Vishvarupadarsana Yoga (Vision of the Divine Cosmic Form)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Kriya-Yoga" in the Youpi-Sutra
ON THE "KRIYA-YOGA" IN THE YOUPI-SUTRA By Shingen TAKAGI The Yogasutra (YS.) defines that yoga is suppression of the activity of mind in its beginning. The Yogabhasya (YBh.) by Vyasa, the oldest (1) commentary on this sutra says "yoga is concentration (samadhi)". Now- here in the sutra itself yoga is not used as a synonym of samadhi. On the other hand, Nyayasutra (NS.) 4, 2, 38 says of "the practice of a spe- cial kind of concentration" in connection with realizing the cognition of truth, and also NS. 4, 2, 42 says that the practice of yoga should be done in a quiet places such as forest, a natural cave, or river side. According NS. 4, 2, 46, the atman can be purified through abstention (yama), obser- vance (niyama), through yoga and the means of internal exercise. It can be surmised that the author of NS. also used the two terms samadhi and yoga as synonyms, since it speaks of a special kind of concentration on one hand, and practice of yoga on the other. In the Nyayabhasya (NBh. ed. NS. 4, 2, 46), the author says that the method of interior exercise should be understood by the Yogasastra, enumerating austerity (tapas), regulation of breath (pranayama), withdrawal of the senses (pratyahara), contem- plation (dhyana) and fixed-attention (dharana). He gives the practice of yoga (yogacara) as another method. It seems, through NS. 4, 2, 46 as mentioned above, that Vatsyayana regarded yama, niyama, tapas, prana- yama, pratyahara, dhyana, dharana and yogacara as the eight aids to the yoga. -
Research Paper Sociology Vamana–Trivikrama in Badami Chalukya Sculpture
Volume : 2 | Issue : 9 | Sept 2013 • ISSN No 2277 - 8160 Research Paper Sociology Vamana–Trivikrama In Badami Chalukya Sculpture Smt. Veena Muddi Research Scholar,Dept of Ancient Indian History and Epigraphy, Karnatak University, Dharwad Introduction Padma Purana Until the time of Vikramaditya I the rulers of the Chalukya dynasty of Vishnu was born as a son of Aditi. Knowing about sacrifice being per- Badami (543-757 CE) were the inclined towards Vaishnavism. The re- formed by Bali, Vishnu went to the place of sacrifice along with eight cords of Mangalesa (Padigar:2010:9-11,12-15) and Polekesi II (Padi- sages. Vamana told the reason for his arrival and asked for a piece of gar:2010:42-45) are vocal in describing them as parama-bhagavatas, land measured by his three steps. Sukracharya advised Bali not to grant ‘great devotees of Vishnu’. The fact that two of the four caves excavated Vamana’s request. But Bali would not listen to his guru. He washed the by them at their capital Badami, all of them dating from pre-620 CE feet of Lord and granted Vamana’s wish. After that Lord abandoned his period, are dedicated to god Vishnu is further evidence of the situation. dwarfish form, took the body of Vishnu, covered the whole universe In 659 CE Virkamaditya I was initiated into Mahesvara brand of Saivism and sent Bali to netherworld.(Bhatt:1991:3211-3215) through a ritual called Sivamandala-diksha. (Padigar:2010:67-70) Henceforth he came to be called a parama-Mahesvara, ‘a great devo- Narada Purana tee of Mahesvara or Siva’. -
Universal Mythology: Stories
Universal Mythology: Stories That Circle The World Lydia L. This installation is about mythology and the commonalities that occur between cultures across the world. According to folklorist Alan Dundes, myths are sacred narratives that explain the evolution of the world and humanity. He defines the sacred narratives as “a story that serves to define the fundamental worldview of a culture by explaining aspects of the natural world, and delineating the psychological and social practices and ideals of a society.” Stories explain how and why the world works and I want to understand the connections in these distant mythologies by exploring their existence and theories that surround them. This painting illustrates the connection between separate cultures through their polytheistic mythologies. It features twelve deities, each from a different mythology/religion. By including these gods, I have allowed for a diversified group of cultures while highlighting characters whose traits consistently appear in many mythologies. It has the Celtic supreme god, Dagda; the Norse trickster god, Loki; the Japanese moon god, Tsukuyomi; the Aztec sun god, Huitzilopochtli; the Incan nature goddess, Pachamama; the Egyptian water goddess, Tefnut; the Polynesian fire goddess, Mahuika; the Inuit hunting goddess, Arnakuagsak; the Greek fate goddesses, the Moirai: Clotho, Lachesis, and Atropos; the Yoruba love goddess, Oshun; the Chinese war god, Chiyou; and the Hindu death god, Yama. The painting was made with acrylic paint on mirror. Connection is an important element in my art, and I incorporate this by using the mirror to bring the audience into the piece, allowing them to see their reflection within the parting of the clouds, whilst viewing the piece. -
Yoga and the Five Prana Vayus CONTENTS
Breath of Life Yoga and the Five Prana Vayus CONTENTS Prana Vayu: 4 The Breath of Vitality Apana Vayu: 9 The Anchoring Breath Samana Vayu: 14 The Breath of Balance Udana Vayu: 19 The Breath of Ascent Vyana Vayu: 24 The Breath of Integration By Sandra Anderson Yoga International senior editor Sandra Anderson is co-author of Yoga: Mastering the Basics and has taught yoga and meditation for over 25 years. Photography: Kathryn LeSoine, Model: Sandra Anderson; Wardrobe: Top by Zobha; Pant by Prana © 2011 Himalayan International Institute of Yoga Science and Philosophy of the U.S.A. All rights reserved. Reproduction or use of editorial or pictorial content in any manner without written permission is prohibited. Introduction t its heart, hatha yoga is more than just flexibility or strength in postures; it is the management of prana, the vital life force that animates all levels of being. Prana enables the body to move and the mind to think. It is the intelligence that coordinates our senses, and the perceptible manifestation of our higher selves. By becoming more attentive to prana—and enhancing and directing its flow through the Apractices of hatha yoga—we can invigorate the body and mind, develop an expanded inner awareness, and open the door to higher states of consciousness. The yoga tradition describes five movements or functions of prana known as the vayus (literally “winds”)—prana vayu (not to be confused with the undivided master prana), apana vayu, samana vayu, udana vayu, and vyana vayu. These five vayus govern different areas of the body and different physical and subtle activities. -
Introduction
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. Introduction The Invention of an Ethnic Nationalism he Hindu nationalist movement started to monopolize the front pages of Indian newspapers in the 1990s when the political T party that represented it in the political arena, the Bharatiya Janata Party (BJP—which translates roughly as Indian People’s Party), rose to power. From 2 seats in the Lok Sabha, the lower house of the Indian parliament, the BJP increased its tally to 88 in 1989, 120 in 1991, 161 in 1996—at which time it became the largest party in that assembly—and to 178 in 1998. At that point it was in a position to form a coalition government, an achievement it repeated after the 1999 mid-term elections. For the first time in Indian history, Hindu nationalism had managed to take over power. The BJP and its allies remained in office for five full years, until 2004. The general public discovered Hindu nationalism in operation over these years. But it had of course already been active in Indian politics and society for decades; in fact, this ism is one of the oldest ideological streams in India. It took concrete shape in the 1920s and even harks back to more nascent shapes in the nineteenth century. As a movement, too, Hindu nationalism is heir to a long tradition. Its main incarnation today, the Rashtriya Swayamsevak Sangh (RSS—or the National Volunteer Corps), was founded in 1925, soon after the first Indian communist party, and before the first Indian socialist party. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
Hanuman Chalisa.Pdf
Shree Hanuman Chaleesa a sacred thread adorns your shoulder. Gate of Sweet Nectar 6. Shankara suwana Kesaree nandana, Teja prataapa mahaa jaga bandana Shree Guru charana saroja raja nija You are an incarnation of Shiva and manu mukuru sudhari Kesari's son/ Taking the dust of my Guru's lotus feet to Your glory is revered throughout the world. polish the mirror of my heart 7. Bidyaawaana gunee ati chaatura, Baranaun Raghubara bimala jasu jo Raama kaaja karibe ko aatura daayaku phala chaari You are the wisest of the wise, virtuous and I sing the pure fame of the best of Raghus, very clever/ which bestows the four fruits of life. ever eager to do Ram's work Buddhi heena tanu jaanike sumiraun 8. Prabhu charitra sunibe ko rasiyaa, pawana kumaara Raama Lakhana Seetaa mana basiyaa I don’t know anything, so I remember you, You delight in hearing of the Lord's deeds/ Son of the Wind Ram, Lakshman and Sita dwell in your heart. Bala budhi vidyaa dehu mohin harahu kalesa bikaara 9. Sookshma roopa dhari Siyahin Grant me strength, intelligence and dikhaawaa, wisdom and remove my impurities and Bikata roopa dhari Lankaa jaraawaa sorrows Assuming a tiny form you appeared to Sita/ in an awesome form you burned Lanka. 1. Jaya Hanumaan gyaana guna saagara, Jaya Kapeesha tihun loka ujaagara 10. Bheema roopa dhari asura sanghaare, Hail Hanuman, ocean of wisdom/ Raamachandra ke kaaja sanvaare Hail Monkey Lord! You light up the three Taking a dreadful form you slaughtered worlds. the demons/ completing Lord Ram's work. -
VIVEKA CHOODAMANI PART 1 of 9
|| ÌuÉuÉåMücÉÔQûÉqÉÍhÉÈ || VIVEKA CHOODAMANI PART 1 of 9 The Crest Jewel of Discrimination PART 1: The PURPOSE of Human Life “THE SANDEEPANY EXPERIENCE” Reflections by TEXT SWAMI GURUBHAKTANANDA 11.1 Sandeepany’s Vedanta Course List of All the Course Texts in Chronological Sequence: Text TITLE OF TEXT Text TITLE OF TEXT No. No. 1 Sadhana Panchakam 24 Hanuman Chalisa 2 Tattwa Bodha 25 Vakya Vritti 3 Atma Bodha 26 Advaita Makaranda 4 Bhaja Govindam 27 Kaivalya Upanishad 5 Manisha Panchakam 28 Bhagavad Geeta (Discourse -- ) 6 Forgive Me 29 Mundaka Upanishad 7 Upadesha Sara 30 Amritabindu Upanishad 8 Prashna Upanishad 31 Mukunda Mala (Bhakti Text) 9 Dhanyashtakam 32 Tapovan Shatkam 10 Bodha Sara 33 The Mahavakyas, Panchadasi 5 11.1 Viveka Choodamani – Part 1/9 34 Aitareya Upanishad 12 Jnana Sara 35 Narada Bhakti Sutras 13 Drig-Drishya Viveka 36 Taittiriya Upanishad 14 “Tat Twam Asi” – Chand Up 6 37 Jivan Sutrani (Tips for Happy Living) 15 Dhyana Swaroopam 38 Kena Upanishad 16 “Bhoomaiva Sukham” Chand Up 7 39 Aparoksha Anubhuti (Meditation) 17 Manah Shodhanam 40 108 Names of Pujya Gurudev 18 “Nataka Deepa” – Panchadasi 10 41 Mandukya Upanishad 19 Isavasya Upanishad 42 Dakshinamurty Ashtakam 20 Katha Upanishad 43 Shad Darshanaah 21 “Sara Sangrah” – Yoga Vasishtha 44 Brahma Sootras 22 Vedanta Sara 45 Jivanmuktananda Lahari 23 Mahabharata + Geeta Dhyanam 46 Chinmaya Pledge AUTHOR’S ACKNOWLEDGEMENT TO SANDEEPANY Sandeepany Sadhanalaya is an institution run by the Chinmaya Mission in Powai, Mumbai, teaching a 2-year Vedanta Course. It has a very balanced daily programme of basic Samskrit, Vedic chanting, Vedanta study, Bhagavatam, Ramacharitmanas, Bhajans, meditation, sports and fitness exercises, team-building outings, games and drama, celebration of all Hindu festivals, weekly Gayatri Havan and Guru Paduka Pooja, and Karma Yoga activities. -
Significance of Events During the Grand Celebrations
Significance of Events during the Grand Celebrations 1. What is the purpose of doing Sri Rama Seva? Answer: Sri Rama Seva is done for the following reasons: a. To learn about and aspire to live a life in the example of Sri Rama. b. Elevate oneself to a higher level of spiritual consciousness, harmony, and peace. c. To inculcate awareness of our Vedic culture in children. 2. What events does Sri Rama Seva include? Answer: Sri Rama Seva includes the following: Sri Rama Puja, Deepavali, Acharya Thirunakshatram, Sri Rama Krathuvu, and Sahasra Kalasa Abhishekam. 3. What’s unique about these grand celebrations? a. Swamiji will be in USA for the first time during His Holiness Thirunakshatram celebrations in Houston. b. Sahasra (1001) Kalasa Abhishekam will be performed to Swamiji’s aradhana perumal - Sri Ram parivar for the first time in USA, outside of India. Abhishekam will be performed by 40 qualified Ruthwiks. c. Sri Rama Krathuvu (Yagnam will be peformed by 40 Ruthwiks) for the first time at Sri Ashtalakshmi Temple. d. Devotees from all over the World will be coming to Houston to be part of these grand celebrations. 4. Why do we celebrate Deepavali? Answer: Deepavali, the Festival of Lights, signifies the removal of ignorance or darkness. Our Acharya’s guidance is necessary to lead us out of darkness and onto the path of spiritual enlightenment. This Deepavali is unique as Acharya Chinna Jeeyar Swamiji is going to be amidst us. Deepavali is also celebrated to mark the arrival of Lord Sri Rama back to Ayodhya after Ravana’s annihilation. -
Bhagavad Gita Chapter 10: Divine Emanations
Bhagavad Gita Chapter 10: Divine Emanations Tonight we will be doing chapter 10 of the Bhagavad Gita, Vibhuti Yoga, The Yoga of Divine Emanations. But first I want to talk about the nature of the journey. For most of us Westerners this aspect of the Gita is not available to us. Very few people in the West open up to God, to the collective consciousness, in the experiential way that is being revealed here. Most spiritual teachings have more to do with the development of the psychic intelligence and its relationship to truth. Vibhuti Yoga is truly devotional. A vast majority of people have a devotional relationship or feeling for whatever God or Allah or Zoroaster represents. It comes from something in our human nature that is transferring onto an idea, from the human collective consciousness, and is different from what we will be talking about today. (2:00) Vibhuti Yoga is a direct revelation from the universe to the individual. What we might call devotion is absolutely felt, but of a completely different order than what we would call religious devotion or the fervor that occurs with born again Christians or with people that are motivated from their vital for this passionate relationship, for this idea of God. That comes from the higher heart, the higher vital, the part of our human nature that is rising up from our focus on our relationships and attachments and identifications associated with community and society. It is a part of us that lifts to a possibility. It is to some extent associated with what I call the psychic heart. -
Kaala Vichara
|| shrI: || kAlAntargata kAla niyAmaka kAlAtIta trikAlagnya | kAlapravartaka kAlanivartaka kAlOtpAdaka kAlamUrti || KAALA VICHARA Prepared based on the lectures of Shri Bannanje Govindacharyaru and Shri HarikathAmRutasAra grantha (Sandhi: AparOkSha tAratamya or Kalpa Sadhana) Parama sUkShma kAlAmsha is considered to be 'kshaNa'. kshaNa could further be divided into smaller portions, but since it becomes difficult for human beings to contemplate, the smallest particle is considered as kShaNa. Kaala Vichara of Manavas: S.No. Smaller Time Unit Bigger Time Unit 1. KShaNa - 2. 5 KShaNas TRuTi 3. 50 TRuTis 1 Lava 4. 2 Lava 1 NimEsha 5. 8 NimEshas 1 Matra 6. 2 Matras 1 Guru 7. 10 Gurus 1 PraNa 8. 6 PraNas 1 PaLa 9. 60 PaLas 1 GhaTika 10. 30 GhaTikas 12 hrs 11. 60 GhaTikas 24 hrs (1 Day + 1 Night) 12. 15 Days 1 PakSha 13. 2 PakShas 1 Maasa (month) 14. 2 Masas 1 Rutu 15. 3 Rutus 1 Ayana 16. 2 Ayanas 1 Varsha (Year) 17. 360 Man Days 1 Man Year ShrImad HarikathAmrutasAra quotations from aparOksha tAratamya/kalpa sAdhana sandhi: paramasUkshma kshaNavaidu tRuTi | karesuvudu aivattu tRuTi lava | eradu lavavu nimEsha nimEshagaLentu mAtra yuga | guru dasha prANavu paLavu ha | nneradu bANavu ghaLige trimshati | iruLu hagalaravattu ghatikagaLahOrAtrigaLu || 56 || I divArAtrigaLeraDu hadi | naidu pakShagaLeraDu mAsaga | LAdapavu mAsadvayave Rutu RututrayagaLayana | aiduvuvu ayanadvayAbda kRu | tAdiyugagaLu dEvamAnadi | dwAdasha sahasra varuShagaLahavadanu pELuvenu || 57 || Kaala Vichaara of Devata-s (Upper Planetary Plane): 360 Man Days or 1 Man Year = 1 DEvata Day => 360 Man years = 1 DEvata year => 129,600 Man Days = 1 dEvatha year Kaala Vichara of Chaturyuga (kRuta - trEta - dwApara – kali) DY -> dEvata Year MY -> Man/Manava Year S.No. -
Ramayana of * - Valmeeki RENDERED INTO ENGLISH with EXHAUSTIVE NOTES BY
THE Ramayana OF * - Valmeeki RENDERED INTO ENGLISH WITH EXHAUSTIVE NOTES BY (. ^ ^reenivasa jHv$oiu$ar, B. A., LECTURER S. P G. COLLEGE, TRICHINGj, Balakanda and N MADRAS: * M. K. PEES8, A. L. T. PRKS8 AND GUARDIAN PBE8S. > 1910. % i*t - , JJf Reserved Copyright ftpfiglwtd. 3 [ JB^/to PREFACE The Ramayana of Valmeeki is a most unique work. The Aryans are the oldest race on earth and the most * advanced and the is their first ; Ramayana and grandest epic. The Eddas of Scandinavia, the Niebelungen Lied of Germany, the Iliad of Homer, the Enead of Virgil, the Inferno, the Purgatorio, and the Paradiso of Dante, the Paradise Lost of Milton, the Lusiad of Camcens, the Shah Nama of Firdausi are and no more the Epics ; Ramayana of Valmeeki is an Epic and much more. If any work can clam} to be the Bible of the Hindus, it is the Ramayana of Valmeeki. Professor MacDonell, the latest writer on Samskritha Literature, says : " The Epic contains the following verse foretelling its everlasting fame * As long as moynfain ranges stand And rivers flow upon the earth, So long will this Ramayana Survive upon the lips of men. This prophecy has been perhaps even more abundantly fulfilled than the well-known prediction of Horace. No pro- duct of Sanskrit Literature has enjoyed a greater popularity in India down to the present day than the Ramayana. Its story furnishes the subject of many other Sanskrit poems as well as plays and still delights, from the lips* of reciters, the hearts of the myriads of the Indian people, as at the 11 PREFACE great annual Rama-festival held at Benares.