DOCSLIB.ORG

Stanford Auctioneers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stanford Auctioneers Stanford Auctioneers Pop Art, Modern & Contemporary Art Saturday - April 12, 2014 Pop Art, Modern & Contemporary Art 1: JEAN-MICHEL BASQUIAT [by or attrib] - Oil on paper USD 25,000 - 35,000 Jean-Michel Basquiat [by or attrib] (American, 1960-1988). "Asbestos". Oil on paper. 1982-1983. Signed on the verso. Textured tan paper. Fine condition. Provenance: Estate of a private collector, Long Island, New York, acquired directly from the artist, with the monogram signature verso as requested. Image copyright © Artists Rights Society (ARS), New York. Overall size: 9 3/8 x 10 3/4 in. (238 x 273 mm). [27933] |16000| {R100} 2: JEAN-MICHEL BASQUIAT - Color offset lithograph USD 5,000 - 6,000 Jean-Michel Basquiat (American, 1960-1988). "Basquiat @ Gagosian". Color offset lithograph. 1986. Signed in black marker. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Condition: folds (as issued?), toning verso, else very good. A rare poster. No auction records located. For the exhibition entitled "Jean-Michel Basquiat" at the Larry Gagosian Gallery, Los Angeles, January - February, 1986. This was Basquiat's last show at Gagosian and his last on the West Coast. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris, ARS, New York, 2013. Overall size: 39 3/8 x 26 1/2 in. (1000 x 673 mm). [28126] |3000| {R100} 3: JEAN-MICHEL BASQUIAT - Color lithograph USD 2,000 - 2,500 Jean-Michel Basquiat (American, 1960-1988). "Hamlet". Color lithograph. 1987. Signed in black marker, lower left. Edition unknown, probably very small. Very light cream wove paper. The full sheet. Fine impression. Very good condition. Basquiat posters are rare. We have located only 11 auction sales of his "lifetime" posters at auction, and not our example, which has not been offered before at auction. Issued for the Hartford Stage's production of Shakespeare's "Hamlet" which ran from October 3 to November 7, 1987, Hartford, Connecticut. Image copyright © Artists Rights Society (ARS), New York. Overall size: 39 x 25 1/4 in. (991 x 641 mm). [28409] |1200| {R100} 4: JEAN-MICHEL BASQUIAT - Color silkscreen (?) front USD 4,000 - 5,000 Jean-Michel Basquiat (American, 1960-1988). "Quetzalcoatl [autographed and annotated exhibition catalogue]". Color silkscreen (?) front and back covers. 1984. Signed in black marker on the inside front cover. Condition: the catalogue cover is creased upper and lower right corners, contents very good. A scarce catalogue and rare when signed, especially annotated. Basquiat's annotation clearly means that one should look at the image on the back cover of the catalogue to see the entire composition. As is, it is split in two (see the color lithograph issued in 1985 by the Museum Boymans-van Beuningen Museum, Rotterdam, for its exhibition of the same show which ran from February 9 to March 31, 1985, to view the entire image). This catalogue was issued for the traveling exhibition entitled "Jean-Michel Basquiat: Paintings, 1981-1984" initiating at The Fruitmarket Gallery, Edinburgh, August 11 to September 23, 1984. Numerous color illustrations, approximately 40 pages, published by The Fruitmarket Gallery. Images copyright © Artists Rights Society (ARS), New York. Overall size: 11 11/16 x 8 5/8 in. (297 x 219 mm). [28123] |2000| {R100} 5: JEAN-MICHEL BASQUIAT - Original offset lithograph USD 4,000 - 5,000 Jean-Michel Basquiat (American, 1960-1988). "Rammellzee vs. K-Rob [first edition, first printing]". Original offset lithograph record jacket & record. 1983. Signed in black marker in Basquiat's crown logo, upper center recto. Edition of 500 (original pressing). Thick jacket paper. The full sheet. Fine impression. Jacket in very good condition; some minor creasing lower right and upper right; vinyl and sleeve in fine condition. Please note that our example is from the original first edition, first printing/pressing produced during Basquiat's lifetime. The album was later reprinted after his lifetime. Rare and highly sought after. Due to the rarity of its original pressing, this album has been called the Holy Grail of rap records. A search of auction records going back 28 years yields no signed versions. The album contains "Beat Bop," a hip hop single by American rappers Rammellzee and K-Rob, produced by Basquiat and originally released in 1983 by record label Tartown. Initially distributed merely as a test pressing, it is notable for being featured in the hip-hop documentary film "Style Wars" and having the cover, as well as the record label (both sides), designed by Basquiat. The result of a disagreement between Rammellzee and Basquiat, the track has been cited as having an influence on artists such as the Beastie Boys and many experimental hip hop artists due to its chaotic, abstract sound. Image copyright © Artists Rights Society (ARS), New York. Overall size: 12 1/4 x 12 1/4 in. (311 x 311 mm). Image size: 12 1/4 x 12 1/4 in. (311 x 311 mm). [28038] |3000| {R100} Pop Art, Modern & Contemporary Art 6: JEAN-MICHEL BASQUIAT - Color offset lithograph USD 3,000 - 4,000 Jean-Michel Basquiat (American, 1960-1988). "Supercomb". Color offset lithograph. 1988. Signed in black marker, lower left. Edition c1,000. White heavy smooth wove paper. The full sheet. Fine impression. Very good to fine condition. Scarce and highly desirable. The auction record for a signed impression of this lithograph is $8,055 (£5,000) at Bonhams, London, November 19, 2013, lot #136. Designed entirely by Basquiat and issued as the poster for his exhibition at the Yvon Lambert Gallery, Paris, January 4 to February 19, 1988. Image copyright © Artists Rights Society (ARS), New York. Overall size: 28 15/16 x 20 1/2 in. (735 x 521 mm). [28410] |2400| {R100} 7: JEAN-MICHEL BASQUIAT - Original offset lithograph USD 2,500 - 3,000 Jean-Michel Basquiat (American, 1960-1988). "The Offs: First Record [first edition, first printing]". Original offset lithograph record jacket & record. 1984. Signed and with the monogram in black marker, upper center verso. Small edition. Stiff album cover stock paper. The full sheet. Fine impression. Good to very good condition. Literature/catalogue raisonne: See articles by Glenn O'Brien in "Interview Magazine" May, 1985, Angela Holm in "NY Arts Magazine" March/April, 2008, and Angela Holm & Wu Ziru in "Art Today" February, 2008. Provenance: Estate of a private collector, Manhattan. Please note that our example is from the original first edition, first printing/pressing produced during Basquiat's lifetime. The album was later reprinted after his lifetime in a large edition. The most recent auction sale we could find was for $1,397 at Wright, Chicago, July 13, 2013, lot #144 (an unsigned example). The auction record for an unsigned example of this album cover appears to be $2,914 (€1,850) at Kapandji Morhange, Paris, April 15, 2008, Lot 102. The mixed media drawing of this image sold at Sotheby's, New York, 11/10/2011, for $302,500. Our example is the black vinyl (also issued with clear and white vinyl) with the original liner and accompanied by a C.D. Presents form, included with each impression. The cover was a part of the exhibitions "LP Show" 2003, New York, NY - MOMA / Exit Art; "Vinyl - Records and Covers by Artists" in 2005 in Bremen, Germany at Neues Museum Weserburg; in 2006 in Barcelona, Spain, and 2007 in Porto, Portugal. Pressing by Bill Smith Custom Records, El Segundo, California. Published by David Ferguson, C.D. Presents. Includes vinyl record. Image copyright © Artists Rights Society (ARS), New York. Overall size: 12 3/16 x 12 5/16 in. (310 x 313 mm). Image size: 12 3/16 x 12 5/16 in. (310 x 313 mm). [26505] |2000| {R100} 8: JEAN-MICHEL BASQUIAT - Color offset lithograph USD 2,000 - 2,500 Jean-Michel Basquiat (American, 1960-1988). "To Repel Ghosts [poster]". Color offset lithograph. 1986. Signed and annotated in black marker, upper center. Edition unknown, probably small. Light cream wove paper. The full sheet. Fine impression. Fine condition. A rare poster, very rare when signed. No non-internet auction sales located. We did find an example offered with pre-sale estimates of $5,000/7,000 at artnet auctions, December 20, 2012, apparently going unsold. Issued for the highly important exhibition entitled "Jean-Michel Basquiat" at Kestner-Gesellschaft, Hannover, November 28, 1986 to January 25, 1987. Basquiat died on August 12, 1988. His "To Repel Ghosts" series takes its title "after the Swiss diplomat Claudio Caratsch, who worked for many years in Africa, explained to Basquiat that often African art and artifacts served the everyday functions of repelling ghosts. In 1986’s acrylic on wood, resembling a boarded up window or storefront, Basquiat paints the phrase across the middle panel of wood and underneath places a “TM” (for "trademarked"). Like most hip-hop artists, Basquiat was acutely aware of branding’s value; the utilitarian function of everyday art and artifact (“to repel ghosts”) becomes an advertising slogan in a proprietary field that uses, abuses, and ultimately disabuses artists of the romance of art as above and beyond market forces. But oil works using the same slogan and from the same year show Basquiat effacing the phrase, placing black paint over the ghosts, in effect repelling (etymologically, to push back) the repelling of ghosts, as if trying to rescue the idea’s intention from profane sloganeering." (courtesy Alessandro Porco). Image copyright © Artists Rights Society (ARS), New York. Overall size: 33 1/8 x 24 1/4 in. (841 x 616 mm). [28407] |1200| {R100} 9: JEAN-MICHEL BASQUIAT - Color offset lithograph front USD 2,000 - 2,500 Jean-Michel Basquiat (American, 1960-1988). "To Repel Ghosts [exhibition catalogue]".
Load more

Recommended publications
  • Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – September 27Th, 2019
    Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – September 27th, 2019 www.stanfordauctioneers.com | [email protected] 1: RUDOLF KOPPITZ - Zwei Bruder USD 1,200 - 1,500 Rudolf Koppitz (Czech/Austrian, 1884-1936). "Zwei Bruder [Two Brothers]". Original vintage photometalgraph. c1930. Printed 1936. Stamped with the photographer's name, verso. Edition unknown, probably very small. High-quality archival paper. Ample margins. Very fine printing quality. Very good to fine condition. Image size: 8 1/8 x 7 7/8 in. (206 x 200 mm). Authorized and supervised by Koppitz shortly before his death in 1936. [25832-2-800] 2: CLEMENTINE HUNTER - Zinnias in a Blue Pot USD 3,500 - 4,000 Clementine Hunter (American, 1886/1887-1988). "Zinnias in a Blue Pot". Gouache on paper. c1973. Signed lower right. Very good to fine condition; would be fine save a few very small paint spots, upper rght. Overall size: 15 3/8 x 11 3/4 in. (391 x 298 mm). Clementine Reuben Hunter, a self-taught African-American folk artist, was born at Hidden Hill, a cotton plantation close to Cloutierville, Louisiana. When she was 14 she moved to the Melrose Plantation in Cane River County. She is often referred to as "the black Grandma Moses." Her works in gouache are rare. The last auction record of her work in that medium that we could find was "Untitled," sold for $3,000 at Sotheby's New York, 12/19/2003, lot 1029. [29827-3-2400] 3: PAUL KLEE - Zerstoerung und Hoffnung USD 800 - 1,000 Paul Klee (Swiss/German, 1879 - 1940).
    [Show full text]
  • SEPTEMBER 2000 CAA NEWS SEPTEMBER 2000 7 Alpers, Linda L
    5 i CAA.Reviews Category Selections CHRONOLOGICAL SUBJEOCT TYPE PUBLICATION TYPE BETWEEN PrehisU:l'ric Art Education Artist's Book/Livre Ancient Collecting/Art Market d'artiste 4th-14th centuries Cultural Studies Collection Catalogue NOTHING 15th-16th centuries Gender Studies CD-ROM 17th century General Hjst9W­ Exhibition Catalogue 18th ,century Museum Studies and Online AND 19th century Practices Reference 20t~,;~~ntury Studio Practice Textbook EVERYTHING 21st'century Theory and Criticism GEOGRAPHICAL MEDIUM KEYWORD Africa Architecture/Urban Planning/ The keyword category allows Caribbean>' Historic Preservation the user to enter any term here cannot be many CAA Central Asia Archaeology they wish. The database will members who have not gone East Asia Art/Mixed Media periorm a search based on immediately to the "Books Europe Decorative Arts/Oesigl) data collected from all the T Islam FilmNideo book titles and authors Received" list of recently published Latin America Graphic Arts previously found on the books in the field upon receipt of the Art 5 Native/Pre-Columbi~n New Media ~'\\' Books Received list. Bulletin or when visiting eAA.Reviews at Americas Painting (includes trt~:' illumination) September 2000 http://www.caareviews.orglbooks/ North America Performance/Installation bookindex.html. These lists have long oc~~H!~;Y Photography College Art Association served as personal and professional SO\)th~rQ<Asia Sculptur!3 275 Seventh Avenue Landsca'Pa (includes gardens) New York, New York 10001 desiderata. Turning the book list into an interactivef searchable database, and The current working list of categories for the CAA.Reviews searchable book database. Board of Directors permitting a cost-effective and timely way for CAA staff and reviewers to keep subject headings by using the indexes important step also became our most and keywords, and combining search challenging development issue.
    [Show full text]
  • La Unión De Las Artes Plásticas
    Tesis digitalizada en 2015 por Patricia Islas como parte de su Servicio Social 1 Página dedicada a los agradecimientos I PRESENTACIÓN La decisión de ingresar al Colegio de Historia, tardó dos años en hacer arraigo en mi persona, ya que conectada con la docencia infantil y bajo el consejo de mi hermano Gonzalo, quien me hizo ver mis capacidades e ingresar a la Facultad de Filosofía y Letras, el ejercitar la Historia como ciencia, me generó grandes choques personales, porque dicha ciencia no tenía conexión alguna con la Historia que me había sido presentada en mis años preparatorianos, entendí que su ejercicio, implicaba ejercer la crítica, el análisis y la comprensión para con los conceptos de la historia patria, la religión, la educación, la moral, la familia, de los hechos sociales; en fin todos estos factores, comprendieron la penetración en el campo de las humanidades. Más tarde, dentro de mi formación académica, en el Colegio de Historia, la investigación de la tesis intitulada “La Unión de Artes Plásticas”. Comunidad localista cultural, atravesó por diversos procesos de maduración, que tomó fuerza a través de los cursos libres de Iconología Cristiana e Historia del Arte, a los cuales ingresé con la posibilidad de desarrollar una investigación, con un tema relacionado con la cultura, y más tarde, en el curso de Temática de Revolución Mexicana, opté por investigar sobre El Caricaturismo en México de fin de siglo XIX, enfocado en la revista El hijo del Ahuizote y al no haber encontrado un buen enfoque de investigación sobre el anterior, posteriormente opté por investigar sobre el Periodismo en Puebla en los años veinte del siglo XX.
    [Show full text]
  • Pop Art with Roy Lichtenstein
    January 2020 The Studiowith ART HIST RY KIDS Pop Art with Roy Lichtenstein Observe | Discuss | Discover | Create | Connect Pop Art with The Studiowith Roy Lichtenstein ART HIST RY KIDS INTRODUCTION The art of the ordinary Roy Lichtenstein’s successful art career was based on one simple idea – creating fine art inspired by images we see everyday. His art captures the ordinary things that surround us – advertisements, comic books, the painting of other famous artists like Picasso, Mondrian, Matisse, and Monet, and even Micky Mouse cartoons. He took these ideas and recreated them on a larger than life scale. Most of his can- vases are grand and oversized – they are truly bold and impactful when seen in person! He also infused little bits of commentary in his art, and he became known for his skillful use of parody. You don’t need to study every piece of art that’s included in this guide. Feel free to choose just a few that are most interesting to your kids. A range of subject matter is included here, but if some of these paintings are too intense for your kids– just skip them for now, and come back to them when they are older! There’s no hurry, and there are plenty of paintings included here that are perfect for young kids. Pop Art looks out into the world. This is your week to look closely at the “ art and chat about it. We’ll learn all It doesn’t look like a painting of about Lichtenstein and his art next something, it looks like the thing week.
    [Show full text]
  • Ailar La Patria Y La Revolución
    AILAR BLA PATRIA Y LA REVOLUCIÓN Margarita Tortajada Quiroz La revolución mexicana cambió el rostro del país, del arte y la cultura. Los escenarios se llenaron de su “espíri- tu” y fueron un espacio donde se concretó a través de temá- ticas, personajes, danzas, música, decorados, vestuarios y máscaras. La lucha armada que buscaba la transformación Margarita Tortajada Quiroz es doctora en en todas las esferas también removió el imaginario social y ciencias sociales por la Universidad Au- el concepto de nación, que se manifestó en una búsqueda tónoma Metropolitana Xochimilco. En la del México verdadero, el que era original y diferente, el que actualidad es investigadora del Centro permitía ser “distinto” hacia afuera, pero que “unía” hacia el Nacional de Investigación, Documenta- ción e Información de la Danza (Cenidi interior. Danza), del Instituto Nacional de Bellas Artes. Ese sentimiento se convirtió en un nacionalismo febril, que recuperaba los colores, formas, cuerpos, movimientos, so- nidos, ritmos y realidades de lo “verdadero”: lo popular e indígena. Utilizando las nuevas técnicas artísticas, el nacio- nalismo cultural quedó plasmado en los murales de los gran- des de la plástica nacional, la música, la literatura, el teatro y la danza que buscaron en el “adentro” y el pasado para expresarlo al mundo y ser universales y modernos. Si bien la danza escénica, la que tiene vocación artística e implica una formación académica y disciplinaria, no parti- cipó de esa aventura en los primeros momentos de la lucha TIEMPO 56 CARIÁTIDE armada y la reconstrucción posrevolucionaria, sí tuvo una y otros artistas e intelectuales, esta síntesis implicaba retomar presencia brillante que no sólo la llevó a contribuir en la los conceptos y técnicas modernos, por un lado, y por otro, conformación de la ideología de la nación mexicana, sino las danzas y bailes populares e indígenas.
    [Show full text]
  • LICHTENSTEIN, EN PROCESO Juan Antonio Ramírez
    Todos nuestros catálogos de arte All our art catalogues desde/since 1973 Lichtenstein en proceso 2005 El uso de esta base de datos de catálogos de exposiciones de la Fundación Juan March comporta la aceptación de los derechos de los autores de los textos y de los titulares de copyrights. Los usuarios pueden descargar e imprimir gra- tuitamente los textos de los catálogos incluidos en esta base de datos exclusi- vamente para su uso en la investigación académica y la enseñanza y citando su procedencia y a sus autores. Use of the Fundación Juan March database of digitized exhibition catalogues signifies the user’s recognition of the rights of individual authors and/or other copyright holders. Users may download and/or print a free copy of any essay solely for academic research and teaching purposes, accompanied by the proper citation of sources and authors. www.march.es Fundación Juan March 001-023 Cat Licht Prim Pags 14/11/05 11:45 Página 1 Fundación Juan March 001-023 Cat Licht Prim Pags 14/11/05 11:45 Página 2 Fundación Juan March 001-023 Cat Licht Prim Pags 14/11/05 11:45 Página 3 Roy LICHTENSTEIN Fundación Juan March 001-023 Cat Licht Prim Pags 14/11/05 11:45 Página 4 Roy Lichtenstein en la presentación de su primera retrospectiva en España, que ofreció la Fundación Juan March en 1983. Fundación Juan March 001-023 Cat Licht Prim Pags 14/11/05 11:45 Página 5 LICHTENSTEIN en proceso museo de Arte abstracto español, Cuenca 25 NOVIEMBRE 2005 - 19 FEBRERO 2006 museu d’Art espanyol contemporani, Palma 7 MARZO - 17 JUNIO 2006 Fundación Juan
    [Show full text]
  • Roy Lichtenstein, Sociedad Moderna Como Expresión Artística. Rocio Castillo Rojas. “El Pop Art Mira Hacia El Mundo. No Parec
    Roy Lichtenstein, sociedad moderna como expresión artística. Rocio Castillo Rojas. “El Pop Art mira hacia el mundo. No parece una pintura de algo, se parece a la cosa en sí misma”1. De esta forma Roy Lichtenstein intentaba responder la pregunta del crítico de arte, G.R. Swenson, ¿Qué es el Pop Art? (1963) y es que para entonces ya se reconocía el valor de sus obras para el enaltecimiento artístico de la sociedad moderna. A fines de los 50, el Pop Art surgía como reacción al Expresionismo Abstracto representando imágenes y elementos de la sociedad moderna caracterizada por el consumismo, los medios de comunicación masivos, la moda, la tecnología, el capitalismo, etc. Sus principales impulsores buscaban convertir la cotidianeidad de la cultura occidental en una obra estética de forma crítica e inteligente, entre ellos destaca la obra de Roy Lichtenstein. Lichtenstein nace en 1923, en Nueva York, EEUU, siendo el primero de dos hijos del matrimonio entre Milton y Beatrice Lichtenstein. Desde joven presentó habilidades artísticas y musicales: dibujaba, pintaba, esculpía, tocaba piano y clarinete, y desarrollo una gran afición por el jazz. El verano de 1940, año en que se graduó de preparatoria, estudió pintura y dibujo en la Art Students League de Nueva York con Reginald Marsh. Ese mismo año ingresó a la Facultad de Educación de la Universidad Estatal de Ohio, pero no fue hasta 1946 que logró graduarse como Bachelor of Fine Art, desde entonces comenzó su carrera como académico en la misma Universidad Estatal de Ohio y en paralelo preparó su maestría la cual obtuvo en 1949.
    [Show full text]
  • Apokalypse--Send.Pdf (1.360Mb)
    Apokalypse En analyse av Hariton Pushwagners maleri Jobkill i lys av popkunstens estetikk Linda Ottosen Bekkevold Masteroppgave i kunsthistorie Institutt for idé - og kunsthistorie og klassiske språk UNIVERSITETET I OSLO Høst 2014 II Apokalypse En analyse av Pushwagners maleri Jobkill (1990) i lys av popkunstens estetikk. III © Linda O. Bekkevold 2014 Apokalypse Linda O. Bekkevold http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Sammendrag Pushwagner blir ofte omtalt som popkunstner og Norges svar på Andy Warhol (1923-1987) og Roy Lichtenstein (1923-1997). Sammenligningen begrunnes med hans benyttelse av tegneserieestetikk. Med stiliserte former og fargeflater. Dette er en gjenkjennende karakteristikk av den amerikanske popkunsten klisjéfylte tegneserieuttrykk. Denne oppfatningen nevnes ofte i en bisetning uten at det foreligger noen kunsthistorisk analyse som har undersøkt dette. Pushwagner samarbeidet med den norske forfatteren Axel Jensen (1932- 2002) på 1960-tallet, og sammen skapte de et tegneserieunivers som skulle bli grunnlaget for Pushwagners kunstnerskap. På 1970-tallet og 1980-tallet arbeidet de med flere utkast og upubliserte bokprosjekter som ble utviklet til billedromanen Soft City, silketrykkserien En dag i familien Manns liv og malerifrisen Apokalypse. I denne avhandlingen søker jeg svar på hvordan Pushwagner benytter seg av tegenserieestetikken i sitt kunstuttrykk. Hva slags tradisjon benyttes i hans verk? Og kan man med rette karakterisere Pushwagner som popkunstner? Problemstillingene er verksorientert, og jeg tar utgangspunkt i maleriet Jobkill (1990), men det vil bli trukket paralleller til andre verk av kunstneren. I oppgavens tolkningsdel vil jeg trekke inn komparativt materiale fra popkunsten. V VI VII Forord I 2010-2012 hadde jeg gleden av å jobbe i et av Norges nyoppstartede gallerier, Galleri Pushwagner.
    [Show full text]
  • La Politica Espositiva Del Musée Du Jeu De Paume Tra 1931 E 1939 Il Caso Di Origines Et Développement De L’Art International Indépendant
    Corso di Laurea magistrale in Storia delle arti e conservazione dei beni artistici ordinamento ex D.M. 270/2004 Tesi di Laurea La politica espositiva del Musée du Jeu de Paume tra 1931 e 1939 Il caso di Origines et développement de l’art international indépendant Relatore Ch.ma Prof.ssa Maria Chiara Piva Correlatore Ch.ma Prof.ssa Stefania Portinari Laureando Costanza Ballardini Matricola 853481 Anno Accademico 2015 / 2016 Indice generale 1. Introduzione ............................................................................................................................ 2 2. La nascita e lo sviluppo del Musée des écoles étrangères contemporaines tra anni Venti e Trenta .............................................................................................................................................. 9 2.1. Le origini del Musée du Jeu de Paume ............................................................................ 9 2.2. Il sistema delle arti in Francia dall'inizio della Terza Repubblica al 1930 .................... 10 2.3. Il Musée du Luxembourg, museo dell'art vivant ........................................................... 16 2.4. La prima ristrutturazione del Musée du Jeu de Paume tra 1920 e 1922 ........................ 25 2.5. La trasformazione del sistema delle arti negli anni Trenta ............................................ 30 2.6. Nuovi principi museografici negli anni Trenta, la Conferenza di Madrid del 1934 ...... 36 2.7. I sistemi di presentazione delle collezioni e la gestione del loro ampliamento
    [Show full text]
  • La Identidad Nacional En El Arte Pictórico Mexicano (Siglos XIX-XX)
    Alma Barbosa / La identidad nacional en el arte pictórico mexicano LA IDENTIDAD NACIONAL EN EL ARTE PICTÓRICO 5 MEXICANO (SIGLOS XIX-XX) THE NATIONAL IDENTITY OF THE MEXICAN PICTORIAL ART (19TH AND 20TH CENTURIES) Alma Barbosa Sánchez Universidad Autónoma Metropolitana, Iztapalapa (México) Recibido: 5 de septiembre de 2018 Aceptado: 24 de octubre de 2018 Resumen: Durante los siglos XIX y XX, la representación artística de la identidad nacional de los mexicanos ha transitado por procesos de negación, vindicación y finalmente exaltación, en función de las demandas de los distintos contextos político culturales del país y la relación de dependencia con los cánones del arte europeo. Fue a principios del siglo XX cuando encontró su plena exaltación gracias al impacto de la Revolución Mexicana y la gestación del muralismo mexicano que la dotó de una perspectiva histórica, indigenista y política. Sin embargo, la interpretación muralista de la identidad nacional se construyó a través de la postura androcéntrica de los creadores por carecer de una mirada incluyente de la subjetividad femenina. Palabras clave: Identidad, nacionalismo, México, eurocentrismo, muralismo. Abstract: During the 19th and 20th centuries, the artistic representation of the national identity of Mexicans went through processes of denial, vindication and finally exaltation, based on the demands of the different political and cultural contexts of the country and the relationship of dependence with the ideals of European art. It was not until the early 20th century that it found its full exaltation thanks to the impact of the Mexican Revolution and the progression of Mexican muralism that endowed it with a historical, indigenist and political perspective.
    [Show full text]
  • KUNSTLEX Juni 2020: Wolthers KUNSTLEXTM
    KUNSTLEX juni 2020: TM Wolthers KUNSTLEX Udarbejdet af Anette Wolthers, 2020 Wolthers KUNSTLEXTM er udarbejdet i forbindelse med min research og skrivning af bogen: Kvindelige kunstnere i Odsherred gennem 100 år, publiceret af Odsherreds Kunstmuseums og Malergårdens Venner og Museum Vestsjælland i 2020. Bogen, der er på 248 sider, har også bidrag af museumsinspektør Jesper Sejdner Knudsen og formand for Venneforeningen Alice Faber. Bogen kan købes på de enkelte museer i Museum Vestsjælland eller kan bestilles på: [email protected] eller telefon 2552 8337. Den koster 299 kr plus forsendelsesomkostninger (ca. 77 kr.) Der var ikke plads i bogen til at alle mine ’fund og overvejelser’. Derfor har jeg samlet nogle af disse, så interesserede kan få adgang til denne viden i bredden og dybden, samt gå med ad de tangenter, der kan supplere bogens univers. Researcharbejdet til bogen Kvindelige kunstnere i Odsherred gennem 100 år er foregået 2016‐2019, og i denne proces opstod ideen om at lave mine mere eller mindre lange skrivenoter om et til et kunstleksikon. Så tænkt så gjort. Alle disse fund er nu samlet og har fået navnet Wolthers KUNSTLEX TM Man kan frit og gratis bruge oplysningerne i Wolthers KUNSTLEXTM med henvisning til kilden, forfatter, årstal samt placering: www.anettewolthers.dk Hvis der er brug for at citere passager fra Wolthers KUNSTLEXTM gælder de almindelige regler for copyright©, som er formuleret i Ophavsretsloven. Wolthers KUNSTLEXTM består af elementer af kunstviden fra ca. 1800‐tallet op til moderne tid og indeholder: 1. Korte biografer af overvejende danske kunstnere, deres familier, lærere, kolleger, kontakter og andre nøglepersoner i tilknytning til bogens 21 kunstnerportrætter samt enkelte tangenter ud og tilbage historien til vigtige personer – side 4 2.
    [Show full text]
  • Stanford Auctioneers Pop, Modern, Contemporary Art & Photography
    Stanford Auctioneers Pop, Modern, Contemporary Art & Photography Saturday – September 19th, 2015 www.stanfordauctioneers.com | [email protected] 1: JEAN-MICHEL BASQUIAT - Oil pastel and crayon on paper USD 20,000 - 25,000 Jean-Michel Basquiat (American, 1960-1988). "Babylonians". Oil pastel and crayon on paper. c1984. "Signed" in the image with the artist's trademark "crown" logo. Fine condition - as drawn. Provenance: Estate of a private collector, New York City, acquired directly from the artist. Image copyright © Artists Rights Society (ARS), New York. Overall size: 11 5/8 x 16 1/2 in. (295 x 419 mm). [28746] |12000| {R100} (TL3) uzzzz~uozzz 2: JEAN-MICHEL BASQUIAT - Color offset lithograph USD 1,200 - 1,500 Jean-Michel Basquiat (American, 1960-1988). "Dog Bite [postcard edition]". Color offset lithograph. 1983. Signed in black marker. Edition unknown. Wove paper. The full sheet. Fine impression. Fine condition. The painting is in the collection of the Museum Boymans-van-Beuningen, Rotterdam. Image copyright © Artists Rights Society (ARS), New York. Overall size: 4 1/8 x 6 in. (105 x 152 mm). [28720] |800| {R100} (TL1) tuzz~tozz 3: JEAN-MICHEL BASQUIAT - Color lithograph USD 2,000 - 2,500 Jean-Michel Basquiat (American, 1960-1988). "Hamlet". Color lithograph. 1987. Signed in black marker, lower left. Edition unknown, probably very small. Very light cream wove paper. The full sheet. Fine impression. Very good condition. Basquiat posters are rare. We have located only 11 auction sales of his "lifetime" posters at auction, and not our example, which has not been offered before at auction. Issued for the Hartford Stage's production of Shakespeare's "Hamlet" which ran from October 3 to November 7, 1987, Hartford, Connecticut.
    [Show full text]