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Antiquities of Madhava Worship in Odisha
August - 2015 Odisha Review Antiquities of Madhava Worship in Odisha Amaresh Jena Odisha is a confluence of innumerable of the Brihadaranayaka sruti 6 of the Satapatha religious sects like Buddhism, Jainism, Saivism, Brahman belonging to Sukla Yajurveda and Saktism, Vaishnavism etc. But the religious life of Kanva Sakha. It is noted that the God is realized the people of Odisha has been conspicuously in the lesson of Madhu for which he is named as dominated by the cult of Vaishnavism since 4th Madhava7. Another name of Madhava is said to Century A.D under the royal patronage of the have derived from the meaning Ma or knowledge rulling dynasties from time to time. Lord Vishnu, (vidya) and Dhava (meaning Prabhu). The Utkal the protective God in the Hindu conception has Khanda of Skanda Purana8 refers to the one thousand significant names 1 of praise of which prevalence of Madhava worship in a temple at twenty four are considered to be the most Neelachala. Madhava Upasana became more important. The list of twenty four forms of Vishnu popular by great poet Jayadev. The widely is given in the Patalakhanda of Padma- celebrated Madhava become the God of his love Purana2. The Rupamandana furnishes the and admiration. Through his enchanting verses he twenty four names of Vishnu 3. The Bhagabata made the cult of Radha-Madhava more familiar also prescribes the twenty four names of Vishnu in Prachi valley and also in Odisha. In fact he (Keshava, Narayan, Madhava, Govinda, Vishnu, conceived Madhava in form of Krishna and Madhusudan, Trivikram, Vamana, Sridhara, Radha as his love alliance. -
The Mysterious Controller of the Universe : Shri Neelamadhava - Shri Jagannath
ISSN 0970-8669 Odisha Review Madhava Madhava vacyam, Madhava madhava harih; Smaranti Madhava nityam, sarva karye su Madhavah. Towards the end of Lord Sri Rama’s regime in Tretaya Yuga, Sri Hanuman was advised by the Lord Sri Rama to remain immersed in meditation (dhyanayoga) in ‘Padmadri hill’ till his services would be recalled in Dwapar Yuga. When the great devotee, Sri Hanuman expressed his prayer as to how he would see his divine Master during such a long spell of time, the Lord advised him that he would be able to see his ever- The Mysterious Controller of the Universe : Shri Neelamadhava - Shri Jagannath Dr. K.C. Sarangi Lord, always desires His devotees to have cherished ‘Sri Rama’ in the form of Lord Sri equanimity in all circumstances: favourable or Neelamadhava whom he would worship in unfavourable, and to destroy their ingorance by ‘Brahmadri’, the adjacent hill and enjoy the the sword of conscience, ‘tasmat ajnana everlasting bliss ‘naisthikeem shantim’ as the sambhutam hrutstham jnanasinatmanah (Ch. IV, Gita describes (Ch.5, Verse 12). Sri Hanuman verse.42) and work in a detached manner was a sthitadhi. Those devotees, whose minds surrendering the fruit of all actions to the Lotus are equiposed, attend the victory over the world feet of the Lord so that the devotee does not during their life time. Since Paramatma the become partaker of the sins as the Lotus leaf is Almighty Father is flawless and equiposed, such not affected by water ‘brahmani adhyaya devotees rest in the lotus feet of the Lord karmani sangam tyaktwa karoiti yah, lipyate ‘nirdosam hi samam brahma tasmad na sa papena padmapatramivambasa’ (Ch.V, brahmani te sthitaah’, (ibid v.19). -
Vishvarupadarsana Yoga (Vision of the Divine Cosmic Form)
Vishvarupadarsana Yoga (Vision of the Divine Cosmic form) 55 Verses Index S. No. Title Page No. 1. Introduction 1 2. Verse 1 5 3. Verse 2 15 4. Verse 3 19 5. Verse 4 22 6. Verse 6 28 7. Verse 7 31 8. Verse 8 33 9. Verse 9 34 10. Verse 10 36 11. Verse 11 40 12. Verse 12 42 13. Verse 13 43 14. Verse 14 45 15. Verse 15 47 16. Verse 16 50 17. Verse 17 53 18. Verse 18 58 19. Verse 19 68 S. No. Title Page No. 20. Verse 20 72 21. Verse 21 79 22. Verse 22 81 23. Verse 23 84 24. Verse 24 87 25. Verse 25 89 26. Verse 26 93 27. Verse 27 95 28. Verse 28 & 29 97 29. Verse 30 102 30. Verse 31 106 31. Verse 32 112 32. Verse 33 116 33. Verse 34 120 34. Verse 35 125 35. Verse 36 132 36. Verse 37 139 37. Verse 38 147 38. Verse 39 154 39. Verse 40 157 S. No. Title Page No. 40. Verse 41 161 41. Verse 42 168 42. Verse 43 175 43. Verse 44 184 44. Verse 45 187 45. Verse 46 190 46. Verse 47 192 47. Verse 48 196 48. Verse 49 200 49. Verse 50 204 50. Verse 51 206 51. Verse 52 208 52. Verse 53 210 53. Verse 54 212 54. Verse 55 216 CHAPTER - 11 Introduction : - All Vibhutis in form of Manifestations / Glories in world enumerated in Chapter 10. Previous Description : - Each object in creation taken up and Bagawan said, I am essence of that object means, Bagawan is in each of them… Bagawan is in everything. -
Is the Gaudiya Vaishnava Sampradaya Connected to the Madhva Line?
Is the Gaudiya Vaishnava sampradaya connected to the Madhva line? Is the Gaudiya Vaishnava sampradaya connected to the Madhva line? – Jagadananda Das – The relationship of the Madhva-sampradaya to the Gaudiya Vaishnavas is one that has been sensitive for more than 200 years. Not only did it rear its head in the time of Baladeva Vidyabhushan, when the legitimacy of the Gaudiyas was challenged in Jaipur, but repeatedly since then. Bhaktivinoda Thakur wrote in his 1892 work Mahaprabhura siksha that those who reject this connection are “the greatest enemies of Sri Krishna Chaitanya’s family of followers.” In subsequent years, nearly every scholar of Bengal Vaishnavism has cast his doubts on this connection including S. K. De, Surendranath Dasgupta, Sundarananda Vidyavinoda, Friedhelm Hardy and others. The degree to which these various authors reject this connection is different. According to Gaudiya tradition, Madhavendra Puri appeared in the 14th century. He was a guru of the Brahma or Madhva-sampradaya, one of the four (Brahma, Sri, Rudra and Sanaka) legitimate Vaishnava lineages of the Kali Yuga. Madhavendra’s disciple Isvara Puri took Sri Krishna Chaitanya as his disciple. The followers of Sri Chaitanya are thus members of the Madhva line. The authoritative sources for this identification with the Madhva lineage are principally four: Kavi Karnapura’s Gaura-ganoddesa-dipika (1576), the writings of Gopala Guru Goswami from around the same time, Baladeva’s Prameya-ratnavali from the late 18th century, and anothe late 18th century work, Narahari’s -
Dr.K.Sri Rama Krishna Address
Bio-Data Name : Dr.K.Sri Rama Krishna Address - Residence : Flat No: 201, Dolffine Estates, Ganga Block, Kamayyathopu, Kanuru, Vijayawada-7 Contact No: 9642086380 [email protected], Date of Birth : 08-08-1962 Academic Qualifications: Exam Board/University/ Year of Class/ Passed Specialization Institution Passing Division Inter M.P.C Board of Intermediate Edn., A.P. 1981 I Class B.Tech. ECE J.N.T.U., Kakinada 1986 I Class Birla Institute of.Technology and M.S. E & C 1992 I Class Science., Pilani Ph.D. ECE Andhra University, Visakhapatnam 2002 Experience: More than 3 decades Name of the Period of working Experience Designation Selection Organization through GND Engg. College Institution 19.06.87 to Bidar, Karnataka 2Y 7M Lecturer Selection 30.01.1990 Committee S.V.H. College of 01.02.90 to ANU Selection 3Y 9M Lecturer Engg. Machilipatnam 01.11.93 Committee S.V.H. College of 02.11.93 to ANU Selection 4Y 10M Asst. Professor Engg. Machilipatnam 31.08.98 Committee 01.10.98 to 3Y 1M Asst. Professor Bapatla Engineering 30.09.01 ANU Selection College, Bapatla 01.10.01 to Professor & Committee 4Y 0M 05.10.05 Head V.R.Siddhartha Engg 06.10.05 to Professor & ANU Selection 14 Y 8M College, Vijayawada 31.05.2020 Head Committee PSCMR College of Engineering and 01.06.2020 Till date Principal Technology, Vijayawada Professor Ratification Details: Institution University Designation Date of selection V.R.Siddhartha Engg College, Acharya Nagarjuna Professor 16.05.2010 Vijayawada University (ANU) Bapatla Engineering College, Acharya Nagarjuna Professor 01.10.2001 -
Ramanuja Darshanam
Table of Contents Ramanuja Darshanam Editor: Editorial 1 Sri Sridhar Srinivasan Who is the quintessential SriVaishnava Sri Kuresha - The embodiment of all 3 Associate Editor: RAMANUJA DARSHANAM Sri Vaishnava virtues Smt Harini Raghavan Kulashekhara Azhvar & 8 (Philosophy of Ramanuja) Perumal Thirumozhi Anubhavam Advisory Board: Great Saints and Teachers 18 Sri Mukundan Pattangi Sri Stavam of KooratazhvAn 24 Sri TA Varadhan Divine Places – Thirumal irum Solai 26 Sri TCA Venkatesan Gadya Trayam of Swami Ramanuja 30 Subscription: Moral story 34 Each Issue: $5 Website in focus 36 Annual: $20 Answers to Last Quiz 36 Calendar (Jan – Mar 04) 37 Email [email protected] About the Cover image The cover of this issue presents the image of Swami Ramanuja, as seen in the temple of Lord Srinivasa at Thirumala (Thirupathi). This image is very unique. Here, one can see Ramanuja with the gnyAna mudra (the sign of a teacher; see his right/left hands); usually, Swami Ramanuja’s images always present him in the anjali mudra (offering worship, both hands together in obeisance). Our elders say that Swami Ramanuja’s image at Thirumala shows the gnyAna mudra, because it is here that Swami Ramanuja gave his lectures on Vedarta Sangraha, his insightful, profound treatise on the meaning of the Upanishads. It is also said that Swami Ramanuja here is considered an Acharya to Lord Srinivasa Himself, and that is why the hundi is located right in front of swami Ramanuja at the temple (as a mark of respect to an Acharya). In Thirumala, other than Lord Srinivasa, Varaha, Narasimha and A VEDICS JOURNAL Varadaraja, the only other accepted shrine is that of Swami Ramanuja. -
The Place of Indra in Early Buddhism
The Place of Indra in Early Buddhism Prefatory Note: HE scope of the following dissertation is a detailed study of the mytho- logical concept of Sakka as found in Early Buddhism. The historical T evolution of this concept from that of Indra of the Rg Veda and its development during the period of the compilation of the early Pali Canon are the two main points kept in view. The chief sources for the facts investigated and discussed have been the following: - Digha Nikaya Majjhima Nikaya AIiguttara Nikaya Samyutta Nikaya Dhammapada Suttanipata Theragatha Therigatha Udana j ataka Vinaya Pitaka (Mahavagga). The Commentaries have been drawn upon only when it was thought necessary to do so either for the purpose of elucidation or for comparison with the later trends of development. Among the authorities consulted on the origin and development of the concept of Indra in Vedic Mythology special mention must be made of the authoritative treatises of Macdonell, Keith and Mackenzie. On the development of the Buddhist concept of Sakka the important contribu- tions of Professor and Mrs. Rhys Davids have been given special consideration although the main thesis put forward herein runs counter to their conclusions. Other authors consulted have been listed in the bibliography. List of Abbreviations. AB. Aitareya Brahrnana AV. Atharva Veda B.C. Before Christ Brhad. Up. Brhad :Ara':lyaka Upanisad Ch. up. Chandogya Upanisad cpo Compare Dial. Dialogues of the Buddha EB. The Ethics of Buddhism j. feminine f.n. footnote ib .• ibid. ibidem-in the same book ss«: Up. Kausitakl Upanisad lac. cit. loco citato--in the passage already quoted UNIVERSITY OF CEYLON REVIEW Mtu. -
The Ramayana by R.K. Narayan
Table of Contents About the Author Title Page Copyright Page Introduction Dedication Chapter 1 - RAMA’S INITIATION Chapter 2 - THE WEDDING Chapter 3 - TWO PROMISES REVIVED Chapter 4 - ENCOUNTERS IN EXILE Chapter 5 - THE GRAND TORMENTOR Chapter 6 - VALI Chapter 7 - WHEN THE RAINS CEASE Chapter 8 - MEMENTO FROM RAMA Chapter 9 - RAVANA IN COUNCIL Chapter 10 - ACROSS THE OCEAN Chapter 11 - THE SIEGE OF LANKA Chapter 12 - RAMA AND RAVANA IN BATTLE Chapter 13 - INTERLUDE Chapter 14 - THE CORONATION Epilogue Glossary THE RAMAYANA R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O. -
The Bhagavad Gita's Influence on Yoga
BHAGAVADGITA PDF, EPUB, EBOOK Sir Edwin Arnold | 112 pages | 01 Feb 1994 | Dover Publications Inc. | 9780486277820 | English | New York, United States What Is the Bhagavad Gita? | The Bhagavad Gita’s Influence on Yoga - Yoga Journal The timeless message of the Bhagavad Gita does not refer only to one historical battle, but to the cosmic conflict between good and evil: life as a series of battles between Spirit and matter, soul and body, life and death, knowledge and ignorance, health and disease, changelessness and transitoriness, self-control and temptations, discrimination and the blind sense-mind The devotee should analyze his daily mental and physical actions to determine just how much of his life is ruled by the ego's ignorance delusion and body consciousness, and how much he is able to express of the soul's wisdom and divine nature. Yoga meditation is the process of cultivating and stabilizing the awareness of one's real nature, through definite spiritual and psychophysical methods and laws by which the narrow ego, the flawed hereditary human consciousness, is displaced by the consciousness of the soul. Each person has to fight his own battle of Kurukshetra. It is a war not only worth winning, but in the divine order of the universe and of the eternal relationship between the soul and God, a war that sooner or later must be won. In the holy Bhagavad Gita, the quickest attainment of that victory is assured to the devotee who, through undiscourageable practice of the divine science of yoga meditation, learns like Arjuna to hearken to the inner wisdom-song of Spirit. -
Ramlila of Ramnagar: an Introduction
Ramlila of Ramnagar: An Introduction Richard Schechner, Texts, Oppositions, and the Ganga River The subject of Ramlila, even Ram nagar Ramlila alone, is vast ... It touches on several texts: Ramayana of Valmiki, never uttered, but present all the same in the very fibre of Rama's story; Tulsidasa's Ramcharitmanas chanted in its entirety from before the start of the performance of Ramlila to its end. I mean that the Ramayanis spend ten days before the first lila up on the covered roof of the small 'tiring house-green room next to the square where on the twenty-ninth day of the performance Bharata Milapa will take place; there on that roof the Ramayanis chant the start of the Ramcharitmanas, from its first word till the granting of Ravana's boon : "Hear me, Lord of the World (Brahma). 1 would die at the hand of none save man or monkey." Shades of Macbeth's meeting with the witches: "For none of woman born shall harm Macbeth." Ravana, like Macbeth, is too proud. Nothing of this until the granting of Ravana's boon is heard by the Maharaja of Benares, or by the faithful daily audience called nemi-s, nor by the hundreds of sadhu-s who stream into Ramnagar for Ramlila summoned by Rama and by the Maharaja's generosity in offering sadhu-s dharamshala-s for rest and rations for the belly. The "sadhu rations" are by far the largest single expense in the Ramnagar Ramlila budget- Rs. 18,000 in 1976. Only the Ramayanis hear the start of the Ramcharitmanas- they and scholars whose job it is to "do and hear and see everything." But this, we soon discovered, is impossible: too many things happen simultaneously, scattered out across Ramnagar. -
Rama, Sita, Hanuman
Hinduism Rama, Sita, Hanuman Rama, Sita, Hanuman Summary: Rama, Sita, and Hanuman are central, divine characters in the Ramayana. Rama is both worshipped and admired as a righteous king and a fully human incarnation of Lord Vishnu. During a Rama Navami Celebration, Rama's birth is celebrated and his wedding to Sita is reenacted. Families with daughters of marriageable age serve as sponsors for the divine wedding, which is also a chance to pray for the good marriage of their daughters in the future. In the Bharatiya Temple in Troy, Michigan, the Hindu community gathers for Rama Navami, the annual festival celebrating Lord Rama. Bharatiya literally means the temple of India, highlighting the fact that this a pan-Hindu temple, not dedicated to a specific deity. Modern in its design, Bharatiya set on a wooded hillside in the northern suburbs of Detroit. Four huge arching wooden trusses support the roof of the carpeted sanctuary where more than three hundred people are sitting for the “Wedding of Rama and Sita,” the divine couple who are hero and heroine of the beloved Ramayana. The images of Rama and Sita have been brought forward on the raised platform which serves as the altar of the temple. Rama is both worshipped and admired as a righteous king and a fully human incarnation of Lord Vishnu. Today Rama’s birth is celebrated and his wedding to Sita is re-enacted. Two families from the community are seated with the priests near the altar which bears the small images of Rama in a yellow silk dhoti and Sita in red silk sari and pearls. -
Menaka's Choice As a Feminist Revisionist Mythological
Journal of Critical Reviews ISSN- 2394-5125 Vol 7, Issue 9, 2020 MENAKA’S CHOICE AS A FEMINIST REVISIONIST MYTHOLOGICAL LITERATURE Ayuta Mohanty1, Dr. S. D. Chaudhuri2 1PhD Scholar, School of Humanities & Social Sciences, KIIT UNIVERSITY 2Assistant Professor, School of Humanities & Social Sciences, KIIT UNIVERSITY Received: 24.03.2020 Revised: 22.04.2020 Accepted: 25.05.2020 Abstract In patriarchal societies, mythological literature are generally composed by male authors. As a result, it almost always concentrates on the male protagonist and his adventures. The role that women play in these epics can be grouped into the following three categories: a) passive onlookers, b) receivers of the male action, and c) causes of the troubles faced by the male protagonists/ characters. Such biased depiction affects the mentality of our society as these values get embedded within our psyche and shapes our thoughts and perspectives and ultimately becomes a social tradition. Partially in an attempt to change this outlook, some Indian women writers have started a fresh and subversive trend by recreating mythological texts from the point of view of the female characters. These recreations or retellings help us to understand these epics from quite a dissimilar perspective, because when the perception of the narrator changes, the way a reader perceives a narrative is bound to change as well. This paper focuses on one such novel, Menaka’s Choice by Kavita Kane, that focuses on the perspective of Menaka and highlights her strengths and weakness that led her to make certain decisions that changed her course of life as well as that of others related to her.