The New English Hymnal: Melody Free

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Post a comment. Search this site Search this site:. Labels: BooksEnglish books. Or subscribe by email: FeedBurner will send a confirmation message. Click the verify link in it to start your subscription. No comments:. Seasonal CD selection:. Quick links: Tools and templates for liturgical churches. Featured Hymn:. See recent song-request answers Request a hymn or song. Affiliates policy: As an Amazon Associate I earn from qualifying purchases. Popular in-print hymnals:. About this site Affiliates policy Privacy policy. Theme images by konradlew. Powered The New English Hymnal: Melody Blogger. Alleluya, alleluya. Amazing Grace. Amazing grace! And Can It Be. Be Still for the Presence of the Lord. Born in the Night. The Lord our God almighty, is king. The New English Hymnal: Melody the Prisoner. Come labour on! Sing, choirs of heaven! Let saints and angels sing! Hail Redeemer King Divine. Hail Redeemer, King divine! Hark, my soul! How great is your name, O Lord our God, through all the earth! Lift High the Cross. Alleluya, Alleluya, Alleluya! The kingdom is upon you! The praise of the Lord endures for ever, Alleluya! There's a Wideness in God's Mercy. Will you Come and Follow Me. The English Hymnal — St Marys Primrose Hill

For those of us who have learnt an instrument in the classical way, certain books of music often have a way of finding a special place in our affections. Those which contain a wealth of music we enjoy are revisited again and again, and left worn out with repetition. I have all of these and have enjoyed them in their turn. The first version of The English Hymnal The New English Hymnal: Melody in As an object it is something of a hefty brick, hard-backed and crammed with over thin pages. Held within is a collection of hymns spanning hundreds of years from many different choral traditions, even going as far back as plainchant. To flick through these pages is to enter a rich world, one structured around the rhythms of the liturgical year. Each tune is given a name, often mysterious or evocative — Kingsfold, St. In the older editions, the note engraving has its own archaic charm — with short stems, and wide voids on its semibreves looking almost handwritten, overlapping like little venn diagrams when two parts land on the same note. This task came at an early stage in his career, and he told the story of how it began with an unexpected visit:. I just knew his name vaguely as a parson who invited tramps to sleep in his drawing room; but he had not come to me about tramps. He went straight to the point and asked me to edit the music of a hymn book. I protested that I knew The New English Hymnal: Melody little about hymns The New English Hymnal: Melody he explained that Cecil Sharp had suggested my name […] and the final clench was given when I understood that if I did not do the job it would be offered to a well-known Church musician with whose musical ideas I was much out of sympathy. Percy Dearmer was a priest in Primrose Hill, and an The New English Hymnal: Melody socialist with a passion for social justice. As the head of the committee overseeing the new hymn book, he told Vaughan Williams that his work would take about two months. In fact it would last two years:. The truth is that I determined to do the work thoroughly, and that, besides being a compendium of all the tunes of worth that were already in use, the book should, in addition, be a thesaurus of all the finest hymn tunes in the world — at all event all such as were compatible The New English Hymnal: Melody the metres of the words for which I had to find tunes. In other cases, fine words required new tunes. However, at around this time Vaughan Williams was a leading figure in the British folk-song revival. His work involved traipsing through villages, cajoling older locals to sing him the country ballads that were fading from collective memory. The immersion The New English Hymnal: Melody these songs went on to profoundly influence his own music. Consequently, many of these folk melodies found their way into the hymnal, wherever appropriate words could be fitted to them. This diversity of material is one reason why the hymnal is so rewarding to delve into, though the sheer quantity also produces its biggest irritation — the thick spine is reluctant to stay open on a music stand without something to pin it down. To play these hymns offers tiny lessons in simple forms of musical construction: how a set of phrases can be put together, how harmony builds and releases tension, how different voices in the part writing provide movement. It is worth remembering how easily The New English Hymnal: Melody book could have been different. It is a testament to the efforts Dearmer and Vaughan Williams expended that, whether obscure or familiar, these hymns are more often than not interesting. The original rhythms of many of the old psalter tunes have also been restored, especially the long initial on the first syllable, which gives such a broad and dignified effect to these tunes. Attempts to adapt them to The New English Hymnal: Melody procrustean bed of the nineteenth century hymn tune have merely taken away their character and made them appear dull. For the same reason no attempt has been made to square the irregular times of some tunes. These irregularities are always easy to sing by ear—and this is the way in which a hymn melody should be learnt. Out of necessity, many of the The New English Hymnal: Melody keep their arrangements simple. Chromatic harmonies are, for the most part, used sparingly and judiciously, making the lines more easily singable for amateur church choirs. A good example is It Is A Thing Most Wonderful, which allows the natural eloquence of the the beautiful folk tune Herongate shine through. At other times, the choir is instructed to sing in unison with the congregation, and Vaughan Williams provides greater intricacy to the hands of the organist. Ye Watchers And Ye Holy Onesanother old German tune, is given a flowing accompaniment that unfurls mellifluously like a peal of bells. In both cases the loving craftsmanship casts the melody as the backbone of a more ornately beautiful texture — the unison passages The New English Hymnal: Melody the choir adding extra force to the majesty of the melody. The The New English Hymnal: Melody process of poring over these hymns left a lasting impression on Vaughan Williams, echoed in subsequent works like his famous Tallis Fantasia, and his beautiful organ prelude on the Welsh hymn Rhosymedre. Nor would his collaboration with Dearmer end there. He was involved with the book Songs Of Praise, which drew heavily The New English Hymnal: Melody The English Hymnal with the added intention of being more suitable for schools. It is a book written for mass participation, not just for those who can read the notes. In putting the needs of church choirs and organists second, he offers a pre-emptive and amusingly forthright reproach to any dissenting voices:. The choir have their opportunity elsewhere, but in the hymn they must give way to the congregation, and it is a great mistake to suppose that the result will be inartistic. A large body of voices singing together makes a distinctly artistic effect, though that of each individual voice might be the opposite. And it may be added that a desire to parade a trained choir often accompanies a debased musical taste. Today England is a more secular country than it was in For those like myself who are not church-goers, the relevance of hymns is different. It is one of those peculiarities of modern life that an audience is more likely to sing at a football match than at a classical concert. At pop and rock gigs, audience participation is often compulsive and unstoppable. Classical music is different: there is a distinctive value of collective stillness in listening to The New English Hymnal: Melody musicians, and the concentration and attentiveness that involves. Nonetheless, it is surely inarguable that singing together is one of the most instantly powerful bonding experiences that music can provide. Is it a coincidence that the most famous classical tradition in Britain, the last night of the Promsculminates in a singalong? Yet it is precisely this that makes it eccentric and exceptional. I am not nostalgic for some golden age of church-going, if such a thing ever existed. But playing through The English Hymnal does make me ponder why there are not more opportunities for audiences to sing together, in our rather restrained art form. Vaughan Williams himself The New English Hymnal: Melody not a man of faith. It was not belief that made his work a success, but understanding the human value of collective song, something which ultimately transcends religion. It is easy to take books like The English Hymnal for granted. It can seem too mundane and commonplace to feel valuable — hymns are an unsexy topic, and the idea of creativity by committee doubly so. To put aside the romantic idea of art as individual expression — and consider it as a civic act — his musical editorship of The English Hymnaland its subsequent iterations, is arguably his most important achievement of all. Importantly, it is also a model of inclusive, progressive Englishness, one which nurtures native heritage while casting its gaze wide abroad. It is not a window into the past but into many different pasts, brought together in an attempt to create a better future. The book is bound with this simple idealism — that common worship can be more enriching, beautiful and dignified. Whether The New English Hymnal: Melody these wonderful hymns, or fumbling through them at a piano, the lesson of this book is not just about how to craft music in a highly distilled form. To absorb the meaning of The English Hymnal is to ask the question of for what — and for whom — we compose at all. My blog posts are powered by caffeine. Notify me of follow-up comments by email. Notify me of new posts by email. A selection of books about England, in Hatchards, St. Pancras International, London. With thanks to Millie. By Simon Brackenborough For those of us who have learnt an instrument in the classical way, certain books of music often have a way of finding a special place in our affections. In fact it would last two years: The truth is that I determined to do the work thoroughly, and that, besides being a compendium of all the tunes of worth that were already in use, the book should, in addition, be a thesaurus of all the finest hymn tunes in the world — at all event all such as were compatible with the metres of the words for which I had to find tunes. In putting the needs of church choirs and organists second, he offers a pre-emptive and amusingly forthright reproach to any dissenting voices: The choir have their opportunity elsewhere, but in the hymn they must give way to the congregation, and it is a great mistake to suppose that the result will be inartistic. Share this Leave a Reply Cancel reply Your email address will not be published. Comment Name Email Website Notify me of follow-up comments by email. The New English Hymnal: Melody by English Hymnal Co. (Hardback, ) for sale online | eBay

Hymns are sometimes dismissed by choir members, but they remain at the heart of most church music. These hymn books with music will help boost congregational singing. A great improvement. Our sister site also has accompaniment CDs or downloads for every item in the book - see Organ accompaniments. Using these links earns us commission at no cost to you. Good range of traditional hymns, some better harmonies than Ancient and Modern, and a lot of the Victorian detritus swept away thanks to Vaughan Williams' new broom. Usually the musician's choice, but see above for a real challenger. Combines much of the old faithful with the The New English Hymnal: Melody more modern books ' Hymns for Today' and ' more'. Even so, when combined with volume two it's a great worship song resource. Songs of Fellowship 2 - There's a great reason for getting this as well as volume one: in the back of the book is a CD with the words of all the songs in both volumes. This is excellent if you want to find a particular song but can't remember the name - and with an appropriate licence you can use the disk to generate word sheets or overheads for your congregations. Songs of Fellowship 3 - Remarkably, saw yet another volume of Songs of Fellowship arrive with more songs and hymns for today's church. Songs of Fellowship 4 - Here we go again with another worship songs - where do they all come from? Without doubt, though, there will be some gems in there. CD with words include. Songs of Fellowship 5 - And The New English Hymnal: Melody we have yet another worship songs. They must be breeding them somewhere. Songs of Fellowship 6 - … and The New English Hymnal: Melody worship songs from It's really hard to imagine that there are so many new great songs in 5 years, but some of them will be worth using. Bearing in mind this is inevitably going to be a compromise, it works reasonably well. Particularly useful for family services and the more evangelical end of the church spectrum, but every organist The New English Hymnal: Melody to have a copy. Hymn books. Church Music Site. Organ accompaniments. Full music book. Melody only book.