DOCSLIB.ORG

Contemporary Opera Newsletter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contemporary Opera Newsletter Leporello Contemporary Opera Newsletter Nr. 5 January 2012 World Première Performances In January 2012, three operas will be staged for the first time, including a new orchestration of Purcell’s Dido and Aeneas . The two others are based on a Russian novel and a Middle Eastern tale. All three composers are already composers have already written several operas. The most recent among these are Le Bal , Un retour and Cachafaz by Strasnoy, Les Rois , Salammbô and Faust by Fénelon, The Secret Agent by Simon Wills. Oscar Strasnoy : Dido and Aeneas Philippe Fénelon : The Cherry Orchard Opera (51’) Opera in 12 scenes, with a prologue and an epilogue Libretto : Nahum Tate. (110’) Paris, Théâtre du Châtelet Libretto : Alexei Parin, after Anton Chekov. January 21, 2012 Paris, Palais Garnier January 27, 2012 with Ensemble Musicatreize conductor : Roland Hayrabedian director : Thierry Thieu Niang with Elena Kelessidi, Marat Gali, Alexandra Kadurina, Ulyana Aleksyuk, Anna Krainikova Orchestra : 2 pianos, trumpet, trombone and 2 conductor : Tito Ceccherini percussionists director : Georges Lavaudant Cast : 7 singers Large orchestra with piano, 3 percussionists, small A new orchestration of Purcell’s semi opera, with the stage orchestra and 5 harmonicas original vocal lines. An aristocratic family return to the family's estate just before it is auctioned to pay the mortgage. The opera was first performed in concert in Moscow on December 2, 2010. more on p. 2 DVD (New acquisition) Lorin Maazel : 1984 , Decca, 074 3289 with Simon Keenlyside, Nancy Gustafson, Richard Margison, Diana Damrau. Inspired by one of the 20 th century’s greatest novels, this opera evokes Orwell’s totalitarian nightmare, where ‘Big Brother’ is always watching. The composer conducts and Robert Lepage directs. Recorded in London in May 2005, during the first run of performances. more on p. 3 Leporello - Nr. 5 - January 2012 page 1 World Première Performances Simon Wills : The Stolen Smells cast : 6 singers conductor : Simon Wills director : Dominique Mentha It is an old Middle Eastern tale common to Arab and Jewish folklore about a starving man standing in the street and smelling the aromas coming from a baker's shop. Opera buffa in one act with Todd Boyce, Carlo Jung-Heyk Cho, Szymon Libretto : Simon Wills Chojnacki, Marie-Luise Dressen Luzern, Theater January 29, 2012 In my collection Below are listed parts of my collection. There will be more in the next issues. 1) Program books : - Patrick Burgan : Peter Pan , Paris, May 20, 2006 - Unsuk Chin : Alice in Wonderland , München, June 30, 2007 - Vladimir Cosma : Marius et Fanny , Marseille, September 4, 2007 - Victor Davies : Transit of Venus , Winnipeg, November 24, 2007 - David DiChiera : Cyrano , Detroit, October 13, 2007 - Pascal Dusapin : Faustus, the last Night , Berlin, January 21, 2006 - Ivan Fedele : Antigone , Firenze, April 24, 2007 - Philippe Fénelon : Faust , Toulouse, May 25, 2007 - Detlev Glanert : Caligula , Frankfurt, October 7, 2006 - Jonathan Harvey : Wagner Dream , Amsterdam, June 6, 2007 - Mikko Heiniö : Eerik XIV , Turku, November 22, 2011 - Hans Werner Henze : Phaedra , Brussels, September 15, 2007 - Michael Jarrell : Galilée , Geneva, January 25, 2006 - Jacques Lenot : J’étais dans ma maison et j’attendais que la pluie vienne , Geneva, January 29, 2007 - Luca Lombardi : Prospero , Nürnberg, Avril 15, 2006 - Andrew P. MacDonald : Mary’s Wedding , Victoria (BC), November 10, 2011 - Bruno Mantovani : L’autre côté , Strasbourg, September 23, 2006 - Benoît Mernier : Frühlings Erwachen , Brussels, March 9, 2007 - Kevin Puts : Silent Night , Saint Paul (MN), November 12, 2011 - Wolfgang Rihm : Das Gehege , Munich, October 27, 2006 - Kaija Saariaho : Adriana Mater , Paris, March 30, 2006 - Anno Schreier : Die Stadt der Blinden , Zürich, November 12, 2011 - Salvatore Sciarrino : Da gelo a gelo , Paris, May 23, 2007 - Ragner Söderlind, In the Days of the Councillor , Brumunddal, November 17, 2011 - Manfred Trojhan : Orest , Amsterdam, December 8, 2011 2) Libretti : - John Eaton / Andrew Porter : The Tempest , New York : G. Schirmer, 1985, 30 p. - John Harbison : The Great Gatsby , New York : Schirmer, 1999, 70 p. - Tobias Picker / Gene Scheer : An American Tragedy , New York : Schott, 2005, 64 p. 3) Vocal scores : - Samuel Barber : Antony and Cleopatra (revised edition), New York : G. Schirmer, 1976 - Lee Hoiby : The Tempest , New York : G. Schirmer, 1986 Leporello - Nr. 5 - January 2012 page 2 4) DVD : Hans Werner Henze : L’Upupa , EuroArts, 2053929 with Laura Aikin, John Mark Ainsley, Alfred Muff, Hanna Schwarz. The world première production of Henze’s opera, first performed in Salzburg on August 12, 2003, and revived in Madrid and Lyon. Two other productions have been staged on Hamburg and Dresden. Markus Stenz conducts and Dieter Dorn directs this German comedy based on the Arabic. Einojuhani Rautavaara : Rasputin , Ondine, ODV 4002 with Matti Salminen, Lilli Paasikivi, Jorma Hynninen, Jyrki Anttila. The world première production of Rautavaara’s epic opera, premiered in Helsinki on September 19, 2003. Mikko Franck conducts and Vilppu Kiljunen directs. Kaija Saariaho : L’Amour de loin , Deutsche Grammophon, 00440 073 4026 with Gerald Finley, Dawn Upshaw and Monica Groop. Saariaho’s first opera is a « mystical tale, loosely based on history, of a 12th- century prince and troubadour. » Premiered in Salzburg, on August 15, 2000, it has been performed in Paris, London, Antwerp, Gent and Toronto. Recorded in Helsinki in 2004. Esa-Pekka Salonen conducts and Peter Sellars directs. 5) CD : Leonardo Balada : La Muerte de Colón , Naxos, 8.660193-94 with Jon Garrison, Judith Jenkins, Katherine Mueller, David Okerlund First performed in Pittsburgh on January 16, 2005. The opera depicts the return of Columbus to Barcelona from the discovery of the New World to his tormented death. Recorded in January 2005 in Pittsburgh. Conducted by Robert Page. Giorgio Battistelli : Prova d’Orchestra , Stradivarius, STR 57004 with Stephen Owen, Philip Sheffield, Corinne Romijn, David Barrell, Xenia Konsek. First performed in Strasbourg on November 24, 1995. Adapted from the screenplay by Federico Fellini, it describes a rehearsal process. Recorded in Ghent in March 2006. Conducted by Luca Pfaff. Philippe Boesmans : Julie , Cypres, CYP4626 with Garry Megee, Malena Ernman, Krstin Avemo First performed in Brussels on March 8, 2005. Based on August Strindberg’s Miss Julie , it deals with love, lust and the battle of the sexes. Live recording of the world première. Conducted by Kazushi Ono. Brian Ferneyhough : Shadowtime , NMC, D123 with Ekkehard Abele, Angelika Luz, Monika Meier-Schmid, Anja Paulus. First performed in Munich, on May 25, 2004. The libretto is based on the work, life and imagined death of philosopher and cultural critic Walter Benjamin. Recorded in London on July 9, 2005. Conducted by Jurjen Hempel. Detlev Glanert : Caligula , Oehms Classics, OC 932. with Ashley Holland, Michaela Schuster, Martin Wölfel, Gregory Frank First performed in Frankfurt on October 7, 2006. Freely adapted from the play by Albert Camus, the opera deals with the inner life and emotional states of one figure. Live recording of the first performance. Conducted by Markus Stenz. Philip Glass : Waiting for the Barbarians , OMM, 0039 with Richard Salter, Eugene Perry, Michael Tews, Elvira Soukop, Kelly God. First performed in Erfurt on September 10, 2005. Based on John M. Coetzee’s novel, the opera is an allegory of the war between oppressors and the oppressed. Recorded live in Erfurt in September 2005. Conducted by Dennis Russel Davies. Leporello - Nr. 5 - January 2012 page 3 Osvaldo Golijov : Ainadamar , Deutsche Grammophon, 00289 477 6165 with Dawn Upshaw, Kelley O’Connor, Jessica Rivera, Jesús Montoya First performed in Tanglewood on August 10, 2003. Emerging from darkness, the mythic world of Federico García Lorca comes into being. Recorded in Atlanta in November 2005. Conducted by Robert Spano. Stephen Hartke : The Greater Good , Naxos, 8.669014-15 with Caroline Worra, John David De Haan, Christine Abraham, Andrew Wentzel. First performed in Cooperstown on July 22, 2006. Based on a short story by Maupassant, it tells the double sacrifice of the prostitute Boule de Suif. Recorded in Cooperstown in August 2006. Conducted by Stewart Robertson. Olli Kortekangas : Messenius and Lucia , Ondine, ODE 1073-2D with Hannu Niemelä, Päivi Nisula, Essi Luttinen, Niklas Spångberg, Riku Pelo First performed in Oulu on September 16, 2005. This opera is a mismatched love story about a choleric, ambitious man and a woman longing for companionship. Recorded in Oulu in September 2005. Conducted by Arvo Volmer. Michael Nyman : Love Counts , MN Records, MNRCD 111/112 with Andrew Slater and Helen Williams. First performed in Karlsruhe on March 12, 2005. It is an operatic love story between opposites, a lecturer in mathematics and a middle-weight fighter. Recorded in London in July 2006. Conducted by Paul McGrath. Poul Ruders : Kafka’s Trial , dacapo, 8.226042-43 with Johnny van Hal, Gisela Stille, Marianne Rørholm, Gert Henninh-Jensen First performed in Copenhagen on March 12, 2005. The libretto weaves Kafka’s own destiny into the plot of his own novel. Recorded live in Copenhagen in March-April 2005. Conducted by Thomas Søndergård Kaija Saariaho : L’Amour de loin , Harmonia mundi, HMC 801937.38 with Daniel Belcher, Ekaterina Lekhina, Marie-Ange Todorovitch First performed in Salzburg on August 15, 2000. Inspired by the life of the troubadour Jaufré Rudel, it tackles
Load more

Recommended publications
  • Gustav Mahler Symphonie Nr
    Markus Stenz Gürzenich-Orchester Köln Gustav Mahler Symphonie Nr. 9 Symphonie Nr. 10 Adagio v Gustav Mahler Symphonie Nr. 9 in D-Dur CD 1 [ 01] I. Andante comodo 26:48 [ 02] II. Im Tempo eines gemächlichen Ländlers 14:51 [ 03] III. Rondo-Burleske 12:36 [ 04] IV. Adagio 23:53 total 78:12 CD 2 Symphonie Nr. 10 in Fis-Dur [ 01] Adagio 23:19 total 23:21 Markus Stenz Gürzenich-Orchester Köln 3 Auf dem Weg zur »Neuen Musik« Gustav Mahler: Sinfonien Nr. 9 und Wohl aber wusste Mahler, als er Nr. 10 (Adagio) seine Neunte schrieb, dass ihm wegen seines Herzleidens nicht mehr viel Die einstigen abergläubischen Vorstel- Zeit bleiben würde, und so hat diese lungen über die Unüberschreitbarkeit Sinfonie nicht nur den retrospektiven der Neunzahl bei Sinfonien erscheint Charakter eines resümierenden Rück- uns heute nicht nur als unangebrachte blicks, sondern auch den visionären Spekulation, sie wird, gerade bei Charakter eines Werkes, das auf keine Gustav Mahler, durch die unvoreinge- Konventionen mehr Rücksicht neh- nommene Betrachtung der Zeugnisse men muss; es stößt in Klangwelten und seines Charakters vollends un- vor, die damals wahrhaft unerhört wa- wahrscheinlich. Es erscheint keines- ren und in vielem die »Neue Musik« wegs unpassend, in Mahlers angebli- vorausahnen ließen. cher Furcht vor der Sinfonie Nummer Zwar scheint Mahlers Neunte in ih- Neun, die einst bei Ludwig van Beet- rer Viersätzigkeit eine traditionelle hoven den Schlusspunkt von dessen Form fortzuführen, doch ist die Anord- sinfonischem Œuvre bedeutete, ledig- nung völlig anders als etwa bei Beet- lich eine Eulenspiegelei zu sehen, hoven oder Johannes Brahms: zwei denn er liebte es durchaus, seine Mit- eher langsame Sätze umrahmen zwei menschen zu foppen.
    [Show full text]
  • Now We Are 126! Highlights of Our 3 125Th Anniversary
    Issue 5 School logo Sept 2006 Inside this issue: Recent Visits 2 Now We Are 126! Highlights of our 3 125th Anniversary Alumni profiles 4 School News 6 Recent News of 8 Former Students Messages from 9 Alumni Noticeboard 10 Fundraising 11 A lot can happen in 12 just one year In Memoriam 14 Forthcoming 16 Performances Kim Begley, Deborah Hawksley, Robert Hayward, Gweneth-Ann Jeffers, Ian Kennedy, Celeste Lazarenko, Louise Mott, Anne-Marie Owens, Rudolf Piernay, Sarah Redgwick, Tim Robinson, Victoria Simmons, Mark Stone, David Stout, Adrian Thompson and Julie Unwin (in alphabetical order) performing Serenade to Music by Ralph Vaughan Williams at the Guildhall on Founders’ Day, 27 September 2005 Since its founding in 1880, the Guildhall School has stood as a vibrant showcase for the City of London's commitment to education and the arts. To celebrate the School's 125th anniversary, an ambitious programme spanning 18 months of activity began in January 2005. British premières, international tours, special exhibits, key conferences, unique events and new publications have all played a part in the celebrations. The anniversary year has also seen a range of new and exciting partnerships, lectures and masterclasses, and several gala events have been hosted, featuring some of the Guildhall School's illustrious alumni. For details of the other highlights of the year, turn to page 3 Priority booking for members of the Guildhall Circle Members of the Guildhall Circle are able to book tickets, by post, prior to their going on sale to the public. Below are the priority booking dates for the Autumn productions (see back cover for further show information).
    [Show full text]
  • SEPTEMBER 2009 LIST See Inside for Valid Dates
    tel 0115 982 7500 fax 0115 982 7020 SEPTEMBER 2009 LIST See inside for valid dates Dear Customer This month, the record labels get back to the serious business of high profile new releases and we offer them all at our usual attractive prices! The much anticipated Brahms Symphonies with the Berlin Phil & Rattle on EMI are finally released & we can highly recommend them - superb playing and sparkling yet ‘natural’ interpretations. A delight. You want the big names? Jonas Kaufmann, Nicola Benedetti, Renee Fleming, Marcello Alvarez & Mitsuko Uchida all make their appearance on Universal labels. Brendel’s digitally recorded Beethoven Sonatas from the 1990s at last becomes available at a sensible price. EMI wheel out the big guns including Villazon, Pape & Pappano in Verdi’s Messe da Requiem along with Sarah Chang performing the Brahms & Bruch Violin Concerti. We also very much like the Brahms Piano Quintet & Quartet no. 1 with the Quatuor Ebene. Hyperion give us Angela Hewitt performing Handel & Haydn and vol 12 of the Byrd Edition with Cardinall’s Musik whilst ECM follow up their highly recommended Schiff Bach series with the Six Partitas. Our special offers are many & varied. We have the whole Hyperion catalogue reduced, along with Channel Classics, Telarc, full-price Harmonia Mundi titles, Alto, NMC, Svetlanov & Toccata. We also make available a large range of EMI Box Sets, their ’Very Best Of’ series & the Nigel Kennedy catalogue, all at significant reduced prices. Something for everyone. Enjoy perusing the list & we look forward to supplying your classical requirements. Mark, Richard & Mike DON’T FORGET - UK Carriage is FREE over £30 Chandos offer now extended! The reductions on Chandos titles now apply until Friday 25th September, including the multibuy offer of only £8.95 each on full-price single discs! Offers still available from our AUGUST 2009 list (until Friday, 25 September, 2009) Universal Classics Mendelssohn & Purcell titles, & selected DG ‘Originals’ recordings…..
    [Show full text]
  • Johannes BRAHMS (1833-1897) Four Preludes and Serious Songs Op
    Johannes BRAHMS (1833-1897) Four Preludes and Serious Songs Op. 121 (1896 arr. orch. Detlev Glanert, 2004-5) [24:28] Detlev GLANERT (b. 1960) Weites land (2016) [11:25] Johannes BRAHMS Clarinet Sonata in F minor Op. 120 No 1 (1894 arr. Luciano Berio, 1986) [22:45] Michael Nagy (baritone) Kari Kriikku (clarinet) Helsinki Philharmonic Orchestra/Olari Elts rec. November 2014 (Songs), June 2016 (Weites Land, sonata), Helsinki Music Centre ONDINE ODE1263-2 [59:12] The presiding spirit of this disc is Brahms, but Brahms as seen by two more recent composers. First we have an orchestral transcription of Brahms’s Four Serious Songs by Detlev Glanert. Glanert was born in Hamburg, as was Brahms, became a pupil of Hans Werner Henze and has concentrated, as only a German composer can, on writing operas. So far there have been ten of these, and his Caligula has been widely admired and also recorded. His idiom, like that of his mentor, starts from late romanticism and moves in the direction of expressionism, but the expressionism of Zemlinsky and Korngold rather than that of Schoenberg or Berg. He has a particular enthusiasm for Brahms, of which this version of the Four Serious Songs is one of the fruits. The songs were one of Brahms’s last compositions. The immediate occasion for them seems to have been last illness of his dear friend Clara Schumann, linked with a premonition of his own death. The texts are from the Bible, three sombre ones from the Old Testament (Ecclesiastes and Ecclesiasticus) and St Paul’s well-known hymn to love from the New (1 Corinthians).
    [Show full text]
  • Michael Nyman
    EFFET L OO P SUR... Michael Nyman Michael Nyman (Photo : X.D.R) « Michael Nyman a apparemment découvert comment avoir un pied dans le 18 ème siècle et un autre dans le 20 ème siècle » (Peter Greenaway in Daniel Caux : Peter Greenaway - Editions Dis Voir - 1987) BLABLA Michael Nyman Nationalité : Britannique Naissance : 23 mars 1944 à Londres 1er métier : critique musical Autres : Musicologue, ethno-musicologue, pianiste, claveciniste, compositeur, arrangeur, chef d’orchestre, librettiste, photographe, éditeur …. Signe particulier : Minimaliste Fan de : Henry Purcell Violon d’Ingres : Les musiques de films Michael Nyman (Photo : X.D.R) DU CRITIQUE MUSICAL AU COMPOSITEUR ichael Nyman a étudié le piano et le clavecin au Royal College of Music et au King’s College. A cette époque, il compose déjà mais en 1964, il décide de mettre de côté l’écriture Mmusicale pour travailler en tant que musicologue puis par la suite, il devient critique musical. Ses articles se retrouvent dans des revues comme The Listener, The Spectator... Durant cette période, le monde de la musique contemporaine est fortement imprégné par des compositeurs comme Boulez, Stockhausen, Xenakis… À travers ses articles, Michael Nyman choisit de mettre en lumière des courants musicaux émergents. Dans le même temps, il n’hésite pas à consacrer ses analyses musicales à des genres autres que le classique : le rock, la musique indienne… Cet éclectisme l’amènera plus tard à jouer et composer avec des musiciens issus de divers horizons musicaux. Ainsi, dans le courant des années 1970, il collabore tour à tour avec le groupe de rock anglais The Flying Lizards1, avec le mandoliniste indien U.Shrinivas ou bien encore avec sa compatriote Kate Bush2.
    [Show full text]
  • Proceedings [Eng]
    2 Dicastery for Promoting Integral Human Development THEORY AND PRAXIS OF DEVELOPMENT PROCEEDINGS OF THE ONE-DAY SEMINAR1 ON THE OCCASION OF THE 10TH ANNIVERSARY OF THE ENCYCLICAL LETTER CARITAS IN VERITATE BY POPE BENEDICT XVI Casina Pio IV, Vatican City State, 3rd December 2019 1 The booklet contains keynote addresses and responses made during the one-day seminar and made available to the Dicastery for Promoting Integral Human Development for publication. 3 Dicastery for Promoting Integral Human Development Palazzo San Calisto 00120 Vatican City State [email protected] www.humandevelopment.va © 2019 Dicastery for Promoting Integral Human Development 4 TABLE OF CONTENTS FOREWORD p. 9 H. Em. Card. Peter K. A. TURKSON Prefect of the Dicastery for Promoting Integral Human Development OPENING SESSION p. 11 H. Exc. Archbp. Paul Richard GALLAGHER Secretary for Relations with States, Secretariat of State Opening Remarks H. Em. Card. Peter K. A. TURKSON Prefect of the Dicastery for Promoting Integral Human Development Introduction H. Exc. Archbp. Silvano M. TOMASI Founder of the Caritas in Veritate Foundation Stefano ZAMAGNI President of PASS La Caritas in Veritate dieci anni dopo THE PERSPECTIVE OF THE CHURCH p. 39 Stefano ZAMAGNI President of PASS When economy divorces from fraternity: The message of Caritas in veritate H. Em Card. Michael CZERNY Undersecretary of the Dicastery for Promoting Integral Human Development – Migrants and Refugees Section The message of integral human development and integral ecology: towards Laudato Si’ Msgr. Peter SCHALLENBERG Catholic Central Institute for Social Sciences in Mönchengladbach – Germany The Basis of Personal and Social Ethics for an Integral Human Development 5 THE PERSPECTIVE OF CATHOLIC DEVELOPMENT AGENCIES p.
    [Show full text]
  • Michael Nyman
    Michael Nyman Quan Michael Nyman va publicar, el 1974, el seu estudi Experimental Music. Cage and Beyond [Música Experimental. De Cage en endavant] difícilment hauria previst la seva pròpia contribució a aquest “en endavant”. Distanciat del que aleshores era l’ortodòxia del modernisme internacional, Nyman va abandonar la composició el 1964, preferint treballar com a musicòleg. Més endavant va escriure crítiques per a diferents diaris, incloent-hi The Spectator, on, en un escrit de 1968 sobre The Great Digest de Foto: Perou Cornelius Cardews, va utilitzar per primera vegada la paraula “minimalisme” aplicada a la música. El mateix any, un programa de la BBC sobre Come Out, de Steve Reich, va obrir les seves orelles a noves possibilitats. Era l’inici de la seva activitat com a compositor. El 1968 va posar música al llibret de Down by the Greenwood Side, de Harrison Birtwistle. Més tard, Birtwistle li va encarregar els arranjaments de cançons venecianes del segle XVIII per a una producció del 1976 de Il Campiello de Carlo Goldoni, per a la qual Nyman va reunir el que ell mateix va descriure com “la banda de carrer sense amplificar més sorollosa” que es pogués imaginar. Nyman va conservar reunida la Campiello Band, afegint-se ell mateix al piano. Una banda necessita repertori, i Nyman va començar a proveir- se’n, començant per In Re Don Giovanni, un tractament característic de 16 compassos de Mozart. Després d’alguns canvis, la banda va incorporar amplificació i va passar a dir-se Michael Nyman Band. Aquest és el laboratori on Nyman ha formulat el seu estil de composició, basat en melodies consistents, ritmes flexibles però contundents i una manera de tocar articulada amb precisió.
    [Show full text]
  • Renata Salecl, Slavoj Zizek-Gaze and Voice As Love Objects
    and voice love objects Renata Salecl and Slavoj Zizek, editors sic A DUKE UNIVERSITY PRESS Durham and London 1996 © 1996 Duke University Press AH rights reserved Printed in the United States of America on acid-free paper ® Typeset in Sabon by Tseng Information Systems, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. Introduction i PART I GAZE, VOICE i Mladen Dolar, The Object Voice 7 2 Alenka Zupancic, Philosophers' Blind Man's Buff 32 3 Elisabeth Bronfen, Killing Gazes, Killing in the Gaze: On Michael Powell's Peeping Tom 59 4 Slavoj 2izek, "I Hear You with My Eyes"; or, The Invisible Master 90 PART II LOVE OBJECTS 5 Mladen Dolar, At First Sight 129 6 Fredric Jameson, On the Sexual Production of Western Subjectivity; or, Saint Augustine as a Social Democrat 154 7 Renata Salecl, I Can't Love You Unless I Give You Up 179 8 Slavoj 2izek, "There Is No Sexual Relationship" 208 Notes on Contributors 251 Index 253 Renata Salecl/Slavoj 2izek In the psychoanalytic community, we often encounter a nostalgic long• ing for the good old heroic days when patients were naive and ignorant of psychoanalytic theory—this ignorance allegedly enabled them to pro• duce "purer" symptoms, that is, symptoms in which their unconscious was not too much distorted by their rational knowledge. In those days, there were still patients who told their analyst, "Last night, I had a dream about killing a dragon and then advancing through a thick forest to a castle ...," whereupon the analyst triumphantly answered, "Ele• mentary, my dear patient! The dragon is your father, and the dream ex• presses your desire to kill him in order to return to the safe haven of the maternal castle.
    [Show full text]
  • Auction Books & Prints Veiling Boeken & Prenten Vente
    AUCTION BOOKS & PRINTS VEILING BOEKEN & PRENTEN VENTE PUBLIQUE LIVRES & ESTAMPES Friday - Vendredi - Vrijdag Saturday - Samedi - Zaterdag 20.03.2020 - 13:00 h / u 21.03.2020 - 13:00 h / u TENTOONSTELLING - EXPOSITION - VIEWING Friday / Vendredi / Vrijdag 13.03 • 10:00 – 18:00 Saturday / Samedi / Zaterdag 14.03 • 10:00 – 18:00 Monday / Lundi / Maandag 16.03 • 10:00 – 20:00 Tuesday / Mardi / Dinsdag 17.03 • 10:00 – 18:00 Wednesday / Mercredi / Woensdag 18.03 • 10:00 – 18:00 Thursday / Jeudi / Donderdag 19.03 • 10:00 – 18:00 or by appointment - of na afspraak - ou sur rendez-vous Wolstraat 19/2 Rue aux Laines BRUSSEL 1000 BRUXELLES TEL 32(0)2 544 10 55 – FAX 32(0)2 544 10 57 [email protected] • www.arenbergauctions.com Live bidding a b x j ARENBERG AUCTIONS NV / SA Rédaction catalogue / Redactie catalogus / Editorial catalog Rue aux Laines 19/2 Wolstraat BRUXELLES 1000 BRUSSEL TVA-BTW-VAT: BE 0657 769 074 Renaud ADAM [email protected] Johan DEVROE [email protected] Loedja BISKUP [email protected] [email protected] Henri GODTS Isabelle CHIELENS [email protected] [email protected] [email protected] Karen DE COENE [email protected] Cinzia CASTIGNANI Photos & logistique / Foto’s & logistiek Carine DEPREZ [email protected] [email protected] Raphaël HERMAN Photos & logistique / Foto’s & logistiek Stijn GELDOF [email protected] [email protected] Sophie PECKEL Administration / Administratie / Office Oliver KIK [email protected]
    [Show full text]
  • 252-Pliego 1 21/4/10 12:50 Página 1
    SCHERZO 2 5 A Ñ O S 1985 - 2010 REVISTA DE MÚSICA Año XXV - Nº 252 - Mayo 2010 - 7 € DOSIER Festivales de verano ENTREVISTA Lawrence Foster Año XXV - Nº 252 Mayo 2010 ACTUALIDAD Magda Olivero y Giulietta Simionato ANIVERSARIO Robert Schumann REFERENCIAS Cuatro últimos lieder de Richard Strauss 252-Pliego 1 21/4/10 12:50 Página 1 AÑO XXV - Nº 252 - Mayo 2010 - 7 € 2 OPINIÓN DOSIER 111 Festivales de verano CON NOMBRE PROPIO ENCUENTROS 6 Magda Olivero y Lawrence Foster Giulietta Simionato Juan Antonio Llorente 138 Arturo Reverter ANIVERSARIO Robert Schumann 10 AGENDA Blas Matamoro 144 EDUCACIÓN 16 ACTUALIDAD Joan-Albert Serra 148 NACIONAL JAZZ 44 ACTUALIDAD Pablo Sanz 152 INTERNACIONAL LIBROS 154 60 ENTREVISTA Cyprien Katsaris LA GUÍA 156 Bruno Serrou 64 Discos del mes CONTRAPUNTO Norman Lebrecht 160 65 SCHERZO DISCOS Sumario Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Rafael Banús Irusta, Emili Blasco, Alfredo Brotons Muñoz, José Antonio Cantón, Paulino Capdepón, Jacobo Cortines, Patrick Dillon, Pierre Élie Mamou, José Luis Fernández, Fernando Fraga, Germán Gan Quesada, Manuel García Franco, José Antonio García y García, Juan García-Rico, Mario Gerteis, José Guerrero Martín, Fernando Herrero, Bernd Hoppe, Antonio Lasierra, Norman Lebrecht, Juan Antonio Llorente, Fiona Maddocks, Bernardo Mariano, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Aurelio Martínez Seco, Enrique Martínez Miura, Blas Matamoro, Erna Metdepennighen, Juan Carlos Moreno, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Paolo Petazzi, Francisco Ramos, Arturo Reverter, Barbara Röder, David Rodríguez Cerdán, Leopoldo Rojas-O’Donnell, Justo Romero, Ignacio Sánchez Quirós, Pablo Sanz, Joan-Albert Serra, Bruno Serrou, Franco Soda, Christian Springer, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J.
    [Show full text]
  • HAL LEONARD POTPOURRI Saturday, June 30, 1:00 PM NATS Conference 2013, Orlando
    HAL LEONARD POTPOURRI Saturday, June 30, 1:00 PM NATS Conference 2013, Orlando Beverly O’Regan Thiele, soprano ● Steven Stolen, tenor ● Kurt Ollmann, baritone Richard Walters, pianist and presenter ● Joan Frey Boytim, presenter The Program Oesterreichischer Soldatenabschied Erich Korngold from the publication Lieder aus dem Nachlass, Band II (posthumous songs, first edition) Kurt Ollmann End of the Line John Corigliano from the song set Metamusic Beverly O’Regan Thiele Video Documentary of The Hal Leonard Vocal Competition Finishing the Hat from Sunday in the Park with George Stephen Sondheim from the publication Musical Theatre for Classical Singers, Tenor and also from the forthcoming The Songs of Stephen Sondheim (in 5 volumes, fall 2012 release) I Am Aldolpho from The Drowsy Chaperone Lisa Lambert, Greg Morrison from the publication Musical Theatre for Classical Singers, Tenor Steven Stolen True Loves Rufus Wainwright from the song cycle Songs For Lulu Kurt Ollmann Joan Boytim presents her new publication, 36 More Solos for Young Singers L’Archet Claude Debussy from the publication Quatre nouvelles mélodies (first edition) Beverly O’Regan Thiele Selections from Minicabs (minicabaret songs) William Bolcom from the publication William Bolcom: Theatrical Songs I Feel Good Food Song #1 Those I Will Never Forgive You Maxim Food Song #2 Beverly O’Regan Thiele, Kurt Ollmann, Steven Stolen Known for her consummate acting and clear, silver-toned, warm voice, Iowa native BEVERLY O’REGAN THIELE is among the best in her field for her interpretation of contemporary opera and equally at home in the classics, concert and recital work. Her successes include Magda Sorel in The Consul, which she sang with Washington National Opera as well as with Berkshire Opera, and recorded the role on the Newport Classics Label.
    [Show full text]
  • Petedohertycondenado Aseismesesdecárcel
    20/05/2011 21:36 Cuerpo E Pagina 4 Cyan Magenta Amarillo Negro 4 SÁBADO 21 DE MAYO DE 2011 TÍMPANO TRADICIÓN Y VERDAD EFE Gustos. Nyman ha continuado su interés en la ópera y la Participación. Es conocido sobre todo del gran público como música antigua. compositor de bandas sonoras para el cine. Michael Nyman EFE gana el Ivor Novello de música clásica LOHAN TEME UN ATAQUE SEXUAL México.- La actriz Lindsay Lohan obtuvo una orden de restricción con- EFE cords), con libreto de Vic- statistics’, ‘Noises’, Música tra un sujeto que la acosa, pues teme un ataque sexual. Apenas hace unos Londres. toria Hardie, estrenada en ‘Sounds and sweet airs’, días se supo que la joven de 24 años denunció en Twitter la existencia de Nyman ha continuado el Auditorio de Galicia, de ‘Facing Goya’, ‘Man and un individuo que merodeaba por su casa. La orden temporal es contra su interés en la ópera El compositor británico Mi- Santiago de Compostela, boy: Dada y love counts’. y la música antigua David Cocordan, quien fue señalado por Lindsay como su acosador des- chael Nyman ha sido galar- en agosto de 2000. Pero es conocido sobre escribiendo una de hace dos años. nuevaariaparauna donado con el premio Ivor La ópera trata del in- todo del gran público como producción de ‘La Novello de música clásica, tento de clonar al genial compositor de bandas sono- coronación de Poppea’, de informaron hoy fuentes de pintor aragonés utilizando ras para el cine: entre ellas Monteverdi, la organización. su cráneo, que estuvo mu- las de varios filmes de Peter recientemente Nacido en 1944, Nyman cho tiempo desaparecido, Greenaway, como ‘The Pete Doherty condenado estrenada en el es uno de los compositores pero que alguien encuen- Draughtsman’s contract’, pequeño teatro King’s Head, de Londres.
    [Show full text]