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Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
Volume CXXXIX, Number 13, February 12, 2021
The Student Newspaper of Lawrence University Since 1884 THE VOL. CXXXIX NO.LAWRENTIAN 13 APPLETON, WISCONSIN FEBRUARY 12, 2021 (RIGHT) Lawrence University Community Council’s logo. Photo from lawrence. Inequity Report pushes LUCC to edu. adjust funding policies Caleb Yuan surer junior Tarrel Nedderman said. ing allows LUCC Staff Writer “We, as a governing body, need to be to discuss the _____________________________________ intentional in the phrases that are funding in- Following an internal funding re- used for our legislation. Legislation equity in view from the past academic year, can always be improved on for the fu- the future. the Lawrence University Community ture, and we will continue to address Ac- Council (LUCC) is working to address issues or misunderstandings of the cording inequities in the funding of student or- legislation as they arise.” to Bern- ganizations on campus. LUCC has be- Although addressing the funding gun its attempt to establish equitable inequities is still a work in progress, a funding policies for all of the student few beginning steps have been made. body. In response to the result, LUCC and According to junior Jason Bern- CODA came to an agreement to set heimer, heimer, the Vice Chair of the Com- aside $7,000 to CODA as a compensa- CODA mittee on Diversity Affairs (CODA), tion for underfunding towards diver- has been CODA looked at the budget allocation sity organizations in the last academic told by made by the Finance Committee for year, according to Bernheimer. The various stu- the 2018-2019 academic year. After set aside funds were partially spent dent orga- calculating the percentage of funds during the last academic year, and the nizations that requested versus funds allocated, the rest was reallocated to CODA for this funding has al- data showed that, on average, diver- academic year. -
Freier Download BA 67 Als
BAD 67 ALCHEMY 1 Martin Büsser gewidmet 1968 - 2010 2 WHAT A DIFFERENCE A NIGHT MAKES Ah, Serenade kommt tatsächlich von sereno. Weil sie unter heiterem Himmel stattfindet. Der 10. August 2010 ist so ein Abend, ideal, um ihn beim WÜRZ- BURGER HAFENSOMMER mit dem PORTICO QUARTET zu genießen. Vier le- ger gekleidete Jungmänner entern die schwimmende Bühne hinter dem Heiz- kraftwerk und beginnen, die genial verhuschten Federwölkchen über uns abzu- malen. Duncan Bellamy an den Drums, Milo Fitzpatrick am Kontrabass, Nick Mul- vey klöppelt auf etwas, das sich Hang Drums nennt und aussieht wie drei Wok- pfannen und Jack Wyllie bläst abwechselnd Tenor- und Sopranosaxophon. Sie präsentieren ihr Isla-Programm und wenige Takte genügen, um auf den voll be- setzten Treppenstufen zu begreifen, warum die Londoner für den Mercury Prize 2008 nominiert waren, auf Peter Gabriels Label Real World publizieren und eu- ropaweit als Darlings herumgereicht werden. Der melodische Sound des Hang, einer Percussion-Novität von Panart in Bern, verbreitet mit repetitiven, harmoni- schen Mustern aus nur einer Handvoll Tönen die Wärme und den hypnotischen Sog von Trinidad-Steel-Drums, erinnert stellenweise an Harfenarpeggios, mit bloßen Händen gespielt auch an eine Mbira. Das Quartett lässt in seinen Mustern Debussy und Nyman mit Tortoise vexieren. Fitzpatrick zupft warme Bassriffs. Bellamy tickelt, tüpfelt und wischt dazu funkelnde und federleichte Beats. Und schon ist jeweils der schönste Groove beieinander, etwa bei ‚Dawn Patrol‘ mit seinem simplen Pizzikatodrive, in den Wyllie hell und sanglich betörend einfädelt. Der Clou sind jedoch klangliche Accessoires, die er mit Delay- und Loop-Effekten unterlegt, einfach das Klacken der Klappenmechanik, lang gezogene oder kas- kadierende Dauertöne, das Fiepen einer Melodica. -
2013 May 7 May 14
MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES STREET DATES: MAY 7 MAY 14 ORDERS DUE: APRIL 9 ORDERS DUE: APRIL 16 ISSUE 10 wea.com 2013 5/7/13 AUDIO & VIDEO RECAP ORDERS ARTIST TITLE LBL CNF UPC SEL # SRP DUE Campbell, Craig Never Regret BGP CD 093624945673 534592 $13.99 4/10/13 Fitz & The Tantrums More Than Just A Dream NEK CD 075678731921 534918 $13.99 4/10/13 More Than Just A Dream (180 Gram Fitz & The Tantrums NEK A 075678731853 534918 $19.98 4/10/13 Vinyl) Redman, Joshua Walking Shadows NON CD 075597960938 532288 $16.98 4/10/13 Straight No Chaser Under The Influence ATL CD 075678762185 532676 $18.98 4/10/13 Last Update: 03/26/13 For the latest up to date info on this release visit WEA.com. ARTIST: Craig Campbell TITLE: Never Regret Label: BGP/Bigger Picture Group Config & Selection #: CD 534592 Street Date: 05/07/13 Order Due Date: 04/10/13 UPC: 093624945673 Box Count: 30 Unit Per Set: 1 SRP: $13.99 Alphabetize Under: C TRACKS Compact Disc 1 01 Truck-N-Roll 07 Topless 02 Keep Them Kisses Comin' 08 When Ends Don't Meet 03 When She Grows Up 09 Outta My Head 04 Tomorrow Is Gone 10 That's Why God Made A Front Porch 05 Never Regret 11 You Can Come Over 06 My Baby's Daddy 12 Lotta Good That Does Me Now FEATURED TRACKS Outta My Head ALBUM FACTS Genre: Country Producers: Keith Stegall (Grammy winner for Zac Brown Band's Uncaged and has 50 #1 records, amoung those are from Alan Jackson) and Matt Rovey (2-Year CCMA "Album Of the Year" award winner). -
Jack Benny Program 1953 Sep-Dec.Pdf
-'^:AD-IH TO THE COMMERCIAL Bv JACK BENRY Affi} TAG DI'.iEOTLYBY JACK BENNY IdAS RELEASED FflCM a>)C SOS ANGELES, BECAUSE OF TV PROGRAM BEING SEEN AT 10 P1S-LOS ANGELES TIME, RY ;KU1 016+2-1 0 1 PROGRAM $`1 REVISID SCRIPT 11~7 it /15 IJrOGC/CUSf' AbIERICAN''16SACC~O COMP~ LUCK? STRII~ TfIE JACK SRPIPIY PROGHAM SurIDas, SEPTEMW 13, 1953 CES 4 :00-4 :30 PM PDT (TRANSCRI3ED Sr PT . 9, 1953) KT R1'Y;tJ1 018410 2 THE .TA.CK BF~NNY PROGRAM AMIIdTCPN TOBACCO CO . "SEPTEMBER 13, 1953 (Transcribed September 9, 1953) OPENING COM[uIERCIAL : WILSON : The Jack Benny program . transcribed ar.d presented by Lucky Strike! (Pause) You know, friends . smoking enjoyment is all a matter of taste! And the fact of the matter is . ~ ' COLLINS ; Luckies taste better CHORUS : Cleaner, fresher, smoother COLISNS : Luckies taste better CHCRUS ; Cleaner, fresher, smoother For Lucky Strike means fine tobacco Richer tasting fine tobacco COLLINS ; Luckies taste better CHORUS : Cleaner, fresher, smoother Lucky Strike . Lucky StriKe WITSON : This is Don Wilson . You know, your enjoyment of a I cigarette depends on its taste . That's true, friends . Smoking enjoyment is all a matter of taste . And the fact of the matter,is -- Luckies taste better . cleaner, fresher, smoother . Now there are two mighty good reasons for that . The first one you already know . iS/MFT, :.ucky 1 Strike means fine tobacco . light, naturally mi':d, good-tasting tobacco . And second, Luckies are made to taste better -- made round and firm and fully packed to draw freely and smoke evenly . -
CAP UCLA Presents Regina Carter's 'Southern Comfort' Plus Sam
Press Release Friday, December 18th, 2015 Contact: Ashley Eckenweiler [email protected] CAP UCLA Presents Regina Carter’s ‘Southern Comfort’ plus Sam Amidon Feb. 26 at Royce Hall Center for the Art of Performance at UCLA is proud to present the rich stylings of jazz violinist Regina Carter, who will perform from her newest album Southern Comfort—a journey through the musical history of the South. Folk multi-instrumentalist Sam Amidon will bring the American past back to us with re-composed folk songs. Tickets ($29-$59) for Friday, February 26 at 8 p.m. are available now at cap.ucla.edu, via Ticketmaster and at the UCLA Central Ticket Office at 310.825.2101. This performance is supported in part by the Sally & William A. Rutter Endowment for the Performing Arts, the Ginny Mancini Endowment for Vocal Performance and the Roslyn Holt Swartz & Allan J. Swartz Endowment for the Performing Arts. Sam Amidon will also be participating in a special event for local public schools through the Design for Sharing arts education program. In this special performance for student audiences, Sam and his band will share re-imagined Appalachian folk favorites, incorporating elements of jazz, experimental and indie rock music. ABOUT REGINA CARTER Violinist Regina Carter is considered the foremost jazz violinist of her generation – a designation which doesn’t quite paint the picture. As a result of her curiosity, passion, and quest for beauty brought to every stop taken on her full musical journey, she was awarded a MacArthur Fellowship (a “genius grant”). Those are more apparent than ever on her latest album Southern Comfort (Sony Music Masterworks). -
Bedroom Community Á Airwaves
Sinfóníuhljómsveit Íslands/Iceland Symphony Orchestra André de Ridder hljómsveitarstjóri/conductor Bedroom Community Crash Ensemble Ben Frost Borgar Magnason Emily Hall Jodie Landau Nadia Sirota Nico Muhly Paul Corley Puzzle Muteson Sam Amidon Valgeir Sigurðsson söngur og hljóðfæraleikur/ vocalists and instrumentalists Áætluð tímalengd/Estimated duration: Fyrri hluti / First half: 50‘ Seinni hluti / Second half: 55‘ Aðalstyrktaraðili : NÓV FIM 03 20:00 Bedroom Community & Sinfóníuhljómsveit Íslands Efnisskrá / Programme Paul Corley Tristan Da Cunha (Nadia Sirota viola, Paul Corley elektróník / electronics) Emily Hall Mantra (Kórus, Crash Ensemble, Nico Muhly stjórnandi / conductor) Nico Muhly Mixed Messages (SÍ / ISO, André de Ridder) Puzzle Muteson En Garde (Crash Ensemble, Nico Muhly piano / píanó, Puzzle Muteson söngur, gítar / vocals, guitar) Ben Frost Leo Needs a New Pair of Shoes (Borgar Magnason bassi / bass, Ben Frost piano / píanó, Valgeir Sigurðsson elektróník / electronics) Nico Muhly Keep in Touch (SÍ / ISO, André de Ridder, Nadia Sirota viola, Jodie Landau vocals) Hlé / Intermission Jodie Landau An Invitation (Crash Ensemble, Kórus, Jodie Landau söngur / vocals) Valgeir Sigurðsson úr/from No Nights Dark Enough: infamy sings (SÍ / ISO, André de Ridder, Valgeir Sigurðsson elektróník / electronics) and fear and grief and pain (Valgeir Sigurðsson & Ben Frost elektróník / electronics) Valgeir Sigurðsson For Love of Her (SÍ / ISO, André de Ridder, Jodie Landau vocals, Valgeir Sigurðsson elektróník / electronics) Daníel Bjarnason & Ben Frost úr/from Solaris: Reyja (SÍ / ISO, André de Ridder) Sam Amidon I See the Sign Saro (Crash Ensemble, Nico Muhly piano / píanó, Sam Amidon söngur, gítar / vocals, guitar) Daníel Bjarnason Emergence Silence Black Breathing Emergence (SÍ / ISO, André de Ridder) 3 SINFÓNÍUHLJÓMSVEIT ÍSLANDS / ICELAND SYMPHONY ORCHESTRA infóníuhljómsveit Íslands var stofnuð vorið 1950 Sog hefur um árabil verið í fremstu röð hljómsveita á Norðurlöndum. -
Means of Conveyance: Spoken Word Pedagogy, Hip Hop Literacies, And
MEANS OF CONVEYANCE: SPOKEN WORD PEDAGOGY, HIP HOP LITERACIES, AND THE CHALLENGES OF FOSTERING POETRY SPACES Adam D. Henze Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the School of Education, Indiana University June 2020 ProQuest Number:27999906 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 27999906 Published by ProQuest LLC (2020). Copyright of the Dissertation is held by the Author. All Rights Reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _____________________________________ James Damico, Ph.D., Co-Chair _____________________________________ Jessica Lester, Ph.D., Co-Chair _____________________________________ Carmen Medina, Ph.D. _____________________________________ Phil Carspecken, Ph.D. _____________________________________ Adrian Matejka, M.F.A. May 21, 2020 ii For Tavis, Tess, Will, Norris, and Rage iii Acknowledgements Allan Wolf, teaching artist and founder of the Southern Fried Poetry Slam, said: “If you’re not being fed—be the bread.” Near the completion of this dissertation, I asked Allan to elaborate on his mantra. -
Cleveland Public Library Digital Gallery
TTvJX *%£* Annual Board Page 6 Introduction 8 Faculty 10 Officers of Senior Class 14 Seniors, Class of 1908 15 Postgraduates 30 Juniors, Class of 1909 33 Sophomores, Class of 1910 37 Freshmen, Class of 1911 43 Commencement Speakers 50 Athletics 51 Societies 66 Debates 74 Music 75 Rhetoricals 78 Alumni 83 Literature 94 Jokes 153 Calendar 156 Advertisements 192 NINE TEEN HUNDRED AND EIGHT Annual Board Cleve H. Pomeroy (4) Editor-in-Chief Bessie Kenealy (4) Ass't Editor Harold Mosier (4) Business Manager Alfred M. Corrigan (4J Assistant Mildred Ockert (4) Joke Editor Rotha Richmond (4) Societies and Alumni R. Reid Coleman (4) Athletics William Sharp (3) Art Editor Rhea Talmage (3) M. Louise Coulton (2) Associate Editors David K.Ford (1) Miss J. Cora Bennett Advisory Board Mr. Gabriel Smith £1 JlS: i? Vilb rjjii^hl Vebsfi %&M [Mfy <Xu&L ilyl/il? Vf #1? i^tfiy yourrJ • &<KJ 12 EAST HIGH SCHOOL ANNUAL Teachers Mr. Benjamin U. Rannells Mr. John Eisenhauer, Jr. Ohio Wesleyan; A. B. Western Reserve; A. B. Principal Algebra, Geometry Mr. Daniel W. Lothman Miss Julia Fenn Harvard; A. B. Western Reserve; Ph. B. Assistant Principal Latin Latin Mr. Edwin Leigh Findley Miss Frances A. Adams Buchtel; Johns Hopkins; A. M. Vassar; A. B. Greek, Latin Latin Mr. C. J. Foskett Miss Frances Baker Brown University; Ph. B. Mechanical Drawing Xenia College; M. L. University of Chicago; Graduate Work Mrs. Mathilde S. Grossart English German Mr. Lamar T. Beman Mr. Henry F. Haber Western Reserve; Ohio State; Wiscon Baldwin-Wallace; B. S. sin A. -
Greetings at BAM, We Work with Fantastic Artists from All Over the World
Nonesuch Records at BAM NONESUCH RECORDS AT BAM Greetings At BAM, we work with fantastic artists from all over the world. It is no coincidence that time and again, we have presented artists who have found a recording home with Nonesuch. To help celebrate the label’s 50th year, we are showcasing a diverse slate of the imprint’s adventurous creators in 14 different programs—including many alumni, and quite a few who make exciting BAM debuts in the 2014 Next Wave. The range is astonishing. It includes artists who have revolutionized the contemporary classical canon, or have expanded it in ingenious ways. Those based in idioms like jazz, folk, and bluegrass who have honed remarkably distinct voices. International stars reaching passionate new audiences. And rock icons crafting fresh collaborations while reminding us of why they’re so popular to begin with. We salute Nonesuch on this milestone, and thank its president, Bob Hurwitz, for working with BAM to bring you this terrific lineup of intrepid musical artists. Sincerely, Karen Brooks Hopkins Joseph V. Melillo Nonesuch Records at BAM NONESUCH RECORDS AT BAM Greetings BAM started the Next Wave Festival in 1983, a year before I got to Nonesuch. One day, out of the blue, Harvey Lichtenstein, the head of BAM, called my office at ECM Records, where I worked at that time, and insisted that I go that night to see a new show he was producing, The Gospel at Colonus. I dutifully changed my plans that night and saw the show—when Harvey called you had to take it seriously! And he was right—the next morning I called Mo Ostin, the head of our parent company, Warner Bros. -
Last Year's Auction Book
ONLINE E L AUCTIPON 202M0 A BiXd May 2 thrEough May 9! Unitarian Universalist Church at Washington Crossing Titusville, New Jersey www.uucwc.org The 2020 Auction is a Fun-raiser of that surplus will be donated to a While some items may require and Fundraiser all in one, and this social justice program. This year, rescheduling or will be reimagined year it is online! The auction pro - the Council for Faith in Action has as “virtual” or video events, we en - ceeds are a significant source of designated the recipient as Isles, a courage buyers and sellers alike to funding for UUCWC’s annual op - nonprofit community-building be flexible with our challenging erating budget. Through the auc - and environmental organization circumstances and directives to tion offerings provided by our based in Trenton with the mission follow social (physical) distancing generous members and local busi - of advocating and fostering self- for our health and safety. nesses, you will find opportunities reliant families and healthy sus - This program book is your guide to create community and celebrate tainable communities. You can to the many wonderful services, life. UUCWCers know how to read more about their work at physical items, meals and special enjoy food and fellowship and www.isles.org . events included in our 2020 Auc - have fun! Leading up to the Online Auction tion. There are dinners, concerts, Our annual Auction celebrates are several months of careful plan - trips, skilled services, discussion each of us, our minister and staff, ning, and thoughtful donations of groups, arE t, “how-to” events and our new members and longtime time, energy, financial support and so much more. -
Digital Booklet “Branches of the Same Tree”
“When we recognize we are all branches of the same tree we begin to see our common roots – this is the cornerstone of true Oneness.” - Rocky Dawuni “Shine a Light” is a song of upliftment and self empowerment that was rhythmically infuenced by elements of the New Orleans sound, reggae and Brazilian samba. It’s a song about the power of positive affrmations. Wo hooo, Woohoo, Woohoo I say hey, I believe we can Shine a light so bright CHORUS Hey, I believe we can Everyday in every way Shine a light so bright I’m gonna let my whole light shine Woohoo, woohoo, woohoo, woohoo Everyday in every way Hey, I believe we can I’m gonna let my whole light shine Shine a light so bright On and on and on and on For the world to see For the world to see Woohoo, wohoo, wohoo, wohoo Hey, I believe we can People I am ready Shine a light so bright To chapter a new beginning Wohoo, Wohoo, wohoo, wohoo And every little step I’ll take will reach for a higher ground All over the world I say It’s not gonna be easy Hey, I believe we can Faith will let it be Shine a light so bright And I know with you by my side it’s all Hey, I believe we can gonna be all right Shine a light so bright Wohoo, wohoo, wohoo, wohoo But I say hey, I believe we can (Repeat til fade) Shine a light so bright Hey, I believe we can LEAD VOCALS: ROCKY DAWUNI Shine a light so bright DRUMS: EDWARD DIXON BASS: MARK SIMS GUITARS: BRIAN JORDAN CHORUS KEYBOARDS: MICHAEL HYDE MANDOLIN: JOHN PRPICH PERCUSSION: KHALIL CUMMINGS Light up the darkness ARRANGEMENT: ROCKY DAWUNI With a positive spirit AND SWAN MONTGOMERY Oh let the sun shining in with a wave of BACKING VOCALS: ANTHONY BREWSTER, ROCKY DAWUNI, AND SWAN MONTGOMERY a joyful sound BACKING VOCAL ARRANGEMENT: Whether high or low ANTHONY BREWSTER AND ROCKY DAWUNI RECORDED AT RADD SOUND STUDIO I will not be afraid ENGINEER: JOHN PRPICH To lift my head up reach and touch the sky MIXED BY MICHAEL VAIL BLUM “Rock Your Soul” is a very personal song of love and relationships.