Shahnameh) and Balder (Scandinavian Epic)
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Iranshah Udvada Utsav
HAMAZOR - ISSUE 1 2016 Dr Nergis Mavalvala Physicist Extraordinaire, p 43 C o n t e n t s 04 WZO Calendar of Events 05 Iranshah Udvada Utsav - vahishta bharucha 09 A Statement from Udvada Samast Anjuman 12 Rules governing use of the Prayer Hall - dinshaw tamboly 13 Various methods of Disposing the Dead 20 December 25 & the Birth of Mitra, Part 2 - k e eduljee 22 December 25 & the Birth of Jesus, Part 3 23 Its been a Blast! - sanaya master 26 A Perspective of the 6th WZYC - zarrah birdie 27 Return to Roots Programme - anushae parrakh 28 Princeton’s Great Persian Book of Kings - mahrukh cama 32 Firdowsi’s Sikandar - naheed malbari 34 Becoming my Mother’s Priest, an online documentary - sujata berry COVER 35 Mr Edulji Dinshaw, CIE - cyrus cowasjee Image of the Imperial 39 Eduljee Dinshaw Road Project Trust - mohammed rajpar Custom House & bust of Mr Edulji Dinshaw, CIE. & jameel yusuf which stands at Lady 43 Dr Nergis Mavalvala Dufferin Hospital. 44 Dr Marlene Kanga, AM - interview, kersi meher-homji PHOTOGRAPHS 48 Chatting with Ami Shroff - beyniaz edulji 50 Capturing Histories - review, freny manecksha Courtesy of individuals whose articles appear in 52 An Uncensored Life - review, zehra bharucha the magazine or as 55 A Whirlwind Book Tour - farida master mentioned 57 Dolly Dastoor & Dinshaw Tamboly - recipients of recognition WZO WEBSITE 58 Delhi Parsis at the turn of the 19C - shernaz italia 62 The Everlasting Flame International Programme www.w-z-o.org 1 Sponsored by World Zoroastrian Trust Funds M e m b e r s o f t h e M a n a g i -
Comparison of Arrogance in Shahnameh and Bahmannameh Based on the Ancient Story of Bahmannameh
Propósitos y Representaciones May. 2021, Vol. 9, SPE(3), e1092 ISSN 2307-7999 Current context of education and psychology in Europe and Asia e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE3.1092 RESEARCH NOTES Comparison of arrogance in Shahnameh and Bahmannameh based on the ancient story of Bahmannameh Comparación de la arrogancia en Shahnameh y Bahmannameh basada en la antigua historia de Bahmannameh Zohreh Amiri PhD student in Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Reza Ashrafzadeh Professor of Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Mohammad Shah Badiezadeh Professor of Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Received 07-08-20 Revised 08-10-20 Accepted 09-02-20 On line 03-06-21 *Correspondence Cite as: Email: [email protected] Amiri, Z., Ashrafzadeh, R., & Shah Badiezadeh, M. (2021). Comparison of arrogance in Shahnameh and Bahmannameh based on the ancient story of Bahmannameh. Propósitos y Representaciones, 9(SPE3), e1092. Doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE3.1092 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2021. Este artículo se distribuye bajo licencia CC BY-NC-ND 4.0 Internacional (http://creativecommons.org/licenses/by-nc-nd/4.0/). Comparison of arrogance in Shahnameh and Bahmannameh based on the ancient story of Bahmannameh Summary One of the most important aspects of the struggle of warriors and warriors in epic works is the arrogance that is called by the comrades before the start of the hand-to-hand battle. It is accompanied by pride in ancestry, race, and ridicule. -
Compare and Analyzing Mythical Characters in Shahname and Garshasb Nāmeh
WALIA journal 31(S4): 121-125, 2015 Available online at www.Waliaj.com ISSN 1026-3861 © 2015 WALIA Compare and analyzing mythical characters in Shahname and Garshasb Nāmeh Mohammadtaghi Fazeli 1, Behrooze Varnasery 2, * 1Department of Archaeology, Shushtar Branch, Islamic Azad University, Shushtar, Iran 2Department of Persian literature Shoushtar Branch, Islamic Azad University, Shoushtar Iran Abstract: The content difference in both works are seen in rhetorical Science, the unity of epic tone ,trait, behavior and deeds of heroes and Kings ,patriotism in accordance with moralities and their different infer from epic and mythology . Their similarities can be seen in love for king, obeying king, theology, pray and the heroes vigorous and physical power. Comparing these two works we concluded that epic and mythology is more natural in the Epic of the king than Garshaseb Nameh. The reason that Ferdowsi illustrates epic and mythological characters more natural and tangible is that their history is important for him while Garshaseb Nameh looks on the surface and outer part of epic and mythology. Key words: The epic of the king;.Epic; Mythology; Kings; Heroes 1. Introduction Sassanid king Yazdgerd who died years after Iran was occupied by muslims. It divides these kings into *Ferdowsi has bond thought, wisdom and culture four dynasties Pishdadian, Kayanids, Parthian and of ancient Iranian to the pre-Islam literature. sassanid.The first dynasties especially the first one Garshaseb Nameh has undoubtedly the most shares have root in myth but the last one has its roots in in introducing mythical and epic characters. This history (Ilgadavidshen, 1999) ballad reflexes the ethical and behavioral, trait, for 4) Asadi Tusi: The Persian literature history some of the kings and Garshaseb the hero. -
FEZANA Journal Do Not Necessarily Reflect the Feroza Fitch of Views of FEZANA Or Members of This Publication's Editorial Board
FEZANA FEZANA JOURNAL ZEMESTAN 1379 AY 3748 ZRE VOL. 24, NO. 4 WINTER/DECEMBER 2010 G WINTER/DECEMBER 2010 JOURJO N AL Dae – Behman – Spendarmad 1379 AY (Fasli) G Amordad – Shehrever – Meher 1380 AY (Shenshai) G Shehrever – Meher – Avan 1380 AY (Kadimi) CELEBRATING 1000 YEARS Ferdowsi’s Shahnameh: The Soul of Iran HAPPY NEW YEAR 2011 Also Inside: Earliest surviving manuscripts Sorabji Pochkhanawala: India’s greatest banker Obama questioned by Zoroastrian students U.S. Presidential Executive Mission PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 24 No 4 Winter / December 2010 Zemestan 1379 AY 3748 ZRE President Bomi V Patel www.fezana.org Editor in Chief: Dolly Dastoor 2 Editorial [email protected] Technical Assistant: Coomi Gazdar Dolly Dastoor Assistant to Editor: Dinyar Patel Consultant Editor: Lylah M. Alphonse, [email protected] 6 Financial Report Graphic & Layout: Shahrokh Khanizadeh, www.khanizadeh.info Cover design: Feroza Fitch, 8 FEZANA UPDATE-World Youth Congress [email protected] Publications Chair: Behram Pastakia Columnists: Hoshang Shroff: [email protected] Shazneen Rabadi Gandhi : [email protected] 12 SHAHNAMEH-the Soul of Iran Yezdi Godiwalla: [email protected] Behram Panthaki::[email protected] Behram Pastakia: [email protected] Mahrukh Motafram: [email protected] 50 IN THE NEWS Copy editors: R Mehta, V Canteenwalla Subscription Managers: Arnavaz Sethna: [email protected]; -
Why Was the Story of Arash-I Kamangir Excluded from the Shahnameh?” Iran Nameh, 29:2 (Summer 2014), 42-63
Saghi Gazerani, “Why Was the Story of Arash-i Kamangir Excluded from the Shahnameh?” Iran Nameh, 29:2 (Summer 2014), 42-63. Why Was the Story of Arash-i Kamangir Excluded from the Shahnameh?* Saghi Gazerani Independent Scholar In contemporary Iranian culture, the legendary figure of Arash-i Kamangir, or Arash the Archer, is known and celebrated as the national hero par excellence. After all, he is willing to lay down his life by infusing his arrow with his life force in order to restore territories usurped by Iran’s enemy. As the legend goes, he does so in order to have the arrow move to the farthest point possible for the stretch of land over which the arrow flies shall be included in Iranshahr proper. The story without a doubt was popular for many centuries, but during the various upheavals of the twentieth century, the story of Arash the Archer was invoked, and in the hands of artists with various political leanings his figure was imbued with layers reflecting the respective artist’s ideological presuppositions.1 The most famous of modern renditions of Arash’s legend is Siavash Kasra’i’s narrative poem named after its protagonist. An excerpt of Kasra’i’s rendition of Arash’s story *For further discussion of this issue please see my ture,” www.iranicaonline.org (accessed March 3, forthcoming work, On the Margins of Historiog- 2014). Arash continues to make his appearance; raphy: The Sistani Cycle of Epics and Iran’s Na- for a recent operatic performance of the legend, tional History (Leiden: Brill, 2014). -
The Socioeconomics of State Formation in Medieval Afghanistan
The Socioeconomics of State Formation in Medieval Afghanistan George Fiske Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 George Fiske All rights reserved ABSTRACT The Socioeconomics of State Formation in Medieval Afghanistan George Fiske This study examines the socioeconomics of state formation in medieval Afghanistan in historical and historiographic terms. It outlines the thousand year history of Ghaznavid historiography by treating primary and secondary sources as a continuum of perspectives, demonstrating the persistent problems of dynastic and political thinking across periods and cultures. It conceptualizes the geography of Ghaznavid origins by framing their rise within specific landscapes and histories of state formation, favoring time over space as much as possible and reintegrating their experience with the general histories of Iran, Central Asia, and India. Once the grand narrative is illustrated, the scope narrows to the dual process of monetization and urbanization in Samanid territory in order to approach Ghaznavid obstacles to state formation. The socioeconomic narrative then shifts to political and military specifics to demythologize the rise of the Ghaznavids in terms of the framing contexts described in the previous chapters. Finally, the study specifies the exact combination of culture and history which the Ghaznavids exemplified to show their particular and universal character and suggest future paths for research. The Socioeconomics of State Formation in Medieval Afghanistan I. General Introduction II. Perspectives on the Ghaznavid Age History of the literature Entrance into western European discourse Reevaluations of the last century Historiographic rethinking Synopsis III. -
Why Should Anyone Be Familiar with Persian Literature?
Annals of Language and Literature Volume 4, Issue 1, 2020, PP 11-18 ISSN 2637-5869 Why should anyone be Familiar with Persian Literature? Shabnam Khoshnood1, Dr. Ali reza Salehi2*, Dr. Ali reza Ghooche zadeh2 1M.A student, Persian language and literature department, Electronic branch, Islamic Azad University, Tehran, Iran 2Persian language and literature department, Electronic branch, Islamic Azad University, Tehran, Iran *Corresponding Author: Dr. Ali reza Salehi, Persian language and literature department, Electronic branch, Islamic Azad University, Tehran, Iran, Email: [email protected] ABSTRACT Literature is a tool for conveying concepts, thoughts, emotions and feelings to others that has always played an important and undeniable role in human life. Literature encompasses all aspects of human life as in love and affection, friendship and loyalty, self-sacrifice, justice and cruelty, manhood and humanity, are concepts that have been emphasized in various forms in the literature of different nations of the world. Poets and writers have endeavored to be heretics in the form of words and sentences and to promote these concepts and ideas to their community. Literature is still one of the most important identifiers of nations and ethnicities that no other factor has been able to capture. As a rich treasure trove of informative and educational material, Persian literature has played an important role in the development and reinforcement of social ideas and values in society, which this mission continues to do best. In this article, we attempt to explain the status of Persian literature and its importance. Keywords: language, literature, human, life, religion, culture. INTRODUCTION possible to educate without using the humanities elite. -
Cattle and Its Mythical-Epic Themes in Shahnameh, Garshasbnameh, Koushnameh, Borznameh, Bahmannameh and Banogoshasbnameh
Propósitos y Representaciones Jan. 2021, Vol. 9, SPE(1), e871 ISSN 2307-7999 Special Number: Educational practices and teacher training e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE1.871 CONFERENCES Cattle and its mythical-epic themes in Shahnameh, Garshasbnameh, Koushnameh, Borznameh, Bahmannameh and Banogoshasbnameh El ganado y sus temas mítico-épicos en Shahnameh, Garshasbnameh, Koushnameh, Borznameh, Bahmannameh y Banogoshasbnameh Nasrin Sharifzad PhD Student in Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Mohammad Shah Badizadeh Department of Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Reza Ashrafzadeh Department of Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Received 10-10-20 Revised 11-12-20 Accepted 01-13-21 On line 01-14-21 *Correspondence Cite as: Email: [email protected] Sharifzad, N., Shah Badizadeh, M., & Ashrafzadeh, R. (2021). Investigation and analysis of color pragmatics in Beyghami DarabNameh. Propósitos y Representaciones, 9 (SPE1), e871. Doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE1.871 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2020. This article is distributed under license CC BY-NC-ND 4.0 International (http://creativecommons.org/licenses/by-nc-nd/4.0/) Cattle and its mythical-epic themes in Shahnameh, Garshasbnameh, Koushnameh, Borznameh, Bahmannameh and Banogoshasbnameh Summary In Shahnameh and other epic poems, which reflect the myths, the life of primitive and ancient Iranian societies, animals and other animals are of great importance and go beyond their normal features and status. Myths that are truths of the thoughts and ideas of the first people, which are mixed with different stories and are expressed symbolically and cryptically. -
Leopard and Its Mythological-Epic Motifs in Shahnameh and Four Other Epic Works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh)
Propósitos y Representaciones Jan. 2021, Vol. 9, SPE(1), e891 ISSN 2307-7999 Special Number: Educational practices and teacher training e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE1.891 RESEARCH ARTICLES Leopard and its mythological-epic motifs in Shahnameh and four other epic works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh) Leopardo y sus motivos mitológicos-épicos en Shahnameh y otras cuatro obras épicas (Garshasbnameh, Kushnameh, Bahmannameh y Borzunameh) Nasrin Sharifizad PhD student in Persian Language and Literature (pure), Mashhad Branch, Islamic Azad University, Mashhad, Iran ORCID: https://orcid.org/0000-0001-7171-7103 Mohammad Shah Badi’zadeh Assistant Professor, Department of Persian Language and Literature, Mashhad Branch, Islamic Azad University, Mashhad, Iran ORCID: https://orcid.org/0000-0002-1555-3877 Reza Ashrafzadeh Professor, Department of Persian Language and Literature, Mashhad Branch, Islamic Azad University, Mashhad, Iran ORCID: https://orcid.org/0000-0002-5392-9273 Received 02-08-20 Revised 04-10-20 Accepted 01-11-21 On line 01-18-21 *Correspondence Cite as: Email: [email protected] Sharifizad, N., Badizadeh, M., & Ashrafzadeh, R. (2021). Leopard and its mythological-epic motifs in Shahnameh and four other epic works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh). Propósitos y Representaciones, 9 (SPE1), e891. Doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE1.891 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2020. This article is distributed under license CC BY-NC-ND 4.0 International (http://creativecommons.org/licenses/by-nc-nd/4.0/) Leopard and its mythological-epic motifs in Shahnameh and four other epic works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh) Summary In Shahnameh and other epic poems where the reflection of myths is the life of primitive and ancient Iranian communities, animals and other creatures are of great importance and go beyond their normal features and position. -
Preliminary Program, AIS 2020: Salamanca, August 25–28Th 2020
Preliminary program, AIS 2020: Salamanca, August 25–28th 2020 Room 1. Linguistics 25.08 26.08 27.08 28.08 8:30- Conference Registration Old and Middle Iranian studies Plenary session: Iran-EU relations Keynote speaker 9:45 (8:30–12:00) Antonio Panaino, Götz König, Luciano Zaccara, Rouzbeh Parsi, Maziar Bahari Alberto Cantera Mehrdad Boroujerdi, Narges Bajaoghli 10:00- Conference Registration Persian Second Language Acquisition Sociolinguistic and psycholinguistic Middle and Modern Iranian 11:30 (8:30–12:00) aspects of teaching and learning Linguistics - Latifeh Hagigi: Communicative, Task-Based, and Persian Content-Based Approaches to Persian Language - Chiara Barbati: Language of Paratexts as AATP (American Association of Teaching: Second Language, Mixed and Heritage Tool for Investigating a Monastic Community - Mahbod Ghaffari: Persian Interlanguage Teachers of Persian) annual meeting Classrooms at the University Level in Early Medieval Turfan - Azita Mokhtari: Language Learning + AATP Lifetime Achievement - Ali R. Abasi: Second Language Writing in Persian - Zohreh Zarshenas: Three Sogdian Words ( Strategies: A Study of University Students of (m and ryżי k .kי rγsי β יי Nahal Akbari: Assessment in Persian Language - Award (10:00–13:00) Persian in the United States Pedagogy - Mahmoud Jaafari-Dehaghi & Maryam - Pouneh Shabani-Jadidi: Teaching and - Asghar Seyed-Ghorab: Teaching Persian Izadi Parsa: Evaluation of the Prefixed Verbs learning the formulaic language in Persian Ghazals: The Merits and Challenges in the Ma’ani Kitab Allah Ta’ala -
Additional Catalogue Entries
EPIC TALES from ANCIENT INDIA 1 2 EPIC TALES from ANCIENT INDIA 3 Note: need to add SDMA and Yale to title page This book is published in conjunction with the exhi- bition [Exhibition title], presented at [Museum] from [date] to [date]. Copyright © 2016 __________________ All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, record- ing, or any information storage or retrieval system, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data [please provide or L|M will apply] ISBN 978-0-300-22372-9 Published by The San Diego Museum of Art Distributed by Yale University Press, New Haven and London 302 Temple Street P.O. Box 209040 New Haven, CT 06520-9040 yalebooks.com/art Produced by Lucia | Marquand, Seattle www.luciamarquand.com Edited by _______ Designed by Zach Hooker Typeset in Quadraat by Brynn Warriner Proofread by TK TK Color management by iocolor, Seattle Printed and bound in China by Artron Art Group 4 toc TK 5 Director’s Foreword The San Diego Museum of Art is blessed to have one of the great collections of Indian painting, the bequest of one of the great connoisseurs of our time, Edwin Binney 3rd. This collection of over 1,400 paintings has, over the years, provided material for a number of exhibitions that have examined the subject of Indian painting from many different angles, as only a collection of this breadth and depth can do. Our latest exhibition, Epic Tales from Ancient India, aims to approach the topic from yet another per- spective, by considering the paintings alongside the classics of literature that they illustrate. -
UNIVERSITY of CALIFORNIA, IRVINE Narrative and Iranian
UNIVERSITY OF CALIFORNIA, IRVINE Narrative and Iranian Identity in the New Persian Renaissance and the Later Perso-Islamicate World DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in History by Conrad Justin Harter Dissertation Committee: Professor Touraj Daryaee, Chair Professor Mark Andrew LeVine Professor Emeritus James Buchanan Given 2016 © 2016 Conrad Justin Harter DEDICATION To my friends and family, and most importantly, my wife Pamela ii TABLE OF CONTENTS Page LIST OF FIGURES iv ACKNOWLEDGMENTS v CURRICULUM VITAE vi ABSTRACT OF THE DISSERTATION vii CHAPTER 1: INTRODUCTION 1 CHAPTER 2: Persian Histories in the 9th-12th Centuries CE 47 CHAPTER 3: Universal History, Geography, and Literature 100 CHAPTER 4: Ideological Aims and Regime Legitimation 145 CHAPTER 5: Use of Shahnama Throughout Time and Space 192 BIBLIOGRAPHY 240 iii LIST OF FIGURES Page Figure 1 Map of Central Asia 5 iv ACKNOWLEDGMENTS I would like to express my gratitude to all of the people who have made this possible, to those who have provided guidance both academic and personal, and to all those who have mentored me thus far in so many different ways. I would like to thank my advisor and dissertation chair, Professor Touraj Daryaee, for providing me with not only a place to study the Shahnama and Persianate culture and history at UC Irvine, but also with invaluable guidance while I was there. I would like to thank my other committee members, Professor Mark LeVine and Professor Emeritus James Given, for willing to sit on my committee and to read an entire dissertation focused on the history and literature of medieval Iran and Central Asia, even though their own interests and decades of academic research lay elsewhere.