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Yoshitomi Town Office
Anticipated Flood Zones by Storm Surge In December 2019, Fukuoka Prefecture designated the areas where floods may occur and indicated the estimated largest floodwater depths of the anticipated storm surge Yoshitomi Town of the largest scale. Anticipated Flood Zones are calculated on the following conditions. Central atmospheric pressure: 900 hPa (cf. Muroto Typhoon: 911 hPa) Yoshitomi Fishing Port Storm Surge Hazard Map Moving speed: 73 km/h (level of Isewan Typhoon) Elevation Map Elevation Map Sports Ground This map shows the elevation of Suonada Sea Yoshitomi Clean Center Yoshitomi Town by colors and Yoshitomi coast indicates a 4 m elevation with a line. The maximum Tsunami height expected Yoshitomi Fishing Port Sports Ground for the Nankai Trough Megathrust Earthquake is said to be 4 m. Takahama Please check how far you should evacuate. Koiwai Takahama Tomi Bansho-ato Suoーen (Remains of Distance Viewing Guardhouse) Elevation (m) 12 Takahama Children's Playground Yoshitomi Station SaiYoshitomi Drainage Pumping Station 0 m - less than 1 m 1 公 1 m - less than 2 m Yoshitomi Town Office Yoshitomi Sluice Gate 2 m - less than 3 m 13 3 m - less than 4 m Yamakuni 4 m - less than 5 m Misakai River Sakaigi Main gate 5 m - less than 10 m River 10 m - less than 15 m Ebisu Shrine 15 m - less than 20 m Yoshitomi Fishing Village Center 20 m - less than 30 m Historic Site, Empress Stone Municipal Housing, Mao Danchi Yoshitomi Wastewater Pumping Station More than 30 m Yoshitomi Fisheries Cooperative Saigawa Seiryu Park Satsuki Bridge Koinumaru No.2 Sluice -
Perspectives of Research for Intangible Cultural Heritage
束 9mm Proceedings ISBN : 978-4-9909775-1-1 of the International Researchers Forum: Perspectives Research for Intangible Cultural Heritage towards a Sustainable Society Proceedings of International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society 17-18 December 2019 Tokyo Japan Organised by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage Agency for Cultural Affairs, Japan Co-organised by Tokyo National Research Institute for Cultural Properties, National Institutes for Cultural Heritage IRCI Proceedings of International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society 17-18 December 2019 Tokyo Japan Organised by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage Agency for Cultural Affairs, Japan Co-organised by Tokyo National Research Institute for Cultural Properties, National Institutes for Cultural Heritage Published by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage 2 cho, Mozusekiun-cho, Sakai-ku, Sakai City, Osaka 590-0802, Japan Tel: +81 – 72 – 275 – 8050 Email: [email protected] Website: https://www.irci.jp © International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) Published on 10 March 2020 Preface The International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society was organised by the International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) in cooperation with the Agency for Cultural Affairs of Japan and the Tokyo National Research Institute for Cultural Properties on 17–18 December 2019. -
Title Wood Identification of Japanese Shinto Deity Statues in Matsunoo
Wood identification of Japanese Shinto deity statues in Title Matsunoo-taisha Shrine in Kyoto by synchrotron X-ray microtomography and conventional microscopy methods Author(s) Tazuru, Suyako; Sugiyama, Junji Citation Journal of Wood Science (2019), 65 Issue Date 2019-11-08 URL http://hdl.handle.net/2433/255560 This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits Right unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. Type Journal Article Textversion author Kyoto University Tazuru and Sugiyama J Wood Sci (2019) 65:60 https://doi.org/10.1186/s10086-019-1840-2 Journal of Wood Science ORIGINAL ARTICLE Open Access Wood identifcation of Japanese Shinto deity statues in Matsunoo-taisha Shrine in Kyoto by synchrotron X-ray microtomography and conventional microscopy methods Suyako Tazuru1* and Junji Sugiyama1,2 Abstract Research on the wood species of Japanese Buddhist statues has an over 60 years’ history and recently many Buddhist “Ichiboku” statues carved out of a single bole made from the Nara to Heian periods were scientifcally revealed to be made of Torreya nucifera. Shinto deity statues in Japan, however, have not yet been investigated scientifcally. Because many Shinto deity statues are enshrined behind closed doors, there are fewer opportunities to investigate them. To examine the diferences and similarities in wood selection between Buddhist and Shinto deity statues, wood identif- cation was conducted on the 11 Shinto deity statues of Matsunoo-taisha Shrine, Kyoto, Japan, using synchrotron X-ray microtomography and conventional microscopy methods. -
（Attachment 2）“Yama, Hoko, Yatai Float Festivals”: List of 33 Important
（ ） Attachment 2 “Yama, Hoko, Yatai float festivals”: List of 33 Important Intangible Folk Cultural Properties designated by the Government of Japan Name of Festival Preservation Group Prefecture City/Town The Association for the Preservation Aomori The Grand Hachinohe Sansha Festival（designated in 2004） of the Float Ceremony at the Grand Hachinohe City Prefecture Hachinohe Sansha Festival The Association for the Preservation of the Kakunodate Festival The Float Festival of Kakunodate（designated in 1991） Senboku City The Association for Tsuchizaki Akita The Tsuchizaki Shimmei Shrine Festival（designated in 1997） Akita City Shimmei Shrine Prefecture The Hanawa Festival（designated in 2014） Kazuno City Committee for the Hanawa-bayashi Festival The Association for the Preservation Yamagata The Shinjo Festival (designated in 2009) of the Float Ceremony at the Shinjo Shinjo City Prefecture Festival The Association for the Preservation Ibaraki Hitachi Furyumono（designated in 1977） Hitachi City of Hitachi Hometown Performing Arts Prefecture The Association for the Preservation Karasuyama Yamaage(designated in 1979） Nasu Karasuyama of the Karasuyama Yamaage Tochigi City The Association for the Preservation Prefecture The Kanuma Imamiya Shrine Festival（designated in 2003） Kanuma City of the Kanuma Imamiya Float Festival The Committee for the Preservation of the Chichibu Festival The Chichibu Festival（designated in 1979） Saitama Chichibu City The Association for the Preservation The Kawagoe Hikawa Festival（designated in 2005） Prefecture Kawagoe City -
2019 Autumn JAPAN
2019 Autumn JAPAN Eikando Zenrin-ji Temple P.10 ▶ Buffet P.23 ▶ Biei Blue Pond - Autumn Leaf Season P. 6 ▶ Kuju Flower Park P.13 ▶ Kegon Falls P.22 ▶ Hitachi Seaside Park P. 4 ▶ Maple Tree Tunnel 写真提供：叡山電車 P.10 ▶ Dinner (image) P.23▶ 鶴ヶ城（麟閣） Shirakawago 写真提供：岐阜県白川村役場 P. 8・9 ▶ 写真提供：（公財）福島県観光物産交流協会 P. 7 ▶ Sunrise Tours Product Categories Information Regarding All Tours Regarding Deadlines for Reservations Bus Company Please refer to “RSV. UNTIL” on each tour page. This will be the last day of application when the tour is decided Bus company used will be one of the following. to be as scheduled. If the deadline falls during Dec. 27th to Jan. 4th, the deadline will become Dec. 26th. P12 - 13 Kyushu Sanko Bus Co. Ltd., Sanko Bus Co. Ltd., Nishitetsu Kanko Bus Terms of Tour Conduction Co. Ltd., Fukuoka Nishitetsu Taxi Co. Ltd. Tours will not be conducted if the minimum number of participants indicated for each tour is not reached by a set date. The minimum P8 - 9, 24 must be reached 4 days prior to departure for one-day tours, and 20 days prior to departure for tours including accommodation. Meitetsu Kanko Bus Co. Ltd., Gifu Bus Co. Ltd., Meihan Kintetsu Bus Symbols Co. Ltd., or Shachi Bus Co. Ltd., P3 - 5, 8, 10 - 11, 14 - 17, 20 Place of Departure Fuji Kyuko Kanko Co. Ltd., Fuji Express Co. Ltd., KM Kanko Bus Co. From Tokyo Ltd., Hato Bus Co. Ltd., Tokyo Yasaka Sightseeing Bus Co. Ltd., Heisei Enterprise Co. Ltd., Amore Kotsu Ltd., Tokyo Bus Co. -
Rites of Blind Biwa Players
ASIA 2017; 71(2): 567–583 Saida Khalmirzaeva* Rites of Blind Biwa Players DOI 10.1515/asia-2017-0034 Abstract: Not much is known about the past activities of blind biwa players from Kyushu. During the twentieth century a number of researchers and folklorists, such as Tanabe Hisao, Kimura Yūshō,KimuraRirō,Nomura(Ga) Machiko, Narita Mamoru, Hyōdō Hiromi and Hugh de Ferranti, collected data on blind biwa players in various regions of Kyushu, made recordings of their performances and conducted detailed research on the history and nature of their tradition. However, despite these efforts to document and publicize the tradition of blind biwa players and its representatives and their repertory, it ended around the end of the twentieth century. The most extensively docu- mented individual was Yamashika Yoshiyuki 山鹿良之 (1901–1996), one of the last representatives of the tradition of blind biwa players, who was known among researchers and folklorists for his skill in performing and an abundant repertory that included rites and a great many tales. Yamashika was born in 1901 in a farmer family in Ōhara of Tamana District, the present-day Kobaru of Nankan, Kumamoto Prefecture. Yamashika lost the sight in his left eye at the age of four. At the age of twenty-two Yamashika apprenticed with a biwa player named Ezaki Shotarō 江崎初太郎 from Amakusa. From his teacher Yamashika learned such tales as Miyako Gassen Chikushi Kudari 都合戦筑紫 下り, Kikuchi Kuzure 菊池くづれ, Kugami Gassen くがみ合戦, Owari Sōdō 尾張 騒動, Sumidagawa 隅田川 and Mochi Gassen 餅合戦. After three years Yamashika returned home. He was not capable of doing much farm work because his eyesight had deteriorated further by then. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Mie Aichi Shizuoka Nara Fukui Kyoto Hyogo Wakayama Osaka Shiga
SHIZUOKA AICHI MIE <G7 Ise-Shima Summit> Oigawa Railway Steam Locomotives 1 Toyohashi Park 5 The Museum Meiji-mura 9 Toyota Commemorative Museum of 13 Ise Grand Shrine 17 Toba 20 Shima (Kashikojima Island) 23 These steam locomotives, which ran in the This public park houses the remains of An outdoor museum which enables visitors to 1920s and 1930s, are still in fully working Yoshida Castle, which was built in the 16th experience old buildings and modes of Industry and Technology order. These stations which evoke the spirit century, other cultural institutions such as transport, mainly from the Meiji Period The Toyota Group has preserved the site of the of the period, the rivers and tea plantations the Toyohashi City Museum of Art and (1868–1912), as well as beef hot-pot and other former main plant of Toyoda Automatic Loom the trains roll past, and the dramatic History, and sports facilities. The tramway, aspects of the culinary culture of the times. The Works as part of its industrial heritage, and has mountain scenery have appeared in many which runs through the environs of the park museum grounds, one of the largest in Japan, reopened it as a commemorative museum. The TV dramas and movies. is a symbol of Toyohashi. houses more than sixty buildings from around museum, which features textile machinery and ACCESS A 5-minute walk from Toyohashikoen-mae Station on the Toyohashi Railway tramline Japan and beyond, 12 of which are designated automobiles developed by the Toyota Group, ACCESS Runs from Shin-Kanaya Station to Senzu on the Oigawa Railway ACCESS A 20-minute bus journey from as Important Cultural Properties of Japan, presents the history of industry and technology http://www.oigawa-railway.co.jp/pdf/oigawa_rail_eng.pdf Inuyama Station on the Nagoya Railroad which were dismantled and moved here. -
The Dojoji Tale and Ancient Bronze Metallurgical Traditions
100 Reinier H. Hesselink: The Dōjōji Tale and Ancient Bronze Metallurgical Traditions The Dojoji Tale and Ancient Bronze Metallurgical Traditions REINIER H. HESSELINK1 The University of Northern Iowa, USA Abstract: A comparison of the motifs in the different versions of the famous Japanese folktale about the Dōjōji Temple leads the author to other tales which share some of the same motifs. In this way, he isolates two motif clusters, one on the theme of the mixed marriage between humans and snakes, and another one centered on the traditions of bell casting. In the Dōjōji Tale these motif clusters seem to have been joined by Buddhist authors eager to employ local pagan tales to write new stories with a Buddhist message. Next, the author translates two Chinese tales in which the same motif clusters appear. Although these tales show unmistakably the influence of popular Taoism, the similarities with the Dōjōji Tale are too striking to be coincidental. In his conclusion, the author proposes that the tales with these motifs were brought from China to Japan before the introduction of Buddhism (552). A Folktale from Japan Two Buddhist priests, one old and one young, go on a pilgrimage to Kumano. On their way, in Muro-no-kōri, they spend the night at the house of a widow. She takes a fancy to the young priest, and visits him at night. The priest refuses her, but to get rid of the woman he promises to come back to her after his pilgrimage is over. One their way back, however, the two priests avoid the house of the widow. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Performing Recovery: Music and Disaster Relief in Post-3.11 Japan Permalink https://escholarship.org/uc/item/9jm4z24b Author Kaneko, Nana Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Performing Recovery: Music and Disaster Relief in Post-3.11 Japan A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Nana Kaneko June 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Margherita Long Dr. René T.A. Lysloff Dr. Jonathan Ritter Dr. Christina Schwenkel Copyright by Nana Kaneko 2017 The Dissertation of Nana Kaneko is approved: Committee Chairperson University of California, Riverside Acknowledgements It took an enormous crew of supporters to make my research possible. What follows is just a brief recognition of those who have generously contributed to this journey. Infinite gratitude goes to my advisor, Deborah Wong, who believed in me throughout my six years as a graduate student at UCR. Thank you for constantly challenging me to take my work to the next level, and for enthusiastically guiding me and getting me to the completion of this project. I hope this dissertation is at least a small reflection of the ways in which you have shaped me as a scholar, thinker, and researcher. To my committee members: Mimi Long, René Lysloff, Jonathan Ritter, and Christina Schwenkel, I had the privilege of taking seminars with each of you that inspired me deeply and prepared me to embark on my fieldwork and research. -
Poems of the Gods of the Heaven and the Earth Christina E
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2010 Poems of the Gods of the Heaven and the Earth Christina E. Olinyk University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the East Asian Languages and Societies Commons, and the History of Religions of Eastern Origins Commons Olinyk, Christina E., "Poems of the Gods of the Heaven and the Earth" (2010). Masters Theses 1911 - February 2014. 475. Retrieved from https://scholarworks.umass.edu/theses/475 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. POEMS OF THE GODS OF THE HEAVEN AND THE EARTH: AN ANNOTATED TRANSLATION OF THE JINGIKA BOOK OF THE SENZAISH Ū A Thesis Presented By CHRISTINA E OLINYK Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment Of the requirements for the degree of MASTER OF ARTS September 2010 Japanese Language and Literature Department of Languages, Literatures and Cultures © Copyright by Christina E Olinyk 2010 All Rights Reserved POEMS OF THE GODS OF THE HEAVEN AND THE EARTH: AN ANNOTATED TRANSLATION OF THE JINGIKA BOOK OF THE SENZAISH Ū A Thesis Presented By CHRISTINA E OLINYK Approved as to style and content by: ________________________________ Stephen Miller, Chair ________________________________ Stephen M. Forrest, Member _________________________________________ Amanda C. Seaman, Director Asian Languages and Literature Department of Languages, Literatures, and Cultures ABSTRACT POEMS OF THE GODS OF THE HEAVEN AND THE EARTH SEPTEMBER 2010 CHRISTINA E OLINYK, M.A., UNIVERSITY OF MASSACHUSETTS AMHERST Directed by: Professor Stephen Miller This thesis analyzes the development of the Jingika book in the first seven Japanese waka anthologies ( chokusensh ū). -
Winter Delights
WINTER DEC–MAR 2018/19 No. 220 Free WESTERN JAPAN’S PREMIER VISITOR’S GUIDE Winter Delights Sake, skiing, spas and snowcrab Plus Inside… WHAT’S ON Explore Sights Food & Drink Discover EAT & DRINK A PERFECT LONG BEST SPOTS HOW SAKE IS KINOSAKI’S SEVEN SIGHTSEEING WEEKEND IN NARA FOR WINTER MAKING ITS HEALING SPRINGS SNOWSCAPES COMEBACK MAPS Discover Hiroshima’s Scenic Beauty YOICHI SHIDAREZAKURA CHERRY BLOSSOM A stunning 12m tall weeping cherry sitting atop a small in Akiota-cho hillock is lit up during its brief, but spectacular spring bloom OSORAKAN SNOW PARK Japan’s southernmost ski resort, offering long runs for all Breathtaking views, fabulous levels of skiers and snowboarders, as well as snow trekking and igloo building hiking, exciting snow sports and relaxing hot spring accommodation await SANDANKYO GORGE A stunning 13km river gorge, awarded 3 stars by the French travel guide Blue Guide and selected as one of the top 100 scenic beauty spots in Japan INI TANADA Picture-perfect terraced paddy fi elds, offering stunning photo opportunities year-round Nukui Springs Hotel Offers traditional outdoor hot spring baths overlooking Lake Ryuki in Kyoto Hiroshima’s Akiota-cho. Relax in comfortable western style or Japanese Himeji Okayama Osaka tatami mat rooms and enjoy our award-winning French dining. Akiota-cho Kobe Hiroshima Address: 4692-7, Kake, Akiotacho, Yamgatagun, Hiroshima 731-3501, Japan Tel: +81 (0)826-22-1200 Access: 1 hour by car from Hiroshima IC RESERVATIONS www.nukui-sp.com CONTENTS 26 Winter Dec / Jan / Feb 10 30 Features KANSAI FINDER 08 23 32 Events & Festivals Kansai’s Snowy Vistas Nara’s Cocktail Kings Where to experience the best of the region’s RASTA MUSICK winter snowscapes.