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Now We Are 126! Highlights of Our 3 125Th Anniversary
Issue 5 School logo Sept 2006 Inside this issue: Recent Visits 2 Now We Are 126! Highlights of our 3 125th Anniversary Alumni profiles 4 School News 6 Recent News of 8 Former Students Messages from 9 Alumni Noticeboard 10 Fundraising 11 A lot can happen in 12 just one year In Memoriam 14 Forthcoming 16 Performances Kim Begley, Deborah Hawksley, Robert Hayward, Gweneth-Ann Jeffers, Ian Kennedy, Celeste Lazarenko, Louise Mott, Anne-Marie Owens, Rudolf Piernay, Sarah Redgwick, Tim Robinson, Victoria Simmons, Mark Stone, David Stout, Adrian Thompson and Julie Unwin (in alphabetical order) performing Serenade to Music by Ralph Vaughan Williams at the Guildhall on Founders’ Day, 27 September 2005 Since its founding in 1880, the Guildhall School has stood as a vibrant showcase for the City of London's commitment to education and the arts. To celebrate the School's 125th anniversary, an ambitious programme spanning 18 months of activity began in January 2005. British premières, international tours, special exhibits, key conferences, unique events and new publications have all played a part in the celebrations. The anniversary year has also seen a range of new and exciting partnerships, lectures and masterclasses, and several gala events have been hosted, featuring some of the Guildhall School's illustrious alumni. For details of the other highlights of the year, turn to page 3 Priority booking for members of the Guildhall Circle Members of the Guildhall Circle are able to book tickets, by post, prior to their going on sale to the public. Below are the priority booking dates for the Autumn productions (see back cover for further show information). -
SEPTEMBER 2009 LIST See Inside for Valid Dates
tel 0115 982 7500 fax 0115 982 7020 SEPTEMBER 2009 LIST See inside for valid dates Dear Customer This month, the record labels get back to the serious business of high profile new releases and we offer them all at our usual attractive prices! The much anticipated Brahms Symphonies with the Berlin Phil & Rattle on EMI are finally released & we can highly recommend them - superb playing and sparkling yet ‘natural’ interpretations. A delight. You want the big names? Jonas Kaufmann, Nicola Benedetti, Renee Fleming, Marcello Alvarez & Mitsuko Uchida all make their appearance on Universal labels. Brendel’s digitally recorded Beethoven Sonatas from the 1990s at last becomes available at a sensible price. EMI wheel out the big guns including Villazon, Pape & Pappano in Verdi’s Messe da Requiem along with Sarah Chang performing the Brahms & Bruch Violin Concerti. We also very much like the Brahms Piano Quintet & Quartet no. 1 with the Quatuor Ebene. Hyperion give us Angela Hewitt performing Handel & Haydn and vol 12 of the Byrd Edition with Cardinall’s Musik whilst ECM follow up their highly recommended Schiff Bach series with the Six Partitas. Our special offers are many & varied. We have the whole Hyperion catalogue reduced, along with Channel Classics, Telarc, full-price Harmonia Mundi titles, Alto, NMC, Svetlanov & Toccata. We also make available a large range of EMI Box Sets, their ’Very Best Of’ series & the Nigel Kennedy catalogue, all at significant reduced prices. Something for everyone. Enjoy perusing the list & we look forward to supplying your classical requirements. Mark, Richard & Mike DON’T FORGET - UK Carriage is FREE over £30 Chandos offer now extended! The reductions on Chandos titles now apply until Friday 25th September, including the multibuy offer of only £8.95 each on full-price single discs! Offers still available from our AUGUST 2009 list (until Friday, 25 September, 2009) Universal Classics Mendelssohn & Purcell titles, & selected DG ‘Originals’ recordings….. -
Virtual California Spring 2021
VIRTUAL CALIFORNIA SPRING 2021 AMANDA HALL RARE BOOKS Easton Farmhouse Berwick St John Shaftesbury Wiltshire SP7 0HS England Tel: + 44 (0) 1747 898330 [email protected] www.amandahall.co.uk @amandahallrarebooks Cover pattern taken from item 22. An English Lady, A Residence in France, 1797; overleaf shows detail taken from item 50. Van Laar, Magazijn van tuin-sieraaden, 1819. Welcome to my imaginary booth and thank you for taking the time to click inside. Last year’s sunny and convivial Pasadena fair is there in my mind’s eye as I prepare this catalogue from my desk in rural England. The sky is overcast but the chaffinch outside my window is insistent so I look out, past the weeping ash and ivy-clad wall to the thatched cottage beyond. The lawn is carpeted with snowdrops but no daffodils yet. In a normal year, I would prepare for California in winter and return from New York in spring, my own return presaging the return of the swallows. This year, as each in our different way, we tackle the effects of the present crisis, we are united in valuing our community and in looking forward to the time when we will all meet again. This California book fair stand has just ten shelves in it for you to view and each shelf has five books on it. We have Children’s Books, Eye-Witness accounts of the French Revolution, Novels by Women, Ideal Societies, Illustrated Books, Education, Guide Books, Devotional Works, Memoirs and Biographies and - the shelf by the entrance - ‘To Do Books’, how to plant trees, understand heraldry, use varnishes and catch rats as well as a catalogue of inspirational designs for your new garden furniture. -
Call for Applications the Age of Van Eyck in Context
Summer Course for the Study of the Arts in Flanders Call for applications Annually, the Summer Course for the Study of the Arts in Flanders brings a select group of 18 The Age of Van Eyck in Context highly qualified young researchers to Flanders. They are offered an intensive 11-day 21 June - 1 July 2020 programme of lectures, discussions and visits related to a specific art historical period of Flemish art. Deadline for applications: The Summer Course provides the participants 15 December 2019, 5 p.m. (CET) with a clear insight into the Flemish art collections from the period at hand, as well as www.summercourse.eu into the current state of research on the topic. The sixth edition of the Summer Course will focus on ‘The Age of Van Eyck in Context’. Excursions will be made to Bruges, Ghent, Antwerp, Brussels, Leuven, Kallo, Hoogstraten, Lille, Mons and Tournai. The language of the Summer Course is English. Programme* * subject to change Sunday 21 June 2020 - Bruges 13h30 Arrival of participants 14h00-14h15 Welcome by Till-Holger Borchert (Musea Brugge) 14h15-14h45 Introduction by Anne van Oosterwijk (Musea Brugge) on The history of the collection with works of art by Jan Van Eyck 14h45-14h55 Introduction and programme overview by An Seurinck (Flemish Art Collection) 14h55-15h05 Introduction about the institutional landscape in Belgium by Pascal Ennaert (Flemish Art Collection) 15h05-15h50 Pecha Kucha Research Topics by participants (part 1) 15h50-16h10 Coffee break 16h10-17h10 Pecha Kucha Research Topics by participants (part 2) 17h10-18h00 -
Inhabiting New France: Bodies, Environment and the Sacred, C.1632-C.1700
Inhabiting New France: Bodies, Environment and the Sacred, c.1632-c.1700 Robin Macdonald PhD University of York History September 2015 2 Abstract The historiography of colonial and ‘religious’ encounters in New France has tended to focus on encounters between human beings, between ‘colonisers’ and ‘colonised’ or ‘natives’ and ‘newcomers’. This thesis will focus on encounters between people and environment. Drawing on recent anthropology, notably the work of Tim Ingold, it will argue that whilst bodies shaped environment, environment also could shape bodies – and their associated religious practices. Through the examination of a broad variety of source materials – in particular, the Jesuit Relations – this thesis will explore the myriad ways in which the sacred was created and experienced between c.1632 and c.1700. Beginning with the ocean crossing to New France – an area largely unexplored in the historiographical literature – it will argue that right from the outset of a missionary’s journey, his or her practices were shaped by encounters with both humans and non-humans, by weather or the stormy Ocean Sea. Reciprocally, it will argue, missionary bodies and practices could shape these environments. Moving next to the mission terrain, it will analyse a variety spaces – both environmental and imaginary – tracing the slow build up of belief through habitual practices. Finally, it will chart the movement of missionaries and missionary correspondence from New France back to France. It was not only missionaries, it will argue, who could experience -
Michael Nyman
EFFET L OO P SUR... Michael Nyman Michael Nyman (Photo : X.D.R) « Michael Nyman a apparemment découvert comment avoir un pied dans le 18 ème siècle et un autre dans le 20 ème siècle » (Peter Greenaway in Daniel Caux : Peter Greenaway - Editions Dis Voir - 1987) BLABLA Michael Nyman Nationalité : Britannique Naissance : 23 mars 1944 à Londres 1er métier : critique musical Autres : Musicologue, ethno-musicologue, pianiste, claveciniste, compositeur, arrangeur, chef d’orchestre, librettiste, photographe, éditeur …. Signe particulier : Minimaliste Fan de : Henry Purcell Violon d’Ingres : Les musiques de films Michael Nyman (Photo : X.D.R) DU CRITIQUE MUSICAL AU COMPOSITEUR ichael Nyman a étudié le piano et le clavecin au Royal College of Music et au King’s College. A cette époque, il compose déjà mais en 1964, il décide de mettre de côté l’écriture Mmusicale pour travailler en tant que musicologue puis par la suite, il devient critique musical. Ses articles se retrouvent dans des revues comme The Listener, The Spectator... Durant cette période, le monde de la musique contemporaine est fortement imprégné par des compositeurs comme Boulez, Stockhausen, Xenakis… À travers ses articles, Michael Nyman choisit de mettre en lumière des courants musicaux émergents. Dans le même temps, il n’hésite pas à consacrer ses analyses musicales à des genres autres que le classique : le rock, la musique indienne… Cet éclectisme l’amènera plus tard à jouer et composer avec des musiciens issus de divers horizons musicaux. Ainsi, dans le courant des années 1970, il collabore tour à tour avec le groupe de rock anglais The Flying Lizards1, avec le mandoliniste indien U.Shrinivas ou bien encore avec sa compatriote Kate Bush2. -
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Proceedings [Eng]
2 Dicastery for Promoting Integral Human Development THEORY AND PRAXIS OF DEVELOPMENT PROCEEDINGS OF THE ONE-DAY SEMINAR1 ON THE OCCASION OF THE 10TH ANNIVERSARY OF THE ENCYCLICAL LETTER CARITAS IN VERITATE BY POPE BENEDICT XVI Casina Pio IV, Vatican City State, 3rd December 2019 1 The booklet contains keynote addresses and responses made during the one-day seminar and made available to the Dicastery for Promoting Integral Human Development for publication. 3 Dicastery for Promoting Integral Human Development Palazzo San Calisto 00120 Vatican City State [email protected] www.humandevelopment.va © 2019 Dicastery for Promoting Integral Human Development 4 TABLE OF CONTENTS FOREWORD p. 9 H. Em. Card. Peter K. A. TURKSON Prefect of the Dicastery for Promoting Integral Human Development OPENING SESSION p. 11 H. Exc. Archbp. Paul Richard GALLAGHER Secretary for Relations with States, Secretariat of State Opening Remarks H. Em. Card. Peter K. A. TURKSON Prefect of the Dicastery for Promoting Integral Human Development Introduction H. Exc. Archbp. Silvano M. TOMASI Founder of the Caritas in Veritate Foundation Stefano ZAMAGNI President of PASS La Caritas in Veritate dieci anni dopo THE PERSPECTIVE OF THE CHURCH p. 39 Stefano ZAMAGNI President of PASS When economy divorces from fraternity: The message of Caritas in veritate H. Em Card. Michael CZERNY Undersecretary of the Dicastery for Promoting Integral Human Development – Migrants and Refugees Section The message of integral human development and integral ecology: towards Laudato Si’ Msgr. Peter SCHALLENBERG Catholic Central Institute for Social Sciences in Mönchengladbach – Germany The Basis of Personal and Social Ethics for an Integral Human Development 5 THE PERSPECTIVE OF CATHOLIC DEVELOPMENT AGENCIES p. -
Michael Nyman
Michael Nyman Quan Michael Nyman va publicar, el 1974, el seu estudi Experimental Music. Cage and Beyond [Música Experimental. De Cage en endavant] difícilment hauria previst la seva pròpia contribució a aquest “en endavant”. Distanciat del que aleshores era l’ortodòxia del modernisme internacional, Nyman va abandonar la composició el 1964, preferint treballar com a musicòleg. Més endavant va escriure crítiques per a diferents diaris, incloent-hi The Spectator, on, en un escrit de 1968 sobre The Great Digest de Foto: Perou Cornelius Cardews, va utilitzar per primera vegada la paraula “minimalisme” aplicada a la música. El mateix any, un programa de la BBC sobre Come Out, de Steve Reich, va obrir les seves orelles a noves possibilitats. Era l’inici de la seva activitat com a compositor. El 1968 va posar música al llibret de Down by the Greenwood Side, de Harrison Birtwistle. Més tard, Birtwistle li va encarregar els arranjaments de cançons venecianes del segle XVIII per a una producció del 1976 de Il Campiello de Carlo Goldoni, per a la qual Nyman va reunir el que ell mateix va descriure com “la banda de carrer sense amplificar més sorollosa” que es pogués imaginar. Nyman va conservar reunida la Campiello Band, afegint-se ell mateix al piano. Una banda necessita repertori, i Nyman va començar a proveir- se’n, començant per In Re Don Giovanni, un tractament característic de 16 compassos de Mozart. Després d’alguns canvis, la banda va incorporar amplificació i va passar a dir-se Michael Nyman Band. Aquest és el laboratori on Nyman ha formulat el seu estil de composició, basat en melodies consistents, ritmes flexibles però contundents i una manera de tocar articulada amb precisió. -
Engravings, Etchings, Mezzotinits, Lithographs, and Acquatints, M0871
http://oac.cdlib.org/findaid/ark:/13030/c8fr010j No online items Guide to the Leon Kolb collection of Portraits: engravings, etchings, mezzotinits, lithographs, and acquatints, M0871 Finding aid prepared by Finding aid prepared by Processed by Special Collections staff. Stanford University. Department of Special Collections and University Archives Stanford University Libraries 557 Escondido Mall Stanford, California, 94305-6064 Repository email: [email protected] 2010-09-16 M0871 1 Title: Leon Kolb, collector. Portraits: engravings, etchings, mezzotinits, lithographs, and acquatints Identifier/Call Number: M0871 Contributing Institution: Stanford University. Department of Special Collections and University Archives Language of Material: English Physical Description: 9.0 Linear feet Date (inclusive): ca. 1600-1800 Abstract: The subjects include rulers, statesmen, authors, scholars and other famous personages from ancient times to the nineteenth century. Most of the prints were produced in the 17th and 18th centuries from paintings by Has Holbein, Anthony Vandyke, Godfrey Kneller, Peter Lely and other noted artists. Processing Information Note Item level description for items in Series 1 was taken from printed catalogue: Portraits: a catalog of the engravings, etchings, mezzotints, and lithographs presented to the Stanford University Library by Dr. and Mrs. Leon Kolb . Compiled by Lenkey, Susan V., [Stanford, Calif.] Stanford University, 1972. Collection Scope and Content Summary Arranged by name of subject, each print in Series 1 is numbered for convenient reference in the various indices in the printed catalogue by Susan Lenkey. Painters and engravers, printing techniques and social and historical positions of the subjects are identified and indexed as well.The subjects include rulers, statesmen, authors, scholars and other famous personages from ancient times to the nineteenth century. -
Ginsb & Weyers-Final
On the Formation of Canons: The Dynamics of Narratives in Art History Victor Ginsburgh ECARES, Université Libre de Bruxelles and CORE, Université catholique de Louvain and Sheila Weyers Université catholique de Louvain Abstract The paper illustrates the formation over time of the late 20th century canons of two schools that dominated all other European schools in their time: Italian Renaissance and Flemish Realism. Since most artists were discussed, some 400 years ago, by Vasari in the second edition of his Vite, and by van Mander in his Schilder-boeck, narratives by art historians can be followed over a long period of time. To explore the dynamic process of canon formation, we collected data on the presence and the greatness of a large number of artists in narrative works written by important art scholars at time intervals of roughly 75 years, so that the 400 years elapsed between 1600 and 2000 are spanned as best as possible. At least half of the artists in the two canons were already there 400 years ago. There are several cases of wrong attributions or of new technical discoveries that prevented some names to be canonical any sooner. There are also artists who art historians learnt to appreciate or to understand better, and who entered at much later times. Finally, the number of names that entered or were moved up in the canon because their works acquired new properties in the light of works by artists that followed them is not very large. This appears to be in contradiction with the frequent suggestion that canons are continuously moving and that no artist can survive forever. -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original subm itted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along w ith adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. Youa w ill find good image o f the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until com plete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
The Jesuit Relations Allied Documents
THE JESUIT RELATIONS AND ALLIED DOCUMENTS VOL.L The edt"tz"on consz'sts of sev en hundred and fifty sets all numbered PLAN 0 E \\~' II<I" :' r.J";:'( ~ ~ ,''\ lit ~ . M (1i.!o~ d .' Hotel Dieu . l\" , '" ,.' .. ",bi.(tI'. · ~ .' ~ ', s _~ ~ , U l>roptf'l C('lfl CrJI S do"nC. pO ~ ~ ~-=.~-~ f[,EU \I t:: SA l f'/ 1' L/lUf/Ef'/T, MONTREAL, 1665 ca, lReduced from map in Faillou's Colouie Frallfa£se.] The Jesuit Relations and Allied Documents TRAVELS AND EXPLORATIONS OF THE JESUIT MISSIONARIES IN· NEW FRANCE THE ORIGINAL FRENCH, LATIN, AND ITAL IAN TEXTS, WITH ENGLISH TRANSLA TIONS AND NOTES; ILLUSTRATED BY PORTRAITS, MAPS, AND FACSIMILES EDITED BY REUBEN GOLD THW AITES Secretary. of the State Historical Society of Wisconsin Vol. L LOWER CANADA, IROQUOIS, 0TfAWAS 1664- 1667 CLEVELAND: ttbe 13UttOWS l)rotber13 (tompan12, PUBLISHERS, MDCCCXCIX COPYRIGHT, 1899 BY THE BURROWS BROTHERS Co ALL RIGHTS RESERVED The Imperial Press, Cleveland EDITORIAL STAFF Editor REUBEN GOLD THWAITES FINLOW ALEXANDER PERCY FAVOR BICKNELL Translators • eRAWFORD LINDSAY WILLIAM PRICE Assistant Editor EMMA HELEN BLAIR Bibliographical Adviser VICTOR HUGO PALTSITS CONTENTS OF VOL. L PREFACE TO VOLUME L 9 DOCUMENTS: - CXVII. Relation de ce qvi s'est passe en la Novvelle France, es annees 1664. & 1665. [Chap. vi. to end of docu ment.] Franrois Ie Mercier; Kebec, November 3, 1665 . CXVIII. Relation de ce qvi s'est passe .... en la N ovvelle France, aux annees mil fix cent foixante cinq, & mil fix cent foixante fix. Franfois Ie Mer C£er; Kebec, November 12, 1666 93 CXIX. Trois Lettres, 1666-67.