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Beautiful Women in Art

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Beautiful Women in Art NTE TS C O N . C HAPT ER T H E I TEENT ENT R P E I . E GH H C U Y TY WATTEA D TH E IG T ENT II . U AN E H E H C ENTUR Y PASTELLISTS TH E I E TH T III . E GH T EN CEN UR Y BOUOH ER H AR DI R E ZE , C N, G U , AND FRAGONAR D ’ TH E EN AND I NGs AVORITES IV. QUE K F OF TH E EIGHTEENTH CENTURY TH E I TEENT ENT R ON V . E GH H C U Y TH E CONTINENT AT LARGE AND I N ENG LAND AI NSBORO D OT ER G LISH VI. G UGH AN H EN PORTRAIT PAINTERs OE TH E EIGH TEENTH CENTUR Y V H E NI NETEENTH II . OPENI NG OF T CENTUR Y —T H E ART or TH E FIRST EMPIR E VI CONTENTS . C HAPTER V TH E EAR L NI NETEENTH III . Y CEN TUR Y I N ENGLAND AND ON TH E CONTI NENT X T H E LATTE T F T E INE I . R PAR O H N TEENTH CENTURY INDEx LI T F ILLU T ATI N S O S R O S. II VOLUME . Princess Eliz a G ainsborough . beth W indsor Castle n land. , E g l - Adrienne Lec reur Coype . ouv i Louvre , Par s . ’ Nattier. Henriette de Bourbon, Ducheaee d Or léans V M m ersailla useu . Watteau. La Finette Louvre , Paris . —Woman wi a Perronneau . th Cat (pas tel) Louvre, Paris . S d Latour. tu y Head (pastel) ac ues Doucet Colle i J q ct on. Boucher. Diana at the Bath r Lou vre , Pa is . ller . National G a y, London LIST OF I LLUSTRATIONS . Fra on — uimar g ard . La G d a D J cques oucet Collection . M Tocqué . arie Lecz inska Louvre, Paris . Lat Madame de m our. Po padour i Versa lles Museum. n Houdo . Dian a Louvre , Paris . e r Mari - An ne t e L b un . e toi t Ve rs ailles Mus eum. Kaufmann . Portrait of Herself Ufliz i lorence . , F L B fiIl eader iotard . The eauti R Ro al G alle r D res den . y y , e n olds Eliz abe t D uc ess ofDevonshire R y . h , h G ains orou h M r obinson b g . a y R W t i Richard allace Collec on. Mrs . Siddons G ainsborough . National G aller London . y, m e Lad amilton Ro n y . y H d Madame Récamier Davi . David. Paris and Helen Louvre, Paris . LIST OF ILLUSTRATIONS . 1x Ma ame R c ier Gerard. d e um Louvre , Paris . M Lawrence . rs . C uthbert m Sedel ey er Collection . a Miss Farren L wrence . H o Mrs . ppner. Arbuthnot ' - r . Raeburn . Ms Scott Moncriefi Nati inbu r h onal Galler . y, Ed g In res Madame Devau a g . c y B onnat Collection. — nna della Finestra Ross etti. La Do Mill - The S e herdess et. h p Madame ochon Hébert. H W Ms Tennant atts . is ud ad Rossetti. St y He BEAUTIF L WOMEN IN A T U R . C HAPTER I . TH E C R PE EIGHTEENTH ENTU Y TY . e which b auty, eluding the des ” otis m Of p line, depends upon Of in the incessant play expression , the Oi tense, changeable animation the physi o nom : g y , we usually say an eighteenth t century ype . And , in fact, this type is to be met with in the definitive form Of the m OfLa b asterpiece, in the works Rosal a, L Watteau, atour, Fragonard , and others. It appears there as a vivid expression Of life ? its in freest, most gracious, and most capri cions aspect contrasted with the lifeless av gr ity, the paralyzing regularity, Of the art VOL. I! l BEAUTIFUL W M IN AR O EN T. rand s zécle . t Of the g With careless audaci y, t D ame cm S zbz e Nair the pret y g , the Isabel ’ ' las and the Fracis chines Of the Coméa ze ' ' z talzmn e Favart , Camargo , Fel , , and Pom adour Of p , direct the ironical smiles their red lips and the mocking glances Of their humid eyes agains t the Irises and Pheb es ofDe Troy and the academic and puffed up divinities Of the Olympias and para C el And o . dises of yp and Mignard yet, this very charming type which seems to have been created by nature itself in the u image Of the existing epoch a d . its social s condition , and which artists providentially endowed with the most subtle gifts of Oh servation have succeeded in immortalizing, did not reign in absolute sovereignty dur ing the entire century . The French woman Of the eighteenth century did not fi nd her highest and most synthetic expression in the pastels OfLa tour and the red chalk d rawings Of Wat THE G E C R PE EI HTE NTH ENTU Y TY . 3 . Le t m teau us say, rather, the wo an Of OfL to fi the reign ouis XV. de ne this very fi French type, which was xed in perpetuity by the most national Ofthe artists Of the - t age , a pre eminently expressive ype, caught i r to the very l fe and histo ically placed , as Of the charming symbol an entire epoch , and the revolutionary formula Of an e n tirely new art, between the mythological masquerades of the Regency and the f rather inane sentimentalism o Greuze. of For, long after the death the great ’ e d Orleans king, and while Philipp pre Of sided over the destinies France , with l é Te ncin Abb Dubois and Mme . de , the 1 Since the name ofMme . de Tencin comes under our tic ere e ill ive a s ort io ra oft is ce le no e h , w w g h b g phy h b rated adventures s . She was s ucces s ively the mis tres s ’ f h E n lis i l mat tt Prior of D Ar ens on o t e g h d p o Ma hew , g , f e R e ent f Car inal D rib on - es cen in t us o th g , o d , d d g h h m t r to the valet accor in t the e x r s s io from t e as e , d g o p e n — ain - imo t n of the C evalier D s touche of S t S m he h e , by ’ a il wh eca Al m r . T i whom s he h d a ch d, o b me d e b e t h s as rn at Gr no l I 6S and ie in noted woman w bo e b e in 5, d d B U L W M ART 4 EA TIFU O EN IN . rage for the mythological and allegorical portrait was as great as at the epoch Of the Paris in I 749. She was the s is ter ofthe famous Cardin al Pie rre G uerin de encin Arc is o of L ons and the T , hb h p y , daughter Ofa pres ident ofthe parliame nt . Whe n barely t ent ears of a arrie a a a s e n f w y y ge, c d w y by udd acces s O Cat olic ervor s he too the veil . oon after ar h f , k S w ds , o ever he r rot er the Car inal O taine her s ecular h w , b h , d , b d iz a ion and im r s r h t , h s elf p e e nted he at t e court of Louis i m r h r i r XIV . ere her eaut and s t ll o e e w t ou t , wh b y b gh her into immediate notice . Whe n the R ege ncy was es ta lis e s h was al rea cel e rate ut her allantries b h d, e dy b d , b g ’ e xcite the is trus t of the D uc orleans it om d d d , w h wh l h f s he de s ired to p ay t e rOIe a te rwards played by Mme . m r D u arr n ar i . de Po padou and Mme . b y e Lou s XV B s i s ein an intri uin o rte s an Mm . e de b g g g c u , e de n in was a oman Of muc men tal a ili n Te c w h b ty , a d s he l t s o me interes tin or s on her time ritten ou tl ef g w k , w d b es s i the olla oration of her n e ews de Ve l w th c b ph , y e and ’ Ar ntal . The mos t curious of t s e a s or f a d ge he , t O uto ’ io ra is e ntitle Les Malk mrs dc I Amour 1 b g phy, d ( 747, 2 ” he is a oman little es e rvin Of re s ect ro S w d g p , w te int - B euve and s ome Ofher acts even or er u on S a e , b d p r me and et on mee tin her one is fas cinate her c i , y g d by ” kind an d be nevole nt manners .
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