Petedohertycondenado Aseismesesdecárcel

Total Page:16

File Type:pdf, Size:1020Kb

Petedohertycondenado Aseismesesdecárcel 20/05/2011 21:36 Cuerpo E Pagina 4 Cyan Magenta Amarillo Negro 4 SÁBADO 21 DE MAYO DE 2011 TÍMPANO TRADICIÓN Y VERDAD EFE Gustos. Nyman ha continuado su interés en la ópera y la Participación. Es conocido sobre todo del gran público como música antigua. compositor de bandas sonoras para el cine. Michael Nyman EFE gana el Ivor Novello de música clásica LOHAN TEME UN ATAQUE SEXUAL México.- La actriz Lindsay Lohan obtuvo una orden de restricción con- EFE cords), con libreto de Vic- statistics’, ‘Noises’, Música tra un sujeto que la acosa, pues teme un ataque sexual. Apenas hace unos Londres. toria Hardie, estrenada en ‘Sounds and sweet airs’, días se supo que la joven de 24 años denunció en Twitter la existencia de Nyman ha continuado el Auditorio de Galicia, de ‘Facing Goya’, ‘Man and un individuo que merodeaba por su casa. La orden temporal es contra su interés en la ópera El compositor británico Mi- Santiago de Compostela, boy: Dada y love counts’. y la música antigua David Cocordan, quien fue señalado por Lindsay como su acosador des- chael Nyman ha sido galar- en agosto de 2000. Pero es conocido sobre escribiendo una de hace dos años. nuevaariaparauna donado con el premio Ivor La ópera trata del in- todo del gran público como producción de ‘La Novello de música clásica, tento de clonar al genial compositor de bandas sono- coronación de Poppea’, de informaron hoy fuentes de pintor aragonés utilizando ras para el cine: entre ellas Monteverdi, la organización. su cráneo, que estuvo mu- las de varios filmes de Peter recientemente Nacido en 1944, Nyman cho tiempo desaparecido, Greenaway, como ‘The Pete Doherty condenado estrenada en el es uno de los compositores pero que alguien encuen- Draughtsman’s contract’, pequeño teatro King’s Head, de Londres. más exitosos de este país: tra bajo una tarima en una ‘The cook, the thief, his wi- de su banda sonora del fil- galería de “arte degenera- fe & her lover’ o ‘The end of a seis meses de cárcel me ‘The piano’, de Jane do” y que es luego objeto the affair’. Obras Campion, se llevan vendi- de continuas peleas. Nyman, que últimamen- EFE mañana del viernes ante un dos más de tres millones Nyman ha continuado te ha estado trabajando tam- La última obra de Londres. tribunal del este de Londres, de discos. su interés en la ópera y la bién como cineasta ha he- Nyman que se ha Doherty declaró sentirse “es- El premio Ivor Novello música antigua escribiendo cho algunos cortes como el editado es su ópera El polémico cantante británi- candalizado y triste” por el se concede a toda una obra una nueva aria para una titulado ‘Nyman with a mo- en cuatro actos co Pete Doherty,solista del gru- fallecimiento de la documen- en el campo de la música producción de ‘La corona- vie camera’. ‘Facing Goya’ (MN po Babyshambles, fue conde- talista, una muerte que la po- clásica y entre los últimos ción de Poppea’, de Monte- Records) , con libreto nado a seis meses de prisión licía de Londres no conside- galardonados figuran Peter verdi, recientemente estre- de Victoria Hardie, tras haberse declarado culpa- ró que se produjera bajo cir- Maxwell Davies, James nada en el pequeño teatro estrenada en el ble de posesión de cocaína. cunstancias sospechosas. Macmillan, John Rutter y King’s Head, de Londres. Auditorio de Galicia, El ex-líder de la banda Harrison Birtwistle. El compositor británi- de Santiago de The libertines, de 32 años, RECUENTO La última obra de Ny- co ha escrito varias ópe- Compostela, en fue sentenciado en el marco Se trata de la tercera vez que man que se ha editado es ras: ‘The man who mis- agosto de 2000. de una investigación sobre el músico, ex pareja de la su- su ópera en cuatro actos took his wife of a hat’, ‘Or- la muerte por sobredosis de permodelo británica Kate ‘Facing Goya’ (MN Re- pheu’s daughter’, ‘Vital Datos heroína, crack y Valium de Moss, es encarcelado tras ad- la cineasta Robin Whi- mitir posesión de drogas. tehead, quien falleció en La condena ha motivado Nacido en 1944, enero de 2010 mientras roda- que Doherty tenga que can- Nyman es uno de los ba un documental sobre el celar un concierto que tenía compositores más controvertido músico. previsto dar esta noche en exitosos de este país: En una vista celebrada la Glasgow (Escocia). de su banda sonora del filme ‘The piano’, de Jane Campion, se llevan vendidos más de tres millones de discos. EFE Incidente. Se trata de la tercera vez que el músico es encarcelado tras admitir posesión de drogas..
Recommended publications
  • Now We Are 126! Highlights of Our 3 125Th Anniversary
    Issue 5 School logo Sept 2006 Inside this issue: Recent Visits 2 Now We Are 126! Highlights of our 3 125th Anniversary Alumni profiles 4 School News 6 Recent News of 8 Former Students Messages from 9 Alumni Noticeboard 10 Fundraising 11 A lot can happen in 12 just one year In Memoriam 14 Forthcoming 16 Performances Kim Begley, Deborah Hawksley, Robert Hayward, Gweneth-Ann Jeffers, Ian Kennedy, Celeste Lazarenko, Louise Mott, Anne-Marie Owens, Rudolf Piernay, Sarah Redgwick, Tim Robinson, Victoria Simmons, Mark Stone, David Stout, Adrian Thompson and Julie Unwin (in alphabetical order) performing Serenade to Music by Ralph Vaughan Williams at the Guildhall on Founders’ Day, 27 September 2005 Since its founding in 1880, the Guildhall School has stood as a vibrant showcase for the City of London's commitment to education and the arts. To celebrate the School's 125th anniversary, an ambitious programme spanning 18 months of activity began in January 2005. British premières, international tours, special exhibits, key conferences, unique events and new publications have all played a part in the celebrations. The anniversary year has also seen a range of new and exciting partnerships, lectures and masterclasses, and several gala events have been hosted, featuring some of the Guildhall School's illustrious alumni. For details of the other highlights of the year, turn to page 3 Priority booking for members of the Guildhall Circle Members of the Guildhall Circle are able to book tickets, by post, prior to their going on sale to the public. Below are the priority booking dates for the Autumn productions (see back cover for further show information).
    [Show full text]
  • SEPTEMBER 2009 LIST See Inside for Valid Dates
    tel 0115 982 7500 fax 0115 982 7020 SEPTEMBER 2009 LIST See inside for valid dates Dear Customer This month, the record labels get back to the serious business of high profile new releases and we offer them all at our usual attractive prices! The much anticipated Brahms Symphonies with the Berlin Phil & Rattle on EMI are finally released & we can highly recommend them - superb playing and sparkling yet ‘natural’ interpretations. A delight. You want the big names? Jonas Kaufmann, Nicola Benedetti, Renee Fleming, Marcello Alvarez & Mitsuko Uchida all make their appearance on Universal labels. Brendel’s digitally recorded Beethoven Sonatas from the 1990s at last becomes available at a sensible price. EMI wheel out the big guns including Villazon, Pape & Pappano in Verdi’s Messe da Requiem along with Sarah Chang performing the Brahms & Bruch Violin Concerti. We also very much like the Brahms Piano Quintet & Quartet no. 1 with the Quatuor Ebene. Hyperion give us Angela Hewitt performing Handel & Haydn and vol 12 of the Byrd Edition with Cardinall’s Musik whilst ECM follow up their highly recommended Schiff Bach series with the Six Partitas. Our special offers are many & varied. We have the whole Hyperion catalogue reduced, along with Channel Classics, Telarc, full-price Harmonia Mundi titles, Alto, NMC, Svetlanov & Toccata. We also make available a large range of EMI Box Sets, their ’Very Best Of’ series & the Nigel Kennedy catalogue, all at significant reduced prices. Something for everyone. Enjoy perusing the list & we look forward to supplying your classical requirements. Mark, Richard & Mike DON’T FORGET - UK Carriage is FREE over £30 Chandos offer now extended! The reductions on Chandos titles now apply until Friday 25th September, including the multibuy offer of only £8.95 each on full-price single discs! Offers still available from our AUGUST 2009 list (until Friday, 25 September, 2009) Universal Classics Mendelssohn & Purcell titles, & selected DG ‘Originals’ recordings…..
    [Show full text]
  • 2015 Hidden Disunities and Uncanny Resemblances
    Hidden Disunities and Uncanny Resemblances: Connections and ANGOR UNIVERSITY Disconnections in the Music of Lera Auerbach and Michael Nyman ap Sion, P.E. Contemporary Music Review DOI: 10.1080/07494467.2014.959275 PRIFYSGOL BANGOR / B Published: 27/10/2014 Peer reviewed version Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): ap Sion, P. E. (2014). Hidden Disunities and Uncanny Resemblances: Connections and Disconnections in the Music of Lera Auerbach and Michael Nyman. Contemporary Music Review, 33(2), 167-187. https://doi.org/10.1080/07494467.2014.959275 Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 30. Sep. 2021 Hidden Disunities and Uncanny Resemblances: Connections and Disconnections in the music of Lera
    [Show full text]
  • Michael Nyman
    EFFET L OO P SUR... Michael Nyman Michael Nyman (Photo : X.D.R) « Michael Nyman a apparemment découvert comment avoir un pied dans le 18 ème siècle et un autre dans le 20 ème siècle » (Peter Greenaway in Daniel Caux : Peter Greenaway - Editions Dis Voir - 1987) BLABLA Michael Nyman Nationalité : Britannique Naissance : 23 mars 1944 à Londres 1er métier : critique musical Autres : Musicologue, ethno-musicologue, pianiste, claveciniste, compositeur, arrangeur, chef d’orchestre, librettiste, photographe, éditeur …. Signe particulier : Minimaliste Fan de : Henry Purcell Violon d’Ingres : Les musiques de films Michael Nyman (Photo : X.D.R) DU CRITIQUE MUSICAL AU COMPOSITEUR ichael Nyman a étudié le piano et le clavecin au Royal College of Music et au King’s College. A cette époque, il compose déjà mais en 1964, il décide de mettre de côté l’écriture Mmusicale pour travailler en tant que musicologue puis par la suite, il devient critique musical. Ses articles se retrouvent dans des revues comme The Listener, The Spectator... Durant cette période, le monde de la musique contemporaine est fortement imprégné par des compositeurs comme Boulez, Stockhausen, Xenakis… À travers ses articles, Michael Nyman choisit de mettre en lumière des courants musicaux émergents. Dans le même temps, il n’hésite pas à consacrer ses analyses musicales à des genres autres que le classique : le rock, la musique indienne… Cet éclectisme l’amènera plus tard à jouer et composer avec des musiciens issus de divers horizons musicaux. Ainsi, dans le courant des années 1970, il collabore tour à tour avec le groupe de rock anglais The Flying Lizards1, avec le mandoliniste indien U.Shrinivas ou bien encore avec sa compatriote Kate Bush2.
    [Show full text]
  • Proceedings [Eng]
    2 Dicastery for Promoting Integral Human Development THEORY AND PRAXIS OF DEVELOPMENT PROCEEDINGS OF THE ONE-DAY SEMINAR1 ON THE OCCASION OF THE 10TH ANNIVERSARY OF THE ENCYCLICAL LETTER CARITAS IN VERITATE BY POPE BENEDICT XVI Casina Pio IV, Vatican City State, 3rd December 2019 1 The booklet contains keynote addresses and responses made during the one-day seminar and made available to the Dicastery for Promoting Integral Human Development for publication. 3 Dicastery for Promoting Integral Human Development Palazzo San Calisto 00120 Vatican City State [email protected] www.humandevelopment.va © 2019 Dicastery for Promoting Integral Human Development 4 TABLE OF CONTENTS FOREWORD p. 9 H. Em. Card. Peter K. A. TURKSON Prefect of the Dicastery for Promoting Integral Human Development OPENING SESSION p. 11 H. Exc. Archbp. Paul Richard GALLAGHER Secretary for Relations with States, Secretariat of State Opening Remarks H. Em. Card. Peter K. A. TURKSON Prefect of the Dicastery for Promoting Integral Human Development Introduction H. Exc. Archbp. Silvano M. TOMASI Founder of the Caritas in Veritate Foundation Stefano ZAMAGNI President of PASS La Caritas in Veritate dieci anni dopo THE PERSPECTIVE OF THE CHURCH p. 39 Stefano ZAMAGNI President of PASS When economy divorces from fraternity: The message of Caritas in veritate H. Em Card. Michael CZERNY Undersecretary of the Dicastery for Promoting Integral Human Development – Migrants and Refugees Section The message of integral human development and integral ecology: towards Laudato Si’ Msgr. Peter SCHALLENBERG Catholic Central Institute for Social Sciences in Mönchengladbach – Germany The Basis of Personal and Social Ethics for an Integral Human Development 5 THE PERSPECTIVE OF CATHOLIC DEVELOPMENT AGENCIES p.
    [Show full text]
  • Regia E Vita. L'archivio Di Luca Ronconi
    Soprintendenza archivistica e bibliografica dell’Umbria e delle Marche Regia e vita. L’archivio di Luca Ronconi Inventario a cura di Rossella Santolamazza Perugia, settembre 2017 Ringraziamenti La curatrice ringrazia il soprintendente Mario Squadroni per l’incarico conferitole. Ringrazia, inoltre, Roberta Carlotto, proprietaria dell’archivio, per aver permesso il riordinamento e l’inventariazione del fondo e per il sostegno garantito nel corso del lavoro. Sostegno garantito anche da Claudia di Giacomo ed Elisa Ragni, cui si estendono i ringraziamenti. Ringrazia, infine, Alessandro Bianchi e Simonetta Laudenzi, funzionari della Soprintendenza archivistica e bibliografica dell’Umbria e delle Marche, per aver, rispettivamente, fotografato gli oggetti in fase di riordinamento e contribuito al riordinamento di alcune buste di documentazione della serie Carteggio personale e contabile e Leonardo Musci e Stefano Vitali per i consigli. Nel frontespizio: Fotografie di Luca Ronconi conservate nell’archivio In alto a sinistra: ASPG, ALR, Attività giovanile, b. 1, fasc. 11, sottofasc. 1; a destra: Ivi, sottofasc. 2. In basso a sinistra: ASPG, ALR, Regie, Documentazione non attribuita, b. 67, fasc. 3, sottofasc. 4; a destra: Ivi, sottofasc. 6. In ultima pagina: Fotografia del premio Lingotto ’90: Gli ultimi giorni dell’umanità, ASPG, ALR, Premi, b. 89, fasc. 19. ISBN 9788895436579 © 2017 - Ministero dei beni e delle attività culturali e del turismo. Soprintendenza archivistica e bibliografica dell’Umbria e delle Marche 2 PRINCIPALI SIGLE ED ABBREVIAZIONI
    [Show full text]
  • Michael Nyman
    Michael Nyman Quan Michael Nyman va publicar, el 1974, el seu estudi Experimental Music. Cage and Beyond [Música Experimental. De Cage en endavant] difícilment hauria previst la seva pròpia contribució a aquest “en endavant”. Distanciat del que aleshores era l’ortodòxia del modernisme internacional, Nyman va abandonar la composició el 1964, preferint treballar com a musicòleg. Més endavant va escriure crítiques per a diferents diaris, incloent-hi The Spectator, on, en un escrit de 1968 sobre The Great Digest de Foto: Perou Cornelius Cardews, va utilitzar per primera vegada la paraula “minimalisme” aplicada a la música. El mateix any, un programa de la BBC sobre Come Out, de Steve Reich, va obrir les seves orelles a noves possibilitats. Era l’inici de la seva activitat com a compositor. El 1968 va posar música al llibret de Down by the Greenwood Side, de Harrison Birtwistle. Més tard, Birtwistle li va encarregar els arranjaments de cançons venecianes del segle XVIII per a una producció del 1976 de Il Campiello de Carlo Goldoni, per a la qual Nyman va reunir el que ell mateix va descriure com “la banda de carrer sense amplificar més sorollosa” que es pogués imaginar. Nyman va conservar reunida la Campiello Band, afegint-se ell mateix al piano. Una banda necessita repertori, i Nyman va començar a proveir- se’n, començant per In Re Don Giovanni, un tractament característic de 16 compassos de Mozart. Després d’alguns canvis, la banda va incorporar amplificació i va passar a dir-se Michael Nyman Band. Aquest és el laboratori on Nyman ha formulat el seu estil de composició, basat en melodies consistents, ritmes flexibles però contundents i una manera de tocar articulada amb precisió.
    [Show full text]
  • Renata Salecl, Slavoj Zizek-Gaze and Voice As Love Objects
    and voice love objects Renata Salecl and Slavoj Zizek, editors sic A DUKE UNIVERSITY PRESS Durham and London 1996 © 1996 Duke University Press AH rights reserved Printed in the United States of America on acid-free paper ® Typeset in Sabon by Tseng Information Systems, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. Introduction i PART I GAZE, VOICE i Mladen Dolar, The Object Voice 7 2 Alenka Zupancic, Philosophers' Blind Man's Buff 32 3 Elisabeth Bronfen, Killing Gazes, Killing in the Gaze: On Michael Powell's Peeping Tom 59 4 Slavoj 2izek, "I Hear You with My Eyes"; or, The Invisible Master 90 PART II LOVE OBJECTS 5 Mladen Dolar, At First Sight 129 6 Fredric Jameson, On the Sexual Production of Western Subjectivity; or, Saint Augustine as a Social Democrat 154 7 Renata Salecl, I Can't Love You Unless I Give You Up 179 8 Slavoj 2izek, "There Is No Sexual Relationship" 208 Notes on Contributors 251 Index 253 Renata Salecl/Slavoj 2izek In the psychoanalytic community, we often encounter a nostalgic long• ing for the good old heroic days when patients were naive and ignorant of psychoanalytic theory—this ignorance allegedly enabled them to pro• duce "purer" symptoms, that is, symptoms in which their unconscious was not too much distorted by their rational knowledge. In those days, there were still patients who told their analyst, "Last night, I had a dream about killing a dragon and then advancing through a thick forest to a castle ...," whereupon the analyst triumphantly answered, "Ele• mentary, my dear patient! The dragon is your father, and the dream ex• presses your desire to kill him in order to return to the safe haven of the maternal castle.
    [Show full text]
  • Programa De Mano
    HOMENAJE A MICHAEL NYMAN EN SU 70 ANIVERSARIO JAIME MARTÍN DIRECTOR IVÁN MARTÍN PIANO DURACIÓN TOTAL APROXImaDA: 95´ M. NyMaN: Concierto para piano nº 2 22´ M. NyMaN: Sinfonía nº 5 20´ M. NyMaN: El contrato del dibujante 16´ LA OSCYL Y LOS INTÉRPRETES ORQUESTA SINFÓNICA JaiMe MartíN dirigió a la OSCyl eN laS teMpOradaS 2008-09 y 2012-13 DE CASTILLA Y LEÓN iváN MartíN COlabOró JuNtO a la OSCyl eN laS teMpOradaS 2008-09 y 2010-11 JAIme maRTÍN DIRECTOR — IVÁN maRTÍN PIANO Editado por Junta de Castilla y León Consejería de Cultura y Turismo AUDITORIO MIGUEL DELIBES ORQUESTA SINFÓNICA DE CASTILLA Y LEÓN Av. Monasterio Ntra. Sra. de Prado, 2 VALLADOLID 47015 Valladolid · T 983 385 604 www.auditoriomigueldelibes.com / www.fecebook.com/auditoriomigueldelibes ABONO OSCYL 14 EDITA — © Junta de Castilla y León. Consejería de Cultura y Turismo JUEVes 2 Y VIerNes 3 de mayo de 2013 Fundación Siglo para el Turismo y las Artes de Castilla y León © De los textos: sus autores 20.00 H · sala SINFÓNIca La Orquesta Sinfónica de Castilla y León es miembro de la Asociación Española de Orquestas Sinfónicas (AEOS) AUDItorIO MIGUEL DELIBES La Orquesta Sinfónica de Castilla y León y el Auditorio Miguel Delibes son miembros de la Red de Organizadores de Conciertos Educativos (ROCE) Todos los datos de salas, programas, fechas e intérpretes que aparecen, son susceptibles de modificaciones. D.L.: VA-194/2013 Valladolid, España 2013 PROGRAMA HOMENAJE A MICHAEL NYMAN [Inglaterra, 1944] la Orquesta Sinfónica de Castilla león, desde el auditorio Miguel delibes, HOMENAJE A MICHAEL NYMAN se une a toda una serie de conciertos y eventos que diversas instituciones musi- EN SU 70 ANIVERSARIO cales de ámbito internacional llevarán a cabo durante las dos próximas tempo- radas para conmemorar el 70 aniversario del compositor Michael Nyman.
    [Show full text]
  • PALMER/RAE ASSOCIATES International Cultural Advisors
    PALMER/RAE ASSOCIATES International Cultural Advisors European Cities and Capitals of Culture - City Reports Study Prepared for the European Commission PART II Palmer/Rae Associates Rue de la Croix de Pierre 74, B-1060 Brussels, Belgium Tel. +32 (0)2 5343484 - Fax +32 (0)2 5348161 E-mail: [email protected] - Web site: http://www.palmer-rae.com PALMER/RAE ASSOCIATES, BRUSSELS August 2004 Palmer/Rae Associates REPORT ON EUROPEAN CITIES AND CAPITALS OF CULTURE PART II Project Team Director Robert Palmer Research Manager Susie Jones Senior Researcher Caspar Will Assistants Sofie Sweygers Susanna Malzacher Raphael Bosch-Joubert Database Consultant Stephanie Racette Cover Design Julie Doutrelepont Expert Advisers Tourism Perspectives Greg Richards Social Perspectives François Matarasso Economic Perspectives Stuart Gulliver External Advisers Eric Corijn Rod Fisher Beatriz Garcia Brit Holtebekk Gottfried Wagner European Cities and Capitals of Culture - City Reports Table of Contents PART II Table of Contents INTRODUCTION 8 EUROPEAN CAPITALS AND CITIES OF CULTURE 1995 - 2004 LUXEMBOURG 1995 11 COPENHAGEN 1996 27 THESSALONIKI 1997 47 STOCKHOLM 1998 63 WEIMAR 1999 81 AVIGNON 2000 97 BERGEN 2000 112 BOLOGNA 2000 129 BRUSSELS 2000 147 CRACOW 2000 167 HELSINKI 2000 182 PRAGUE 2000 203 REYKJAVIK 2000 219 SANTIAGO DE COMPOSTELA 2000 235 PORTO 2001 248 ROTTERDAM 2001 267 BRUGES 2002 287 Palmer/Rae Associates, Brussels Page 6 SALAMANCA 2002 303 GRAZ 2003 319 GENOA 2004 341 LILLE 2004 346 EUROPEAN CULTURAL MONTHS 1995-2003 NICOSIA 1995 353 ST. PETERSBURG 1996 AND 2003 359 LJUBLJANA 1997 364 LINZ 1998 367 VALLETTA 1998 372 PLOVDIV 1999 376 BASEL 2001 379 RIGA 2001 383 ANNEX: QUESTIONNAIRE 387 Table of Contents European Cities and Capitals of Culture - City Reports Introduction Part II comprises reports on each of the 21 ECOC and the 8 cities that hosted European cultural months in the period 1995-2004.
    [Show full text]
  • Inventing Goya
    Inventing Goya Joseph R. Jones The Encounters conference took place because in 1898 or thereabouts, one great Spanish artist encountered the work of another, and the result of that encounter has become an object of study and admiration for everyone present. We are allotting most of our time today to the music of one of these two geniuses, but it is appropriate to take half an hour to remember the great painter who inspired the music, and whose very name now stands for a troubled and colorful time in Spain’s history. To quote Granados’ librettist, Periquet: “The word “Goya” is not only a surname but the symbol of a period of farces and tragedy, tonadillas and riots, bullfights and aristocrats, true love and dalliances.”1 Granados and Periquet were both, as we know, obsessed with Goya’s art. But they were also fascinated by the personality of the artist. They considered him to be not only the consummate painter of Spain in all its aspects, even its darkest, but also the incarnation their country’s eternal values of manliness, loyalty, honesty, and patriotism. They made Goya a character in their first tonadilla, “La maja de Goya,” and Granados clearly planned to include him in the opera Goyescas. We know this because when the composer began to consider turning his piano suite into an opera, he jotted down, in notebooks that still survive, four different story lines, in which he describes his hero as “famous artist, lover of duchess” or “artist and student.” In one set of notes, he describes the opening scene as showing the arrival of Diego de Goya y Lucientes (identified by his initials) in a carriage, a calesa, which recalls the original and now puzzling title of the opera, Goyesca.
    [Show full text]
  • Auction Books & Prints Veiling Boeken & Prenten Vente
    AUCTION BOOKS & PRINTS VEILING BOEKEN & PRENTEN VENTE PUBLIQUE LIVRES & ESTAMPES Friday - Vendredi - Vrijdag Saturday - Samedi - Zaterdag 20.03.2020 - 13:00 h / u 21.03.2020 - 13:00 h / u TENTOONSTELLING - EXPOSITION - VIEWING Friday / Vendredi / Vrijdag 13.03 • 10:00 – 18:00 Saturday / Samedi / Zaterdag 14.03 • 10:00 – 18:00 Monday / Lundi / Maandag 16.03 • 10:00 – 20:00 Tuesday / Mardi / Dinsdag 17.03 • 10:00 – 18:00 Wednesday / Mercredi / Woensdag 18.03 • 10:00 – 18:00 Thursday / Jeudi / Donderdag 19.03 • 10:00 – 18:00 or by appointment - of na afspraak - ou sur rendez-vous Wolstraat 19/2 Rue aux Laines BRUSSEL 1000 BRUXELLES TEL 32(0)2 544 10 55 – FAX 32(0)2 544 10 57 [email protected] • www.arenbergauctions.com Live bidding a b x j ARENBERG AUCTIONS NV / SA Rédaction catalogue / Redactie catalogus / Editorial catalog Rue aux Laines 19/2 Wolstraat BRUXELLES 1000 BRUSSEL TVA-BTW-VAT: BE 0657 769 074 Renaud ADAM [email protected] Johan DEVROE [email protected] Loedja BISKUP [email protected] [email protected] Henri GODTS Isabelle CHIELENS [email protected] [email protected] [email protected] Karen DE COENE [email protected] Cinzia CASTIGNANI Photos & logistique / Foto’s & logistiek Carine DEPREZ [email protected] [email protected] Raphaël HERMAN Photos & logistique / Foto’s & logistiek Stijn GELDOF [email protected] [email protected] Sophie PECKEL Administration / Administratie / Office Oliver KIK [email protected]
    [Show full text]