Stacy Garrop Detlev Glanert

Total Page:16

File Type:pdf, Size:1020Kb

Stacy Garrop Detlev Glanert STACY GARROP DETLEV GLANERT Sponsored by Marcia & Fred Smith Sponsored by Jack Baskin & Peggy Downes-Baskin and Composer Stacy Garrop has won numerous Rowland & Patricia Rebele awards including a Fromm Music Foundation Grant, Raymond and Beverly Sackler Music Detlev Glanert was born in Hamburg. He Àrst Composition Prize, two Barlow Endowment played trumpet and tuba, and later doublebass commissions, as well as competitions sponsored and piano. He studied composition with Diether by the American Composers Orchestra, Civic de la Motte from 1980 to 1982 in Hamburg, Orchestra of Chicago, Detroit Symphony with Hans Werner Henze from 1985 to 1989 in Stacy Garrop Orchestra, Minnesota Orchestra, Omaha Cologne, and with Oliver Knussen at Tanglewood Symphony, Charleston Symphony Orchestra, in the summer of 1986. New England Philharmonic, and the Pittsburgh New Music Ensemble. Her chamber and Early in his career, Glanert especially admired orchestral works are published by Theodore Gustav Mahler for his expressive encompassing Presser Company, and she self-publishes her of the entire world, and Maurice Ravel for his choral works under Inkjar Publishing Company. glittering artiÀcial surfaces; both composers She is a Cedille Records recording artist and were very important for his development. Later on has works on seven of their CDs, with additional Hans Werner Henze and Bernd A. Zimmermann works on nine recordings by eight labels; these had an important inÁuence. Following the Àrst recordings feature performances by Chanticleer, successful performances of his work, Glanert decided to pursue a life as a free lance composer Detlev Glanert Lincoln Trio, Grant Park Music Festival Chorus, Gaudete Brass Quintet, Biava Quartet, Cecilia for lyric opera, orchestral music and chamber Quartet, Chicago a cappella, and Volti. Cedille music. His works demonstrate lyrical gifts and a Records is currently in the process of recording fascination with the Romantic past viewed from a her orchestral works with the Chicago College of modern perspective. Performing Arts Orchestra, to be commercially Glanert won the prestigious Rolf Liebermann released in 2015/2016. Opera Prize in 1993 for his Àrst full scale She has been commissioned by numerous opera The Mirror of the Great Emperor, and the ensembles and organizations including the Bavarian Theatre Prize in 2001 for the comic Albany Symphony, Chanticleer, Chicago Classical opera Jest, Satire, Irony and Deeper Meaning, Recording Foundation, Chicago Chamber which garnered numerous stage productions and has become his most successful opera to date. Jennifer Higdon Musicians, Rembrandt Chamber Players, and the Capitol Saxophone Quartet. Garrop is currently Glanert is currently the most performed living working on a commission from the San Francisco opera composer in Germany. His stage works Choral Society and Piedmont East Bay Children’s (eleven) have received many different stage Choir to write an oratorio that will premiere in 2014. productions. His orchestral output includes three symphonies, concertos for piano, two pianos, Garrop has been in residence with several violin and tuba, and several orchestra pieces in organizations including the Volti Choral Institute all orchestra sizes. His works are conducted by, for High School Singers, Skaneateles Festival, among others, Markus Stenz, Oliver Knussen, Albany Symphony, and Music in the Loft. She Kent Nagano, Semyon Bychkov, Donald has attended residencies at the Aspen Music Runnicles, Ivin Fischer, Christian Thielemann, Festival, MacDowell Colony, Banff Centre for Jun Märkl, Stefan Asbury and David Robertson. Dylan Mattingly the Arts, Yaddo Colony, and the Wellesley Composers Conference. Glanert lived in Italy for almost ten years, collaborating with the “Cantiere Internazionale Garrop earned degrees in music composition Montepulciano” where he was artistic director at the University of Michigan-Ann Arbor for three years. In 1992-93 he was a fellow of the (B.M.), University of Chicago (M.A.), and Indiana German Academy Villa Massimo in Rome, in 2003 University-Bloomington (D.M.). She is an he was composer in residence in Mannheim, in Associate Professor and Head of Composition 2005 was composer in residence in Sapporo, at the Chicago College of Performing Arts and since 2011 has been elected one of three at Roosevelt University. She is also on the house composers of the Royal Concertgebouw composition faculty of the annual Fresh Inc Orkest in Amsterdam. He holds lectures and Festival, sponsored by Fifth House Ensemble. composition classes in Aspen, Montepulciano, Melbourne, Jakarta and Sapporo, and currently Andrew Norman She makes her Cabrillo Festival debut with lives in Berlin. Thunderwalker at the Grand Finale performances The Cabrillo Festival will present the U.S. expanded biographies at Mission San Juan Bautista, Sunday, August 10, 2014. premiere of his Three Songs without Words on available online at Sunday, August 10, at Mission San Juan Bautista. www.cabrillomusic.org 22 CABRILLO FESTIVAL OF CONTEMPORARY MUSIC.
Recommended publications
  • Gustav Mahler Symphonie Nr
    Markus Stenz Gürzenich-Orchester Köln Gustav Mahler Symphonie Nr. 9 Symphonie Nr. 10 Adagio v Gustav Mahler Symphonie Nr. 9 in D-Dur CD 1 [ 01] I. Andante comodo 26:48 [ 02] II. Im Tempo eines gemächlichen Ländlers 14:51 [ 03] III. Rondo-Burleske 12:36 [ 04] IV. Adagio 23:53 total 78:12 CD 2 Symphonie Nr. 10 in Fis-Dur [ 01] Adagio 23:19 total 23:21 Markus Stenz Gürzenich-Orchester Köln 3 Auf dem Weg zur »Neuen Musik« Gustav Mahler: Sinfonien Nr. 9 und Wohl aber wusste Mahler, als er Nr. 10 (Adagio) seine Neunte schrieb, dass ihm wegen seines Herzleidens nicht mehr viel Die einstigen abergläubischen Vorstel- Zeit bleiben würde, und so hat diese lungen über die Unüberschreitbarkeit Sinfonie nicht nur den retrospektiven der Neunzahl bei Sinfonien erscheint Charakter eines resümierenden Rück- uns heute nicht nur als unangebrachte blicks, sondern auch den visionären Spekulation, sie wird, gerade bei Charakter eines Werkes, das auf keine Gustav Mahler, durch die unvoreinge- Konventionen mehr Rücksicht neh- nommene Betrachtung der Zeugnisse men muss; es stößt in Klangwelten und seines Charakters vollends un- vor, die damals wahrhaft unerhört wa- wahrscheinlich. Es erscheint keines- ren und in vielem die »Neue Musik« wegs unpassend, in Mahlers angebli- vorausahnen ließen. cher Furcht vor der Sinfonie Nummer Zwar scheint Mahlers Neunte in ih- Neun, die einst bei Ludwig van Beet- rer Viersätzigkeit eine traditionelle hoven den Schlusspunkt von dessen Form fortzuführen, doch ist die Anord- sinfonischem Œuvre bedeutete, ledig- nung völlig anders als etwa bei Beet- lich eine Eulenspiegelei zu sehen, hoven oder Johannes Brahms: zwei denn er liebte es durchaus, seine Mit- eher langsame Sätze umrahmen zwei menschen zu foppen.
    [Show full text]
  • Johannes BRAHMS (1833-1897) Four Preludes and Serious Songs Op
    Johannes BRAHMS (1833-1897) Four Preludes and Serious Songs Op. 121 (1896 arr. orch. Detlev Glanert, 2004-5) [24:28] Detlev GLANERT (b. 1960) Weites land (2016) [11:25] Johannes BRAHMS Clarinet Sonata in F minor Op. 120 No 1 (1894 arr. Luciano Berio, 1986) [22:45] Michael Nagy (baritone) Kari Kriikku (clarinet) Helsinki Philharmonic Orchestra/Olari Elts rec. November 2014 (Songs), June 2016 (Weites Land, sonata), Helsinki Music Centre ONDINE ODE1263-2 [59:12] The presiding spirit of this disc is Brahms, but Brahms as seen by two more recent composers. First we have an orchestral transcription of Brahms’s Four Serious Songs by Detlev Glanert. Glanert was born in Hamburg, as was Brahms, became a pupil of Hans Werner Henze and has concentrated, as only a German composer can, on writing operas. So far there have been ten of these, and his Caligula has been widely admired and also recorded. His idiom, like that of his mentor, starts from late romanticism and moves in the direction of expressionism, but the expressionism of Zemlinsky and Korngold rather than that of Schoenberg or Berg. He has a particular enthusiasm for Brahms, of which this version of the Four Serious Songs is one of the fruits. The songs were one of Brahms’s last compositions. The immediate occasion for them seems to have been last illness of his dear friend Clara Schumann, linked with a premonition of his own death. The texts are from the Bible, three sombre ones from the Old Testament (Ecclesiastes and Ecclesiasticus) and St Paul’s well-known hymn to love from the New (1 Corinthians).
    [Show full text]
  • Detlev Glanert These Currently Number Fourteen, Starting with the Brief Chamber Opera Leviathan, Setting One of Thornton Wilder’S ‘Three-Minute Plays’, in 1986
    present. Glanert’s reputation at home was made primarily by his operas. Detlev Glanert These currently number fourteen, starting with the brief chamber opera Leviathan, setting one of Thornton Wilder’s ‘Three-Minute Plays’, in 1986. Eight years later he added two further instalments, Der Engel, der das Wasser bewegte (‘The Angel that Troubled the Waters’) and Der Engel auf dem Schiff (‘The Angel on the Ship’), forming an hour-long Thornton Wilder triple-bill Drei Wasserspiele (‘Three Water Plays’). By this time he had also produced the tragic fairy-tale Leyla und Medjnun (1987-8), set in the medieval Middle East. Der Spiegel des großen Kaisers (‘The Mirror of the Great Emperor’, 1989-93) is set primarily in Palermo in 1235, the unnamed Emperor presumably Frederick II, who is granted visions of the future including the Detlev Glanert photo © Bettina Stöß destruction of his imperial line and the Battle of Verdun in 1916. While Frederick was grandson of King Roger, Glanert’s music for all its initial __Time Past, Present and Future lyricism is certainly not descended from Szymanowski. In 1998, his one-acter _An introduction to the music of Detlev Glanert___ Joseph Süss, on the life of an eighteenth-century Jew in the ducal court at by Guy Rickards "I am not a composer who destroys the past to create his Württemberg, achieved much publicity in Germany but it was his next, the own world," Glanert declared in an interview at the start of his ten-year satirical Scherz, Satire, Ironie und tiefere Bedeutung (‘Jest, Satire, Irony and residency as House Composer for the Royal Concertgebouw Orchestra in Deeper Meaning’; 1999-2000)—in which the Devil is stranded on a banal, Amsterdam.
    [Show full text]
  • Semyon Bychkov Returns to Cso for a Week of Brahms Inspired Repertoire
    FOR IMMEDIATE RELEASE: Press Contacts: September 29, 2015 Eileen Chambers: 312-294-3092 Rachelle Roe: 312-294-3090 Photos available upon request [email protected] SEMYON BYCHKOV RETURNS TO CSO FOR A WEEK OF BRAHMS INSPIRED REPERTOIRE Violinist Renaud Capuçon is Soloist in Brahms’ Violin Concerto CSO Gives U.S. premiere of Glanert’s Brahms-Fantasie October 8, 9 and 13 CHICAGO—Semyon Bychkov returns to lead the CSO in three performances at Symphony Center—Thursday, October 8, at 8:00 p.m., Friday, October 9, at 1:30 p.m. and Tuesday, October 13, at 7:30 p.m.—and one concert at the Krannert Center at the University of Illinois in Urbana-Champaign on Saturday, October 10, at 7:30 p.m. with a program inspired by Johannes Brahms. Since his subscription debut in December 1988, Bychkov has led the CSO regularly, most recently returning for two weeks of subscription concerts last season. In this program, Brahms’ triumphant First Symphony is paired with the U.S. premiere of a modern-day reflection on Brahms' work by one of Germany's leading contemporary composers, Detlev Glanert. French violinist Renaud Capuçon, who last appeared with the CSO as soloist in October 2012, performs Brahms' lively, gypsy-infused Violin Concerto. Capuçon, praised for his "intensely lyrical" tone and "gloriously rich sound" (BBC Music Magazine), made his subscription debut with the CSO in January 2011. Opening the program is the U.S. premiere of Detlev Glanert’s Brahms-Fantasie, a modern re- imagination of Brahms’ romantic lyricism. Commissioned by the BBC to accompany Brahms’ First Symphony, the work had its world premiere in Edinburgh in 2012.
    [Show full text]
  • Concert Program
    most successful chamber music group” (2015) for Elyon Trio Orchestra, BBC Philharmonic, Orchestre National de France and (Victoria Vassilenko - piano; Laura Szabo - cello and Mohamed Dresden Philharmonic in Europe, and the Philadelphia Orchestra, Hiber - violin) Dallas Symphony, San Diego Symphony and St Louis Symphony in the US. In his native Canada he regularly performs with the Concerts in important venues, International Music major orchestras in Toronto, Vancouver, Montreal, Ottawa and Festivals, orchestras: Calgary. Further afield, collaborations include the Shanghai Sym- Auditorio Nacional de Música (Madrid), Palau de la Música phony, the Hong Kong Philharmonic and the National Symphony (Barcelona), “Alte Oper” (Frankfurt), “Atheneum” (Bucharest), Orchestra of Taiwan, and the Adelaide and Sydney Symphony Or- „Flagey“ and „BOZAR“ (Brussels), „Teatro de la Maestranza“, chestras. Regular partnerships with conductors include, among Sevilla; “Bulgaria” hall (Sofia), solo and chamber music con- others, Yannick Nézet-Séguin, Edward Gardner, Sir Andrew Davis, certs in Austria, Germany, France, Belgium, Italy, USA, Slovakia, Jaap Van Zweden, Simone Young, Antoni Wit and Thierry Fischer. Spain, Palma de Mallorca, Portugal etc. “Musica Mundi” Chamber Music Festival, Waterloo (2009,2010,2011), “Santander” Inter- In recital and chamber music, Louis Lortie appears in the national Academy and Festival, Spain; “Mozarteum”, Salzburg, world’s most prestigious concert halls and festivals, including „Oberstdorfer Musiksommer“, “Young Classics Europe”,
    [Show full text]
  • Marin Alsop Music Director | Conductor
    SANTA CRUZ CIVIC AUDITORIUM MISSION SAN JUAN BAUTISTA MUSIC DIRECTOR|CONDUCTOR MARIN ALSOP OF CONTEMPORARY MUSIC CONTEMPORARY OF ´:KHQ,FDPH,GLGQ·WHYHQIHHOOLNH,ZDVFDSDEOHRIOHDUQLQJ ,KDYHOHDUQHGVRPXFKKHUHDW+*3DERXWIDUPLQJDQGRXUIRRG V\VWHPVDQGDERXWOLYLQJDSURGXFWLYHOLIHµ ²0$5<&+(55<)250(575$,1(( &KDQFHVDUH\RXKDYHKHDUGRXUQDPHEXWZKDWH[DFWO\LV WKH+RPHOHVV*DUGHQ3URMHFW"2QRXU1DWXUDO%ULGJHVRUJDQLF IDUPZHSURYLGHMREWUDLQLQJWUDQVLWLRQDOHPSOR\PHQWDQGVXSSRUW VHUYLFHVWRSHRSOHZKRDUHKRPHOHVV :HLQYLWH\RXWRVWRSE\DQGVHHRXUEHDXWLIXOIDUP<RXFDQ SLFNXSVRPHWRROVDQGJDUGHQDORQJZLWKXVRQYROXQWHHU GD\VRUFRPHSLFNDQGEX\GHOLFLRXVRUJDQLFDOO\JURZQ YHJHWDEOHVIUXLWVKHUEVDQGÁRZHUV *RRGIRUWKHFRPPXQLW\*RRGIRU\RX6KDUHWKHORYH KRPHOHVVJDUGHQSURMHFWRUJ_ 9,6,7285'2:172:1*,)76725( 8QLTXH/RFDO2UJDQLFDQG+DQGPDGH*LIWV 23(1)ULGD\V 6DWXUGD\VSP6XQGD\VSP &RRSHU+RXVH%UHH]HZD\ &RRSHU3DFLÀF$YH6WH* CABRILLO FESTIVAL OF CONTEMPORARY MUSIC 1 2 CABRILLO FESTIVAL OF CONTEMPORARY MUSIC 2014JULY 27–AUG 10 SANTA CRUZ OF CONTEMPORARY MUSIC PROGRAM BOOK CONTENTS The 2014 Cabrillo Festival of Contemporary Music 5 Calendar of Events Program Book is a publication of Summer Fests, 7 President’s Message a Cultural Arts Collaborative of: 9 Board of Directors & Staff 11 Music Director Marin Alsop Cabrillo Festival of Contemporary Music 12 Hall of Fame Santa Cruz Shakespeare 13 Festival History 14 Cabrillo Festival Experience For information contact: 16 Church Street Fair Cabrillo Festival of Contemporary Music 19 Creativity Tent for Kids 147 South River Street, Suite 232 20 Guest Composers Santa Cruz, CA 95060
    [Show full text]
  • Network Notebook
    Network Notebook Fall Quarter 2020 (October - December) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Gerhard Schedl Contemporary Opera Award Press
    gerhard schedl contemporary opera award of the BNP Paribas Foundation An International Contemporary Opera Award by Neue Oper Wien Press kit Press-text Gerhard Schedl Contemporary Opera Award of the BNP Paribas Foundation An International Contemporary Opera Competition by Neue Oper Wien „Wherever Schedl`snotes sound out, theatre is born.” Gerhard Schedl was one of the greatest Austrian composers of musical theatre works: he knew intimately the needs and possibilities of the not-so-simple task of combining theatre and music. Not only with a multitude of premières, but also by commissioning new works on a regular basis Neue Oper Wien and Musikverlag Doblinger aim to give young composers the opportunity to deal with the difficult genre of contemporary opera without being forced to work with no prospect of an actual performance. In keeping with our ideal, according to which a work of music theatre is a mutual and balanced combination of text and music, this competition is directed at composer-librettist teams. In December 2009 the jury will announce the winners. The prize consists of a cash award from the BNP Paribas Foundation, a première of the new work by Neue Oper Wien in 2011, and the work’s publication by Musikverlag Doblinger. Further information: www.neueoperwien.at For further inquiries please contact: Barbara Preis Neue Oper Wien [email protected] +43 1 218 25 67 About the competition Neue Oper Wien “Whenever I create a piece, I ask the following question: what does it actually have to do with my life? For me, music is not merely something that is thought—even if I certainly don’t deny the phenomenon of thought in music.
    [Show full text]
  • 2010-Annual-Report.Pdf
    TASMANIAN SYMPHONY ORCHESTRA HOLDINGS LIMITED (ACN 122 619 630) a director’s report FOR THE YEAR ENDED 31 DECEMBER 2010 2010 annual report SEBASTIAN LANG-LESSING Chief Conductor & Artistic Director contents Highlights 2 Chairman and Managing Director Reports 3 Concerts 4 Artists 6 Recordings and Broadcasts 7 Education and Training 8 Marketing and Business Development 9 Strategies, Goals, KPIs 12 Self-Assessment and Artistic Vibrancy 14 Capital Acquisitions 15 TSO Board 16 Governance Report 18 Orchestra and Chorus 22 Management, FOTSO Committee and Education Committees 23 TSO Partners 24 Annual Financial Report 25 2 3 highlights 2010 The Tasmanian Symphony Orchestra gave two performances at the 2010 Adelaide Festival. The first, chairman managing director I am pleased to report that 2010 was very successful for a sold-out concert at Adelaide Town Hall on 9 March, Looking back on 2010, I am gratified by the ways in which the Tasmanian Symphony Orchestra on and off the stage. was conducted by Sebastian Lang-Lessing and featured the Tasmanian Symphony Orchestra actively sought to We continued to deliver world-class performances and innovate to increase its audience reach. Having spent much baritone soloist Teddy Tahu Rhodes. The second, at the offered a program with wide appeal. Highlights included of the past decade recording in CD format, we devoted Adelaide Entertainment Centre on 13 March, was a the two concerts at the Adelaide Festival, concerts marking considerable attention in 2010 to adapting to a changing performance of Mahler’s Symphony No 8, Symphony Howard Shelley’s 25th anniversary with the orchestra and recording and broadcast environment.
    [Show full text]
  • Der Schrei Des Elefanten
    Oper im Festspielhaus 2012 Solaris von Detlev Glanert Biografie Detlev Glanert Detlev Glanert studierte u.a. in Köln bei Hans Werner Henze * zählt Gustav Mahler (mit seiner emotional grundierten Weltschau) und Maurice Ravel (mit seinen artifiziell-sinnlichen Klanglandschaften) zu seinen Vorbildern * Glanert gilt als Könner vor allem des Melodisch-Gestischen und als meisterhafter Orchestrator * seine Werke spiegeln die Faszination durch die romantische Tradition wider, betrachtet von einem modernen Standpunkt * Bewunderung genießen vor allem seine Orchesterwerke und Opern * 1993 erhielt Glanert den Rolf-Liebermann-Opernpreis für sein Werk Der Spiegel des großen Kaisers, das 1995 in Mannheim und 1997 in Mönchengladbach aufgeführt wurde, und 2001 den Bayerischen Theaterpreis für Scherz, Satire, Ironie und tiefere Bedeutung, seinen mit zahlreichen Folgeproduktionen bisher größten Opernerfolg * Orchesterwerke umfassen u.a. drei Symphonien sowie Solokonzerte für Klavier und Violine * Interpreten seiner Musik sind u.a. Markus Stenz, Oliver Knussen, Kent Nagano, Semyon Bychkov und Jun Märkl Zu Detlev Glanerts erfolgreichsten Werken gehören weiterhin: Mahler/Skizze (1989) für Ensemble Joseph Süß (1998/99) Oper Geheimer Raum (2002) Kammersonate für Ensemble Scherz, Satire, Ironie und tiefere Bedeutung (1999/2000) Komische Oper nach Grabbe Theatrum bestiarum (2004/05) Lieder und Tänze für Orchester Vier Präludien und Ernste Gesänge (2004/05) für Baßbariton und Orchester Ausblick: neue Produktion von Joseph Süß in Trier (Spielzeit 2009/10); UA der großformatigen Schubert-Bearbeitung Einsamkeit in Manchester (Feb. 2010) -------------------------------------------------------------------------------------------------------------------------------------------------- Oper im Festspielhaus 2012 Solaris Biografie Detlev Glanert im Detail Im Alter von zwölf Jahren erste Kompositionsversuche und erster Instrumentalunterricht. 1981-1988 Kompositionsstudium bei Diether de la Motte, Günter Friedrichs und Frank Michael Beyer, davon vier Jahre bei Hans Werner Henze in Köln.
    [Show full text]
  • BRAHMS-GLANERT BRAHMS-BERIO GLANERT Michael Nagy, Baritone Kari Kriikku, Clarinet Helsinki Philharmonic Orchestra Olari Elts
    BRAHMS-GLANERT Four Serious Songs BRAHMS-BERIO Clarinet Sonata No. 1 GLANERT Weites Land Michael Nagy, baritone Kari Kriikku, clarinet Helsinki Philharmonic Orchestra Olari Elts JOHANNES BRAHMS (1833–1897) DETLEV GLANERT (b. 1960) LUCIANO BERIO (1925–2003) BRAHMS-GLANERT: Vier Präludien und Ernste Gesänge (Four Preludes and Serious Songs) (1896, arr. 2004/05) Based on Four Serious Songs, Op. 121 and arranged for baritone and orchestra by Detlev Glanert 1 Präludium zu Nr. 1 2:04 2 I Denn es gehet dem Menschen 4:15 3 Präludium zu Nr. 2 1:49 4 II Ich wandte mich 3:32 5 Präludium zu Nr. 3 1:35 6 III O Tod, wie bitter bist du 3:08 7 Präludium zu Nr. 4 2:03 8 IV Wenn ich mit Menschen- und mit Engelszungen redete 4:02 9 Postludium 1:55 [24:28] MICHAEL NAGY, baritone GLANERT: 10 Weites Land (Distant Land) (2013) Musik mit Brahms für Orchester (Music with Brahms for Orchestra) 11:25 BRAHMS-BERIO: Op. 120 No. 1 (1894, arr. 1986) Clarinet Sonata No. 1 arranged for clarinet and orchestra by Luciano Berio 11 I Allegro appassionato 8:04 12 II Andante un poco adagio 5:47 13 III Allegretto grazioso 3:45 14 IV Vivace 5:09 [22:45] KARI KRIIKKU, clarinet HELSINKI PHILHARMONIC ORCHESTRA OLARI ELTS, conductor 3 JOHANNES BRAHMS 4 Vienna, May 1st, 1895 Composers have delighted in reworking the music of their peers, whether contemporary or from the past. Bach recast Vivaldi and many another almost as much as his own works; Busoni recomposed for piano many of Bach’s organ works, while Stokowski’s and Respighi’s orchestrations of the magisterial Passacaglia and Fugue enjoy great currency.
    [Show full text]
  • ROYAL CONCERTGEBOUW ORCHESTRA GLANERT > REQUIEM for HIERONYMUS BOSCH MARKUS STENZ, CONDUCTOR Photo Renske Vrolijk
    ROYAL CONCERTGEBOUW ORCHESTRA GLANERT > REQUIEM FOR HIERONYMUS BOSCH MARKUS STENZ, CONDUCTOR photo Renske Vrolijk Aga Mikolaj, Ursula Hesse von den Steinen and Detlev Glanert after the performance. www.rcoamsterdam.com Detlev Glanert Requiem for Hieronymus Bosch (version 2016) after the Requiem Mass and medieval poetry for solo voices, choruses and orchestra Recorded Live at Concertgebouw Amsterdam on 5 November 2016 NTR ZaterdagMatinee | World premiere recording Commissioned by Jheronimus Bosch 500 and the Royal Concertgebouw Orchestra, with financial support from the Ernst von Siemens Foundation and the Eduard van Beinum Foundation. photo Renske Vrolijk Detlev Glanert Royal Concertgebouw Orchestra Detlev Glanert Markus Stenz, conductor Requiem for Hieronymus Bosch (version 2016) choir 1 De Demonibus 6 : 1 5 Netherlands Radio Choir 2 Requiem Æternam 6 : 00 Edward Caswell, chorus master 3 Gula 3 : 30 4 Absolve Domine 3 : 29 soloists 5 Ira 2 : 4 1 David Wilson-Johnson, voice 6 Dies Iræ 7 : 35 Aga Mikolaj, soprano 7 Invidia 2 : 40 Ursula Hesse von den Steinen, mezzo-soprano 8 Juste judex 5 : 20 Gerhard Siegel, tenor 9 Organ solo 3 : 1 4 Christof Fischesser, bass 10 Acedia 4 : 2 3 Leo van Doeselaar, organ 1 1 Domine, Jesu Christe 3 : 34 12 Superbia 3 : 39 13 Sanctus 3 : 1 4 14 Luxuria 2 : 1 3 15 Agnus Dei 7 : 54 16 Avaritia 1 : 5 7 17 Libera Me & Peccatum 6 : 24 18 In Paradisum 8 : 58 total playing time 83 : 09 www.rcoamsterdam.com Heavenly judgement for the sinner EN Hieronymous B. Lux aeterna, eternal light. Or is it Dies Irae, day of rage? of the Visions of the Hereafter made a profound impression: Confronted with hard, chilly reality, it is often no easy job, ‘What a dark, unforeseen and above all grandiose vision even for the most undeviating believer, to persist along speaks from these paintings.
    [Show full text]