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2010NanoJapan: Summer Nanotechnology Research Internships for Undergraduates 4 Welcome Statement 5 Program Administrators 6 2010 Program Participants 9 Arrival into Houston 10 Pre-Departure Orientation Schedule 11 Rice University Map 12 Hilton Houston Plaza Medical Center Map 13 Travel to Japan 15 Orientation Program in Tokyo 22 Internships & Mid-Program Meeting 24 Departure from Japan 26 Re-Entry & RQI Program 29 Event Overviews 40 Sanuki Club Overview & Rules 42 Sanuki Club Map 43 Konbini & Vegetarian Dining Options 44 Popular Dishes in Japan 45 Money in Japan 46 Helpful Tokyo Subway Directions 48 Tokyo JR Lines Map 49 Tokyo Subway Map 50 Kamakura/Enoshima Excursion Ticket 51 Seishu 18 Kippu Ticket 52 Using your JR Rail Pass & Train Etiquette in Japan 54 Gifts and Non-Verbal Communication 56 Directions to Elionix from Hachiouji Station 61 Tokyo Recommendations from NJ Alumni 63 Mid-Program Meeting Ryokan Map and Directions 64 IORI Map & Kyoto Walking Tours 70 International Flight Itinerary 72 Piccell Wireless Info and Rates 74 Medical & Emergency Resources 4 / Welcome Statement Welcome to NanoJapan 2010! This program will give students a broad overview of the field of nanotech- nology and the Japanese language and culture through: • ORIENTATION PROGRAM: A three-week orientation program held in Tokyo, Japan focusing on intensive Japanese-language study; a course on Japanese culture and society and an introductory course on Nanotechnology and Nanotechnology Research • INTERNATIONAL RESEARCH PROGRAM: A research internship in the field of nanotechnology at prestigious Japanese institutions. • NANOTECH SYMPOSIUM: A two-day end-of-program symposium will be held at Rice University where students will present research posters on their NanoJapan research projects. -
Good Development and Management of Infrastructure
Message from the Director-General Good Development and Management of Infrastructure KAZUSA Shuhei Director General, National Institute for Land and Infrastructure Management （Key words） national land, civilized country, infrastructure, disaster prevention, strategic maintenance and control 1. Introduction conditions of the mountain area which They say “All roads lead to Rome,” the Roman occupies 70% of the land is subdivided Empire had a good road network and sanitary varyingly because of the strong crustal accommodations seen in the existing aqueduct. In changes and is prone to sediment disaster. Changan, an ancient Chinese capital during the The alluvial plain on which most big cities Tang Dynasty, elaborately designed city facilities exist has soft ground. based on city planning supported the prosperity ③ Earthquake-prone: This is connected to the of the city. geological conditions and ground, twenty It is still fresh in our mind that American percent of the big earthquakes with President Obama told “we determined that a magnitude 6 or more in the whole world are modern economy requires railroads and highways said to occur in Japan. Therefore, the to speed travel and commerce”1) in his inaugural earthquakes are felt strongly in the cities in speech on January 21. Without listing these which population and assets are concentrated. examples, history has shown that civilizations Also big tsunami could strike at the coast. which has constructed and maintained the good ④ Meteorological phenomena: Annual amount infrastructure prosper. of rainfall range 1,400mm to 1,600mm, which is twice of the world average. In typhoon and 2. National land and Infrastructure rainy seasons, Japan is often hit by heavy Compared to Europe and America, Japan is rain. -
Memoirs Faculty of Engineering
ISSN 0078－6659 MEMOIRS OF THE FACULTY OF ENG THE FACULTY MEMOIRS OF MEMOIRS OF THE FACULTY OF ENGINEERING OSAKA CITY UNIVERSITY INEERING OSAKA CITY UNIVERSITY VOL. 60 DECEMBER 2019 VOL. 60. 2019 PUBLISHED BY THE GRADUATE SCHOOL OF ENGINEERING OSAKA CITY UNIVERSITY 1911-0402大阪市立大学 工学部 工学部英文紀要VOL.60（2019） 1-4 見本 スミ 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 This series of Memoirs is issued annually. Selected original works of the members 㻌 of the Faculty of Engineering are compiled in the first part of the volume. Abstracts of 㻌 㻌 papers presented elsewhere during the current year are compiled in the second part. List 㻌 of conference presentations delivered during the same period is appended in the last part. 㻌 All communications with respect to Memoirs should be addressed to: 㻌 Dean of the Graduate School of Engineering 㻌 Osaka City University 㻌 3-3-138, Sugimoto, Sumiyoshi-ku 㻌 Osaka 558-8585, Japan 㻌 㻌 Editors 㻌 㻌 㻌 Akira TERAI Hayato NAKATANI This is the final print issue of “Memoirs of the Faculty of Engineering, Osaka City Masafumi MURAJI University.” This series of Memoirs has been published for the last decade in print edition as Daisuke MIYAZAKI well as in electronic edition. From the next issue, the Memoirs will be published only Hideki AZUMA electronically. The forthcoming issues will be available at the internet address: Tetsu TOKUONO https://www.eng.osaka-cu.ac.jp/en/about/publication.html. The past and present editors take Toru ENDO this opportunity to express gratitude to the subscribers for all their support and hope them to keep interested in the Memoirs. -
Record of the Istanbul Process 16/18 for Combating Intolerance And
2019 JAPAN SUMMARY REPORT TABLE OF CONTENTS EVENT SUMMARY .................................................................................................................................... 3 PLENARY SESSIONS ................................................................................................................................. 7 LAUNCHING THE 2019 G20 INTERFAITH FORUM.......................................................................... 7 FORMAL FORUM INAUGURATION – WORKING FOR PEACE, PEOPLE, AND PLANET: CHALLENGES TO THE G20 ............................................................................................................... 14 WHY WE CAN HOPE: PEACE, PEOPLE, AND PLANET ................................................................. 14 ACTION AGENDAS: TESTING IDEAS WITH EXPERIENCE FROM FIELD REALITIES ........... 15 IDEAS TO ACTION .............................................................................................................................. 26 TOWARDS 2020 .................................................................................................................................... 35 CLOSING PLENARY ............................................................................................................................ 42 PEACE WORKING SESSIONS ................................................................................................................ 53 FROM VILE TO VIOLENCE: FREEDOM OF RELIGION & BELIEF & PEACEBUILDING ......... 53 THE DIPLOMACY OF RELIGIOUS PEACEBUILDING .................................................................. -
Japanese Aesthetics and the Tale of Genji Liya Li Department of English SUNY/Rockland Community College [email protected] T
Japanese Aesthetics and The Tale of Genji Liya Li Department of English SUNY/Rockland Community College [email protected] Table of Contents 1. Themes and Uses 2. Instructor’s Introduction 3. Student Readings 4. Discussion Questions 5. Sample Writing Assignments 6. Further Reading and Resources 1. Themes and Uses Using an excerpt from the chapter “The Sacred Tree,” this unit offers a guide to a close examination of Japanese aesthetics in The Tale of Genji (ca.1010). This two-session lesson plan can be used in World Literature courses or any course that teaches components of Zen Buddhism or Japanese aesthetics (e.g. Introduction to Buddhism, the History of Buddhism, Philosophy, Japanese History, Asian Literature, or World Religion). Specifically, the lesson plan aims at helping students develop a deeper appreciation for both the novel and important concepts of Japanese aesthetics. Over the centuries since its composition, Genji has been read through the lenses of some of the following terms, which are explored in this unit: • miyabi (“courtly elegance”; refers to the aristocracy’s privileging of a refined aesthetic sensibility and an indirectness of expression) • mono no aware (the “poignant beauty of things;” describes a cultivated sensitivity to the ineluctable transience of the world) • wabi-sabi (wabi can be translated as “rustic beauty” and sabi as “desolate beauty;” the qualities usually associated with wabi and sabi are austerity, imperfection, and a palpable sense of the passage of time. • yûgen (an emotion, a sentiment, or a mood so subtle and profoundly elegant that it is beyond what words can describe) For further explanation of these concepts, see the unit “Buddhism and Japanese Aesthetics” (forthcoming on the ExEAS website.) 2. -
Perspectives of Research for Intangible Cultural Heritage
束 9mm Proceedings ISBN : 978-4-9909775-1-1 of the International Researchers Forum: Perspectives Research for Intangible Cultural Heritage towards a Sustainable Society Proceedings of International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society 17-18 December 2019 Tokyo Japan Organised by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage Agency for Cultural Affairs, Japan Co-organised by Tokyo National Research Institute for Cultural Properties, National Institutes for Cultural Heritage IRCI Proceedings of International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society 17-18 December 2019 Tokyo Japan Organised by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage Agency for Cultural Affairs, Japan Co-organised by Tokyo National Research Institute for Cultural Properties, National Institutes for Cultural Heritage Published by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage 2 cho, Mozusekiun-cho, Sakai-ku, Sakai City, Osaka 590-0802, Japan Tel: +81 – 72 – 275 – 8050 Email: [email protected] Website: https://www.irci.jp © International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) Published on 10 March 2020 Preface The International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society was organised by the International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) in cooperation with the Agency for Cultural Affairs of Japan and the Tokyo National Research Institute for Cultural Properties on 17–18 December 2019. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
SHINTO SYMBOLS (Continued from Vol
SHINTO SYMBOLS (Continued from Vol. VII, No.1) VI. SACRED VESSELS AND EQUIPMENT A great many articles are employed jn conducting Shinto rituals and worship. These are called ;~iif[b~ts~ ( sacred vessels) and are tokens of the kami, abodes of kami (kami-no-yorishiro), or decorations. They are almost all inseparable from Shinto. The articles employed in rituals are sanctified and treated as symbolic, or representative of Shinto. The term seikibutsu (sacred vessel) includes all the Shinto equipment and articles used in Shinto ceremonies. It is impos sible in this brief study to do more than to touch a few of the most significant ones. The order in which they are dis cussed is as follows: himorogi, tamagushi, gohei, onusa, shime nawa, goshiki-no-hata, shimp'll, the mirror, sword and jewels, kamidana, and mikoshi. Himorogi ( divine enclosure) generally consists of a gohei or a branch of the sakaki tree hung with strips of paper or hemp and set upon a table covered with a clean straw mat. Sometimes it is a fenced-in sakaki tree or some other specific kind of evergreen tree, hung with strips of paper, hemp, or possibly a mirror. Original Himorogi - 89- l Shinto Symbols The origin of himorogi has been the subject of much con troversy, but it is agreed that from earliest times it was a part of the ceremonial equipment. It is thought that himorogi may have originally signified: 1) a place1 enclosed by evergreen trees for invoking the kami; 2) sacred trees in a grove in which kami dwelt, 3) trees which protected the kami; 4) a sacred fence made of cypress for use III rituals.2 However, the following is the most Himorogi widely accepted theory. -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
Kofun Period: Research Trends 20121 Tanaka Yutaka2
Kofun Period: Research Trends 20121 Tanaka Yutaka2 Introduction In the 2012 Fiscal Year, with reports of rescue activities for cultural properties in the wake of the Great East Japan Earthquake being prominent on the one hand, together with society’s grappling with problems of buried cultural properties protection in conjunction with reconstruction projects, we were also struck with misgivings about the waning trend of Kofun period research when looking at the May special issue of Kōkogaku jānaru (The Archaeological Journal), which featured Jōmon period research in equal volume.3 Looking at the activities of the keyhole tomb research societies which reflect Kofun period research of each region, whereas the Kyushu and the Chūgoku Shikoku Keyhole Tomb Research Societies 4 put together voluminous compilations of data and healthy debate is thus discerned, with each passing year their operations are becoming increasingly difficult. The Tōhoku/Kantō Keyhole Tomb Research Society,5 which has the greatest number of members, deepened debate on the topic of “Middle Period Tombs,” but saw an extreme drop in the number of new members. These developments suggest that Kofun period research is in a period of transition together with archaeology as a whole. As if to appear inseparable from such misgivings, the 2012 Fiscal Year was 1 [Trends in Japanese Archaeological Research, 2012, is a partial translation of “Nihon kōkogaku kenkyū no dōkō” 日本考古学研究の動向, in Nihon kōkogaku nenpō 65 (2012 nendoban) 日本考古学年報 65(2012 年度版） [Archaeologia Japonica 65 (2012 Fiscal Year Issue)] (Nihon Kōkogaku Kyōkai, 2014), pp. 1-68. This essay appears on pp. 40-50, under the Japanese title “Kofun jidai kenkyū no dōkō” 古墳 時代研究の動向. -
Noh Theater and Religion in Medieval Japan
Copyright 2016 Dunja Jelesijevic RITUALS OF THE ENCHANTED WORLD: NOH THEATER AND RELIGION IN MEDIEVAL JAPAN BY DUNJA JELESIJEVIC DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in East Asian Languages and Cultures in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Elizabeth Oyler, Chair Associate Professor Brian Ruppert, Director of Research Associate Professor Alexander Mayer Professor Emeritus Ronald Toby Abstract This study explores of the religious underpinnings of medieval Noh theater and its operating as a form of ritual. As a multifaceted performance art and genre of literature, Noh is understood as having rich and diverse religious influences, but is often studied as a predominantly artistic and literary form that moved away from its religious/ritual origin. This study aims to recapture some of the Noh’s religious aura and reclaim its religious efficacy, by exploring the ways in which the art and performance of Noh contributed to broader religious contexts of medieval Japan. Chapter One, the Introduction, provides the background necessary to establish the context for analyzing a selection of Noh plays which serve as case studies of Noh’s religious and ritual functioning. Historical and cultural context of Noh for this study is set up as a medieval Japanese world view, which is an enchanted world with blurred boundaries between the visible and invisible world, human and non-human, sentient and non-sentient, enlightened and conditioned. The introduction traces the religious and ritual origins of Noh theater, and establishes the characteristics of the genre that make it possible for Noh to be offered up as an alternative to the mainstream ritual, and proposes an analysis of this ritual through dynamic and evolving schemes of ritualization and mythmaking, rather than ritual as a superimposed structure. -
（Attachment 2）“Yama, Hoko, Yatai Float Festivals”: List of 33 Important
（ ） Attachment 2 “Yama, Hoko, Yatai float festivals”: List of 33 Important Intangible Folk Cultural Properties designated by the Government of Japan Name of Festival Preservation Group Prefecture City/Town The Association for the Preservation Aomori The Grand Hachinohe Sansha Festival（designated in 2004） of the Float Ceremony at the Grand Hachinohe City Prefecture Hachinohe Sansha Festival The Association for the Preservation of the Kakunodate Festival The Float Festival of Kakunodate（designated in 1991） Senboku City The Association for Tsuchizaki Akita The Tsuchizaki Shimmei Shrine Festival（designated in 1997） Akita City Shimmei Shrine Prefecture The Hanawa Festival（designated in 2014） Kazuno City Committee for the Hanawa-bayashi Festival The Association for the Preservation Yamagata The Shinjo Festival (designated in 2009) of the Float Ceremony at the Shinjo Shinjo City Prefecture Festival The Association for the Preservation Ibaraki Hitachi Furyumono（designated in 1977） Hitachi City of Hitachi Hometown Performing Arts Prefecture The Association for the Preservation Karasuyama Yamaage(designated in 1979） Nasu Karasuyama of the Karasuyama Yamaage Tochigi City The Association for the Preservation Prefecture The Kanuma Imamiya Shrine Festival（designated in 2003） Kanuma City of the Kanuma Imamiya Float Festival The Committee for the Preservation of the Chichibu Festival The Chichibu Festival（designated in 1979） Saitama Chichibu City The Association for the Preservation The Kawagoe Hikawa Festival（designated in 2005） Prefecture Kawagoe City