Digital Booklet “Branches of the Same Tree”
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Island Studies Journal, Vol. 7, No. 1, 2012, Pp. 69-98 Islands And
Island Studies Journal, Vol. 7, No. 1, 2012, pp. 69-98 Islands and Islandness in Rock Music Lyrics Daniele Mezzana CERFE (Centro di Ricerca e Documentazione Febbraio ‘74) Rome, Italy [email protected] Aaron Lorenz Law & Society, Ramapo College New Jersey, USA [email protected] and Ilan Kelman Center for International Climate and Environmental Research - Oslo (CICERO) Oslo, Norway [email protected] ABSTRACT: This paper presents a first exploration, qualitative in character, based on a review of 412 songs produced in the period 1960-2009, about islands in rock music as both social products and social tools potentially contributing to shaping ideas, emotions, will, and desires. An initial taxonomy of 24 themes clustered under five meta-themes of space, lifestyle, emotions, symbolism, and social-political relations is provided, together with some proposals for further research. Keywords: abductive method; art; islandness; rock music; social construction © 2012 Institute of Island Studies, University of Prince Edward Island, Canada Introduction: Rock Music and Islands: Looking for a Link “[…] in an age when nothing is physically inaccessible or unknowable, the dream of the small, remote and undiscovered place has become so powerful” (Gillis, 2004: 148) This article presents a first exploration, qualitative in character, of how rock music lyrics and song titles portray islands, islandness, and island features. It examines the island aspects of a socio-cultural trend expressed in as far-reaching a medium as that of rock music. Here, we adopt a broad definition of ‘rock music’, including different expressions of this genre, starting with the emergence of rock in the late 1950’s to early 1960’s, and moving towards more current expressions including art rock, progressive rock, punk and reggae (Wicke, 1990; Charlton, 2003). -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
Volume CXXXIX, Number 13, February 12, 2021
The Student Newspaper of Lawrence University Since 1884 THE VOL. CXXXIX NO.LAWRENTIAN 13 APPLETON, WISCONSIN FEBRUARY 12, 2021 (RIGHT) Lawrence University Community Council’s logo. Photo from lawrence. Inequity Report pushes LUCC to edu. adjust funding policies Caleb Yuan surer junior Tarrel Nedderman said. ing allows LUCC Staff Writer “We, as a governing body, need to be to discuss the _____________________________________ intentional in the phrases that are funding in- Following an internal funding re- used for our legislation. Legislation equity in view from the past academic year, can always be improved on for the fu- the future. the Lawrence University Community ture, and we will continue to address Ac- Council (LUCC) is working to address issues or misunderstandings of the cording inequities in the funding of student or- legislation as they arise.” to Bern- ganizations on campus. LUCC has be- Although addressing the funding gun its attempt to establish equitable inequities is still a work in progress, a funding policies for all of the student few beginning steps have been made. body. In response to the result, LUCC and According to junior Jason Bern- CODA came to an agreement to set heimer, heimer, the Vice Chair of the Com- aside $7,000 to CODA as a compensa- CODA mittee on Diversity Affairs (CODA), tion for underfunding towards diver- has been CODA looked at the budget allocation sity organizations in the last academic told by made by the Finance Committee for year, according to Bernheimer. The various stu- the 2018-2019 academic year. After set aside funds were partially spent dent orga- calculating the percentage of funds during the last academic year, and the nizations that requested versus funds allocated, the rest was reallocated to CODA for this funding has al- data showed that, on average, diver- academic year. -
Freier Download BA 67 Als
BAD 67 ALCHEMY 1 Martin Büsser gewidmet 1968 - 2010 2 WHAT A DIFFERENCE A NIGHT MAKES Ah, Serenade kommt tatsächlich von sereno. Weil sie unter heiterem Himmel stattfindet. Der 10. August 2010 ist so ein Abend, ideal, um ihn beim WÜRZ- BURGER HAFENSOMMER mit dem PORTICO QUARTET zu genießen. Vier le- ger gekleidete Jungmänner entern die schwimmende Bühne hinter dem Heiz- kraftwerk und beginnen, die genial verhuschten Federwölkchen über uns abzu- malen. Duncan Bellamy an den Drums, Milo Fitzpatrick am Kontrabass, Nick Mul- vey klöppelt auf etwas, das sich Hang Drums nennt und aussieht wie drei Wok- pfannen und Jack Wyllie bläst abwechselnd Tenor- und Sopranosaxophon. Sie präsentieren ihr Isla-Programm und wenige Takte genügen, um auf den voll be- setzten Treppenstufen zu begreifen, warum die Londoner für den Mercury Prize 2008 nominiert waren, auf Peter Gabriels Label Real World publizieren und eu- ropaweit als Darlings herumgereicht werden. Der melodische Sound des Hang, einer Percussion-Novität von Panart in Bern, verbreitet mit repetitiven, harmoni- schen Mustern aus nur einer Handvoll Tönen die Wärme und den hypnotischen Sog von Trinidad-Steel-Drums, erinnert stellenweise an Harfenarpeggios, mit bloßen Händen gespielt auch an eine Mbira. Das Quartett lässt in seinen Mustern Debussy und Nyman mit Tortoise vexieren. Fitzpatrick zupft warme Bassriffs. Bellamy tickelt, tüpfelt und wischt dazu funkelnde und federleichte Beats. Und schon ist jeweils der schönste Groove beieinander, etwa bei ‚Dawn Patrol‘ mit seinem simplen Pizzikatodrive, in den Wyllie hell und sanglich betörend einfädelt. Der Clou sind jedoch klangliche Accessoires, die er mit Delay- und Loop-Effekten unterlegt, einfach das Klacken der Klappenmechanik, lang gezogene oder kas- kadierende Dauertöne, das Fiepen einer Melodica. -
Volume 31 (Page 1)
concordia’s independent newspaper shah of the office since 1980 • News 5 Pakistani students clash over religious scholar • News 4 volume 31, issue 3 • tuesday, august 31, 2010 • thelinknewspaper.ca volume 31, issue 3 • tuesday, 10 FRINGE ARTS 12 FEATURES 13LITERARY ARTS 14 SPORTS 16 OPINIONS CFS: NATIONAL LOBBY GROUP GETS TOUGH WITH STUDENT UNIONS President Lucas takes office New Concordia Student Union president doesn’t believe in ‘half-assing it’ • CHRISTOPHER CURTIS Heather Lucas has already made her mark on the Concordia Student Union’s presidential of- fice. After taking over as CSU presi- dent when Prince Ralph Osei’s res- ignation took effect on Aug. 25, Lucas gradually plastered her new office in Post-It notes. Dozens of the fluorescent, color-coded squares now cling to picture frames, cork boards, a computer screen and an assortment of other office supplies. “I definitely have a different leadership style [than Osei],” said Lucas. “I’m a little more organized, a little more structured—and I’m not saying [Osei] wasn’t—there is just a higher level of work ethic I expect from the other executives because I don’t believe in half-ass- CSU President Heather Lucas believes Quebec University students could strike during the 2011-2012 school year. PHOTO GAUL PORAT ing things.” Lucas is still learning the ropes it’s the situation at hand. These ap- a series of accounting reforms de- tration as long as they support tu- something they can connect to,” at her new job, but the former VP pointments all happened within signed to correct sloppy account- ition increases,” said Lucas. -
Elton John Page.Cdr
Elton John Music Titles Available from The Music Box, 30/31 The Lanes, Meadowhall Centre Sheffield S9 1EP Write with cheque made out to TMB Retail Music Ltd. or your card details or phone us on 0114 256 9089 Monday to Friday 10am- 8.45pm, Saturday 9am to 6.45pm or Sunday 11am to 4.30pm Elton John - Greatest Hits 1970-2002 IMP9807A £14.99 UK Postage £2.25 Your Song - Tiny Dancer - Honky Cat - Rocket Man (I Think It's Going To Be A Long, Long Time) - Crocodile Rock - Daniel - Saturday Night's Alright (For Fighting) - Goodbye Yellow Brick Road - Candle In The Wind - Bennie And The Jets - Don't Let The Sun Go Down On Me - The Bitch Is Back - Philadelphia Freedom - Someone Saved My Life Tonight - Island Girl - Don't Go Breaking My Heart - Sorry Seems To Be The Hardest Word - Blue Eyes - I'm Still Standing - I Guess That's Why They Call It The Blues - Sad Songs (Say So Much) - Nikita - Sacrifice - The One - Kiss The Bride - Can You Feel The Love Tonight - Circle Of Life - Believe - Made In England - Something About The Way You Look Tonight - Written In The Stars - I Want Love - This Train Don't Stop There Anymore - Song For Guy The Very Best Of Elton John BGP83627 £12.99 UK Postage £2.25 All the tracks from the definitive Elton John album of the same name for voice, piano and guitar chord boxes with full lyrics. Bennie And The Jets - Blue Eyes - Candle In The Wind - Crocodile Rock - Daniel - Don't Let The Sun Go Down On Me - Dont Go Breaking My Heart - Easier To Walk Away - Goodbye Yellow Brick Road - Honky Cat - I'm Still Standing - I Don't -
2013 May 7 May 14
MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES STREET DATES: MAY 7 MAY 14 ORDERS DUE: APRIL 9 ORDERS DUE: APRIL 16 ISSUE 10 wea.com 2013 5/7/13 AUDIO & VIDEO RECAP ORDERS ARTIST TITLE LBL CNF UPC SEL # SRP DUE Campbell, Craig Never Regret BGP CD 093624945673 534592 $13.99 4/10/13 Fitz & The Tantrums More Than Just A Dream NEK CD 075678731921 534918 $13.99 4/10/13 More Than Just A Dream (180 Gram Fitz & The Tantrums NEK A 075678731853 534918 $19.98 4/10/13 Vinyl) Redman, Joshua Walking Shadows NON CD 075597960938 532288 $16.98 4/10/13 Straight No Chaser Under The Influence ATL CD 075678762185 532676 $18.98 4/10/13 Last Update: 03/26/13 For the latest up to date info on this release visit WEA.com. ARTIST: Craig Campbell TITLE: Never Regret Label: BGP/Bigger Picture Group Config & Selection #: CD 534592 Street Date: 05/07/13 Order Due Date: 04/10/13 UPC: 093624945673 Box Count: 30 Unit Per Set: 1 SRP: $13.99 Alphabetize Under: C TRACKS Compact Disc 1 01 Truck-N-Roll 07 Topless 02 Keep Them Kisses Comin' 08 When Ends Don't Meet 03 When She Grows Up 09 Outta My Head 04 Tomorrow Is Gone 10 That's Why God Made A Front Porch 05 Never Regret 11 You Can Come Over 06 My Baby's Daddy 12 Lotta Good That Does Me Now FEATURED TRACKS Outta My Head ALBUM FACTS Genre: Country Producers: Keith Stegall (Grammy winner for Zac Brown Band's Uncaged and has 50 #1 records, amoung those are from Alan Jackson) and Matt Rovey (2-Year CCMA "Album Of the Year" award winner). -
Jack Benny Program 1953 Sep-Dec.Pdf
-'^:AD-IH TO THE COMMERCIAL Bv JACK BENRY Affi} TAG DI'.iEOTLYBY JACK BENNY IdAS RELEASED FflCM a>)C SOS ANGELES, BECAUSE OF TV PROGRAM BEING SEEN AT 10 P1S-LOS ANGELES TIME, RY ;KU1 016+2-1 0 1 PROGRAM $`1 REVISID SCRIPT 11~7 it /15 IJrOGC/CUSf' AbIERICAN''16SACC~O COMP~ LUCK? STRII~ TfIE JACK SRPIPIY PROGHAM SurIDas, SEPTEMW 13, 1953 CES 4 :00-4 :30 PM PDT (TRANSCRI3ED Sr PT . 9, 1953) KT R1'Y;tJ1 018410 2 THE .TA.CK BF~NNY PROGRAM AMIIdTCPN TOBACCO CO . "SEPTEMBER 13, 1953 (Transcribed September 9, 1953) OPENING COM[uIERCIAL : WILSON : The Jack Benny program . transcribed ar.d presented by Lucky Strike! (Pause) You know, friends . smoking enjoyment is all a matter of taste! And the fact of the matter is . ~ ' COLLINS ; Luckies taste better CHORUS : Cleaner, fresher, smoother COLISNS : Luckies taste better CHCRUS ; Cleaner, fresher, smoother For Lucky Strike means fine tobacco Richer tasting fine tobacco COLLINS ; Luckies taste better CHORUS : Cleaner, fresher, smoother Lucky Strike . Lucky StriKe WITSON : This is Don Wilson . You know, your enjoyment of a I cigarette depends on its taste . That's true, friends . Smoking enjoyment is all a matter of taste . And the fact of the matter,is -- Luckies taste better . cleaner, fresher, smoother . Now there are two mighty good reasons for that . The first one you already know . iS/MFT, :.ucky 1 Strike means fine tobacco . light, naturally mi':d, good-tasting tobacco . And second, Luckies are made to taste better -- made round and firm and fully packed to draw freely and smoke evenly . -
2020 AKC Master National Qualified Dogs
2020 AKC Master National Qualified Dogs 1.796 as of July 31, 2020 (See below if your dog is not listed.) DOG NAME OWNER BREED 3 Ring Tycho's Supernova Of Tgk MH J Cochran Lab 3m Jazzed That Tequila Sunrise Up MH a mcfatridge Lab A Legend In Her Own Mind MH K Forehead Lab Abandoned Road's Caffeine Explosion MH MNH4 C Pugh Lab ACADEMY'S ALL AMERICAN MH MNH6 T Mitchell Lab Academy's Buy a Lady a Drink MH T Mitchell Lab Academy's Deacon Howl'N Amen MH MNH M Bullen/S Bullen Lab Academys Good Golly Miss Molly MH D Brett/L Brett Lab Academy's Shoot 'Em Down Turn Around MH B Walizer Lab Ace Basin's Last King's Grant MH R Garmany Lab Ace On The River IV MH MNH M Zamudio Lab Acedo's Maya RE MH AX AXJ CGC TKN M Acedo Lab Adams Acres Fetchem Up Full Choke MH D Biggert Lab Addie Girl Andrus MH J Andrus Lab Addi's Big Debut MH M Bice Lab Adirondac High Speed Chase MH C Lantiegne Golden Adirondac Lake Effect MH CCA C Lantiegne Golden Agent Natasha Romanova MH Gordon Nichols Lab AimPowers Captain's Creole Cash MH Linda Hoover Lab Aimpowers Roxie's Blue Bonnet MH L Hoover Lab Ain't Whistling "Dixie" Bell MH MNH J Gisclair Lab AJAX'S JACOB'S SHOT OF BLACK POWDER MH MNH4 E RISCHKA Lab Ajax's Teufel Hunden MH QAA J BURCH Lab Ajs Labs Once Upon A Time MH Anya Walters, Joel Walters Lab Ajs Sailor Katy's I Shot The Sheriff MH a walters/j walters Lab Ajs Sailor Katy's Whips And Things MH j walters/a walters Lab Ajtop Chiefs Blessed Beau MH K Jenkins Lab Ajtop Cody's Kajun Pride MH C Billings Lab Akk's Main Mankota MH B Franklin Lab Aks's "Gunner" Kasey Engrassia -
Island Girl in a Rock-And-Roll World an Interview with June Millington by Theo Gonzalves and Gayle Wald
1 2 GAYLE WALD AND THEO GONZALVES 1 2 George Washington University, National Museum of American History - Smithsonian Institution Email: [email protected] Island Girl in a Rock-and-Roll World An Interview with June Millington by Theo Gonzalves and Gayle Wald EDITED AND ANNOTATED BY GAYLE WALD The following text collects edited excerpts from a 30 July 2018 interview with musician June Millington (b. 1948, Manila, the Philippines) conducted by Theo Gonzalves, curator in the Division of Culture and the Arts at the National Museum of American History, and Gayle Wald, Professor of English and American Studies at George Washington Uni- versity. The interview was conducted at the Institute for the Musical Arts, a Goshen, Massachusetts-based non-profit founded and operated by Millington and her partner, Ann Hackler. The text is based on a transcription by Gracia Brown. This version, which is condensed, edited for clarity, and annotated, was prepared by Gayle Wald. June Millington is co-founder and lead guitarist of the germinal rock-and-roll band Fanny, which formed in Los Angeles in 1969. The other original members of the band were Jean Millington (June’s sister, on bass guitar and drums), Alice de Buhr (drums and vocals), and Nickey Barclay (keyboards and vocals). Fanny recorded four albums with Reprise Records—Fanny (1970), Charity Ball (1971), Fanny Hill (1972), and Mother’s Pride (1973)—and toured widely in the U.S. and internationally. As Ann Powers has recently observed, Fanny, as fronted by June Millington, “was a showcase for the swag- ger of long-haired, bell-bottomed, fierce femmes at the dawn of the women’s liberation 1 movement.” Since the band’s 1973 dissolution, Millington has had a distinguished career working with a wide variety of artists, most notably Cris Williamson, on whose influential 1975 album The Changer and the Changed Millington contributed keyboards, guitar, and vocals. -
CAP UCLA Presents Regina Carter's 'Southern Comfort' Plus Sam
Press Release Friday, December 18th, 2015 Contact: Ashley Eckenweiler [email protected] CAP UCLA Presents Regina Carter’s ‘Southern Comfort’ plus Sam Amidon Feb. 26 at Royce Hall Center for the Art of Performance at UCLA is proud to present the rich stylings of jazz violinist Regina Carter, who will perform from her newest album Southern Comfort—a journey through the musical history of the South. Folk multi-instrumentalist Sam Amidon will bring the American past back to us with re-composed folk songs. Tickets ($29-$59) for Friday, February 26 at 8 p.m. are available now at cap.ucla.edu, via Ticketmaster and at the UCLA Central Ticket Office at 310.825.2101. This performance is supported in part by the Sally & William A. Rutter Endowment for the Performing Arts, the Ginny Mancini Endowment for Vocal Performance and the Roslyn Holt Swartz & Allan J. Swartz Endowment for the Performing Arts. Sam Amidon will also be participating in a special event for local public schools through the Design for Sharing arts education program. In this special performance for student audiences, Sam and his band will share re-imagined Appalachian folk favorites, incorporating elements of jazz, experimental and indie rock music. ABOUT REGINA CARTER Violinist Regina Carter is considered the foremost jazz violinist of her generation – a designation which doesn’t quite paint the picture. As a result of her curiosity, passion, and quest for beauty brought to every stop taken on her full musical journey, she was awarded a MacArthur Fellowship (a “genius grant”). Those are more apparent than ever on her latest album Southern Comfort (Sony Music Masterworks).