas but he survived. What was the name of his studio where he sold art to celebrities? Question A. Carnegie Mellon B. New York Academy of Art C. Solanas Question D. -
Academic Writing
Academic Writing Most international students need to write essays and reports for exams and coursework, but writing good academic English is one of the most demanding tasks students face. This new, fourth edition of Academic Writing: A Handbook for International Students has been completely revised to help students reach this goal. The four main parts of Academic Writing are: • The Writing Process • Elements of Writing • Vocabulary for Writing • Writing Models Each part is divided into short units that contain examples, explanations and exercises, for use in the classroom or for self-study. The units are clearly organised to allow teachers and students to find the help they need with writing tasks, while cross-referencing allows easy access to relevant sections. In the first part, each stage of the writing process is demonstrated and practised, from selecting suitable sources, reading, note-making and planning through to rewriting and proofreading. The fourth edition of this popular book builds on the success of the earlier editions, and has a special focus on the vital topic of academic vocabulary in Part 3, ‘Vocabulary for Writing’. Part 3 deals with areas such as nouns and adjectives, adverbs and verbs, synonyms, prefixes and prepositions, in an academic context. More key features of the book include: • All elements of writing are clearly explained, with a full glossary for reference • Models provided for all types of academic texts: essays, reports, reviews and case studies • Full range of practice exercises, with answer key included • Use of authentic academic texts • A companion website offers further practice with a range of additional exercises • Fully updated, with sections on finding electronic sources and evaluating Internet material All international students wanting to maximise their academic potential will find this practical and easy-to-use book an invaluable guide to writing in English for their degree courses. -
UC Irvine UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Revealing the Monsters Within: Andy Warhol, the 1972 Mao series, and Vote McGovern Permalink https://escholarship.org/uc/item/9k15w3vs Author Kasimoff, Naomi Michael Publication Date 2017 License https://creativecommons.org/licenses/by-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Revealing the Monsters Within: Andy Warhol, the 1972 Mao series, and Vote McGovern THESIS submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in Art History by Naomi Michael Kasimoff Thesis Committee: Professor Cécile Whiting, Chair Associate Professor Roberta Wue Assistant Professor James Nisbet 2017 © 2017 Naomi Michael Kasimoff DEDICATION To my parents Mike and Laura, my brothers Michael and Jacob, and my wonderful Michael who helped me get through this year with their unending love and support. I am forever grateful for your confidence in me. ii TABLE OF CONTENTS Page ACKNOWLEDGMENTS iv ABSTRACT OF THE THESIS v INTRODUCTION 1 The Public Mao 3 The Public Nixon and the Infamous Meeting 7 Andy and Horror Films 10 Andy and Mao 16 Andy and Nixon 19 Andy and the Double Persona 21 BIBLIOGRAPHY 23 iii ACKNOWLEDGMENTS I would like to express my sincere gratitude to my committee chair, Professor Cécile Whiting, for her patience and guidance, without which I would not have been able to complete my thesis. I am grateful for having been able to work with you. I would like to thank my committee members, Professor Roberta Wue and Professor James Nisbet, for always giving me great advice and for helping me to grow. -
Lucy Sparrow Photo: Dafydd Jones 18 Hot &Coolart
FREE 18 HOT & COOL ART YOU NEVER FELT LUCY SPARROW LIKE THIS BEFORE DAFYDD JONES PHOTO: LUCY SPARROW GALLERIES ONE, TWO & THREE THE FUTURE CAN WAIT OCT LONDON’S NEW WAVE ARTISTS PROGRAMME curated by Zavier Ellis & Simon Rumley 13 – 17 OCT - VIP PREVIEW 12 OCT 6 - 9pm GALLERY ONE PETER DENCH DENCH DOES DALLAS 20 OCT - 7 NOV GALLERY TWO MARGUERITE HORNER CARS AND STREETS 20 - 30 OCT GALLERY ONE RUSSELL BAKER ICE 10 NOV – 22 DEC GALLERY TWO NEIL LIBBERT UNSEEN PORTRAITS 1958-1998 10 NOV – 22 DEC A NEW NOT-FOR-PROFIT LONDON EXHIBITION PLATFORM SUPPORTING THE FUSION OF ART, PHOTOGRAPHY & CULTURE Art Bermondsey Project Space, 183-185 Bermondsey Street London SE1 3UW Telephone 0203 441 5858 Email [email protected] MODERN BRITISH & CONTEMPORARY ART 20—24 January 2016 Business Design Centre Islington, London N1 Book Tickets londonartfair.co.uk F22_Artwork_FINAL.indd 1 09/09/2015 15:11 THE MAYOR GALLERY FORTHCOMING 21 CORK STREET, FIRST FLOOR, LONDON W1S 3LZ TEL: +44 (0) 20 7734 3558 FAX: +44 (0) 20 7494 1377 [email protected] www.mayorgallery.com EXHIBITIONS WIFREDO ARCAY CUBAN STRUCTURES THE MAYOR GALLERY 13 OCT - 20 NOV Wifredo Arcay (b. 1925, Cuba - d. 1997, France) “ETNAIRAV” 1959 Latex paint on plywood relief 90 x 82 x 8 cm 35 1/2 x 32 1/4 x 3 1/8 inches WOJCIECH FANGOR WORKS FROM THE 1960s FRIEZE MASTERS, D12 14 - 18 OCT Wojciech Fangor (b.1922, Poland) No. 15 1963 Oil on canvas 99 x 99 cm 39 x 39 inches STATE_OCT15.indd 1 03/09/2015 15:55 CAPTURED BY DAFYDD JONES i SPY [email protected] EWAN MCGREGOR EVE MAVRAKIS & Friend NICK LAIRD ZADIE SMITH GRAHAM NORTON ELENA SHCHUKINA ALESSANDRO GRASSINI-GRIMALDI SILVIA BRUTTINI VANESSA ARELLE YINKA SHONIBARE NIMROD KAMER HENRY HUDSON PHILIP COLBERT SANTA PASTERA IZABELLA ANDERSSON POPPY DELEVIGNE ALEXA CHUNG EMILIA FOX KARINA BURMAN SOPHIE DAHL LYNETTE YIADOM-BOAKYE CHIWETEL EJIOFOR EVGENY LEBEDEV MARC QUINN KENSINGTON GARDENS Serpentine Gallery summer party co-hosted by Christopher Kane. -
Art and Transformation
ISSUES IN INTEGRATIVE STUDIES No. 16, pp. 57-71 (1998) Art and Transformation by Debora Wood Artist and Critic Abstract: Many contemporary artists intend to challenge the viewer’s modes of perception by manipulating traditional imagery, but does this transformation of cultural stock images consti- tute a transformation in the audience? This paper will examine artists who appropriate images using reproductive technologies in an attempt to reach a large audience and initiate social change. Printmaking plays a significant role in ethical discourse. Since its inven- tion more than 500 years ago, printmaking has been the most economical way to disseminate information. Artists have been using prints to encourage social reform ever since print technology allowed. Today, with the advent of digital cameras, photocopy machines, and inexpensive computer equipment, it is easy to reproduce pre-existing images. These reproductions can then be transformed by cropping, enlarging, erasing part of the image, drawing on top of it, or combining it with other previously unrelated imagery or text. In this way, the altered works acquire new meanings as well as make reference to the original images. This kind of appropriation can be used to raise the moral consciousness of the viewer by using traditional imagery alongside contemporary text or manipulations in order to challenge social norms. The question is whether or not this transformation of cultural imagery con- stitutes a transformation in the audience. This is not an automatic process. For example, if an artist alters a reproduction in an effort to highlight dis- crimination, it does not automatically follow that the community will no longer discriminate. -
Vintage Game Consoles: an INSIDE LOOK at APPLE, ATARI
Vintage Game Consoles Bound to Create You are a creator. Whatever your form of expression — photography, filmmaking, animation, games, audio, media communication, web design, or theatre — you simply want to create without limitation. Bound by nothing except your own creativity and determination. Focal Press can help. For over 75 years Focal has published books that support your creative goals. Our founder, Andor Kraszna-Krausz, established Focal in 1938 so you could have access to leading-edge expert knowledge, techniques, and tools that allow you to create without constraint. We strive to create exceptional, engaging, and practical content that helps you master your passion. Focal Press and you. Bound to create. We’d love to hear how we’ve helped you create. Share your experience: www.focalpress.com/boundtocreate Vintage Game Consoles AN INSIDE LOOK AT APPLE, ATARI, COMMODORE, NINTENDO, AND THE GREATEST GAMING PLATFORMS OF ALL TIME Bill Loguidice and Matt Barton First published 2014 by Focal Press 70 Blanchard Road, Suite 402, Burlington, MA 01803 and by Focal Press 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Focal Press is an imprint of the Taylor & Francis Group, an informa business © 2014 Taylor & Francis The right of Bill Loguidice and Matt Barton to be identified as the authors of this work has been asserted by them in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
THE INDEPENDENT VOICE of the VISUAL ARTS Chicago, Detroit, Los Angeles, Miami, Milwaukee, Nashville, New York, St
THE INDEPENDENT VOICE OF THE VISUAL ARTS Chicago, Detroit, Los Angeles, Miami, Milwaukee, Nashville, New York, St. Louis Volume 34 No. 3 January/February 2020 Established 1973 INSIDE NATHAN WORCESTER examines Warhol at AIC while MICHEL SÉGARD tackles Silver Clouds at Lawrence & Clark CHICHAN KWONG covers two NYC Pope.L shows while NOA/H FIELDS critiques the catalog to Pope.L’s MoMA show In separate reviews, K.A. LETTS and STEVIE HANLEY immerse themselves in Art Basel Miami Beach and surrounding art fairs $8 U.S. KELLI WOODS surveys Nashville’s vibrant, thriving art scene NEW ART EXAMINER Cover: Top, Silver Clouds at Lawrence & Clark. Photo courtesy of Lawrence & Clark. Side, Maurizio Cattelan's Comedian. Photo by Sarah Cascone. Source: artnet News. Bottom, Pope.L The Great White Way, Contents 22 miles, 9 years, 1 street. 2000-09. Performance. © Pope.L. Courtesy of the artists and Mitchell–Innes & Nash, New York. State of the Art Scene 3 Introduction 4 “Andy Warhol—From A to B and Back Again” NATHAN WORCESTER provides a realistic, unsentimental analysis of the first major Warhol retrospective in the United States since 1989. 6 Silver Clouds: Playing with God? MICHEL SÉGARD explores the non-commercial side of Silver Clouds and its possible spiritual underpinnings. 8 Materials: Holes, Emotion, and Water Pope.L exhibitions at the Whitney and MoMA in New York propelled CHICHAN KWONG on a journey of free association. 10 Lacking for Pope.L NOA/H FIELDS critiques the catalogue to the "member: Pope.L 1978–2001" exhibition at MoMA. 13 Works that Caught Our Eye at Art Basel Miami Beach and NADA Our Detroit editor, K.A. -
The BG News November 3, 1972
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 11-3-1972 The BG News November 3, 1972 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News November 3, 1972" (1972). BG News (Student Newspaper). 2772. https://scholarworks.bgsu.edu/bg-news/2772 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. An Independent Bowling Green, Ohio Student Friday. Nov.mb.. 3, 1972 Voice THe BG news Volum. 56 Number 33 No peace visible until pact signed PARIS (API - The North Vietnamese recognize any cease-fire agreement able" proposals declared yesterday there will be no concluded against its will The Viet Cong argued that in failing further negotiations with Henry A to sign the agreement, the United Kissinger until the United States IN FOUR HOURS of vituperation States shortened the chances for U.S. commits itself to signing the draft between the opposing Vietnamese dele- prisoners of war getting home by peace agreement gations, there was little to show that Christmas North Vietnamese and Viet Cong peace is at hand,' as Kissinger. speakers denounced the Nixon admini- President Nixon's advisor, said last U.S. DELEGATE William J Porter stration for what they called a breach week avoided the polemics of the other three of promise" in failing to sign the Nguyen Xuan Phong of tne South delegations In a brief statement, he accord by Oct 31. -
The Democrats: Desperately Seeking Defeat?
Stanley Aronowitz The Democrats: Desperately Seeking Defeat? by Stanley Aronowitz here is an old saw of political forecasting: “it’s the economy, stupid.” TBill Clinton popularized it in his campaign to unseat George H. W. Bush and it seemed to work, despite Bush’s swift and apparently painless victory in the Gulf War (in retrospect it was not nearly as smooth as was initally reported). According to most assessments, the senior Bush was defeated by his failure to address the 1991-93 recession with bold interventions that appeared to recognize the issue, let alone make a real difference. A decade later the incumbent national administration led by senior Bush’s son, George, is presiding over a stubbornly flagging economy. Unemployment and underemployment stay high despite reports of economic growth, which in any case is fueled by vast imputs of fictitious capital: the government has issued more than $150 billion in unsupported cash; and the credit system has generated a huge consumer debt. More particularly, if many Americans are experiencing declining living standards—whether they have a full-time job or not—according to conventional wisdom the prospects for returning the president to a second term are said to be grim. If people don’t buy expensive consumer products such as autos, computers, electronic equipment, appliances and furniture it’s a sure sign they either don’t have the income (or the credit lines), or have lost confidence they can repay their accumulated loans so they stay put. Meanwhile they look to the government to help get them out of their binds. -
Elliott Murphy the Last Rock Star
NOVELA MEMORIAS VARASEK POESÍA EDICIONES ON THE ROAD Título original: The Last Rock Star Dirección de arte y coordinación editorial: Beatriz Ruibal Diseño gráfico: Jaime Narváez Maquetación: Juanjo Pérez Corrección: Bruno Montané ELLIOTT Foto portada: Lluís Oliver Fotografía contraportada: Jack Mitchell MURPHY © 2019, Elliott Murphy © 2019, de la presente edición en castellano para todo el mundo: Varasek Ediciones, S.L. THE 1.ª edición, Madrid diciembre, 2019 © Varasek Ediciones S. L. Cava Baja, 24, 2.° Dcha. 28005, Madrid, España www.varasekediciones.es LAST © 2019, Peter Redwhite, por la traducción de Tramps y The Last Rock Star © 2019, Antonio Cordero y Marcos Canteli por las traducciones de los poemas y dos canciones ROCK © 2019, Santiago Alcanda por el Prólogo «Cuando no llueve» y listado hipotético de canciones que suenan en la novela Tramps STAR © de la fotografía de cubierta Lluís Oliver. Cortesía de Jorge Arenillas © de la fotografía de contraportada Jack Mitchell. Cortesía de Elliott Murphy MEMORIAS DE Créditos fotográficos: UN OUTSIDER Cortesía del archivo personal de Elliott Murphy: 250, 253, 257, 258, 262, 265, 267, 270, 271, 272, 280, 286, 290, 295, 298, 300, 308, 310, 311, 312, 314, 320, 325, 326, 327, 343, 345, 346, 347, 352, 356, 360, 361, 362,370, 376, 378, 381, 382, 392, 397, 400, 401, 404, 406, 412, 413, 421, 422, 424, 429, 430, 432, 436, 438, 439, 451, 461, 462, 466, 475 © Françoise Viallon-Murphy: 295, 475 © Mark Russo: 329, 330 © Vincent Lignier: 461 TRADUCCIÓN DE © Paul Waldman: 414 © Kate Simon: 418, 441 © Denys Schelfhaut: 447 © Nathalie Vergez: 294 PETER REDWHITE © David Godichaud: 467 © Michel Jolyot: 468 © Pierre Villard: 471 © J.