PALMER/RAE ASSOCIATES International Cultural Advisors
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BIGOLIS TEATRE Bigolis Teatre is a theatre company that works with street theatre machines and puppets. It is formed by members of Traüt cia. d’espectacles and Forani Teatre, both with more than 15 years of experience at street theatre and performance. Bigolis’ dramatic proposal is based on using different disciplines at street performance: puppets, circus, music, dance, clown...and with the presence of a mobile machine handling by the performers. SSSYSYYYNOPSIS:NOPSIS: Welcome to Wonderwool, the big factory of wool. Two cats work there, trying to maintain the order in the wool balls that they produce; however wool balls disappear and they can only go out and get them. They will go out trying to pass unnoticed and that no one to notice them. But this will not be possible and they will ended up doing what cats do, play, eat, run, sleep, jump and interact with everything they encounter on their way ... in a game that never ends. The two characters, two cats dressed as factory workers, manager and operator, play in the streets. Acrobatics, chases and games with the public are part of this show that joins circus and gesture arts with street theater. KIND of AUDIENCE : Family, everybody. CONTENTS ::: Street and gestual theatre, circ and clown. Walk act. CREDITS ::: Creation , Direction and dramaturgy: Ignasi Llorens (Bigolis Teatre). Characters , costumes and masks design: Isabel Franco. Performers: Ton Muntané & Jordi Romero. Choreographer: Arnau Colom. Masks making: Eudald Ferré,Paulette la Sombrerera Loca. Costume making: Olivia Garzon & Ana de la Cruz. Production: i + i Produccions. FESTIVALS : 2016 -WONDERWOOL . Santa Maria da Feira ( Portugal ). -
PIPILOTTI RIST Born 1962 in Grabs, Switzerland Lives and Works in Zurich, Switzerland
PIPILOTTI RIST Born 1962 in Grabs, Switzerland Lives and works in Zurich, Switzerland EDUCATION 1986–1988, Audiovisual communications (video), School of Design, Basel, Switzerland 1982–1986, Commercial art, illustration, and photography, University of Applied Arts Vienna, Vienna, Austria PROFESSIONAL ACTIVITIES 2002-2003, Visiting professor, UCLA, Los Angeles, CA 1988–1994, Member, Les Reines Prochaines (band), concerts, performances, and LPs/CDs 1987–1994,Computer graphics designer, various industrial video studios, Basel, Switzerland 1986–present, Freestyle video/audio works and installations AWARDS AND HONORS 2018, 18th Aurora Award, Aurora Picture Show, Houston, TX 2014, Prix Meret Oppenheim, Switzerland 2014, Willi Reber Art Price, Chur, Switzerland 2014, Baukoma Award for Marketing and Architecture, Best Site Development, Kerzers, Switzerland 2012, Bazaar Art International Artist of the Year, Hong Kong, China 2013, Zurich Festival Prize, Zurich, Switzerland 2011, Best Architects 11 Award, Dusseldorf, Germany 2010, Cutting Edge Award, Miami International Film Festival, Miami FL 2009, Best Exhibition of Digital, Video, or Film Award, The International Association of Art Critics (AICA), New York, NY 2009, Joan Miró Prize, Fundació Caixa Girona, Spain 2009, President of the Jury's Extraordinary Award, 6th Seville European Film Festival, Seville, Spain 2007, St.Galler Kulturpreis der St.Gallischen Kulturstiftung, St. Gallen, Switzerland 2006, Honoree, Solomon R. Guggenheim Museum Young Collector’s Council Annual Artist’s Ball, New York, NY 2004, Universität der Künste, 01award, Berlin, Germany 2001, Zürcher Kunstpreis, Stadt Zürich, Switzerland 1999, Wolfgang Hahn Preis, Museum Ludwig, Cologne, Germany 1997, Premio '2000' della Biennale di Venezia , Venice, Italy1997, Kwangiu Biennale Award, Korea 1997, Prenta Preis der Kunsthalle Nürnberg 1996, DAAD, Berlin, Germany 1994, Manor-Kunstpreis, St. -
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Yale university press Fall/Winter 2020 Marcus Carey Batchelor Bate Under the Red White A Little History of The Art of Solitude Radical Wordsworth and Blue Poetry Hardcover Hardcover Hardcover Hardcover 978-0-300-25093-0 978-0-300-16964-5 978-0-300-22890-8 978-0-300-23222-6 $23.00 $35.00 $26.00 $25.00 Unwin/Tipling Delbanco Leibovitz Campbell Flights of Passage Why Writing Matters Stan Lee Year of Peril Hardcover Hardcover Hardcover Hardcover 978-0-300-24744-2 978-0-300-24597-4 978-0-300-23034-5 978-0-300-23378-0 $40.00 $26.00 $26.00 $30.00 Van Engen Reynolds Taylor Musonius Rufus City on a Hill Allah Sons of the Waves That One Should Hardcover Hardcover Hardcover Disdain Hardships 978-0-300-22975-2 978-0-300-24658-2 978-0-300-24571-4 Hardcover $30.00 $30.00 $30.00 978-0-300-22603-4 $22.00 RECENT GENERAL INTEREST HIGHLIGHTS Yale university press FALL/WINTER 2020 GENERAL INTEREST 01 JEWISH LIVES® 24 MARGELLOS WORLD REPUBLIC OF LETTERS 26 SCHOLARLY AND ACADEMIC 56 PAPERBACK REPRINTS 73 ART + ARCHITECTURE A 1 front cover illustration: Via Roma, Genoa, Italy, ca. 1895. From Stories for the Years, page 28 “This book is superb, utterly FROM TAKE ARMS AGAINST A SEA OF TROUBLES: convincing, and absolutely invigorating. Bloom’s final argument with mortality What you read and how deeply you read matters almost as much as how you ultimately has a rejuvenating love, work, exercise, vote, practice charity, strive for social justice, cultivate effect upon the reader, kindness and courtesy, worship if you are capable of worship. -
2015 Hidden Disunities and Uncanny Resemblances
Hidden Disunities and Uncanny Resemblances: Connections and ANGOR UNIVERSITY Disconnections in the Music of Lera Auerbach and Michael Nyman ap Sion, P.E. Contemporary Music Review DOI: 10.1080/07494467.2014.959275 PRIFYSGOL BANGOR / B Published: 27/10/2014 Peer reviewed version Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): ap Sion, P. E. (2014). Hidden Disunities and Uncanny Resemblances: Connections and Disconnections in the Music of Lera Auerbach and Michael Nyman. Contemporary Music Review, 33(2), 167-187. https://doi.org/10.1080/07494467.2014.959275 Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 30. Sep. 2021 Hidden Disunities and Uncanny Resemblances: Connections and Disconnections in the music of Lera -
Armin Medosch (1962-2017)
ARMIN MEDOSCH 1962—2017 Aus den Erinnerungen und dem Gedenken von so vielen Menschen an so vielen Orten entsteht das Bild eines engagierten Lebens, verbunden mit der Welt, den Künsten, der Technologie, der Politik und — mehr als alles andere — mit den Menschen. Wir erinnern uns an einen Pioneer, einen Freund, einen Partner und einen Sohn. From memories and remembrances of so many people in so many places, an image emerges of a life in deep engagement with the world, the arts, technology and politics and, above all, with people. We remember a pioneer, a friend, a husband and a son. 2 3 <nettime> Armin Medosch (1962-2017) From: FELIX STALDER <[email protected]> Date: Fri, 24 Feb 2017 09:12:56 +0100 Armin Medosch died yesterday, on the day two months after being diagnosed with cancer. I’m sure many people on nettime knew him very well. He was a real pioneer of the media arts and network culture scene in Europe. Indeed for much longer than even nettime exists. I first learned of Armin not as a person, but a legend. In the early 1990s, he was one of a band of artists of an unqualifiable streak who roamed the Baltic sea on the Kunst-Raum-Schiff, MS Stubnitz. An 80m former freeze & transport vessel of the GDR high seas fishing fleet, they had re-purposed as a moving center for experimental electronic culture. He curated and organised exhibitions and symposia in Rostock, Hamburg, Malmö and St. Petersburg. The project was incredibly evocative, even for someone like me who had never seen the ship, because it fused many of the ideas that would come to define network culture, namely nomadism, disregard for established culture institutions, DIY and an exploration of the wild wastelands opened by the breakdown of the Soviet system, after 1989. -
Regia E Vita. L'archivio Di Luca Ronconi
Soprintendenza archivistica e bibliografica dell’Umbria e delle Marche Regia e vita. L’archivio di Luca Ronconi Inventario a cura di Rossella Santolamazza Perugia, settembre 2017 Ringraziamenti La curatrice ringrazia il soprintendente Mario Squadroni per l’incarico conferitole. Ringrazia, inoltre, Roberta Carlotto, proprietaria dell’archivio, per aver permesso il riordinamento e l’inventariazione del fondo e per il sostegno garantito nel corso del lavoro. Sostegno garantito anche da Claudia di Giacomo ed Elisa Ragni, cui si estendono i ringraziamenti. Ringrazia, infine, Alessandro Bianchi e Simonetta Laudenzi, funzionari della Soprintendenza archivistica e bibliografica dell’Umbria e delle Marche, per aver, rispettivamente, fotografato gli oggetti in fase di riordinamento e contribuito al riordinamento di alcune buste di documentazione della serie Carteggio personale e contabile e Leonardo Musci e Stefano Vitali per i consigli. Nel frontespizio: Fotografie di Luca Ronconi conservate nell’archivio In alto a sinistra: ASPG, ALR, Attività giovanile, b. 1, fasc. 11, sottofasc. 1; a destra: Ivi, sottofasc. 2. In basso a sinistra: ASPG, ALR, Regie, Documentazione non attribuita, b. 67, fasc. 3, sottofasc. 4; a destra: Ivi, sottofasc. 6. In ultima pagina: Fotografia del premio Lingotto ’90: Gli ultimi giorni dell’umanità, ASPG, ALR, Premi, b. 89, fasc. 19. ISBN 9788895436579 © 2017 - Ministero dei beni e delle attività culturali e del turismo. Soprintendenza archivistica e bibliografica dell’Umbria e delle Marche 2 PRINCIPALI SIGLE ED ABBREVIAZIONI -
Michael Nyman
Michael Nyman Quan Michael Nyman va publicar, el 1974, el seu estudi Experimental Music. Cage and Beyond [Música Experimental. De Cage en endavant] difícilment hauria previst la seva pròpia contribució a aquest “en endavant”. Distanciat del que aleshores era l’ortodòxia del modernisme internacional, Nyman va abandonar la composició el 1964, preferint treballar com a musicòleg. Més endavant va escriure crítiques per a diferents diaris, incloent-hi The Spectator, on, en un escrit de 1968 sobre The Great Digest de Foto: Perou Cornelius Cardews, va utilitzar per primera vegada la paraula “minimalisme” aplicada a la música. El mateix any, un programa de la BBC sobre Come Out, de Steve Reich, va obrir les seves orelles a noves possibilitats. Era l’inici de la seva activitat com a compositor. El 1968 va posar música al llibret de Down by the Greenwood Side, de Harrison Birtwistle. Més tard, Birtwistle li va encarregar els arranjaments de cançons venecianes del segle XVIII per a una producció del 1976 de Il Campiello de Carlo Goldoni, per a la qual Nyman va reunir el que ell mateix va descriure com “la banda de carrer sense amplificar més sorollosa” que es pogués imaginar. Nyman va conservar reunida la Campiello Band, afegint-se ell mateix al piano. Una banda necessita repertori, i Nyman va començar a proveir- se’n, començant per In Re Don Giovanni, un tractament característic de 16 compassos de Mozart. Després d’alguns canvis, la banda va incorporar amplificació i va passar a dir-se Michael Nyman Band. Aquest és el laboratori on Nyman ha formulat el seu estil de composició, basat en melodies consistents, ritmes flexibles però contundents i una manera de tocar articulada amb precisió. -
Henrik Håkansson
HENRIK HÅKANSSON Born in 1968, Helsingborg, Sweden Lives and works in Falkenberg (Sweden) and Berlin SELECTED SOLO EXHIBITIONS 2018 ‘A Hundred Pieces of a Tree’, Kode Art Museum - Kode 2, Bergen, Norway ‘The Beetle’, Korjaamo, IHME Contemporary Art Festival, Helsinki, Finland ‘NATURvitenskap’ (Video screening), Trondheim Kunstmuseum, Norway 2016 ‘A Tree (Suspended)’, Kunstverein Freiburg, Freiburg, Germany ‘The End’, Auditorium Grimaldi III, “Nuit Blanche Monaco 2016” curated by Jorg Heiser, Monaco; Principality of Monaco 2015 Swedish Institute, Paris, France 2014 ‘Indefinite Swarms - A Presentation of Selected Works 2009 – 2012’, Meyer Riegger Berlin, Germany 2012 ‘AUG.11,2012 The Symptoms of the universe studies. (6min 29 sec)’, Meyer Riegger, Berlin, Germany Art Parcours, Art Basel, Basel (Screening of ‘Monarch - The Eternal’), Basel, Switzerland ‘A Forest Divided’, Lunds Konsthall, Lund, Sweden 2011 Hors Les Murs at Jardins Des Plantes, Fiac Art Fair, Paris, France ‘The End’, The Modern Institute/Toby Webster Ltd, Glasgow, UK 2010 Galleria Franco Noero, Torino, Italy 2009 ‘Henrik Håkansson’, Middlesbrough Institute of Modern Art – MIMA, Middlesbrough, UK 2008 ‘Henrik Håkansson. Novelas de la selva’, Museo Tamayo Arte Contemporáneo, Mexico DF*, Mexico 2007 ‘Aug.26,2003 - Aug.27,2003 (Vespa vulgaris), CAG, Vancouver, Canada ‘Three days of the condor’, Kettles Yard, Cambridge, UK 2006 ‘Cyanopsitta spixii Case Study #001‘, Isabella Stewart Gardner Museum, artist-in- residence exhibition, Boston, USA ‘A travers bois pour trouver la forêt’, -
Programa De Mano
HOMENAJE A MICHAEL NYMAN EN SU 70 ANIVERSARIO JAIME MARTÍN DIRECTOR IVÁN MARTÍN PIANO DURACIÓN TOTAL APROXImaDA: 95´ M. NyMaN: Concierto para piano nº 2 22´ M. NyMaN: Sinfonía nº 5 20´ M. NyMaN: El contrato del dibujante 16´ LA OSCYL Y LOS INTÉRPRETES ORQUESTA SINFÓNICA JaiMe MartíN dirigió a la OSCyl eN laS teMpOradaS 2008-09 y 2012-13 DE CASTILLA Y LEÓN iváN MartíN COlabOró JuNtO a la OSCyl eN laS teMpOradaS 2008-09 y 2010-11 JAIme maRTÍN DIRECTOR — IVÁN maRTÍN PIANO Editado por Junta de Castilla y León Consejería de Cultura y Turismo AUDITORIO MIGUEL DELIBES ORQUESTA SINFÓNICA DE CASTILLA Y LEÓN Av. Monasterio Ntra. Sra. de Prado, 2 VALLADOLID 47015 Valladolid · T 983 385 604 www.auditoriomigueldelibes.com / www.fecebook.com/auditoriomigueldelibes ABONO OSCYL 14 EDITA — © Junta de Castilla y León. Consejería de Cultura y Turismo JUEVes 2 Y VIerNes 3 de mayo de 2013 Fundación Siglo para el Turismo y las Artes de Castilla y León © De los textos: sus autores 20.00 H · sala SINFÓNIca La Orquesta Sinfónica de Castilla y León es miembro de la Asociación Española de Orquestas Sinfónicas (AEOS) AUDItorIO MIGUEL DELIBES La Orquesta Sinfónica de Castilla y León y el Auditorio Miguel Delibes son miembros de la Red de Organizadores de Conciertos Educativos (ROCE) Todos los datos de salas, programas, fechas e intérpretes que aparecen, son susceptibles de modificaciones. D.L.: VA-194/2013 Valladolid, España 2013 PROGRAMA HOMENAJE A MICHAEL NYMAN [Inglaterra, 1944] la Orquesta Sinfónica de Castilla león, desde el auditorio Miguel delibes, HOMENAJE A MICHAEL NYMAN se une a toda una serie de conciertos y eventos que diversas instituciones musi- EN SU 70 ANIVERSARIO cales de ámbito internacional llevarán a cabo durante las dos próximas tempo- radas para conmemorar el 70 aniversario del compositor Michael Nyman. -
Resetting the Stage PUBLIC THEATRE BETWEEN the MARKET and DEMOCRACY
KLAIC DRAGAN KLAIC Resetting the Stage PUBLIC THEATRE BETWEEN THE MARKET AND DEMOCRACY By Dragan Klaic Resetting the Stage Commercial theatre is thriving across Europe, while public theatre has suffered under changing patterns of cultural consumption – as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public. Dragan Klaic was a well-respected theatre scholar and cultural analyst. In his versatile career, he was professor and lecturer at universities in Amsterdam, Belgrade, Bologna, Budapest, Istanbul and Leiden, and held various positions in numerous institutions and foundations world-wide – from director to board member or permanent fellow. Intellect is honoured to be publishing his final book. intellect | www.intellectbooks.com PUBLIC THEATRE BETWEEN THE MARKET AND DEMOCRACY Resetting the Stage 05473_FM_pi-xx.indd i 8/29/12 5:25:31 PM 05473_FM_pi-xx.indd ii 8/29/12 5:25:32 PM Resetting the Stage Public Theatre Between the Market and Democracy Dragan Klaic intellect Bristol, UK / Chicago, USA 05473_FM_pi-xx.indd iii 8/29/12 5:25:32 PM First published in the UK in 2012 by Intellect, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the USA in 2012 by Intellect, The University of Chicago Press, 1427 E. -
Ava Mendoza Curriculum Vitae TWO PAGE
Ava Mendoza, B.A. [email protected] ~ www.avamendozamusic.com EDUCATION Mills College, Oakland, Bachelor of Arts in Intermedia Arts, 2006 California Institute of the Arts, Valencia, CA 2001-02 Interlochen Arts Academy, Interlochen, MI 1998-2001 GRANTS, RESIDENCIES, COMMISSIONS, AND AWARDS 2020 New Music Solidarity Fund 2020 Seven Star Arts Centre Violin-Building for Musician Aid 2018 Film Score Commission by Kino Lorber 2018 Composition Commission by Living Earth Show 2016 Bimhuis Carte Blanche (Amsterdam, NE) 2016 The Stone NYC Artist Residency (NY, NY) 2015 Eminent Artist in Residence MONA FOMA Festival (Tasmania, AU) 2012 Live Score Commission by SF International Film Festival 2011 Live Score Commission by SF Film Society 2009 Dah Teatar Residence w/ Theater of Yugen (Belgrade, RS) PROFESSIONAL ASSOCIATIONS: Happy Lucky No. 1 Community Arts Space (Brooklyn, NY) Music Curator 2019-2020 355 BAR (Oakland, CA) Music Curator 2013-2014 Theater of Yugen (SF, CA) Music Curator 2010-2011 SELECTED PERFORMANCES 2020 LaMama NYC (NY, NY) w/ Travis Just’s Object Collection • Ramapo College (Ramapo, NJ) w/ Marc Ribot’s Young Philadel- phians • The Stone at the New School (NY, NY) w/ Jon Irabagon’s I Don’t Hear Nothin’ But the Blues 2019 National Sawdust, The Stone Commissioning Series curated by John Zorn (Brooklyn, NY) duo w/ Nels Cline • Vision Festival, Roulette Intermedium, (Brooklyn, NY) w/ Ava Mendoza Quartet • Rockefeller Center (NY, NY) w/ Nick Zinner’s (Yeah Yeah Yeahs) 41 STRINGS • The Stone at the New School (NY, NY) w/ William Parker’s -
Guide for Incoming Students
© FH OÖ, Semtana GUIDE FOR INCOMING STUDENTS School of Medical Engineering and Applied Social Sciences Linz Campus www.fh-ooe.at/campus-linz Contents 3 Life as an International Student 10 Services and Facilities in Austria » Student ID Card » The University of Applied Sciences Upper » IT Information Austria » Austrian Student’s Union » Accommodation 4 Linz Campus 11 Dos and Don’ts » The Structure of our Degree Programmes » Final Degree Awarded 12 Events / Free Time Activities » General Information about Linz » Sports & Leisure » Reductions for Students 6 Our Degree Programmes 14 Essential Information » Bachelor’s Degree Programmes » Master’s Degree Programmes » Registration with the Local Authorities » Confirmation of Registration » Climate and Clothing 7 Internationalisation » Currency » Shopping » ECTS » Banks and Cash Withdrawal » Upon Arrival » Credit Cards » Grading System » Medical Services and Pharmacies » Emergency Numbers » Health Insurance Coverage 8 Academic Information » Non-Emergency Medical Treatment » Public Transport » Academic Calendar » Getting to Linz » Type of Classes » Important Vocabulary » Survival German for Student Life » German Language Courses » Personalised Schedule 18 International Students » Attendance Policy in Linz » Examinations 2 3 Life as an International Student in Austria Congratulations on your decision to embark on one of life’s greatest adventures: living and studying abroad. We hope that your stay in Linz will be a wonderful and unforgettable experience. International exchange students all over the world usually experience various phases of adjustment during their stay ab- road. At first you will probably see everything through the eyes of a tourist. Everything is new and exotic. After this stage you get down to the business of living your everyday life, which for some people is accompanied by a sense of disorien- tation or culture shock.