5
i CAA.Reviews Category Selections
CHRONOLOGICAL SUBJEOCT TYPE PUBLICATION TYPE BETWEEN PrehisU:l'ric Art Education Artist's Book/Livre Ancient Collecting/Art Market d'artiste 4th-14th centuries Cultural Studies Collection Catalogue NOTHING 15th-16th centuries Gender Studies CD-ROM 17th century General Hjst9W Exhibition Catalogue 18th ,century Museum Studies and Online AND 19th century Practices Reference 20t~,;~~ntury Studio Practice Textbook EVERYTHING 21st'century Theory and Criticism GEOGRAPHICAL MEDIUM KEYWORD Africa Architecture/Urban Planning/ The keyword category allows Caribbean>' Historic Preservation the user to enter any term here cannot be many CAA Central Asia Archaeology they wish. The database will members who have not gone East Asia Art/Mixed Media periorm a search based on immediately to the "Books Europe Decorative Arts/Oesigl) data collected from all the T Islam FilmNideo book titles and authors Received" list of recently published Latin America Graphic Arts previously found on the books in the field upon receipt of the Art 5 Native/Pre-Columbi~n New Media ~'\\' Books Received list. Bulletin or when visiting eAA.Reviews at Americas Painting (includes trt~:' illumination) September 2000 http://www.caareviews.orglbooks/ North America Performance/Installation bookindex.html. These lists have long oc~~H!~;Y Photography College Art Association served as personal and professional SO\)th~rQ CAA NEWS SEPTEMBER 2000 2 CAA NEWS SEPTEMBER 2000 3 marginalized in American art scholar decorative arts and interning at the with other emerging artists to form a Adam Frelin is a issues in identity construction and ship and insert religion into the cultural Philadelphia Museum of Art in the supportive, collective space where ideas National Endow biculturalism with larger issues of matrix of factors shaping American art Deparhnent of Decorative Art. She RICHMOND can be exchanged and where artists can ment for the Arts colonialism and ethnocentrism. production and interpretation. participated in several independent curate and exhibit. fellow recipient, Miguel's work addresses playful and In addition to her studies, Kristin studies and received several prestigious Intercultural MA in Art History attairung his M.F.A. painful exchanges between Puerto Rican worked as a teaching assistant at both awards, including the William Penn Renaissance, Modernism Deepali Dewan is a in sculpture, and U.S. cultures, using popular & Post-Colonial Theory Stanford University and Christ College Fellowship for Study in American Art, Nathan Cummings drawing, and religious and consumer iconography to (the honors humanities college of Decorative Arts, and Design History, the Central London location Foundation grant photography at the University of present animated relationships between One year degree program Valparaiso University). She has earned University of Pennsylvania Fellowship, recipient. Deepali California, San Diego. Adam received unlikely colonial characters. Cultural Optional semester in Florence several academic awards, including the and the Samuel Fels Fellowship. Her graduated with his B.F.A. in sculpture, painting, and stereotypes are both activated and US accredited Luce/ American Council of Learned goal is to teach American design history BAiBS also offered in 14 areas, honors from McGill performance at Indiana University of disarmed between layers of images from Societies Doctoral Dissertation Fellow at the university level and related including Art History University with a Pennsylvania. He attributes his interest coloring-book culture to turn~of-the ship in American Art, the Pew Program courses such as the history of industrial Office of Graduate Admissions B.A. in Art History. She received her in the visual arts to the ingenuity of his century political propaganda. His in Religion and American History design, graphic design theory, and 16 Young St Box CA M.A. in the Department of Art History mother while raising his family on a M.F.A. exhibition will layer large-scale Summer Fellowship, a Smithsonian American decorative art. Justine also London W8 5EH UK at the University of Minnesota, where severely limited income. He recalls, series of paintings and video footage, Predoctoral Fellowship, and a Full has interest in working in a curatorial Tel: +44 (0)171 3688475 she will complete her Ph.D. "The aesthetic of patchwork clothes, both inspired from political program Fax: +44 (0)171 3760836 Department Fellowship from Stanford capacity and in helping to revive certain Born in India, Deepali has traveled makeshift toys, and leftover's leftover ming, festivals, consumer advertising, e-mail: [email protected] University. Currently, Kristin is a (lost) forms of textile design for either back and forth between family and meals instilled with me, at a young age, and other visual imagery researched www.richmond.ac.uklmaarthis dissertation fellow at the Erasmus fun or profit. the insight into the creative potential between Puerto Rico and the U.s. homes in India and the United States. Institute of the University of Notre pmd advertisement Her primary field of concentration in inherent in the ordinary." Frelin's work Miguel is also the recipient of a Dame, and an honorary Charlotte W. graduate schoot South Asian art, and has since focused on an aesthetic of Graduate Minority Fellowship and part With such a highiy competitive pool of "Follow a Fellow." "Follow a Fellow" Newcombe Dissertation fellow, distrib her secondary field of Islamic art utility and how the clever use and of a newly formed committee on applicants, the visual artists and art will track the first professional year of uted by The Woodrow Wilson National combination of materials could fulfill graduate minority recruiting for his historian juries also chose to award two fellowship recipients, a visual artist allowed her to explore art historical Fellowship Foundation. After complet discourses different from the linear and basic needs. Frelin is proposing a three department. honorable mentions to the following and an art historian, through their ing her degree at Stanf\lrd, Kristin plans part show for his M.F.A. exhibition that Teaching in a major cultural or individuals: ErikJ. Geschke, M.F.A., voices. Each issue will address a chronological framework of her under to pursue a career in university teaching will be based around art in the public academic institution upon graduation is Maryland Institute, College of Art; different aspect of the fellows' early graduate studies in American and or museum education. Western European art. Her current realm and the aesthetics of utility, and Miguel's paramount goal. He also plans Patricia McLaughlin, M.F.A., Hunter experiences in the work force. This their relation to vandalism, construction, to pursue exhibition opportunities in College; and Amy Mooney, PhD., collaboration with CAA's second-year work on the colonial period has com Justine Walden is a and violence toward inanima~e objects. cities and communities that are engaged Rutgers University. fellows will provide an inside perspec pelled her to explore the larger art recipient of the Terra Frelin is a recent Russel Grant and in diverse cultural dialogues, especially CAA thanks the members who tive of the field. In case you are curious, world, in particular South Asia and Foundation Pre-1940 San Diego Fellowship recipient. In areas with large Puerto Rican and other served on the Professional Development the "reality-based" column will not England as a single cultural arena. American Art Scholar Deepali's dissertation examines early art addition to his shtdies at UCSD, he Latino communities. Fellowship juries. The visual artists jury require the recipients to marry million ship. She received her education in colonial South Asia, worked at the university as a teaching included past fellowship recipient Yumi aires, eat bugs, or live under surveil B.A. in Philosophy particularly through the first art schools assistant. He is also enrolled in a series Kristin Ann Roth, Lawrence University; CAA Board lance. "Follow a Fellow" Will identify from the University of California at of teaching development seminars in Schwain is a Terra Member Ellen K. Levy, Cooper Union; the shifting needs of recent graduates set up there by British officials in the Berkeley, also focusing on visual arts preparation for a future career in Foundation Pre-1940 Carlo Lamagna, New York University; that may not only assist readers, but also mid-nineteenth century. and film. She is now a Ph,D. candidate teaching. Adam hopes to make a American Art and Helen Shannon, art historian. The infonn CAA's Professional Fellowship Deepali's experience at the Walker at the University of Pennsylvania in the postgraduate school move to Los Scholarship recipi art historians jury consisted of the Development Program. "Follow a Art Center as a Lila Wallace Curatorial American Civilization Department, Angeles, where he plans to teach studio ent. She is pursuing following: CAA Board Member John Fellow" premieres in the November Intern also encouraged writing about concentrating on American Art History, art classes. a joint PhD. in Art Hallmark Neff, Terra Museum of 2000 issue. contemporary art both inside and Decorative Arts, and Design History. History Humanities at Stanford American Art; past fellowship recipient To request information on our print outside South Asia. She shares her work Her dissertation, entitled "Ameri Miguel Luciano is Lisa Gail Collins, Vassar College; and series or to receive the guidelines and on colonial visual culture by presenting University after graduating summa cum can Printed Textiles, 1920-1950: Art, an M.F.A. candidate laude with a B.A. in Art History and the CAA Board Member Edward J. applications for the 2001 Professional papers at conferences, giving guest Craft, Design, and Industry," stemmed at the University of Humanities and a minor in Spanish Sullivan, New York University. Development Fellowship Program, lectures, and teaching. At the Univer from the discovery that a great deal of Florida and is a from Valparaiso University, Indiana. CAA is grateful for the long-term contact the Manager of Fellowships and sity of Minnesota/_she is a fellow in the activity in textile design in the 1920s- Nathan Cummings Kristin's dissertation is entitled support of its funders, without whom Placement at 212/691-1051, ext. 206; MacArthur Interdisciplinary Program 1950s came from those traditionally Foundation recipi "Figuring Belief: American Art and these programs would be impossible. [email protected]. The deadline for the study of global change, and was considered "fine artists." Justine became ent. He received his Modem Piety, 1890-1917." She is CAA is also thankful to Basil Alkazzi, for application is January 31, 2001. You a recent recipient of a Doctoral Disserta interested in these artist-designed B.F.A. with honors from New World investigating how the artistic embodi Richard Martin, and numerous indi may also send a S.A.S.E. to CAA, tion Writing Fellowship. Her career textiles and in this crossing-over School of the Arts in Miami, where he ment of religious figures at the turn of vidual supporters who have contributed Professional Development Fellowship goals are focused on securing an between the fine and decorative arts. helped to create a newly accredited the century participated in larger social to the funding of these fellowships. Program, 275 7th Ave., 12th Fl., New academic position that will allow her to Based on a proposal to research this program in Environmental and Public discourses shaping gender, ethnic, and You, too, can support CAA's York, NY 10001, www.collegeart.org. continue to engage with the museum topic, Justine received a 1999-2000 Art. After graduating, Miguel contin religious identities in modern America. fellowship programs through the -Ellen Staller, Manager of Fellowships and world through organizing exhibitions Renwick Fellowship and undertook five and writing. ued developing public art programs Kristin will examine several prominent purchase of one of four unique prints of Placement months of intensive periodicals and with several alternative learning centers artists, including F. Holland Day, editions by Sam Gilliam, Faith textiles study at various branches of the and prevention programs for youth in Thomas Eakins, Henry Ossawa Tanner, Ringgold, Miriam Schapiro, and Kiki Photo Credits: Deepali Dewan by Smithsonian Institution in Washington, DC. inner-city neighborhoods throughout and Abbott Taylor, and provide a Smith. All proceeds go toward the Ashiey Wilkes. In addition to assistant teaching a Miami, investigating the social dia detailed analysis of-Mary, Christ, and Professional Fellowship Development yearlong American Cultural History logues that collaborative public art the clergy. Through this research, Program and truly make a difference. course at Penn, Justine supplemented experiences can stimulate. In graduate Kristin hopes to create a historical Be on the lookout for our new her studies with an intensive fellowship school, Miguel has shifted to more context and critical language to discuss ongoing column in eM News called at Winterther, studying 18th-century personal questions, comparing personal artists and objects traditionally CAA NEWS SEPTEMBER 2000 5 4 eAA NEWS SEPTEMBER 2000 Memorial, or to learn how to testify at CAA without compensation. Vice The Professional Practices Committee individuals whose achievements years before acceptance of the article for the NCPC meeting, please visit President for Committees Michael responds to specific concerns of the transcend the immediate region in publication. www.collegeart.org and click on the Ambach and CAA President Ellen T. membership in relation to areas such as which they work and serve the profes advocacy page. Baird will review all candidates and job placement and recruitment, tenure sion and the larger community. The Art Joumal Award. Awarded for a make appointments prior to the 2001 and promotion procedures, scholarly awards are presented each year at the distinguished contribution published in MoMAStrike Annual Conference. All new members standards and ethics, studio health and CAA's Annual Conference on the Art Journal in the preceding year. will be introduced to their committees at safety, and artists' practices. recommendation of individual award The Professional and Administrative corrunittee business meetings held at the committees. Members of awards Artist Award for a Distinguished Body Update Staff Association (PASTA) althe Annual Conference. For more informa The Services to Artists Committee committees are distinguished profes or Work, Exhibition, Presentation, or Museum of Modern Art in New York, tion on our PIPS committees, including a identifies and addresses concerns facing sionals, many of whom themselves Performance. A peer award given for comprised of curators, librarians, list of recent projects, please visit visual artists; creates and implements have been honored by CAA in the past. work mounted in the penultimate year. archivists, registrars, educators, editors, www.collegeart.org. programs and events at the Annual How it works: Committee Senate Approves conservators, and administrative staff, Conference and beyond; explores ways members serve a three-year fixed term CAAlNational Institute for Conserva~ Increases for has been on strike since April 28, 2000. The Committee on Cultural Diversity to encourage greater participation and (2001-4) with at least one new member tion Award for Distinction in Scholar A negotiation session between PASTA Cultural Agencies recognizes and supports the contribu leadership in CAA by visual artists; and rotating on to a committee each year. ship and Conservation. Awarded for an and management has yet to be sched On July 18, 2000, the Senate approved tions, talents, possibilities, and needs of identifies ways for artists to establish Each committee is composed of a outstanding contribution by one or more the FY 2001 Interior Appropriations Bill uled. individuals whose cultural, ethnic, closer ties with other arts professionals minimum of three members and one persons who, individually or jointly, (HR 4578), which funds a host of federal -Marta Teegen, Manager of Governance raciat or sexual orientation differ from and institutions. chair. Candidates must possess have enhanced understanding of .art agencies and programs, including the and Advocacy, [email protected] the majority and promotes the increased expertise appropriate to the through the application of knowledge federal cultural agencies, by a vote of 97 inclusion of these groups within CAA The Student and Emerging Profession committee's work and must be CAA and experience in conservation, art to 2. The $15.514 billion bill includes and within the field. als Committee serves to better the members in good standing. As a history, and art. increases for the National Endowment varied needs and conceTIlS of student collective body, the committee is for the Arts (NEA) of $7.372 million for a The Committee on Women in the Arts and emerging professional members' of expected to provide a national perspec- Charles Rufus Morey Award. Presented total of $105 million; the National promotes the scholarly study and for an.especially distinguished book in Endowment for the Humanities (NHA) recognition of the contributions of the history of art, published in the of $5 million for a total of $105 million; women to the visual arts; develops links penultimate calendar year. and the Office of Museum Services with organizations with compatible (OMS) within the Institute of Museum JOIN interests; and monitors the current status Distinguished Artist Award for and Library Services of $600,000 for a of women in the visual arts professions. total of $24.907 million. This is an Lifetime Achievement. A peer award A celebrating the career of an artist. improvement over the House version of The Education Committee provides a the bill voted on in May, which included review of career options and develop Distinguished Teaching of Art Award. no increases for the cultural agencies. CAA ment opportunities available to arts The Interior Appropriations Bill is Presented to an artist of distinction who graduates, with special attention paid to has developed a philosophy or tech currently in the House-Senate Confer fellowships, grants, and internships. ence Committee stage. Whether the COMMITTEE nique of instruction based on his /her The committee maintains an awareness experience as an artist and has encour House will approve the higher Senate of art and art history programs at the figures remains to be determined. aged his /her students to develop their college and graduate levels and an own individual abilities. CAA PIPS Committees awareness of art education at the K-12 CAA, and to encourage students and tive for the award. Members of all World War II Memorial colleagues to join CAA. The committee committees volunteer their services to CAA encourages members to submit level. Distinguished Teaching of Art History On July 20, 2000, the Commission of disseminates information and solicits CAA without compensation. Vice nominations and self-nominations for Award. Awarded to an individual who Fine Arts (CFA) approved Friedrich St. The Committee on Intellectual Property participation from students and recent President for Committees Michael upcoming seats on one of the Profes has been actively engaged in teaching Florian's design for a World War II graduates from universities with B.A., Aurbach and CAA President Ellen T. sionallnterests, Practices, and Standards monitors and interprets copyright for most of his /her career and has been, Memorial in Washington, DC, by a vote B.F.A., M.A., M.F.A., and PhD. pro Baird will review all candidates and (PIPS) Committees. Serving on a PIPS legislation that affects educators, among other things, an inspiration to a of 6 to O. The National Capital Planning grams in art and art history throughout make appointments prior to the Annual Committee is a great way to get in scholars, museum professionals, and broad range of students in the pursuit of Commission (NCPC) is scheduled to the United States. Conference. For more information on volved in a wide variety of issues and artists. In so doing, it offers educational humanistic studies. meet September 21, 2000, to vote on the debates of concern to our membership programs and opportunities for discus our awards conunittees, including a list final approval of the memorial. For sion and debate. of recent recipients, please visit and to recommend programs that will CAA Awards Committees Frank Jewett Mather Award. Presented more information on the World War II www.collegeart.org. further the goals of CAA. Joining a PIPS CAA invites its membership to submit for published art criticism that has The Museum Committee monitors the committee is also a good way to network nominations and self-nominations for appeared in whole or in part during the activities of public and private institu Alfred H. Barr, Jr., Award. Presented with other members. forthcoming openings on CAA Awards preceding year beginning September 1 tions in the visual arts sector, particu for museum scholarship to the author(s) How it works: Conunittee mem Committees. At all times, CAA encour and ending August 31. Attention is paid of an especially distinguished catalogue Logon ... bers serve a three-year fixed term (2001- larly in relation to acquisition, ages the highest standards of scholar to the range of criticism that appears deaccession, and exhibition policies and in the history of art, published during 4) with at least one new member ship, practice, coml0isseurship, and throughout the country. rotating on to a committee each year. procedures. The committee seeks to teaching in the arts. To this end, the the penultimate year under tJ:e auspices Each committee is composed of a exercise influence and share efforts in association publicly recognizes achieve of a museum, library, or collection. A minimum of three members and one issues of mutual interest, particularly in ments by individual artists, art histori I(JI chair. Committee candidates must matters of presentation, conservation, ans, curators, and critics by regularly Arthur Kingsley Porter Prize. Presented It~l.reviews access for scholars, and education of the conferring a number of annual awards, for a distinguished article published in possess expertise appropriate to the committee's work and must be CAA public. several of which are named for distin the Art Bulletin during the preceding www.c a.a. rev i e w s. 0 r g members in good standing. Members of guished members of the profession. calendar year by a scholar who has all committees volunteer their services to These awards are made to living received the doctorate not more than ten 6 CAA NEWS SEPTEMBER 2000 CAA NEWS SEPTEMBER 2000 7 Alpers, Linda L. Alter, Maxwell L. Nancy R. Huntsinger, Rudie E. Hurwitz, Donald E. Sloan, Brian D. Smith, Martin back issues of the Art Bulletin into www.collegeart.orglcaafpublications/ Anderson, Joseph P. Ansell, Eric C. Isabelle Hyman, Diane C. James, Smith, Sherri Smith, Terence E. Smith, electronic format, JSTOR will improve index.hlm!. CAA requests that a Apfelstadt, Kahren J. Arbitman, William M. Jensen, Christopher A. Webster Smith, Theresa Smyth, Joanne access to the contents while also representative from each Ph,D.-granting Marjorie E. Arnett, Cynthia M. Johnson, D. Signe M. Jones, Natalie B. Snow-Smith, Andrew W. Sohn, Thomas addressing preservation problems. institution send a listing of its students' Augsbury, Ellen T. Baird, Susan Ball, Kampen, Pepe Karmel, Robert J. W. Sokolowski, Katherine Solender, The Art Bulletin will be digitized at titles via email to caabook@collegearl,org, THANKS Terry L. Barrett, Stephanie J. Barron, Kaufman, Nancy B, Keeler, Dieter Susan G. Solomon, Priscilla P. Soucek, JSTOR's office at the University of Reminders and full instnlCtions will be Brigid S, Barton, Michael D. Baxandall, Kimpel, Fred R. Kline, Mark A. Kline, Ann Sperry, Allen Staley, Theodore E. Michigan, Pages will be scanned at high sent to Ph,D. department heads in Stephen Beal, Melissa p, Benca, Janetta Elaine Koss, Alice Kramer, Susan D, Stebbins, Jr., Roger B. Stein, Joan K. resolution (600 dpi) and then converted September, For more information, contact TO Rebold Benton, Ann C. Bermingham, Jo Kuretsky, Phyllis Lambert, Barbara G. Stemmler, Julien M. Stock, Mary K. to text using OCR (optical character Whitney Manger, Assistant Editor; Anne Bernstein, Nancy Bialler, Annette Lane, Gerrit L. Lansing, Donald M, Stofflet, Elizabeth Streicher, Christine L. recognition) software, Scholars will be [email protected]. Deadline for the MEMBERS Blaugrund, Elizabeth H. Boone, Jean L. Lantzy, Irving Lavin, Babatunde Lawat Sundt, Carol F. Tabler, Charles Talbot, able to perform full-text searches of the June 2001 list: December 1, 2000. Bordeaux, Thomas J, Botkin, Host Claudia Lazzaro, Leonard Lehrer, Roberta K. Tarbell, D. E. Tebow, Mark E. Art Bulletin along with other journals in Bredekamp, Pamela Merrill Brekka, Roselyn Leibowitz, Patricia Leighten, Thistlethwaite, Toni A, Toland, Marga the archive and print high quality CAA Staff Richard Brettell, Richard Brilliant, Jack Dell Danielle Lemmon, Cathie Lemon, ret M. Kelly Trombly, PaulI-I. Tucker, copies of resulting articles as they AA expresses its gratitude to Changes Perry Brown, Jonathan M. Brown, Madeline Lennon, Gail Levin, William Amanda C. Tudor, Nancy D. H. originally appeared in print. 2000 Patron, Sponsoring, and Becky E. Adamietz-Deo recently joined Marilyn R. Brown, Sarah Burns, Yasuko W. Lew, Joseph S. Lewis, Samella S. Underhill, Edward E. Valentine, Jr., JSTOR is of enormous benefit to Sustaining members-individu CAA as Director of Development, C T. Bush, James Cahill, Richard Camber, Lewis, Lucia S. LHien, Lisa Lodeski, Ignacio Valero, Biron F. Valier, Kathryn libraries, scholars, and researchers, and Marketing, and Public Relations, Most als who wish to contribute to CAA William A. Camfield, Kay F. Campbell, Rose-Carol Washton Long, Carla Lord, CAA. Libraries can increase the value A. Van Dyke, Jane A, Van Nimmen, recently, Becky served as Director of above and beyond their regular dues. Susan L. Caroselli, Joan Carpenter Glenn D. Lowry, Hans A. Luthy, of existing resources to their patrons Barbara A. Ventresca, Timothy Verdon, Public Relations and Marketing for The These members receive the Art Bulletin, Troccoli, Annemarie Weyl Carr, Yvonne Patricia Mainardi, Michael Mallory, Joan and broaden their collections to include Anthony Vidler, Louis p, Visentin, Hudson River Museum, Yonkers, NY, Art Journal, and CAA's annual report. p, Carter, Svenja S. Cassia, Peter Chapin, M. Marter, Sarah Blake Mc Ham, the complete runs of journals, Scholars Sonoko S. Wakita, Leonard E. Walcott, and has more than 16 years of PR and Membership fees cover less than half of H. Perry Chapman, Hollis Clayson, Deanna M. Mc Hugh, James W. can search the full text of published Jr., John Walsh, Ian B. Wardropper, Jack development experience in the nonprofit CAA's operating costs, so voluntary Janice K. Clinton, Judith Colton, Michele McManus, Ann Melanie, Amalia Mesa materials using any computer with a Wasserman, Katharine J, Watson cultural sector. Prior to relocating to contributions from members help to C. Cone, Michael W. Cothren, Holland Bains, Jerry D. Meyer, Ruth K. Meyer, campus network connection, Finally, Nyhus, Joni B. Weberman, Judith New York, she was Education Coordina make possible the wide range of Cotter, Jill S. Cowen, Janet Cox-Rearick, Creighton Michael, Erika B. Michael, CAA will have access to a database of Wechsler, Gabriel P. Weisberg, Fred H. tor for Lubbock Fine Arts Center, where programs and services it offers. Holly Crawford, Michael P. Ellen G. Miles, Henry A. Millon, Barbara the complete run of the back files of the Werner, Richard V. West, Martine H. she was responsible for public relations, Cunningham, Joyce A. Cutler-Shaw, J. Mitnick, Amy R. Morel, James Art Bulletin, enhancing its value to our Westermann, Mark A. White, David G. fundraising, and educational program Patron Karen C. C. Dalton, Sally B. Dalton, Morganstern, Dewey F. Mosby, Keith members. Wilkins, Jean c. Wilson, Irene J. Winter, ming. In her new position, Becky will Members Alan P. Darr, John T. Daxland, Kosme Moxey, Deborah D. Muirhead, Don R. JSTOR began as a project within Reva J. Wolf, Sigrid F. Wonsil, John L. market CAA's programs and activities, Basil Alkazzi, Carl Andre and Melissa M. De Baranano, Georgia R. De Mullins, Weston J. Naef, Katherine the Andrew W. Mellon Foundation. Wood, Jim Wright, Patricia M, Wynne, manage all development and Kretschmer, Judith K. Brodsky, Kristin Havenon, Pamela De Marris, Philippe Harding Nahum, Otto Naumann, Although separated from the founda Michael R. Zakian, Joyce Zemans, Henri fundraising activities, and increase B. Collins, Jeffrey P. Cunard, Hester De Montebello, Barbara K. Debs, Lawrence Nees, John Hallmark Neff, tion in 1995, it maintains its nonprofit Zerner, Jerrold Zlff, and Judith K. overall visibility for CAA. She holds a Diamond, Anne B. Ehrenkranz, and Katharine B. Desai, Jennifer c. Dowling, Jenifer Neils, Roy R. Neuberger, Amy D. status and is converting the Art Bulletin Zilczer, Master of Arts in Museum Science! Art Beatrice FarwelL Dedree A. Drees, Martha L. Dunkelman, Newman, Linda Nochlin, Andrea S. at no cost to CAA. The Art Bulletin joins Education from Texas Tech University, Richard A. Dunn, Francesca M. Norris, Edward J. Nygren, John S. more than two hundred other scholarly Lubbock; a Master of Journalism in Eastman, Stephen R. Edidin, Lee M. O'brian, Carol ackman, Clifton C. aIds, journals that are signed up with JSTOR, Sponsoring Public Relations, with a minor in Art Edwards, Carol S, Eliel, Sonia H. Evers, Steven N, Orso, Osmund Overby, including the American Historical Members History; and a Bachelor of Fine Arts in Suzannah J, Fabing, Tecton Fabricator, Christopher Ozubko, Nancy Packes, Review, Speculum, Renaissance Quarterly, George S. Abrams, Jonathan J. G. Art History and Painting from Univer Everett Fahy, Trevor Fairbrother, Alicia George Pappas, E. C. Parry, Melvin Alexander, Emma Amos, Catherine ,& Eighteenth-Century Studies, Yale French C. Faxon, Theodore Feder, Linda S. Pekarsky, Steven P. Perkins, Sarah W. sity of North Texas, Denton. Frederick Asher, Ronald R. Atkins, Studies, and Journal of Black Studies. We Ferber, Elizabeth V, Ferrer, Ruth E. Fine, Peters, Jeanette F. Peterson, Ruth R. are delighted that the Art Bulletin is the Michael L. Aurbach, Holly Block, THE David Finn, Evan R. Firestone, Jack D, Philbrick, Katherine A. Phillips, Olga first scholarly art history journal to join Russell Cartwright, Faya Causey & Flam, Ilene H. Forsyth, Joseph c. Forte, Raggio, Virginia C. Raguin, Archie Philip Conisbee, Kevin E. Consey, Sol the list of JSTOR publications. Brandon B. Fortune, Jacqueline A. Rand, Peter S. Reed, Danielle Rice, ART Alfred Davidson, Joe Deal, Elizabeth Mc Frank, Kristen Frederickson, Gordon L. Robert Rindler, E. Bruce Robertson, Jane G. Enders, Anne Hollander, Dennis Y. Fuglie, Clarke H. Garnsey, Dana M. Mayo Roos, Peter D, Roos, Margaret Ichiyama, Lois Kaggen, Suzanne & BULLETIN Garvey, Robert A. Gerard, Mary W. Root, Charles M, Rosenberg, Mark Emmanuel Lemakis, Elizabeth A. Gibbons, Mildred L. Glimcher, Rona Rosenthal, Sheila M. Ross, Judith Liebman, James H, Marrow, Charlene C, Goffen, Edward Goodstein, John S. Rowlands, Wendy W. Roworth, BECOMES Marsh, Marla F, Prather, Charles S, Gordon, George Gorse, Jack Greenstein, Timothy F. Rub, James H. Rubin, Polly Rhyne, Joseph Rishel & Anne Terence Grieder, Norman B. N. Rubin, Jeffrey Ruda, Jacquellne M. DIGITAL d'Harnoncourt Rishel, David Rosand, Gulamerian, Candy Haggins, Jennifer Sandro-Greenwell, Norie Sato, Carl N. Stephen K. Scher, Gloria Sedaghat, M, Hardin, Ann S, Harris, Elizabeth F. Schmalz, Jr., John M. Schnorrenberg, Elizabeth A, Stevens, Mary E. Stringer, Harris, Lyall F. Harris, Katherine W, Frederick C. Schroeder, Susan W. David Summers, Aimee B. Troyen, Mark AA is pleased to announce that Haskins, Reiner Haussherr, Andree M, Schwartz, Paul Schweizer,John F. Scott, Weil, Ruth Weisberg, and Renate & Ron it has signed a formal agreement News Hayum, Jean I. Heilbrunn, Kathryn M. Linda Seidel, Rivka T. Sevy, Ellen Sharp, Wiedenhoeft. with JSTOR ("journal storage"). Heleniak, Reinhold Heller, Joel Allyson E. Sheckler, Pamela K. C Initiated as a demonstration project in Dissertation Herschman, Richard A, Hertz, Barbara Sheingorn, Lola K. Sherman, Alan 1994, jSTOR began as an effort to create Sustaining H, Hess, Patricia S. Hills, Sharon L. Shestack, Deanne M. Shey, Richard A. Listing Procedure Members a centralized, electronic archive to ease Hirsh, Renata Holod, Elizabeth A. Shiff, Masako H. Shinn, Eleanora S. the increasing problems faced by Current dissertation topics· are listed Morton C. Abromson, Jeffrey H. Abt, Becky E. Adamietz-Oeo, Director of Honig, William E. Hood, Margaret L. Mejia Sievert, Larry A, Silver, Robert B. libraries seeking space for long runs of annually in the June issue of the Art Maryan W. Ainsworth, Svetlana L. Howell, Constance C. Hungerford, Simon, Marianna Shreve Simpson, Bulletin and oniine at http:// Development, Marketing, and Public scholarly journals, By converting the Relations 8 eAA NEWS SEPTEMBER 2000 CAA NEWS SEPTEMBER 2000 9 Luisa Cruz was recently promoted to in English and a triple minor in studio pendent slot in the program schedule. SHERA that has often appeared between academic and musemn professionals Office Coordinator. After two years as art, writing, and French, and has since The new scheduling of this session will Annual f the voice of CAA's front desk operator, worked in editing and graphic design. take effect at the Chicago conference, on Panel and -to pay attention to an area of she is now in charge of day-to-day Friday, March 2, 2001. increasing interest to the whole field, She is also a poet and a visual artist Discussion management of the office and various working with collage as well as black It is hoped that scheduling this museology. At the next CAA confer The Society of Historians of East hmnan resource duties such as review and white photography. event without the competition of ence, there should be plentiful sessions ing staff and membership benefits, concurrent events will encourage European and Russian Art and Architec that address all of these concerns and developing staff training programs, and Renota Welcome is CAA's new recep greater attendance and communication. ture (SHERA) invites submissions for its goals. working with the staff Human Re tionist. She will be handling all front This worthy goal is part of a larger CAA annual CAA panel discussion, which There will be three sessions held at sources Committee. desk duties and assisting staff in the Annual objective, to provide more opportunities will take place at the 2001 Annual the Art Institute of Chicago and two at membership department. She currently at the Annual Conference for linkages Conference. The new deadline is the Museum of Contemporary Photog Whitney Manger joined CAA in June as attends LaGuardia Community College, between members and CAA's Board October 16 to Joanna Inglot by mail, raphy, both a few blocks from email, or fax. Assistant Editor for CAA News and where she studies computer networks. and Committees. the convention hotel. At the Art "Artists and the State: Cultural CAA.Reviews. In 1999, she graduated Previously, she worked at MTG, INC., The new scheduling of "Meet the Institute of Chicago, Gloria Groom from Drew University, NJ, with a major and Dime Savings Bank of New York. Update Candidates" will require adjusting the Policy under Communism in Eastern (European Painting), in the session "The Friday conference schedule. All regular, Europe and in the Soviet Union after Dialectics of Decoration 1875-1925" Look for 2.5-hour sessions and all events sched 1945." Chair: Joanna Inglot,The Coilege (Friday, 9:30 A.M.-noon) will address Preliminary uled during the l.5-hour intervals will of St. Catherine, Dept. of Art and Art issues raised by the exhibition on History, 2004 Randolph Ave, St. Paul, 2001-2002 Program be affected by a modest shift of a half the decorative paintings of Bonnard, MN 55105; 612/996-9859; fax: 612/944- In October CAA members will receive hour. The conference day will begin Vuillard, Denis, and Roussel that f 9607; [email protected]. C LA R KF ELL 0 W S HIP S the Preliminary Program for the 2001 earlier, at 7:00 A.M. instead of 7:30 A,M., will just have opened at the Art Institute The purpose of this panel discus Annual Conference, to be held in and it will end later, at 8:30 P.M., instead of Chicago. On Saturday morning, sion is to go beyond the simplified, The Sterling and Francine Clark Art Institute announces the second Chicago from February 28 to March 3. of 8:00 P.M. The "Meet the Candidates" Suzanne Folds McCullagh and Larry although still pervasive, understanding year of fellowship support for national and international scholars, The program will also be posted on session will be scheduled from 4:45-5:45 Feinberg (Drawings and European critics, and museum professionals who are engaged in projects that P.M. The Conference Director's office will of artistic life under communism in Paintings, respectively) will co-chair a CAA's website, www.collegeart.org. Eastern Europe and the Soviet Union as extend and enhance the understanding of the visual arts and their This conference marks CAA's return to revise the times for all sessions, meet session on the role of drawing and role in culture. The program encourages a critical commitment to dominated by the rigid ideological Chicago after almost a decade, during ings, and receptions scheduled on painting in the seicento. In the after research in the theory, history, and interpretation of works from all principles of Socialist Realism. In the which the city has seen the construction Friday accordingly. noon, Ian Wardropper (European periods and genres of art. post-Stalinist period, beginning in the of new museums and the addition of All session chairs will be notified of Decorative Arts and Sculpture) will RESEARCH 2001 schedule and room assignments mid-1950s, cultural policy of individual chair an open session on Renaissance AN'D Clark Fellows (one to ttm months) will be provided with offices in the impressive works of public art. Soviet-bloc countries became increas The program booklet will list all after August 18, 2000, as planned. The and Baroque sculpture. At the Museum ACADEMIC Institute's extensive lib'rary, alongside the museum, visual resources ingly diversified, leading to the emer PROGRAMS currently accepted program sessions, as new Friday grid will be published in the of Contemporary Photography, on collection, and Williams College Graduate Program in the History of gence of different patterns of well as meetings, special sessions, 2001 Preliminary.Program. Here is Saturday morning, Carol Mavor and Art. The Clark Art Institute is within walking distance of both Williams interaction between visual artists and receptions, and special events. With Friday's schedule: Elizabeth Howie will co-chair a session, College, with its Museum of Art and its libraries, close to the new the state. This panel will attempt to Massachusetts Museum of Contemporary Art in North Adams. over 120 panels in historical studies, "Bored and Paranoid: Two Tendencies March 2, 2001 discuss how political events and of the Photograph," In the afternoon, Annual Clark Conferences, and several symposia and seminars, as contemporary issues, and studio art, the ideological shifts within specific well as frequent lectures, are a vital part of the institute's activities. program promises to be a stimulating Cheryl Simon will chair "Following the countries from'1945 to 1990 affected 7:00--8:30 A.M. (Special Sessions/ Archival Turn: Photography, the one. Special events include architec artistic expression, the possibilities of Clark Fellows receive generous stipends, dependent on sabbatical and tural tours, visits to the musemns of the Meetings/Receptions, formerly Museum, and the Archive." interaction with the international art salary replacement needs, and reimbursement for travel expenses. University of Chicago campus, and 7:30-9:00 A.M.) Several sessions address scene, the emergence of independent art They are housed in apartments in a scholars' residence across the road special art gallery tours. Placement and museological issues directly, from movements, and the careers of indi from their offices in the Institute, located in a rural setting in the mentoring workshops for professional 9:00-11:30 A.M. (Regular Sessions, several different angles. Janet Marstine vidual artists. Berkshire hills of western Massachusetts. Both Boston and New York and career development will again be formerly 9:30 A.M.-noon) chairs "Teaching Museum Theory City are about three hours away. featured. The conference will be across the Art and Art History Curricu launched on Wednesday evening, Noon-l:30 P.M. (Special Sessions/ lum." Katy Kline and Alison Ferris's Applications are invited from scholars with a Ph.D or equivalent Sessions for February 28, with convocation followed Meetings/Receptions, formerly session examines the relationship professional experience in art history, museums, and related fields. Museum by a gala at the Art Institute of Chicago. 12:30-2:00 P.M.) between artists and museums in For guidelines, as well as further information, please contact Michael Professionals Use the insert in the Preliminary "Curatorial Quandary;" while Lisa Ann Holly, Director of Research and Academic Programs, Clark Art The Annual Conference Committee of Program to register in advance at great 2:00-4:30 P.M. (Regular Sessions, Bloom offers a case study: "Reviewing Institute, Williamstown, Massachusetts 01267. formerly 2:30-5:00) the CAA Board has, over the last few savings. We look forward to seeing you 1970s and 1980s Feminist Art Practices in Telephone: (413) 458 9545, extension 260; years, made a determined effort to e-mail: [email protected] in Chicago! the 1990s: Three Major Exhibitions on 4:45-5:45 P.M. #Meet the Candidates" increase the number of museum Judy Chicago, Eleanor Antin, and sessions. On the one hand, this has The application deadline for fellowships awarded for the 2001- Changes to Martha RosIer." In addition, at least ten 2002 year is November 15, 2000. 6:00-8:30 P,M. (Regular Sessions, meant scheduling sessions in local museum professionals-curators, the 2001 formerly 5:30-8:00) museums and addressing aspects of educators, and a director-are chairing a Conference Schedule those museums' permanent collections variety of sessions. Finally, there is the In its efforts to enable more CAA and temporary exhibitions. On the STERLING & FRANCINE If you have any questions about the annual Museum Committee special members to participate in the annual new Friday grid, please contact the other hand, it has also meant encourag issues session chaired by Clare Kunny of CLARK ART INSTITUTE election process, the Board of Directors Conference Director's office by phone at ing museum professionals to propose or the Art Institute of Chicago. Please WILLIAMSTOWN, MASSACHUSETTS 01267 has determined that the "Meet the 212/691-1051, ext 517; actively seek sessions that that address check the 2001 Preliminary Program, for Candidatesfl session held during the [email protected]. museological questions within the field. dates and times. Annual Conference be given an inde- Our aim has been to diminish the divide paid advertisement 10 CAA NEWS SEPTEMBER 2000 CAA NEWS SEPTEMBER 2000 11 Women in Portfolio Review and the Career chosen by a lottery of the applications cants; however, workshop participation the Arts 2001 FREE MENTORING TICKET Development Workshops, to be held received by the deadline, and all is limited. Send completed coupon to: applicants will be notified by mail by Annual I would like to be included in the lottery for a free Mentoring Ticket. during the 2001 Annual Conference. Career Development Workshops, CAA, Recognition Successful applicants will receive December 15, 2000. CAA will make 275 7th Ave., New York, NY 1000L Awards Breakfast CAA Paid 2001 Member lD # (required) ______$10.00 per hour and complimentary every effort to accommodate all appli- Deadline: November 3, 2000. conference registration. Room monitors Mentoring tickets are available for the will be expected to work a minimum of CAA Committee on Women in the Arts nrune' ______four hours checking in participants and Annual Recognition Awards Breakfast, facilitating the work of the mentors. to be held at the 89th Annual Confer address;______Send a brief letter of interest to CAA ence on Friday, March 2, from 7:30 to name ______Room Monitors, clo Conference Coordi 8:30 A.M. city/state/zip______nator, CAA 275 7th Ave., New York, NY The CAA Committee on Women in address ______10001. Deadline: December 1, 2000. the Arts Annual Recognition Award email______phone______Breakfast is one of the highlights of the city/state/zip, ______Annual Conference. In addition to the Selection will be by lottery, and ticket holders will be notified by January 19, 200l. Artist's Portfolio Review convivial social atmosphere, the Return form by December 29, 2000. The 2001 Artist's Portfolio Review will email ______breakfast is a venue for honoring women offer artist-members the opportunity to who have made important contributions have slides or VHS-format videos of phone ______member ID# ______to the world of art. Past recipients have their work reviewed by curators and included Louise Bourgeois, Norma 2001 TICKET DONOR FORM critics in private, twenty-minute discipline/mediUffi ______Braude, Mary Garrard, Samella Lewis, consultations. Appoinbnents will be Linda Nochlin, and Carolee Schneeman. I wish to donate number{s) of Mentoring Tickets for the Annual scheduled during afternoons, from I will bring: 35-mm slides VHSvideo Since it has always been the mission of Recognition Awards Breakfast @ $25 per ticket. Wednesday, February 28, to Friday, the Women's Committee to be inclusive, March 2. I CJl1111Qi be scheduled for the following time slotls: this year for the first time a free CAA Paid 2001 Member lD # (required) Interested artists should complete the Artist's Portfolio Review coupon on o Wednesday, February 28, 3:00-5:00 P.M. Mentoring Ticket to the breakfast will be name ______made available to those who would not this page. (The coupon may be copied o Thursday, March 1, 12:00-2:00 P.M. and 3:00-5:00 P.M. otherwise be able to attend. To qualify, and distributed.) Be sure to indicate o Friday, March 2, 12:00-2:00 P.M. and 3:00-5:00 P.M. address ______applicants must be both paid conference whether the work to be reviewed will be registrants and paid 2001 calendar-year on slides or video and identify any time Complete and return to: Artist's Portfolio Review, CAA, 275 7th Ave., New York, NY 10001. CAA members. city/state/zip,______----- slots for which you cannot be scheduled. Deadline: November 3,2000. H you are interested in receiving a All applicants must be members in good email, ______phone ______Mentoring Ticket, please fill out the standing for 2001. Participants will be form and send it by December 29, 2000, chosen by a lottery of the applications to CAA, Attn: Theresa Smyth, 275 7th Payment Method received by the deadline, and all Ave., New York, NY 1000L applicants will be notified by mail by ![I:~!I~]II~Qg~I!II~tiillligi~I~,.ii~11CIi~ilili1Iti~Jtt.iwl [] Check [] MasterCard o VISA Tickets are made available through December 15, 2000. Send completed Thursday, March 1-Friday, March 2, 2001 coupon to: Artist's Portfolio Review, the generosity of CAA member col Checks must be drawn on a u.s. bank payable to College Art Association. Checks returned CAA, 275 7th Ave., New York, NY leagues who wish to support this because of insufficient funds will be charged an additional $20. Check one of the following boxes, indicating your area of specialization. If endeavor by completing the Ticket 10001. Deadline: November 3, 2000. choosing more than one specialty, please indicate the order of your preference: Donor Form on the opposite page and returning it along with their payment by account # expo date Career Development Art History Studio Art o Curatorial December 29, 2000 to: CAA, Attn: Workshops o Ancient-Medieval o Painting o Renaissance, Baroque, 18th c. o Sculpture/Ceramics/Metal/Jeweiry Theresa Smyth, 275 7th Ave., New York, signature ______Artists, art historians, and museum o 19th c.-Modern o Drawing/Printmaking/Works on Paper NY 10001. professionals at all stages of their careers o Contemporary o Photography/Film/Video Selection of ticket recipients will be Please return fonn and donation by December 29, 2000. are encouraged to apply for a one-on o Africa, Asia, Oceania, Americas o Computer Graphics/lllustration/ by lottery, and the ticket holders will be one consultation with veterans in their Graphic Design notified by January 19, 200L The fields. Career Development Workshops o Architectural History o Installation/Performance Ushers and number of mentoring tickets available March 3, and attend a training meeting offer a unique opportunity to receive name ______will depend on the number of donations Projectionists Sought at 7:30 A.M. on Thursday. Projectionists candid advice on how to conduct a must be able to operate a 35-mm slide received from our colleagues. Applications are being accepted for thorough job search, present work, and address ______usher and projectionist positions for the projector; familiarity with video prepare for interviews. 89th Annual Conference, to be held at projectors is helpful. Send a brief letter The workshops will take place on the Chicago Hilton and Towers from of interest to CAA U IP Coordinator, Thursday, March 1, and Friday, March city/state/zip ______February 28 to March 3, 200L Success clo Conference Coordinator, CAA, 275 2, at the Chicago Hilton and Towers. ful applicants will be paid $10.00 per 7th Avenue, New York, NY 1000L Workshops are by appointment only; all email ______hour and will receive complimentary Deadline: December 1, 2000. participants must be members in good registration. Ushers and projectionists standing for 200L phone ______member ID# ______are required to work a minimum of Room Monitors Sought To apply, complete and mail in the Complete and return fa Career DeVelopment Workshops, CAA, 275 7th Ave., New York, NY 10001. four, 2.5-hour program sessions, from Room monitors are needed for two of Career Development Workshops Deadline: November 3,2000. Thursday, February 28, to Saturday, CAA's mentoring programs, the Artist's coupon on this page. Participants will be 12 CAA NEWS SEPTEMBER 2000 CAA NEWS SEPTEMBE!~ :woo 13 MIDWEST Judith Barbour Osborne. University Settlement, Julia Stoops. Nine Gallery, Portland, OR, Kim Beck. Urban Institute for Contemporary New York, June 27-9, 2000. A Tale of2 Cities. August 3--September 2, 2000. Homage to de Arts, Grand Rapids, MI, September 8--October Chirico. Light installation. 20,2000. Suburban Lights. Drawings. SOLO Dale Osterle. Elaine Benson Gallery, Bridgehampton, NY, opening reception, August SOUTH EXHIBITIONS Lia Cook. Miami University Art Museum, 5,2000. The umg View. Judith Godwin. Albany Museum of Art, Oxford, OH, June 16-August 6, 2000. Structure & Albany, GA, June 29-September 3,2000. Style Image. Woven textiles. and Grace. Paintings. BY Paul Skiff. HERE Arts Center, NY, August 18, 2000. Perfonnance. ARTIST Kathleen Kneafsey. Hiestand Galleries, Ivliami Janet Gold. Mark Wheeler Gallery, The Art UniverSity, Oxford, OH, July 29-August 5,2000. Institute of Fort Lauderdale, August 17- Kim Sobel. The Left Bank, Bennington, VT, Ceramics. September 10, 2000. One Woman's Work. MEMBERS August 1-27, 2000. Bluegrass. Paintings and prints. Only artists who are CAA members are included Margo Kren. University Center Art Gallery, Amy Pleasant-Henderson. Hotel Brazil Fine ill this listing. When submitting information, include Northern Michigan University, Marquette, July Arts Gallery, Birmingham, AL, November 2-28, John Wallace. Blue Movntain Gallery, New name, membership number, venue, city, dates of 28-August 20, 2000. Jazz Paintings. 2000. Meanwhile. Oil paintings and drawings. York, September 22--October 11, 2000. Paintings. exhibition, and medium (or website address of online exhibits). Omission of membership number on Carol L. Struve. Garden Gallery Como Brian Purlee. Eric Devine Gallery, Louisville, submission will prevent your listing from being WEST published. Photographs are welcome but will be used Conservatory, St. Paul, MN, June I-August 1, September 6--October 8, 2000.1 Remember My 2000. Paradise and Earthly Visions. Paintings. Walter Askin. Riverside Art Museum, only if space allows. Photographs cannot be returned. Dreams by Drooling Them on My Pillow. Riverside, CA, May 30-July 8, 2000. Fresh Installation. Please be advised that listings and images may be Deliveries from the Art Garden. Paintings and reproduced on the CAA website. Submit to Solo sculpture. Member Exhibitions, CAA News, 275 7th Ave., New Dawn Hunter, Device for an Emotional Journey, mixed media on paper, 22 x 29" York, NY, 10001; [email protected]. launching these programs came not only ABROAD from his current position at Heritage Leon Bernard Johnson. London and Norfolk, Affiliated Preservation but also from his years at UK, July I-July 22, 2000. Faust/Faustus: A Duet the American Association of Museums for Devils. Intermedia perfonnance. and at the National Endowment for the Arts. The Forbes Medal recognizes Karen Kunc. Galerie Dumont 18, Geneva, outstanding achievements and contribu September 21-November 12, 2000. Prints. tions to the field of conservation by nonconservators and was named in John Sabraw. Galerie Thomas Hettlage Ars honor of Edward Waldo Forbes. Vivendi, Grunwald, Germany, October 12- Lawrence Reger November 17, 2000. Oil paintings. Receives Forbes Medal MID-ATLANTIC Lawrence L. Reger, President of Jacqueline Lima. Sussex County Community Heritage Preservation, was awarded the College, Newton, NI, December 1, 2000-January Forbes Medal by the American Institute 17,2001. Paintings. for the Conservation of Historic and NORTHEAST Yugi Hiratsuka. Hellos Gallery, Ashland, OR, Alex Wilhite. Young Harris College Gallery, July 5-September 5,2000. Young Harris, GA, September 10-29, 2000. Artistic Works (AlC) at its annual Blaise Tobia. Design Arts Gallery, Drexel Catherine Cabaniss. New York City Fire Sounds + Visions. meeting in Philadelphia on June 9, 2000. UniverSity, Philadelphia, September 25-0ctober Museum, June 22, 2000. Water-Based. Paintings and prints. Founded in 1958, the AIC is one of 22,2000. Cultural Syntax. Dawn Hunter. UC Gallery, University of CAA's largest affiliates, with more than Montana, Missoula, September 25-0ctober 20, ONLINE 2000. Belle Machina. Mixed-media. 3,000 members. Each year at the Annual Lori Verderame, Curator. Penn State Univer Sue Johnson. Munson Williams Proctor Barbara Fuoco. Artzar.com, Gallery 7. Land scapes. Paintings. htlp:llwww.artzar.coml. Conference CAA and the Heritage sity, University Park; the University of Institute, School of Art Gallery, Utica, NY, April 21-May 13, 2000. Installation of The Alternate Foundation present a joint award for Wisconsin, Madison; the McNay Museum of Una Kim. Interstate Firehouse Cultural Center, EIICljc1opedia. Distinction in Scholarship and Conser Modern Art, San Antonio, TX; the Montclair Art Portland, OR, August 2-26, 2000. Recent Small vation. Museum, Montclair, NI; Iowa State University, Works. Ames, the Allentown Art Museum, PA; January AIC President Jerry Podany Christine Kondoleon, Curator. Worcester Art 2000-December 2001. An American Sculptor: presented the award at the General Museum, MA, October 8, 2000-February 4, 200l. Setjmour Lipton. Kim Knauer. Edge Gallery, Denver, August 4- Session, citing Mr. Reger for his "out Antioch: The Lost Anciellt City. Muhlenberg College, Allentown, PA, 20,2000. Won't You Be My Neighbor? standing ability to contribute to any September I5-November 10, 2000. A Sea Change. group in which he participates." He also Christina LanzI. Radio House Gallery, New Paintings by Frank Lind. Susan Rankaitis. Museum of Photographic Arts, called him a "tireless advocate" who York, April 25-May 26, 2000. Horse Distance Muhlenberg College, November 17, 2000- Running. Painting, sculpture, sound, and San Diego, June 4-August 13, 2000. Drawn from played a key role in initiating many of February 2, 2001. A Season of Symmetnj. Stain Sdence. performance. the funding programs so important to Leon Bernard Johnson, FaustIFaustus: A paintings, scrolls, and mixed media installations conservation today. Mr. Reger's role in Duet for Devils, intermedia performance by Jean Wilkinson. 14 CAA NEWS SEPTEMBER 2000 CAA NEWS SEPTEMBER 2000 15 white plaster originals. The completed work, architecture as a meeting ground between the awards including the Award for Distinguished Academe representing two of the many Americans who subjective and objective realms. Body of Work (1988) and the Distinguished Sheila Blair and Jonathan Bloom have been Artist Award for Lifetime Achievement (1990). suffered during the 1930s in the U.S., now stands jointly appointed 'to a single chair, the Norma "If at times my works do not express the conventioll A memorial service for Mr. Lawrence will be in the Franklin Delano Roosevelt Memorial in Jean Calderwood University Professorship of PEOPLE Washington, DC. ally beautiful, there is always an effort to express the held at The Riverside Church in New York at Islamic and Asian Art, at Boston College. ulliversal beauty of man's continuous struggle to lift 4:30 p.m. on Thursday, September 28. In Segal's ties to New Jersey, and specifically IN his social position and add dimension to his spiritual October, a catalogue raisonne of the artist's work to Rutgers, were cemented in an exhibition at Susan Brady has accepted the posUion of the Newark Museum in spring 1999. It being." Jacob Lawrence, one of America's will be published by the University of Washing Librarian at the Yale Center for British Art. Prior THE greatest modem figurative painters, died June 9 ton Press. documented the fruitful interchanges taking to the appointment, Brady had served as the at his home in Seattle. He was 82. Lawrence A memorial exhibition will be held at DC place in New Brunswick in the early 1960s, Assistant Head of the Public Services Unit at the NEWS was a gracious and generous man of enonnous Moore Gallery in New York in February 2001. during which time Segal and such later Beinecke Rare Book and Manuscript Library at luminaries as Allen Kaprow, Lucas Samaras, talent and integrity who remained true to his Over the Line: The Art and Life of Jacob wwrence, a Yale University unique artistic vision for more than sixty years. major traveling retrospective exhibition and John Cage initiated Happenings. In early organized by the Phillips Collection, will open 1999 Segal and Kaprow had recounted the scene In Memoriam From the 1930s, he became a powerful chronicler Phoebe Farris has been promoted to full of the African American experience and of the there in May 2001 and will travel to the Whitney vividly for us at a dialogue held at the Jewish Professor in the Department of Visual and Louis Finkelstein, well-known painter, teacher, Museum of American Art in New York, the Museum, re-creating both the artistic and American scene. Performing Arts at Purdue University, West intellectual ferment out of which his work had art critic, and former member of CAA's Board of Lawrence was born in 1917 in Atlantic Detroit Institute of Arts, the Los Angeles County Lafayette, IN. She has also been named Directors (1969-70) died on June 20 in New York City. His family moved to Harlem in 1930, Museum of Art, and the Museum of Fine Arts in emerged. Associate Director of the Women's Studies at the age of 77. A native New Yorker, Louie, as where he came into contact with some of the Houston. Segal was especially well received and Program at Purdue. he was known to all, was a constant presence in -Bridget Moore, President, DC Moore Gallery understood in Israel, where there was a bond greatest artistic and intellectual minds of his between him and the Israeli statesman Abba the art world; a gadfly on the backs of the generation. During the previous decade, Sharon Gerstel, Professor of Medieval Art in Eban, who would visit every showing of the "dummies" whom he often cited as a foil to his Harlem had experienced the rich period known The evocative figures of George Segal (1925- the Department of Art History and Archaeology artist's work in New York at the Janis Gallery. ideas. He was a gifted painter and teacher and as the Harlem Renaissance, and the neighbor 2000) are found in public spaces, art museums, at the University of Maryland, has been saw these activities as interrelated. "It may well Louis Finkelstein hood was still the focal point of African and private collections throughout the U.S., Of all his works regarding the sufferings of the appointed Associate Chair. PHOTO: JANE CULP Jewish people, none stands in more esteem than be that teaching and writing about art constihtte American culture. Before he was twenty years Europe, Asia, and Israel. Cast from family The Holocaust, first installed at the Jewish my dominant form of thinking and creating, and among the articles that he did publish: mine has old, Lawrence had developed a powerful, members, friends, and models, the figures June E. Hargrove was promoted to Chair of the portray the gamut of the human condition Museum in New York in 1983. This work the practice of painting the means to do that," he always been "On the Unpicturelikeness of Our concise style that expressed all the vibrancy and Department of Art History and Archaeology at from passion and love, to the "ordinariness" of became a fitting legacy in the retrospective of his told Harry Naar in an interview. He did all Seeing" in Pictorial Representation, c.F. Nodine pathos of the neighborhood and its occupants. the University of Maryland. daily Hfe, to great biblical themes. In each work, work mounted in 1998. This exhibition three, thinking, creating, and painting, superbly and D. Fisher, eds. (1979). During the late 1930s, Lawrence turned to Segal used the human form unadorned, cast in originated in Canada, moved to the Hirshhorn, well, and in recognition of this received the 1979 After the death of Gretna Campbell, he depicting episodes of American history in a Leon Bernard Johnson has been named and finished at the Jewish Museum. It was there College Art Association Distinguished Teaching married the painter Jane Culp, who survives unique series fonnat. Between 1938 and 1940 he plaster-soaked gauze, and then often recast in Associate Professor in the Art Department at the that I had my last visit with Segal in July 1998. of Art Award. him. He also leaves a daughter, Martha completed series on Toussaint L'Quverture, bronze. The works create a feeling of familiarity, University of Oregon, Eugene. Johnson has also Having seen the works installed magnificently Finkelstein begin his lifelong quest to Campbell; a son, Henry Finkelstein, also a Frederick Douglass, and Harriet Tubman. of oneness betvoJ"een the figure seen and its been awarded the Williams Fellowship for 2000. understand painting and seeing in his first painter; and a muititude of shtdents, friends, Lawrence became a nationally known viewer because of their human scale, the lack of at the Hirshhorn at the show's opening there, I remarked to him that the work took on a new experiences in W.P.A. art classes in the 1930s and colleagues. figure virtually overnight when his Migration pedestals, and the carefully wrought settings of Patricia Mainardi, former CAA Board Member and later at Cooper Union, where he met the "I think painting is itself a kind of teaching, Series was shown at New York's Downtown everyday sites using fOWld objects. intensity in this last venue, as each piece played and CAA.Reviews Field Editor, has been painter Gretna Campbell. Fulbright Fellowships and in the modern situation, its own kind of Gallery in 1941. The twenty-four-year-old artist As a person, George Segal was approach off the Jewish Museum's narrow corridors, more appointed Executive Officer of the doctoral took them to Italy in 1956-58 and to Brazil in liberal art, like literature or phil.osophy"-Louis became the first African American to be able, open, intelligent, morally committed, compact viewing areas, and quietly elegant program in art history at the Graduate Center of architecture. The Holocaust work transfigured 1981 and 1983. He exhibited most often at the Finkelstein. represented by a New York gallery. Fortulle ironic, and humorous. Although he was the City University of New York. Mainardi has Ingber Gallery in Manhattan, but also at the -Patricia Mainardi, Brooklyn College, CUNY magazine published a lengthy article on the angered by the absu.rd killing of four students each viewer in this new, almost contorted space. also received the Charles Rufus Morey Award Whitney Museum of American Art, the Graduate Cellter series that reproduced twenty-six of the series's protesting the Vietnam War at Kent State Clearly, Segal reveled in his sculptures' for the outstanding art book of 1988 for Art alld Brooklyn Museum of Art, the Queens Museum sixty panels, and the entire series was purchased University, he was even more scornful of college seemingly having come home to rest in New Politics of the Secolld Empire: The Universal of Art, and the National Academy of Design. Hananiah Harari, an American painter and jointly by the Museum of Modern Art, New officials who rejected his powerful Isaac and York. Expositiolls of 1855 and 1867. The Hood Museum at Dartmouth exhibited his illustrator, died on July 19, 2000, at age 87. After York, and the Phillips Collection, Washington, Abraham as a fitting memorial to the shtdents, -Pat Kettenring, Director, Busilless ill the Arts, paintings in 1995, and a retrospective will be studying with Fernand Leger in Paris from 1932 DC. while suggesting that instead he portray a Rutgers University Catherine Murray has received tenure and touring the United States until 2002. Besides the to 1934, Harari joined a group of painters who Lawrence was drafted into the Coast young woman placing a flower in the barrel of a promotion to Associate Professor in the Fulbrights, he received awards from the promoted the cause of international modernism Guard during World War II and was assigned rifle of an equally young National Guardsman. Department of Art and Design at East National Endowment for the Arts, the National and abstraction in the United States. He was also duty as a combat artist. Following his discharge, The absurdity of the suggestion was not lost on Tennessee State University. Academy of Design, and in 1999 an Honorary a commercial illustrator until 1950, after which he returned to Harlem and resumed painting Segal; today the work originally intended for Doctorate from the Maryland Institute College he worked at commissioned portraiture and vignettes of neighborhood life. He was invited Kent State stands on the Princeton University Jeff Pike was reappOinted Dean of Washington of Art. experimented with abstraction. His first to teach at Black Mountain College in 1946-the campus only a few miles from Segal's home. University School of Art. In addition to Louie was an electric lecturer, bringing to exhibition, in 1939, was at New York's Mercury first of many teaching posts. Lawrence received Other works reflect the quiet dignity of the overseeing the School of Art, Pike's responSibili his subject a painter's sensibility and an Gallery. His most recent show was in 1995 at a Guggenheim Foundation grant to paint the everyday person carrying on his or her life. One ties include participating in the development of intellectual's theoretical analysis. Listening to the Susan Teller Gallery in SoHo. Harari's work War Series in 1946-47, and in 1947 Fortune is The Butcher Shop (1965), which honored Segal's the Visual Arts and Design Center (V ADC) as a him was like doing mental calisthenics just to can be found in the permanent collections of the magazine commissioned him to do ten paintings parents, who had owned a kosher butcher shop member of the VADC Executive Committee. keep up with the flow of ideas. One of his Metropolitan Museum of Art, the Philadelphia examining postwar conditions in the American in New York before moving to New Jersey to favorite subjects was "the multiplicity of artistic Museum of Art, the Whitney Museum of south. His next major series was Struggle: From start a chicken farm. Anotheds The Diller (1964- Sal1y M. Promey has been promoted to possibility," all of which he seemed bent on American Art, the Yale University Art Gallery, the History of the Americall People, produced in 66), showing a waitress pouring a cup of coffee Professor of American Art in the Department of exploring, understanding, and sharing with his and the Brooklyn Museum of Art. 1955-56. for the silent customer. Art History and Archaeology at the University audience, whether that audience comprised a In 1971, Lawrence was offered a permanent Throughout his life, some of the most single friend or a packed auditorium. He taught of Maryland. John Hejduk, an architect and educator, died on position teaching art at the University of moving works were those portraying Segal's at Queens College and chaired the art depart July 3,2000, at his home in the Bronx, NY. He Washington, and he and his wife, Gwendolyn wife, Helen, and his daughter, Rena. It is the ment from 1964 to 1989, at the Yale University James M. Saslow has been elected Chair of the had served as Dean of the Irwin S. Chanin Knight, moved to Seattle. Thematically, he daughter who stands in contemplation in Young Art Department at Queens College, City School of Art and SUrruner School from School of Architecture at the Cooper Union for concentrated on the topic of builders. Within the Woman in Frollt of a Black Brick Wall (1983). 1968 to 1981, and was a familiar lecturer at the University of New York, for 2000-3. the Advancement of Art from 1975 until his wide field of development offered by the A few years ago, I took a group of students and New York Studio School from its fOWlding in retirement last month. Avoiding conventional builders subject, Lawrence underscored his faculty to Segal's studio. Before the visit we had 1966. Bernard Schultz, Professor of Art History, has practice, his work primarily focused on lifelong vision of man's labor and struggle as his toured the Johnson Atelier, where we saw the He always planned to publish his lectures, been named Dean of the College of Creative theoretical projects that were executed in the major theme. bronze cast of Appalachian Fann Couple (1936). It Arts and Director of the Creative Arts Center at but never quite had them "set" enough to let form of drawings that came together to form Over the last decade, a number of major portrayed his longtime friends and artists Billy West Virginia University, Morgantown, WV. them go. Like his painting, they were always poetic narratives. Hejduk was a strong exhibitions of Lawrence's work have been seen Kluver and Julie Martin. In Segal's studio we works-in-progress. Those of us who were supporter of the role of psychology in contem in museums across the country. In addition, later saw the original casts of this work, and George Segal PHOTO: OONALO LOKUTA "Louis-groupies," however, have our favorites porary architecture and helped to refrarne Lawrence was awarded two of CAA's annual there was recognition of the raw emotion of the CAA NEWS SEPTEMBER 2000 16 CAA NEWS SEPTEMBER 2000 17 Peter Van Aet is the new University Art Curator October 1, 2000. Gilbert H. Kinney of New York, a Vice Aztlan & Casa Juan Diego: Arte en su Entomo," Christopher Willard has a new book out, and proposals for cooperative projects and and Emison Art Center Gallery Director at President of the Board, and, since 1978, a trustee, viewers can find the article at published in June 2000, entitled Watercolor papers. All accepted foreign language submis Depauw University, Greencastle, IN. Harold Koda was named Curator-in-Charge of has been appointed President. Outgoing www.neurotyka.orglneuro/arteljulio! Mixillg: The 12-Hue Method. The book presents an sions will be published in both English and their the Costume Institute at the Metropolitan Chairperson, Robert M. Meltzer, was named pilsen.html. overview of the principles of strong color usage original language. For more information, visit Mariel H. Westermann has been recently Museum of Art. Koda served for four years Chairman Emerihts. in painting. http://www.tout-fait.com. Deadline: September 15, promoted to Associate Professor in the Art during the 1990s as Associate Curator of the Babette Martino has received the Pew 2000. History Department at Rutgers University, NJ. Coshtme Instihtte. Fellowship in the Arts, 2000-2001. Robert Yassin, Executive Director of the Tucson Westermann, a scholar in the field of 17th Museum of Art, has been honored with a special Laying Claim: (Re)considering Artists of century Dutch art, also received the Board of Barbara O. Roberts has been named Conserva Katherine A. McIver, Associate Professor of Art exhibition of acquisitions made during his 10 African Descent in the Americas, a symposium Trustees Research Fellowship for Scholarly tor of the Frick Collection. Since 1988, Roberts History at the University of Alabama at years there. to be held at Colgate University, Hamilton, NY, Excellence. has worked in private practice for major public GRANTS, Birmingham, has received a Gladys Krieble October 25-27, 2001, invites proposals for papers instihttions as well as private collectors, focusing Delmas Foundation Grant for 2000-2001. McIver and panels that address issues of production, Mary Allyson Iwata and Catherine J. The University of Delaware would like to particular attention on such issues as protection AWARDS, will pursue research for her book, The Art of representation, and reception in the work of announce the following appointments: Michael of collections before, during, and after an Collecting: Women, Domestic Goods, and Material Lumenello were among 9 artists chosen to African-American and other artists of African Leja, Professor, and Sewell C. Biggs, Chair, emergency event. Culture ill the Emilia Romagna and the Veneto. receive special recognition and small honoraria descent in the Americas. Please submit a 1-2- American Art; Ikem Stanley Okoye, Assistant & HONORS from The Berkeley Art Center. page proposal and c.v. to both Mary Ann Calo, Professor, African Art and Architecture; Lauren David Robertson, formerly Director of the Marcia Neblett, Lecturer at Cazenovia College, Dept. of Art and Art History, Colgate Univer Hackworth Petersen, Assistant Professor, Greek University of Oregon Museum of Art, has been NY, has been awarded a MacDowell Fellowship sity, 13 Oak Dr., Hamilton, NY 13346; Diane Burko, former CAA Board Member, The Smithsonian's National Museum of and Roman Art; Margaret Werth, Assistant named Associate Director of the David and to complete a series of woodcuts based on the [email protected]; and to Helen M. Shannon, painter, and Professor at Community College of American Art announced the appointment of 12 Professor, Modem and Contemporary Art. Alfred Smart Museum of Art at the University of Grimm Brothers' Fain) Tales. Neblett also received 300 Cathedral Pkwy., Apt. 5H, New York, NY Philadelphia, has been selected as the recipient new fellows for 2000-2001. Recipients include Chicago. the Jerome Foundation Residency Grant for a 10026; [email protected]. Deadline: of the 2000 Bessie Berman Grant in Painting by the following CAA members: Adrienne Baxter, residency at the Plains Art Museum in Fargo, October 31, 2000. the Leeway Foundation. She will use the grant to Columbia University; Jane Carpenter, Lynn Rossotti has been appointed Director of ND. subsidize her current research of volcanoes in University of Michigan; Jennifer Harper, Yale Museums Public Relations at the Phillips Collection in The International Symposium on Classical Hawaii, Iceland, New Zealand, and Southern University; Pamela Sachant, University of Colin B. Bailey has been named Chief Curator Washington, DC. Rossotti comes from Chinese Gardens, organized by the New York Italy. Along with other grant recipients, Burko Sally M. Promey, Professor of American Art in Delaware; Joshua Shannon, University of of the Frick Collection. Bailey comes to the Frick Baltimore, where she was Manager of Public Chinese Scholar's Garden, will be held May 5-6, will be feahtred in an exhibition at the Philadel the Department of Art History and Archaeology California, Berkeley; Emily D. Shapiro, Stanford Collection from the National Gallery of Canada, Relations at the Walters Art Gallery. 2001. Symposium panels will focus on 'topics phia Art Alliance, September 9-November 5, at the University of Maryland, has also been University; Jason Weems, Stanford University. Ottawa, where he was Deputy Director since such as the history of specific gardens, 2000. awarded a fellowship at the Woodrow Wilson January 1998 and Chief Curator since 1995. Julie Sasse, formerly the University of Arizona's ideological, social, and economic factors in the International Center for Scholars for the year Galleries Curator, joins the Tucson Museum of history of garden building, pictorial and literary Jill Caskey received the Founder's Award from 2000-2001 to work on a history of the public Kosme de Baranano, Professor of Art History at Art's staff as the new Curator of Contemporary representations of gardens, the impact of the Sodety of Architectural Historians for her display of religion in the United States. the University of the Basque Country in Bilbao, Art. This is a new position for the museum. religious and philosophical systems on the article, "Steam and Sanitas in the Domestic Spain, is the new Director of the Instituto de history of gardens, the concept of gender in Realm: Baths and Bathing in Medieval Southern Julia Sapin of the University of Washington, Arte Moderno in Valencia, Spain. Mary Schroeder has been named the new relation to gardens as physical and metamorphic ltaly/' that appeared in the June 1999 issue of the Seattle, has been awarded a Fulbright Grant. spaces, the relationship between gardens and Curator of Education at the Fort Wayne Journal of the Society of Architectural Historians. Sapin will travel to Japan for the 2000-2001 urban life and space, as well as any topics Kerry Brougher, Director of the Museum of Museum of Art. Schroeder previously held the academic year to conduct doctoral research. position of Director of the Monroe County CONFERENCES relating to garden design, botany, and Modem Art, Oxford, England, has been named Erika Esau, Lechtrer in Art History at the Historical Museum in Bloomington. horticulture. Proposals should not exceed 3 pages Chief Curator of the Smithsonian's Hirshhorn Australian National University, has been James M. Saslow, of Queens College, City and should describe the topic to be discussed. Museum and Sculpture Garden. awarded an Andrew W. Mellon Fellowship to University of New York, has received two & SYMPOSIA Susan Taylor has accepted the position of Please submit proposals to Dr. Robert R. Harrist, the Huntington library in San Marino, CA. Esau Lambda Literary Awards in June 2000 for the Director of the Art Museum at Princeton Jr., Dept. of Art History and Archaeology, Elizabeth Brown joins the Art Museum of the will conduct research for her book on the past year's best book in the categories of Visual Calls for Papers University. Taylor comes to Princeton from Columbia University, 826 Schermerhorn Halt University of Washington, Seattle, as Chief aesthetic connections between Australia and the Arts and Gay Men's Shtdies for his book, Tout-Fait: The Marcel Duchamp Studies Wellesley College, where she served as Director Mail Code 5517, 1190 Amsterdam Ave., New Curator. Formerly, Brown was Chief Curator for American West, 1850-1930. She will be in Pictures and Passions: A Hision) of Homosexuality OnUne Journal welcomes submissions that of the Davis Museum and Cultural Center. York, NY 10027. Deadline: November 1, 2000. the University Art Museum at the University of attendance at the Huntington Library during in the Visual Arts. The book was also named as a explore Duchamp's life, work, and circle of California, Santa Barbara. April and May, 2001. finalist for the New York Publishing Triangle's contemporaries. Tout-Fait invites complete James c. Y. Wyatt, the longtime Brooke Russell East European Art and Architecture in the 20th Randy Shilts Award for gay male nonfiction. articles, short notes from the field, recent data, Astor Senior Curator at the Metropolitan Century, hosted by the Dept. of Architecture at Elizabeth Cropper has been named Dean of the Janet Gold was the recipient of the Teacher of Museum of Art, has been named Brooke Russell M.I.T., will take place on Apri16-7, 2000. The Center for Advanced Shtdy in the Visual Arts at the Year Award, 2000, from the Art Instihtte of Astor Chairman of the Museum's Department of conference will aim to raise questions about the the National Gallery of Art, Washington, DC. Fort Lauderdale, FL. Cropper comes to the Center from Johns Asian Art. status of the aesthetic practices during the 20th FELLOWSHIPS, AWARDS century in the former communist block counhies, Hopkins University, where she was a professor Kira Lynn Harris has been awarded as-month The Museum of Modern Art's Board of Trustees both before and after the Cold War designation in the Department of the History of Art as well artist residency by the Lower Manhattan reelected Ronald S. Lauder and Agnes Gund Texas Tech University Interdisciplinary Fine Arts Doctoral of an "Eastern Europe." Please submit an as Director of the University's Charles S. Cultural Council. Harris' residency, at the World Chairman and President, respectively, of the Program abstract of 1-2 pages for a 30-minute paper and Singleton Center for Italian Studies at the Villa Trade Center in New York, began in May, 2000, Board. c.v. to Mark Jarzombek/Juliana Maxim, Co Spelman in Florence, Italy. and will continue through October. Fellowship and assistantship opportunities up to $12,000 plus benefits. Chairs, History, Theory, and Criticism Section, Accepting applications for Fall 2001. Dept. of Architechtre, M.I.T., Room 10-303, 77 Phyllis S. DeLaney assumed the position of Dana Liebsohn, Assistant Professor in the Mass Ave., Cambridge, MA 02139-4307; fax: Director of Development at the Ham Museum of Organizations Department of Art at Smith College, MA, and Texas Tech University, the largest comprehensive institution in the Art at the University of Florida, Gainesville. 617/258-9455. Deadline: November 15, 2000. John R. Roake, Professor of Art History at the Barbara Mundy, Assistant Professor in the western half of Texas, has a student population of 25,000, including Department of Art History at Fordham 4,000 graduate students. The Fine Arts doctoral program has gained University of Texas, Austin, has been elected to The Center for Latin American Art and Tosha Y. Grantham rehtms to her hometown to University, NY, have received a 3-year National worldwide recognition for its interdisciplinary curriculum in art, music, the Board of Directors of the American Council Archaeology at the Denver Art Museum will join the Virginia Museum of Fine Arts as the Endowment for the Humanities grant for their and theatre combined with studies in aesthetics. For its doctoral of Learned Societies. host a symposium on ancient and historic Assistant Curator of modern and contemporary project, "Vistas: Colonial Latin American Visual students, the School of Art seeks to provide multidisciplinary Andean textile traditions on January 27-28, 2001. art. Since 1997, Grantham had been Program Culture,1520-1820." The project will be a CD preparation for innovative teaching and research in arts-related Sheri Silverman was named Executive Director Paper proposals are invited on all aspects of Coordinator for The Smithsonian Associates and ROM/DVD-website that will combine images, programs. of the Arts and Humanities Assembly of Boulder indigenous Andean weaving traditions. Young Associates. primary documents, and interpretive commen County,CO. Presentations should last 20-30 minutes and tary. For more information, contact Dr. Brian Steele, doctoral program Deborah Gribbon, currently Deputy Director should be accessible to an educated general The board of hustees of the American Federa advisor in Art [email protected] Or Texas Tech University/Graduate and Chief Curator at the J. Paul Getty Museum, audience. Speakers will have the opportunity to tion of Arts recently elected two new officers. Admissions, Box 41030, Lubbock, Texas 79409-1030. will assume the position of Museum Director Jesus Macarena-Avila has published a Spanish Phone: 806-742-2787. Fax: 806-742-4038. revise their papers for an illustrated conference Jan Mayer of Denver, Founder and Director of and Vice President of the Getty Trust effective article about his reSidency at the Museum of volume to be published by the Center. Please the JFM Foundation, was named Chairperson. Contemporary Art, Chicago. Entitled "Casa paid advertisement submit proposals of no more than 1 page in 18 CAA NEWS SEPTEMBER 2000 CAA NEWS SEPTEMBER 2000 19 length to Margaret Young-Sanchez, Curator of Everyday Modernisms: History of the Social in Innovations in Museum Education: Develop [email protected],orleaveamessageat pre-Columbian Art, Denver Art Museum, 100 Modern Design, Architecture, & Landscape ing School Programs in Art Museums, a 781/283-2065. THE METROPOLITAN MUSEUM OF ART West 14th Ave. Pkwy., Denver, CO 80204. will focus on links between modern design and seminar focusing on the development of Deadline: November 17, 2000. social reform. The symposium will take place at programs and partnerships for schools and The Eight Colloquium on Ancient Mosaics of 2001-2002 FELLOWSHIPS the University of California, Riverside, on students in art museums, will be held at the the North American branch of AIEMA The Ties that Bind: Constructions of Family, September 29-30, 2000. For more details, contact Aldrich Museum of Contemporary Art, (Association Internationale pour I'Etude de la Childhood, and Home in the Visual Arts, a the Center for Ideas and Society; 909/787-3987. Ridgefield, CT, on November 1-3, 2000. Contact Mosaique Antique), co-sponsored by Clark The Metropolitan Museum of Art offers annual resident symposium organized by the University of Nina Carlson at 203/439-4519; University'S European Center in Luxembourg Arizona, Tucson, will be held on March 2, 2001. Curating Now: Imaginative Practice/Public [email protected]. Registration deadline: and the Centre Alexandre-Wiltheim in fellowships in art history and conservation to qualified Both Western and non-Western themes of the Responsibility will be the theme of a sympo October 15, 2000. Luxembourg, will take place November 18-19, graduate students at the pre-doctoral level, as well as to symposium topic are encouraged. Please submit sium organized by the Philadelphia Exhibitions 2000, at the Crowne Plaza Hotel, Worcester, MA postdoctoral researchers. Fellowship applications for a I-page abstract and C.v. to Art History Initiative. The symposium will take place on Art-Body-Mind: An Integration is an Specialists will present recent scholarship in the short-term research for senior museum curators and Graduate Student Symposium, c/o Aileen Bell, October 14, 2000, at the Pennsylvania Academy interdisciplinary symposium focused on the arts area of ancient and medieval mosaics. Addi conservators are also considered. The fellowship period is 7819 E. 3rd St., Tucson, AZ, 85710. Inquiries of Fine Arts and on October 15 at the Institute of as a form of embodied thinking, sponsored by tional information can be found by visiting usually for one year. Projects should relate to the museum's Contemporary Art. For further infonnation, visit the College of Fine Arts at Ohio University. It "Antioch" lectures on the website: http:// may be forwarded to [email protected]. collections. The fields of research for art history candi Deadline: December 1, 2000. http://philexin.org,orcontactPEIat will take place November 2-5, 2000 at Ohio www.worcesterart.org. [email protected]. University. Contact Power Boothe; 740/593- dates include Asian Art; Arts of Africa, Oceania and the The Politics of Art-Making: Interrogating 4290; [email protected]. The FATE Biennial Conference will be held on Americas; antiquities; arms and armor, costumes; draw Power/Courting Authority, held by the Kress The 20th-Century Sculpture Symposium will March 21-24, 2001, in Boston, MA. The ings, illuminated manuscripts; paintings, photographs, Foundation Dept. of Art History, University of take place on October 15, 2000, at the Indianapo The Northeast Popular Culture/American Massachusetts College of Art will be the host prints, sculpture, textiles and Western Art. Some art history lis Museum of Art. In conjunction with the Kansas, will take place on March 3, 2001. Culture Association (NEPCA) will hold its 23rd institution. fellowships for travel abroad are also available for students museum's exhibition Crossroads ofAmerican Submissions should address diverse responses annual conference on November 3-4, 2000, at whose projects involve first-hand examination of paintings Sculpture, the symposium will feature critics, The 27th Annual Conference of the Associates of power structures and/ or discursive Springfield College, Springfield, MA. For more in major European Collections. Conservation fellows may formations in any time period, location, or scholars, and artists and will include panels The of Art Historians will be held in Oxford, information visit http://www.wpi.edul work with paintings; paper (including photographs); Midwest ill the 1950s and California ill the 1960s. England, on March 29-Aprill, 2001. The media. Interdisciplinary proposals are -jphanlanlNEPCA.html, or contact Carol encouraged. Proposals for a 20-minute For additional information, contact the IMA conference theme, "Making Connections," is objects (including sculpture, metalwork, glass, ceramics, Mitchell, Springfield College, Dept. of History, presentation and a c.v. may be submitted to 2001 Educational Division at 317/920-2648; http:// intended to prompt debate on the formation and furniture and archaeological objects); textiles; musical Springfield, MA 01109; Symposium Coordinators, 209 Spencer Museum ima-art.org. breaking of links among peoples, institutions, instruments and costumes. It is desirable that applicants [email protected]. of Art, University of Kansas, Lawrence, KS, media, and periods. More information can be for the conservation fellowship program should have The Delaware Valley Medieval Association obtained by visiting hUp:llwww.aah.org.ukor 66045. Deadlille: Jalluan) 5,2001. Woman's World, 1880-1920: From Object to reached an advanced level of experience or training. announces a I-day conference on France's role in by contacting Andrew Falconer, 70 Cowcross St., Subject will examine changing perceptions of the Crusades and Crusader kingdom, to be held women in American society from 1880 to 1920. London, UK ECIM 6EJ; 0207/490-3211; fax: The application deadline for art history fellowships awarded on October 21, 2000. Those seeking more 0207/490-3277; [email protected]. The symposium will take place November 3--4, information should contact Dorothy Shephard, for the 2001-2002 year is November 3, 2000. To Attend 2000, at Reynolda House, Museum of American Painting on Light: Drawings and Stained Glass Treasurer of the DVMA, 118 Library Pl., Art, Winston-Salem, NC. For more information Princeton, 08540; [email protected]. The application deadline for conservation fellowships in the Age of Durer and Holbein will be held at NJ please contact Kathleen Matthews-Barnes; 336/ theJ. Paul Getty Museum on September 15, 725-5326, ext. 133. awarded for the 2001-2002 year is January 5, 2001. 2000. Panel discussions will focus on such topics Rave Reviews-or Not: Critical Responses to as techniques in the manufachlre of Swiss American Art, 1826-1925, organized by the For application procedures and further information, please Stained Glass in the late 15th and early 16th National Academy of Design, will take place on The Cult of the Statuette in Victorian Britain, contact Marcie Karp, Coordinator for Fellowships and October 21, 2000. For further details, ca11212/ hosted by the Henry Moore Institute, Leeds, UK, cenhlries, drawing for stained glass in Germany Academic Programs, The Metropolitan Museum of Art, 396-4880, ext. 225; http:// will occur on November 6, 2000. The symposium and the Netherlands, and the Strasbourg 1000 Fifth Avenue, New York, New York 10028-0198. Workshop Collective. Speakers will include the www.nationalacademy.org. will investigate the revival of sculpture in the following CAA members: Madeline H. late Victorian era, focusing primarily on the RESOURCES & Telephone: (212)650-2763, Fax: (212)396-5168 Caviness, Ellen Konowitz, Alison Stewart, Performative Sites: Intersecting Art, Technol production and consumption of statuettes. For Email: [email protected] Andrew MorraH, Larry Silver, CAA.Reviews ogy, and the Body, held by Penn State more details contact Liz Aston, 0113/246-7467; Executive Editor, Christine and Christiane University, will address teclmological culhlre [email protected]. OPPORTUNITIES For the most IIp-to-date and expanded list of Andersson. and its impact on the human body and identity THE METROPOLITAN MUSEUM OF ART and will feahlre renowned and emerging resources and opportunities, consult Viewpoint 2000: Critical Mass, presented by the 1000 Fifth Avenue, New York, New York 10028-0198 performance artists, theorists, educators, and www.collegeart.org. Rec1ame announces Journal/Isms, a conference Dept. of Art and Art History at the University of pili aver semell scholars. The symposium will take place on on the periodical as a critical forum for writing Texas at Austin, will be held on November 9-11, October 24-28,2000 at the Penn Stater Confer about the visual arts. /ournal/Isms will bring 2000. In commemoration of the Tenth Armiver new food marketplace of Redeker Center. For Public Relations Coordinator; ence Center Hotel, Penn State University, State Awards together editors, writers, academics, designers, sary of the Department of Art and Art History's prospechls, contact UNI Water Sculpture, Dept. 614/889-7444; [email protected]; College, PA.; htlp:/lwww.outreach.psu.edul The American Institute for Conservation of and artists for a working session on the present Viewpoillt Lecture Series, the event will bring of Art-l04 KB, University of Northern Iowa, http://www.dublinarts.org. Deadlille: September C&Ifperformativesites/. Historic and Artistic Works (AIC) and Heritage and fuhlre tasks of the printed journal and together critics and curators who will participate Cedar Falls, IA 50614-0362; fax: 319/273-7333; 15,2000. Preservation are seeking nominations for their magazine within the wider field of culhlral in panel discussions and seminars surveying the [email protected];htlp:/lwww.uni.edul joint Award for Outstanding Comrnihnent to critique. Organized into 3 round table panels, last 10 years of contemporary art. For further artarch. Deadline: September 8, 2000. Central Missouri State University is seeking Interpreting Christian Art, sponsored by Baylor the Preservation and Care of Collections 2001. the conference will take place on September 16- information, contact Michael Mogavero, submissions for its 16th Aruma] Greater University, will investigate the role of the visual Nominees should be not-for-profit organizations 17,2000, at the Swiss Instihlte, NY. For more arts in the theology and liturgy of the Christian Viewpoint Program Director; 512/471-1852; The.Dublin Arts Council is requesting entries Midwest International Exhibition. The exhibit is of any size responsible for cultural property that information, call 212/925-2035; http:// [email protected]. for the 2001 Visual Arts Series. The call is open to open to all artists 21 years of age or older. All church. The symposium will take place on may include collections, historic sites, and www.swissinstitute.net. October 26-28, 2000. For more information, all visual artists in any media. To be considered work must be complet~d within the last 3 years structures. Nominations may be sent to AIC, contact Heidi J. Hornik, Dept. of Art, Baylor for exhibition, please include your name, and not previously exhibited at the Central There's Something about Mary: The Virgin 1717 K St., NW, Ste. 200, Washington, DC 20006; Institutionalizing the Aesthetic: Museum University, Waco, TX 76798-7263; 254/710-4548; address, telephone number, as well as available Missouri State University Art Center Gallery. Mary in the Visual Arts, a I-day symposium 202/452-9545, ext. 15; fax: 202/452-9328; Practice and Museum Personalities between [email protected]. dates for exhibition during the calendar year Artists may submit up to 3 works for a focusing on the role of the Virgin Mary in art as [email protected]. Deadline: November 15, the Two World Wars, sponsored by the Sterling 2001, an artist statement and resume, 10 35-mrn nomefundable fee of $25.00. 2D works are to be a means of shaping belief, stimulating devotion, 2000. and Francine Clark Art Instihlte in Cellini: Artist, Artisan, Author, hosted by the Bard slides representative of the work to be exhibited, represented by 1 35-mm slide; 3D works are to teaching faith, forming community, and forging Williamstown, MA, will take place on Septem Graduate Center on October 28, 2000, will a slide list, and S.A.5.E. large enough to return be represented by 2 slides. Entries should be consensus, will take place November 11, 2000 at ber 23, 2000. For further information, please investigate the history of the decorative arts, design, information and slides. Submissions should be sent to Central Missouri State University, Art the Jewett Art Center, Wellesley College, MA. contact Events Coordinator, Sterling and Clark and culture. For more infonnation, contact the Bard Calls for Entries sent to Jessica Fagan, Program Coordinator, 37 Gallery, GMI XVI, c/o Morgan Dean Gallatin, Instihlte, 225 South St., Williamstown, MA To receive registration materials by mail, please Graduate Center, 38 W. 86th St., New York, NY The University of Northern Iowa seeks to W. Bridge St., Dublin, OH 43017. For more Director, 217 Clark St., Warrensburg, MO, 64093- 01267; 413/458-2303, ext. 324. send your name and address to 10024; 212/501-3004; [email protected]. commission a water sculphlre/fOlmtain for the information, contact Natacha Worthington, 5246. Deadline: October 14, 2000. 20 CAA NEWS SEPTEMBER 2000 CAA NEWS SEPTEMBER 2000 21 • A.J.R. Gallery is accepting entries for its 4th Pyramid Hill Sculpture'Park announces a call ties, Heyman Center~Mail Code 5700, collections and library holdings will be utilized. Meiss Publication Fund Committee's fall Biennial. The competition is open to all women for entries to the Pyramid Hill International Columbia University, 2960 Broadway, New Awards are considered for predoctoral as well meeting artists in all media (no free-standing sculpture). Maze Competition. The challenge of the project York, NY 10027. Deadlille: October 15, 2000. as postdoctoral candidates. For further Anne Ellegood of the New Museum will be juror is to create a site-specific maze that is sculptural information, please write to Committee on Miscellaneous October 20, 2000 of the exhibition. For prospectus, send S.AS.E. in configuration, engaging to a large, varied The German Federal Ministry for Education Fellowships, The Huntington, 1151 Oxford Rd., Fall meeting of the Board of Directors, Art to AI.R., 40 Wooster St., New York, NY 10013, audience, handicapped accessible, durable, and and Research (BMBF) in conjunction with San Marino, CA 91108; [email protected]. The Museum Loan Network will award new Bul/etin and Monograph Series Editorial Board, Attn: Sylvia Netzer. For more information, visit low maintenance. The winning design will be TransCoop Program 2001 is offering grants to Deadlille: December 15, 2000. grants that enable museums to borrow objects of Art Journal Editorial Board, and other CAA units hUp:llwww.airnyc.org. Deadline: October 30, built as a permanent installation at Pyramid Hill support joint research projects among German, particular significance to local audiences and will take place this weekend in New York; exact 2000. Sculpture Park. For prospechts/:lpecifications, U.s., and/or Canadian scholars in the fields of exhibit them in their permanent collection dates and times are available on the CAA The Wolfsonian at Florida International send S.A.S.E. to Pyramid Hill Sculpture Park, the humanities, social sciences, economics, and galleries. These initiatives make it possible for website at www.collegeart.org. University is accepting applications for full-time Slow Art Productions extends an invitation to 222 High St., Ste. 205, Hamilton, OH 45011; law. Applications for 2001 should be submitted museum-goers to see long-term installations of research fellowships for the academic year enter the 11th Annual Emerging Artists http://www.pyramidhill.org. Deadline: December jointly by at least one German and one U.s. and/ art and objects of cultural heritage that are October 27, 2000 beginning September 1, 2001. Wolfsonian Competition. The exhibition is open to all artists 1, 2000. or Canadian scholar, with each applicant indigenous to the region and their communities. Deadline for December issue of Careers working in all mediums. Artists may submit up holding at least a Ph.D. For further infonnation, fellowships are granted on the basis of http://1oanet.mit.edulindex.html. outstanding professional or academic accom to 5 35-rrun slides and a nonrefundable fee of please contact Dr. Rolf Hoffmann or Dr. Beatrix November 1, 2000 plishment and are limited to those with a $30.00. For submissions that include more than Taumann; 0228-95677-0; fax: 0228-95677-19; Aurora, The Journal of the History of Art will be Deadline for nominations for membership in master's degree. Applicants are encouraged to 5 slides, please include $5.00 for each additional Calls for Proposals [email protected]. Applications may be sent to inaugurated in November 2000. Aurora will one of the Professional Interests, Practices, and discuss their project with Wolfsonian staff prior slide. For more information, email The American Association for Higher Stifhmg Deutsch-Amerikanisches Akademisches publish articles dealing with all time periods, Standards Conunittees or Awards Conunittees to submission to ensure the relevance of their [email protected]. Entries and S.AS.E. Education (AAHE) presents the AAHE Konzil, TransCoop Program, Jean~Paul-Strasse 9, cultures, media, and/or methodologies within proposals. For additional information or an should be sent to LimnerGallery, 870 Ave. of the Conference on Faculty Roles & Rewards, D-53173 Bonn. Deadlille: October 30,2000. the field of art history. For more information, November 3, 2000 application, contact the Wolfsonian's Programs Americas, New York, NY 10001. Deadline: February 1-4, 2001, in Tampa, FL. The contact Ulian H. Zirpolo, [email protected]. Deadline for receipt of participation form for and Research Officer; 305/535-2632; fax: 305/ October 30, 2000. conference will focus on the theme, "The Career Development Workshops and Artist The American Institute for Yemeni Studies 531-2133; [email protected]. Deadline: Changing Professoriate: New Technologies, Portfolio Review Regish'ation at the 2001 Annual (A.I.Y.S.) is accepting applications for pre- and December 31,2000 The University of Wisconsin-Parkside is New Generation." AAHE invites proposals for Conference postdoctoral fellowships. Information about the Classifieds accepting entries for its 14th Annual Parkside sessions and workshops, as well as suggestions range of fellowship programs and application National Small Print Exhibition. All original for speakers. Submit a proposal letter (2 pages December 1, 2000 forms is available at the AI.Y.S. website, at The American Council of Learned Societies Academic on fellowship in New York seeks print mediums, including monoprints, may be maximum) to 2001 FFRR Conference Proposals, Deadline for receipt of PhD. dissertation http://www.aiys.orglfellowships. Inquiries can (ACLS) announces the opening of the 2000-1 sublet, small living space only, for November submitted. Prints should not exceed 18" in AAHE, One Dupont Circle, Ste. 360, Washing listings for 2001 June issue of the Art Bulletill also be directed toward Dr. Maria de J. Ellis, The competition year for fellowships and grants. and/or December. 716/343-5946; height, width, or depth. For prospectus, send ton, DC, 20036-1110; fax: 202/293-0073. American Institute for Yemeni Studies, p.o. Box Updated information is posted on their [email protected]. S.AS.E. to Doug DeVinny, Parkside National Proposals may also be sent electronically by webpage, at http://www.acls.orglfel-comp.org. December 1,2000 visiting the website at http://www.aahe.org. 311, Ardmore, PA, 19003-0311; 610/896-5412; Small Print Exhibition, Art Dept., University of Master of Arts in Curatorial Studies: The Center Deadline to apply for Room Monitor and Workshop proposal deadline: September 5,2000. [email protected]. Deadline: November 15, Wisconsin-Parkside, Kenosha, WI 53141; 262/ for Curatorial Studies at Bard College offers an Usher/Projectionist positions available at the Session proposal deadline: September 11, 2000. 2000. 595-2581; [email protected]. Deadline: Internships innovative, interdisciplinary graduate program 2001 Annual Conference in Chicago November 4, 2000. The American Research Institute in Turkey Gen Art is seeking interns for faU2000. If in the curating and criticism of contemporary art. December 15, 2000 (ARIT) is accepting applications for several interested, please email [email protected]. The two-year program has two tracks, both Saint Vincent College invites entries for its 1st Notifications sent to applicants of Career Grants and Fellowships different fellowships for research in Turkey. leading to an M.A degree in curatorial studies. Annual Catholic Arts Competition and Development Workshops and Artist Portfolio The American Antiquarian Society (AAS) is Please send inquiries and applications to the Students admitted to the track in curatorial Exhibition. The exhibition seeks to foster the Review Registration at the 2001 Annual accepting applications for fellowships for American Research Institute in Turkey, practice prepare exhibitions and catalogue arts of the Western Christian tradition; however, Online Conference historical research by creative and performing University of Pennsylvania Museum, 33rd and essays for their final M.A projects; students other artistic traditions of Christian subject Art & Science Collaborations, Inc. (ASC!), a artists, writers, filmmakers, and journalists. The Spruce Streets, Philadelphia, PA 19104-6324; admitted to the track in criticism, the visual arts, matter will be considered. Participants may be nonprofit that promotes the aesthetic application December 22, 2000 program is designed to enhance the ways in 215/898-3474; [email protected];bUp:!I and exhibition present a body of critical writing professional or amateur artists, from any of digital technology, welcomes visitors to view Deadline for paying 2001 calendar year which history is communicated to the American www.mec.sas.upenn.edulARIT. Deadlille: about recent art or a scholarly study of the religious background, and must be 21 years of Digita12000, an exhibition of digital art by 23 membership dues to guarantee receipt of the people. At least 3 fellowships will be awarded November 15, 2000. history, practices, or institutions of exhibition. age or older. Submit 1 35-mm slide for each 2D artists that was selected from an international January 2001 issue of CAA News and the for a residency of 4 weeks at the Society for any For information write or call The Center for work, and 4 slides for each 3D work along with competition; http://www.asci.org. February 2001 issue of Careers time between January 1 and December 21, 2001. The Heritage Preservation is pleased to Curatorial Studies, Bard College, Annandale-on a nonrefundable $25.00 entry fee. To obtain For infonnation about applying, contact the announce the availability of Conservation Hudson, NY 12504-5000; 845/758-7598; fax: 845 more information as well as an application f<;:lrm, December 29, 2000 Artist Fellowship Program, American Antiquar Assessment Program (CAP) grants, which are wWW".artscope.net,aChicago-basedIntemet 758-2442; [email protected]. contact the Saint Vincent Gallery; 724/532-6600; Deadline for February issue of Careers ian Society, 185 Salisbury St., Worcester, MA, designed to provide small museums with the magazine for the visual and performing arts, [email protected]. Send entries to 01609-1634; 508/363-1131; fax: 508/363-1128; expertise of conservation professionals. CAP invites viewers to log on to their site for access to the Saint Vincent Gallery, Catholic Arts December 29, 2000 [email protected]. Deadline: October 5,2000. assessors spend 2 days onsite and 3 days writing gallery and theater reviews, as well as a variety Competition and Exhibition, Saint Vincent Deadline for early bird registration for 2001 a report identifying the museum's collections, of directories, calendars, and discussions. Corrections College, 300 Fraser Purchase Rd., Latrobe, PA Annual Conference in Chicago The American Ceramic Circle will award grants environmental conditions, and sites, from which 15650. Deadline: November 17, 2000. to individuals for scholarly papers based on long-range planning for improved collections The Getty Research Institute has launched a In the July 2000 issue of CAA News, the URL December 29, 2000 original research in the history of ceramics. care and fundraising for conservation can be website devoted to the life and work of Russian for Mara Jevera Fulmer's online exhibition The University of Hawaii at Hila welcomes Deadline for receipt of mentoring ticket or donor AC.e. has primary rights to publish the papers derived. Applications are available by visiting artist EI Lissitzky, located at http:// was incorrectly listed as http:// entries for the Pacific Rim International Print form for 2001 Women in the Arts Annual and illustrations, if acceptable, in its journal, the http://www.heritagepreservation.org,orby www.getty.edulgrifdigitalilissitzky. The site www.lookingglassdesign.com. The correct Exhibition. The exhibition is open to work in Recognition Award Breakfast Americall Ceramic Circle Joumal. For an contacting Kelsey Scouten, Conservation contains images of Lizzitsky's work in URL only has one "g" in the middle: prinhnaking media, and to artists from the area application form and more information, write to Assessment Program, Heritage Preservation, typography, book design, exhibition design, and http://www.lookinglassdesign.com. of the Rim and the Basin of the Pacific Ocean January 26, 2001 the American Ceramic Circle's Executive 1730 KSt., NW, Ste. 566, Washington, DC, photography. who are 18 years of age or older. Artists should Deadline for advance registration for 2001 Director, Nancy Lester, 520 16th St., Brooklyn, 20006-3836; 202/634-1422; send no more than 2 35-mm slides of work, Arumal Conference in Chicago NY 11215. Deadline: October 15, 2000. [email protected]. Deadline: S.AS.E., a nonrefundable $25.00 entry fee, and Datebook December 1, 2000. an entry form. Inquiries and entries should be r January 31, 2001 The Columbia Society of Fellows in the Residencies sent to Pacific Rim International Exhibition, September 15, 2000 Deadline for application to the Professional Humanities, with grants from the Andrew W. The Huntington Library, Art Collections, and Women's Studio Workshop, an artist-run Professor Wayne Miyamoto, Art Dept., Deadline for receipt of session proposals for Development Fellowship Program Mellon Foundation and the William R. Kenan Botanical Gardens welcomes applications for studio located in Rosedale, NY, is offering University of Hawaii at Hilo, 200 West Kawili 2002 Annual Conference in Philadelphia Trust, will appoint several postdoctoral fellows ·fellowships to support research in the history of several residency opportunities. Facilities St., Hilo, HI 96720-4091; 808/974-7307; February 28-March 3, 2001 in the humanities for the academic year 2001-2. British and American Art. Awards will also be include printmaking, papermaking, artists' [email protected]. Deadline: November 21, October 1, 2000 89th Annual Conference in Chicago Those eligible must have received a PhD. considered in the areas of continental European books, photography, letterpress, offset, and clay. 2000. Deadline for receipt of applications for between January 1, 1995 and July 1, 2001. art. Proposals will be judged in terms of value For more information, visit their website at publication subsidies from the Millard Meiss February 20-24, 2002 Application forms can be obtained by writing to of the project, the ability of the scholar, and the hUp:!lwww.wsworkshop.orgor call WSW at Publication Fund to be considered at the Millard 90th Annual Conference in Philadelphia the Director, Society of Fellows in the Humani- degree to which the special strengths of the art 914/658-9133. 22 CAA NEWS SEPTEMBER 2000 CAA NEWS SEPTEMBER 2000 23