Targ-June-Web-V2.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
VOLBEAT Intl Biog 7 2010
Release 13 September 2010, Vertigo Volbeat are sick and tired of music purists wagging their finger at them. They refuse to be confined to the pigeonhole of a specific genre but throw off all fetters intended to keep them on the ground. In the past four years, this thoroughly honest attitude has made the four musicians from Denmark one of the hottest acts on the rock scene. Sold-out venues everywhere, celebrated festival appearances at the Rock am Ring festival, during the Sonisphere Festival Tour, and opening for Metallica and AC/DC – and now they’re about to release their latest album “Beyond Hell/Above Heaven”. 13 September will see the arrival of the 13-track recording, and as they did on their previous four releases, the band has succeeded again in combing the sound of the Fifties with that metal flair. If you were to draw a picture of Volbeat’s sound, it would feature Johnny Cash, Elvis Presley and Metallica – all of them peacefully united, cool drink in hand. “Beyond Hell/Above Heaven” is a perfect mix of heavy riffs, country coolness and rockabilly hip swing. The result makes not only the heart of a headbanger, but also that of a quiff wearer beat faster. Fans of anthemnic oeuvres are likely to press the Repeat button to listen to “Fallen” again, those more into quiet sounds will love “Heaven Nor Hell”, while up-tempo buffs will get down to business listening to “A Warrior's Call”. To cut a long story short: Volbeat have refined their highly original mix of passionate riffs and haunting melodies even more, getting straight to the point. -
2018 Celebrity Birthday Book!
2 Contents 1 2018 17 1.1 January ............................................... 17 January 1 - Verne Troyer gets the start of a project (2018-01-01 00:02) . 17 January 2 - Jack Hanna gets animal considerations (2018-01-02 09:00) . 18 January 3 - Dan Harmon gets pestered (2018-01-03 09:00) . 18 January 4 - Dave Foley gets an outdoor slumber (2018-01-04 09:00) . 18 January 5 - deadmau5 gets a restructured week (2018-01-05 09:00) . 19 January 6 - Julie Chen gets variations on a dining invitation (2018-01-06 09:00) . 19 January 7 - Katie Couric gets a baristo’s indolence (2018-01-07 09:00) . 20 January 8 - Jenny Lewis gets a young Peter Pan (2018-01-08 09:00) . 20 January 9 - Joan Baez gets Mickey Brennan’d (2018-01-09 09:00) . 20 January 10 - Jemaine Clement gets incremental name dropping (2018-01-10 09:00) . 21 January 11 - Mary J. Blige gets transferable Bop-It skills (2018-01-11 09:00) . 22 January 12 - Raekwon gets world leader factoids (2018-01-12 09:00) . 22 January 13 - Julia Louis-Dreyfus gets a painful hallumination (2018-01-13 09:00) . 22 January 14 - Jason Bateman gets a squirrel’s revenge (2018-01-14 09:00) . 23 January 15 - Charo gets an avian alarm (2018-01-15 09:00) . 24 January 16 – Lin-Manuel Miranda gets an alternate path to a coveted award (2018-01-16 09:00) .................................... 24 January 17 - Joshua Malina gets a Baader-Meinhof’d rice pudding (2018-01-17 09:00) . 25 January 18 - Jason Segel gets a body donation (2018-01-18 09:00) . -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Dissertation
DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….…………. -
Thursday, February 7Th • Volume 41, Issue 19 University of Lethbridge
the meliorist Thursday, February 7th • Volume 41, Issue 19 University of Lethbridge student newspaper • The official paper of gettin' you off • www.themeliorist.ca 2 February 7, 2008 Editoria the meliorist mel • io • rlsm (mtel's rit'm, m.-i. %.\, n the doctrine that the world tends to become better or may be THE MELIORIST IS NOW HIRING FOR made better by human effort An autonomous body, ...partite from tho U of 1 Student*' Union SU-166, 4401 University Drive West, lethbridge, Al T1K 3M4 Phono: 329-2334 THE 2008/2000 SEMESTERS www.themelioritt.eo The Meliorist is the student newspaper of All positions are paid, with little to no experience required. the University ot Lethbridge, published most Thursdays throughout the academic All positions are part-time, requiring 10-20 hours/week. year by The Meliorist Publishing Society, Stay tuned to The Meliorist, www.themeliorist.ca, and CKXU 88.3 FM in the following weeks an autonomous incorporated body. Please address all correspondence to The Meliorist, for more information regarding hiring processes. 4401 University Drive, Lethbridge, Alberta, Submit your resumes this month for the following positions: TI K 3M4, or drop it off at room SU 166. Deadline for submissions is Sunday at noon. Editor-in-Chief, Production Manager, Business Manager The Meliorist appreciates and encourages Deadline for resume submissions for these three positions is Feb. 26. the writing of thoughtful, concise, timely Please include, if possible, a resume with cover letter and references, letters. However, The Meliorist will only consider for publication those letters and a small portfolio of writing samples or other pertinent experience. -
Musiques Du Diable Et Autres Bruits Bénéfiques , Avec
MUSIQUES DU DIABLE ET AUTRES BRUITS BÉNÉFIQUES ALEXANDRE VINCENT FONTAINE ROUSSEAU GIARD sélection et textes dessins MUSIQUES DU DIABLE ET AUTRES BRUITS BÉNÉFIQUES sélection musicale 2010 — 2015 LES ÉDITIONS DE TA MÈRE attention : Ce livre contient au moins 23 tounu·e·s, Pour mon voisin préféré 23 têtes de mort (dont 3 avec du feu) et un nombre incalculable de coches pétées. Pour mon voisin préféré Direction littéraire : Révision : Maxime Raymond Maude Nepveu-Villeneuve Direction artistique : Maquette et composition : Benoit Tardif Vincent Giard © Éditions de Ta Mère, 2017 © Alexandre Fontaine Rousseau, 2017 © Vincent Giard, 2015 — 2017 Bibliothèque et Archives nationales du Québec, 2017 Bibliothèque et Archives du Canada, 2017 isbn : 978-2-924670-13-2 www.tamere.org Nous remercions de son soutien financier le Conseil des Arts du Canada. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays. Nous remercions de leur soutien moral Cathon et Sophie Bédard, qui ont chacune commis un dessin dans ce livre. Saurez-vous les trouver ? plus sérieusement : Ce livre est un hommage aux treize numéros du défunt zine Tout va bien, publiés entre 2009 et 2013. Son existence est aussi intimement liée à celle des États altérés, diffusés depuis janvier 2009 sur les ondes de cism. Les auteurs tiennent à remercier celles et ceux qui ont contribué, de près ou de loin, à ce que ces deux entités existent. Ils désirent aussi profiter de cette occasion pour rassurer le lecteur quant à leur santé physique et mentale, leur hygiène personnelle ainsi que leur alimentation (liquide ou non). -
Transmissions: the Monthly Newsletter of the NCRA/ANREC the 28 + 1/12Th Years Old Edition
Transmissions: The monthly newsletter of the NCRA/ANREC The 28 + 1/12th years old edition Saying goodbye…at least for now The time has come to say a reluctant goodbye to our Membership Coordinator, Kari Benninghaus and Resonating Reconciliation Outreach Coordinator Gunargie O’Sullivan. With Gunargie’s and Kari’s support, stations across the country recruited and trained local Indigenous programmers who produced more than 70 documentaries on the lasting legacy of residential schools in Canada. They also helped coordinate five Red Jam Slam events over the life of the project and the first Red Jam Slam Radio-thon in Vancouver. Gunargie is a tireless (and long-time) advocate for the way community radio amplifies the voices, and languages, of Indigenous people. And the Resonating Reconciliation project was her idea in the first place! We are excited to continue working with her on these important issues, however we can. And as our Membership Coordinator, Kari has been a consistently bright and friendly liaison for members and a truly wonderful person to have around the office. Both their contracts are up August 22 but we’re still waiting/hoping to hear if we get funding for a project about the revitalization of Aboriginal languages that would keep them with us and bring even more amazing work to NCRA members! Whatever happens, it’s been an amazing eighteen months. Thanks to them both for all their work. CFRC-FM Celebrates Trillium Foundation Grant for station Revitalization Plan! CFRC-FM in Kingston recently received a $34,500 grant from the Ontario Trillium Foundation. -
1/111 October 28. 2002
OPEN EVERY DAY 'TM MIDNIGHT RECYCLE NEWS ENTERTAINMENT YOUR MoVIE DVDs Why is Halloween CDs. VHS & GAMES TOO HINGE BUY SELL TRADE M RENT CHOISR610411; The Post social set to rock at at RRC's Notre RECYCLE vou rt Princess? Dame campus DVDs, VHS & GAMES DVDs page 3 page 10 IN THE VILLAGE 475-0077 musictradetca IN THE VILLAGE 477-5666 maAevIlloge.co THE RED RIVER COLLEGE'S NEWSPAPER R 16.::11115 1111E:: 1111:1:10October101:111 28.1:11 20021111::::1/ 111 Save your fork duke, there's pie By Ruth Shead except for one carrot." blueberry petit fours with The steps involved in get- almond paste, napoleon ting ready for the meal re- stuffed with pistachios and lthough there is defined food preparation. Rob cream, topped with a creme something Olson, Director of Auxiliary anglais, and pavlova topped Athrilling about Services at RRC, began the with raspberries. receiving an A on an drafting a proposal for the Upon arrival at the legisla- exam, especially one of undertaking in April. A hand- ture, satellite kitchens took those high-pressure ones ful of revisions later, the pitch care of the final touches and worth 50 per cent of your was accepted and meetings health inspectors did a final final grade, a mark is began. check on the food. According to Gill, 120 wait- incomparable to the The college began working with the Canadian Federation ers served the meal to the Queen's approval. of Chefs and Cooks, local Royal couple and their 300 Unless you were absorbed in hotels, vocational high schools guests. -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd*
Entrepreneurship & Regional Development, 2014 Vol. 26, Nos. 1–2, 165–205, http://dx.doi.org/10.1080/08985626.2013.877986 Roots radical – place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd* ALBA Graduate Business School, AHEAD, 6-8 Xenias Street, Athens 115 28, Greece (Received 5 February 2013; accepted 16 December 2013) The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepre- neurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. -
Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J. -
Targ Fashion Sskaka Jeff’Sjeff’S Hi-Fives:Hi-Fives: Growing Up, Every Morning I Would Eat My Bowl of Cereal While Reading the Daily Comics in the Ottawa Citizen
attend fest for every self-respecting WORDS FROM THE weirdo,whether ya be a crusty, a metalhead, or a pogo lovin’ party punk. Bleak Life is all about forgetting about the existential nightmare of WIZARD existence and having a good time, TARG YEAR 3 BEGINS & I and for this reason they showcase COULDN’T BE MORE GRATEFUL some of the best Ottawa bands (POK to all the people who support our dream GAI, ASILE, OCCULT BURIAL, C.H.U.D.S) along with the best in by attending live shows, ordering our world international punk & metal tunage famous handmade perogies and enjoying our ever (MIDNIGHT, WKSJ, METALIAN). changing lineup of classic arcade games and pinball tables – One of the bands I was most thank you Ottawa!! Years of underground work at the original excited for when this year’s lineup TARG/MEATLOCKER has led us to a wider community of was announced was Halifax’s crust overlords NAPALM RAID. It is for this kind and generous people who challenge us on a daily basis reason I decided to review their EP with creative ideas, imaginative proposals and constructive STORM for this edition of the Targ advice – as our wizard family changes and grows I feel proud zine! and confi dent while always being pleasantly surprised by the passion that exists in this city - never a dull moment at This EP kicks off with Disfi gured the House of TARG!! This dream exists because we all work which begins with a doomy, evil riff that’s really reminiscent of Confusion together.