Knowledge of Its Own Past Comprises a Significant Part of Every Scientific
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The Bronze Athlete from Ephesos
Technè La science au service de l’histoire de l’art et de la préservation des biens culturels 45 | 2017 Bronzes grecs et romains : études récentes sur la statuaire antique The Bronze Athlete from Ephesos: Archaeological Background and Aspects of Conservation L’athlète en bronze d’Éphèse, contexte archéologique et éléments de restauration Georg A. Plattner Electronic version URL: http://journals.openedition.org/techne/1255 Publisher C2RMF Printed version Date of publication: 1 May 2017 Number of pages: 34-45 ISBN: 978-2-7118-6408-9 ISSN: 1254-7867 Electronic reference Georg A. Plattner, « The Bronze Athlete from Ephesos: Archaeological Background and Aspects of Conservation », Technè [Online], 45 | 2017, Online since 19 December 2019, connection on 19 December 2019. URL : http://journals.openedition.org/techne/1255 La revue Technè. La science au service de l’histoire de l’art et de la préservation des biens culturels est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Bronzes grecs et romains : études récentes sur la statuaire antique TECHNÈ n° 45, 2017 34 Fig. 1. Ephesian Athlete, bronze, H. 192 cm, second half of 1st cent. A.D., Kunsthistorisches Museum Vienna, Collection of Greek and Roman Antiquities, inv. no. VI 3168. © Kunsthistorisches Museum Vienna. Techne_n45_2.indd 34 23/11/2017 11:56 TECHNÈ n° 45, 2017 Bronzes grecs et romains : études récentes sur la statuaire antique Georg A. Plattner The Bronze Athlete from Ephesos: Archaeological Background and Aspects of Conservation L’athlète en bronze d’Éphèse, contexte archéologique et éléments de restauration Abstract. -
A Century of Cataloguing of Illuminated Manuscripts in Vienna
OTTO PÄCHT-ARCHIV ARCHIV PROJEKTE FÖRDERER TEAM MATERIALIEN * A Century of Cataloguing Illuminated Manuscripts in Vienna Martin ROLAND Historical Background and Library History With reference to historical holdings in general and manuscripts in particular, the Austrian National Library is one of the world’s leading libraries. The importance of these treasures does not correspond with the 80,000 km² of territory of a republic created by the treaty of Saint Germain in 1919. After World War I the inhabitants neither considered themselves Austrians nor had they a unifying culture. Instead, they regarded themselves, on the one hand, as part of the German- speaking culture, and, on the other, as Styrians, Tyroleans, Carinthians etc. Each of these crown lands (“Kronländer”) had strong historical roots of identification reaching back to the middle ages. Additionally there was a supranational identification which centred on the tradition of the Habsburg monarchy intensively connected with Vienna as residential city. This function as the centre of a monarchic empire is the basis of the library and its treasures. As a princely library some of its holdings go back to the 14th century property of the Austrian dukes, who were Habsburgs since 1282. The first milestone towards a collection was due to Frederick III (1415–1493), who merged his own holdings with those of his Luxemburg predecessors as king and emperor (Wenceslaus and Sigismund). A library with librarians and indexing began to evolve in the second half of the 16th century. The holdings of the princely library were limited to high-end volumes (in terms of artistic decoration) and – due to the influence of humanism – to works of philological and historical interest. -
A Sarc O P Hagu S F Rom T H E Family of Herodes Atticus
HESPERIA 70 (200I) ICONOG RAPHY Pages46z-492 AND THE DYNAMIGS O F PATRO NAG E A SARCO P HAGU S FROM T H E FAMILYOF HERODESATTICUS ABSTRACT A sarcophagusfiom the estateof HerodesAtticus in Kephisiacommemo- ratesthe intimate connections ofthe familywiththe cityof Sparta,the Battle of Marathon,and the cultstatue of Nemesisat Rhamnous.Theiconographic allusionsto Marathonalso reflect the prioritiesof the SecondSophistic, an intellectualmovement that appealed to the pastto establishcultural and po- liticalsuperiority. The unusualand meaningfill decorative program suggests thatthe family commissioned this sarcophagus. The earlierview that the more unusualAttic sarcophagiwere prefabricated, but that theirthemes simply provedunpopular, should be modifiedin lightof this study. INTRODUCTION In Septemberof 1866,during the construction of a housein the Kephisia suburbof Athens,workers discovered a marbleburial chamber, roughly squarein plan.1Robbers had long since plundered the chamber, removing thedeceased and most ofthe portable possessions. In 1866,the significant remainingartifacts included four carved marble sarcophagi and only a handfillof smallobjects.2 Otto Benndorf,who wrotethe firstcomplete descriptionof the chamberand its contents,was also the firstto suggest 1. I thankthe Universityof Mich- andNeel Smithfor discussing with me this study,still stand in the tomb iganfor support that allowed me to someof the ideaspresented here. Photo- today.Cramped space in the tomb undertakepreliminary research in graphswere kindly provided byJan San- makesit difficultto providea complete Athensfor this article;and the College ders;the BritishMuseum; the Deutsches photographicrecord. I thereforerefer of the Holy Crossboth for funds to ArchaologischesInstitut, Rome; the in manyinstances to the line drawings purchasephotographs and for a leaveof GreekArchaeological Service; and the of the Ledasarcophagus produced by absencethat allowed me to continue KunsthistorischesMuseum, Vienna. -
Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda Mcclelland Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Summer 8-26-2013 Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda McClelland Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation McClelland, Grizelda, "Constructions of Childhood on the Funerary Monuments of Roman Athens" (2013). All Theses and Dissertations (ETDs). 1150. https://openscholarship.wustl.edu/etd/1150 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Classics Department of Art History and Archaeology Dissertation Examination Committee: Susan I. Rotroff, Chair Wendy Love Anderson William Bubelis Robert D. Lamberton George Pepe Sarantis Symeonoglou Constructions of Childhood on the Funerary Monuments of Roman Athens by Grizelda D. McClelland A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2013 St. Louis, Missouri © 2013, Grizelda Dunn McClelland Table of Contents Figures ............................................................................................................................... -
Stipendiaten Des DAI, Der Römisch-Germanischen Kommission (RGK) Und Der Kommission Für Alte Geschichte Und Epigraphik
Reisestipendiatinnen und -stipendiaten des DAI, der Römisch-Germanischen Kommission (RGK) und der Kommission für Alte Geschichte und Epigraphik • 1859/60: Alexander Conze, Adolf Michaelis • 1860/61: Adolph Kießling, Kurt Wachsmuth • 1861/62: Adolph Kießling, August Reifferscheid • 1862/63: Wolfgang Helbig, August Reifferscheid • 1863/64: Wolfgang Helbig, Reinhard Kekulé • 1864/65: Otto Benndorf, Reinhard Kekulé • 1865/66: Otto Benndorf, Bernhard Graser • 1866/67: Eugen Bormann, Karl Dilthey • 1867/68: Eugen Bormann, Karl Dilthey • 1868/69: Richard Foerster, Friedrich Matz • 1869/70: Richard Foerster, Friedrich Matz • 1870/71: Richard Engelmann, Adolf Trendelenburg • 1871/72: Gustav Hirschfeld, Otto Lüders • 1872/73: Gustav Hirschfeld, Georg Kaibel • 1873/74: Georg Kaibel, Carl Robert • 1874/75: Leopold Julius, Carl Robert, Theodor Schreiber, Rudolf Weil • 1875/76: Heinrich Dressel, Friedrich von Duhn, Gustav Körte, Rudolf Weil • 1876/77: Friedrich von Duhn, Adolf Furtwängler, Paul Knapp, Arthur Milchhoefer, Hermann von Rohden • 1877/78: Adolf Furtwängler, Georg Loeschcke, Arthur Milchhoefer, Hermann von Rohden, Victor Schultze • 1878/79: Hermann Dessau, Hermann Dopffel, Georg Loeschcke, Karl Purgold, Johannes Schmidt • 1879/80: Carl Erbes, Heinrich Holtzinger, Otto Keck, Karl Purgold, Carl Schaefer, Johannes Schmidt • 1880/81: Hermann Dessau, Konrad Lange, Hermann Luckenbach, Ernst Maass, Otto Pohl • 1881/82: Christian Hülsen, Julius Langbehn, Otto Pohl, Otto Puchstein, Eduard Schwartz • 1882/83: Julius Dürr, Ernst Fabricius, Nicolaus -
Preliminary Studies on the Scholia to Euripides
Preliminary Studies on the Scholia to Euripides CALIFORNIA CLASSICAL STUDIES NUMBER 6 Editorial Board Chair: Donald Mastronarde Editorial Board: Alessandro Barchiesi, Todd Hickey, Emily Mackil, Richard Martin, Robert Morstein-Marx, J. Theodore Peña, Kim Shelton California Classical Studies publishes peer-reviewed long-form scholarship with online open access and print-on-demand availability. The primary aim of the series is to disseminate basic research (editing and analysis of primary materials both textual and physical), data-heavy re- search, and highly specialized research of the kind that is either hard to place with the leading publishers in Classics or extremely expensive for libraries and individuals when produced by a leading academic publisher. In addition to promoting archaeological publications, papyrologi- cal and epigraphic studies, technical textual studies, and the like, the series will also produce selected titles of a more general profile. The startup phase of this project (2013–2017) is supported by a grant from the Andrew W. Mellon Foundation. Also in the series: Number 1: Leslie Kurke, The Traffic in Praise: Pindar and the Poetics of Social Economy, 2013 Number 2: Edward Courtney, A Commentary on the Satires of Juvenal, 2013 Number 3: Mark Griffith, Greek Satyr Play: Five Studies, 2015 Number 4: Mirjam Kotwick, Alexander of Aphrodisias and the Text of Aristotle’s Metaphys- ics, 2016 Number 5: Joey Williams, The Archaeology of Roman Surveillance in the Central Alentejo, Portugal, 2017 PRELIMINARY STUDIES ON THE SCHOLIA TO EURIPIDES Donald J. Mastronarde CALIFORNIA CLASSICAL STUDIES Berkeley, California © 2017 by Donald J. Mastronarde. California Classical Studies c/o Department of Classics University of California Berkeley, California 94720–2520 USA http://calclassicalstudies.org email: [email protected] ISBN 9781939926104 Library of Congress Control Number: 2017916025 CONTENTS Preface vii Acknowledgments xi Abbreviations xiii Sigla for Manuscripts of Euripides xvii List of Plates xxix 1. -
Alexander Conze, on the Origin of the Visual Arts, Lecture Held on July 30, 1896 [In the Royal Prussian Academy of Sciences] Translated and Edited by Karl Johns
Alexander Conze, On the Origin of the Visual Arts, Lecture held on July 30, 1896 [in the Royal Prussian Academy of Sciences] translated and edited by Karl Johns Editor’s introduction: Alexander Conze: The Bureaucrat and Art- Historiography Like a number of his colleagues, Alexander Conze (Hanover December 10, 1831- Berlin July 19, 1914), came to classical archaeology after first studying law. His interests and gifts seem to have tended more toward curatorial and administrative work rather than lecturing, and he will be primarily remembered for his part in bringing the Pergamon Altar to the Berlin museums. It may therefore seem ironic that he nevertheless had a great influence as a teacher and probably the greatest influence in another field, which was only later to be defined and brought to fruition in academia by his students as ‘the history of art.’ For the purposes of art historiography it is therefore significant that after nearly ten years at Halle as Extraordinarius, he was called to the University of Vienna as Ordinarius, taught from 1869 to 1877, where Franz Wickhoff, Alois Riegl, Emanuel Löwy and Julius Schlosser, among others, were influenced by his teachings. In the lectures given by Conze to the Prussian academy later in his career, it is not difficult to recognize a similarity to Schlosser in the binocular attraction of more abstract questions on the one hand and the aesthetic appeal of the individual object on the other. Conze also anticipated and presumably inspired the later studies made by Ernst Garger on the ground in relief sculpture and the historical place of the Monument of the Julii. -
NETWORKED WORLDS Mobility, Migration and Trade in Antiquity
ARCHAEOLOGY WORLDWIDE 1 • 2014 Magazine of the German Archaeological Institute Archaeology Worldwide – Volume one – Berlin, – DAI May 2014 TITLE STORY NETWORKED WORLDS Mobility, migration and trade in antiquity REPORT STANDPOINT INTERVIEW A Phoenician-Iberian Networked research – Link and barrier – joint venture Networked worlds Mediterranean studies acquire new significance ARCHAEOLOGY WORLDWIDE Places visited in this issue Spain, Los Castillejos de Alcorrín. Report, page 12 Arabian Peninsula, The Incense Route. Titel Story, page 36 Peru, Palpa. Cultural Heritage, page 20 The Mediterranean region. Titel Story, page 36 The Russian Federation, Cimmerian Bosporus, Germany, Munich. Everyday Archaeology, page 76 Taman Peninsula. Landscapes, page 28 Turkey, Thracian Bosporus. Landscapes, page 28 Tajikistan, Dushanbe. The Object, page34 Berlin, Head Office of the Morocco, Essaouira. Title Story, page 36 German Archaeological Institute COVER PHOTO A small island off Morocco’s Atlantic coast – in antiquity a peninsula – was where the west Phoenician maritime trade route met an African caravan road. There was sale and barter, the latest news was exchanged and tales were told from all corners of the world. The hotly traded goods were fish in great quantities, ivory, met- als, exotic animals, the amber-like resin of Thuja ber- berisca/citrus, and precious spices. Our cover photo shows Essaouira, the town on the mainland. It was known as the “harbour of Timbuktu” until the sixties. Caravans continued to arrive from the African hinterland and all European trading nations maintained consulates in the little coastal town. ARCHAEOLOGY WORLDWIDE Places visited in this issue ditorial E EDITORIAL DEAR READERS, Networking and connectivity are buzz- as often happens, they are adduced to words in all spheres of life today and the explain contemporary problems by refer- global world virtually seems a product of ence to the past, in line with the maxim: new forms of networking. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Monument Question in Late Habsburg Austria A Critical Introduction to Max Dvořák’s Denkmalpflege Jonathan Blower Doctor of Philosophy The University of Edinburgh 2012 Abstract The present thesis is a critical introduction to a body of writings on heritage conservation by the Czech-born art historian Max Dvořák (1874–1921). From 1905 onwards, Dvořák was both professor of art history at the University of Vienna and Conservator General at the state institution responsible for heritage conservation in Austria: the ‘Royal and Imperial Central Commission for the Research and Preservation of Artistic and Historical Monuments’ (est. 1850). His published and archival texts on the subject are presented here for the first time in English translation. In this sense, the thesis follows the model of existing scholarship on the visual arts in Vienna around 1900, namely the combined English translations and critical introductions to the writings of Camillo Sitte (Collins & Collins, 1986), Otto Wagner (Mallgrave, 1988) and Alois Riegl (Forster & Ghirardo, 1982). -
Inscriptions in Byzantium and Beyond Österreichische Akademie Der Wissenschaften Philosophisch-Historische Klasse Denkschriften, 478
ANDREAS RHOBY (ed.) INSCRIPTIONS IN BYZANTIUM AND BEYOND ÖSTERREICHISCHE AKADEMIE DER WISSENSCHAFTEN PHILOSOPHISCH-HISTORISCHE KLASSE DENKSCHRIFTEN, 478. BAND Inscriptions in Byzantium and Beyond Methods – Projects – Case Studies Edited by ANDREAS RHOBY Vorgelegt von w. M. JOHANNES KODER in der Sitzung vom 24. Oktober 2014 Veröffentlicht mit Unterstützung des Austrian Science Fund (FWF): PUB 223-G19 Umschlagbild: Orchomenos, church of Skripou, inscription of central apsis (a. 873/74), ed. N. OIKONOMIDÈS, TM 12 (1994) 479–493 © Andreas Rhoby Mit Beschluss der philosophisch-historischen Klasse in der Sitzung vom 23. März 2006 wurde die Reihe Veröffentlichungen der Kommission für Byzantinistik in Veröffentlichungen zur Byzanzforschung umbenannt; die bisherige Zählung wird dabei fortgeführt. Diese Publikation wurde einem anonymen, internationalen Peer-Review-Verfahren unterzogen. This publication has undergone the process of anonymous, international peer review. Die verwendeten Papiersorten sind aus chlorfrei gebleichtem Zellstoff hergestellt, frei von säurebildenden Bestandteilen und alterungsbeständig. Alle Rechte vorbehalten. ISBN 978-3-7001-7674-9 Copyright © 2015 by Österreichische Akademie der Wissenschaften, Wien Druck und Bindung: Ferdinand Berger & Söhne GmbH., 3580 Horn http://hw.oeaw.ac.at/7674-9 http://verlag.oeaw.ac.at Printed and bound in the EU A NDREAS R HOBY A Short History of Byzantine Epigraphy Abstract: This article offers an overview of the history of the discipline of Byzantine epigraphy from the 19th century until today. It ranges from the description of the first attempts to create corpora of Greek Christian inscriptions at the time of the foundation of modern Byzantine Studies (especially within the French school) to the listing of online editions and other electronic tools. -
Magister Artis
MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER SENATVS PVLCHRARVM ARTIVM FEDERICO MAYOR ZARAGOZA Chairman of Cultura de Paz Foundation - Former General Director of UNESCO HIS ROYAL HIGHNESS CARLOS DE BORBON Honorary President of the Spanish Association of Foundations DA JOAQUINA RISUEÑO GUINOT Widow of Julio Boix-Minguet, Chairman of Finisterre Corp., Mecenas Artium PRINCE SFORZA RUSPOLI Honorary President of Fondazione Memmo PROF. GUIDO DE MARCO (1936-2010) Former President of Malta, Former President of the United Nations General Assembly IMAC ISTITUTO MEDITERRANEO DI ARTE CLASSICA SPANISH PRESIDENCY INSTITUTO MEDITERRANEO DE ARTE CLASICO ITALIAN PRESIDENCY Excel. Sra. DA JOAQUINA RISUEÑO GUINOT MEDITERRANEAN CLASSICAL ART INSTITUTE Su. Excel. PRINCIPE SFORZA RUSPOLI MAGISTERThe IMAC Istituto Mediterraneo di Arte Classica (Mediterranean Classical Art Institute) is a European ARTIS consortium that supports independent artistic and humanistic studies. Located in Roma (Pantheon and EUR), the Institute has other sites in Cerveteri / Castello Rúspoli, Arpino (Ciceronis Arpinium), Napoli (Nea-polis), Siracusa (Sirakosion), Palermo (Panormo), Toulon (Hyères), Marseille (Massalia), Sagunto (Arse-Sagvnt), Valencia C/. Reloj Viejo, 3 (Valentia), Valldigna (Alfandec), Xàtiva (Saiti-Saetabis), Denia (Dianium-Hemeroskopeion), Benimeli (Segaria), Palma de Mallorca (Majurka-Kromyoussa), Ibiza (Ebusus), Cartagena (Cartago-Nova), Cadiz (Gades), Lisboa (Olisipo) and Porto (Portus-Galus). Each year, an international call is arranged for a Magister Artis Experience: 20 emerging artists (Architecture, Landscape Architecture, Musical Composition, Poetry or Visual Arts) participate, as well as social and political leaders and 20 scholars (from the fields of Ancient, Medieval and Modern Mediterranean Studies) from International and Cultural Relations Programs. -
Strouhov DP.Pdf
JIHOČESKÁ UNIVERZITA V ČESKÝCH BUDĚJOVICÍCH FILOZOFICKÁ FAKULTA ÚSTAV ARCHIVNICTVÍ A POMOCNÝCH VĚD HISTORICKÝCH DIPLOMOVÁ PRÁCE EPIGRAFICKÉ PAMÁTKY VNITŘNÍHO MĚSTA ČESKÝCH BUDĚJOVIC DO ROKU 1900 Vedoucí práce: doc. PhDr. Marie Ryantová, CSc. Autorka práce: Bc. Hana Strouhová Studijní obor: Archivnictví navazující Ročník: III. 2015 Prohlašuji, ţe svoji diplomovou práci jsem vypracovala samostatně pouze s pouţitím pramenů a literatury uvedených v seznamu citované literatury. Prohlašuji, ţe v souladu s § 47b zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své diplomové práce, a to v nezkrácené podobě elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejich internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéţ elektronickou cestou byly v souladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněţ souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikačních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem odhalování plagiátů. V Českých Budějovicích 21. července 2015 ……………………………. Anotace Předkládaná diplomová práce se zabývá epigrafickými památkami vnitřního města Českých Budějovic do roku 1900 a zároveň se snaţí seznámit s historií města se zaměřením na středověk a jeho opevňovacím systémem. Vlastní diplomová práce je rozdělena do devíti kapitol. V první kapitole je nastíněna historie středověkého města Českých Budějovic. Druhá kapitola se věnuje městskému opevnění od jeho počátku aţ do doby současné. Třetí kapitola přináší přehled studií, které se zabývají zpřístupňováním epigrafických památek. Čtvrtá kapitola se věnuje teritoriálnímu vymezení, které určuje území zpřístupněné katalogem.