Chapter Thirthy-Six
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CHORAL EVENSONG March 14, 2021 5:30 Pm
CHORAL EVENSONG march 14, 2021 5:30 pm Solemn Evensong (sung Evening Prayer, Rite I beginning on page 61 of The Book of Common Prayer) is one of the jewels of the Anglican tradition. Most of the service is sung, often by the choir alone. Opening Improvisation Patrick A. Scott All stand for The Opening Sentences THE INVITATORY AND PSALTER The Preces and Responses music: The Hymnal 1982, S-1 & S-26 V. O Lord, open thou our lips: R. And our mouth shall show forth thy praise V. O God, make speed to save us: R. O Lord, make hast to help us. Glory be to the Father, and to the Son, and to the Holy Spirit: as it was in the beginning, is now, and will be forever. Amen. The congregation is invited to sit and meditate on the text of the opening hymn while the cantors and organist sing. Those worshiping from home are invited to join in singing. See page 6 regarding in-person congregational singing. Office Hymn 143,“ THE GLORY OF THESE FORTY DAYS” music: Erhalt uns, Herr, melody from Geistliche Lieder, 1543 text: Latin, 6th cent.; tr. Maurice F. Bell (1862-1947) All sit while the Choir sings Psalm 107:1-3, 17-22 Plainsong Tone II.1 1 Give thanks to the Lord, for he is good, * and his mercy endures for ever. 2 Let all those whom the Lord has redeemed proclaim * that he redeemed them from the hand of the foe. 3 He gathered them out of the lands; * from the east and from the west, from the north and from the south. -
The Slow Integration of Instruments Into Christian Worship
Musical Offerings Volume 8 Number 1 Spring 2017 Article 2 3-28-2017 From Silence to Golden: The Slow Integration of Instruments into Christian Worship Jonathan M. Lyons Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/musicalofferings Part of the Christianity Commons, Fine Arts Commons, Liturgy and Worship Commons, Musicology Commons, and the Music Performance Commons DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Recommended Citation Lyons, Jonathan M. (2017) "From Silence to Golden: The Slow Integration of Instruments into Christian Worship," Musical Offerings: Vol. 8 : No. 1 , Article 2. DOI: 10.15385/jmo.2017.8.1.2 Available at: https://digitalcommons.cedarville.edu/musicalofferings/vol8/iss1/2 From Silence to Golden: The Slow Integration of Instruments into Christian Worship Document Type Article Abstract The Christian church’s stance on the use of instruments in sacred music shifted through influences of church leaders, composers, and secular culture. Synthesizing the writings of early church leaders and church historians reveals a clear progression. The early musical practices of the church were connected to the Jewish synagogues. As recorded in the Old Testament, Jewish worship included instruments as assigned by one’s priestly tribe. -
Music for Contemporary Christians: What, Where, and When?
Journal of the Adventist Theological Society, 13/1 (Spring 2002): 184Ð209. Article copyright © 2002 by Ed Christian. Music for Contemporary Christians: What, Where, and When? Ed Christian Kutztown University of Pennsylvania What music is appropriate for Christians? What music is appropriate in worship? Is there a difference between music appropriate in church and music appropriate in a youth rally or concert? Is there a difference between lyrics ap- propriate for congregational singing and lyrics appropriate for a person to sing or listen to in private? Are some types of music inherently inappropriate for evangelism?1 These are important questions. Congregations have fought over them and even split over them.2 The answers given have often alienated young people from the church and even driven them to reject God. Some answers have rejuve- nated congregations; others have robbed congregations of vitality and shackled the work of the Holy Spirit. In some churches the great old hymns havenÕt been heard in years. Other churches came late to the Òpraise musicÓ wars, and music is still a controversial topic. Here, where praise music is found in the church service, it is probably accompanied by a single guitar or piano and sung without a trace of the enthusi- asm, joy, emotion, and repetition one hears when it is used in charismatic churches. Many churches prefer to use no praise choruses during the church service, some use nothing but praise choruses, and perhaps the majority use a mixture. What I call (with a grin) Òrock ÔnÕ roll church,Ó where such instruments 1 Those who have recently read my article ÒThe Christian & Rock Music: A Review-Essay,Ó may turn at once to the section headed ÒThe Scriptural Basis.Ó Those who havenÕt read it should read on. -
Evensong Wednesday in the Second Week of Lent
Evensong wednesday in the second week of lent March 3, 2021 ◆ 4:30 pm Welcome to this service of Evensong at Saint Mark’s Cathedral via Zoom on Wednesday in the Second Week of Lent. Everything you need to participate in the service will be in this leaflet, which will be shared on the Zoom screen throughout the service. Note: Everyone will be muted upon entry to this Zoom meeting. The Officiant begins the service with the following sentence of Scripture. sentence of scripture Joel 2:13 Officiating Priest Rend your hearts and not your garments. Return to the Lord your God, for he is gracious and merciful, slow to anger and abounding in steadfast love, and repents of evil. preces The Book of Common Prayer, p. 117 Officiant O God, make speed to save us. People O Lord, make haste to help us. All Glory to the Father and to the Son, and to the Holy Spi rit as it was in the beginning, is now, and will be for ever. A men. Al le lu ia. 1 phos hilaron O gracious light ◆ sung by all tune: The Eighth Tune This hymn will be sung unaccompanied in a round at a distance of one measure. psalter Psalm 119:73-80: Yodh ◆ chanted by Choristers Plainsong Tone 8.1 Manus tuœ fecerunt me 73 [Your hands have] made me and / fashioned me; * give me understanding, that I may learn / your commandments. 74 Those who fear you will be glad when they / see me, * because I / trust in your word. 75 I know, O Lord, that your judgments are / right * and that in faithfulness you / have afflicted me. -
Choral Evensong
Summer 2017 Service & Music List Sunday 2nd July The Third Sunday after Trinity Thursday 6th July Decani Week 11.05am Eucharist said in Saint Stephen’s Chapel 9.15am Eucharist said in the Lady Chapel 5.30pm Choral Evensong sung by the Georgia Boys’ Choir 11 .15 am Choral Eucharist sung by the Maryland State Boy choir Canticles Brewer in D Responses: Hancock Setting Piccolo: Canterbury Mass Anthem All in the April evening Roberton Psalm: 34 vv 1 -10 Gradual O sing joyfully Batten Motet Ave Verum corpus Byrd Friday 7th July Preacher The Revd T.S. Forster, B.A., B.Th., M.Phil. 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Prebendary of Yagoe Hymns: 334, 272, 475 3.15pm Choral Evensong sung by the Maryland State Boy choir Canticles Kelly in C Responses: Hancock Anthem Like as the hart Howells Psalm: 37 vv 1 -11 Canticle s Stanford in C Responses: Quinn An them Hail gladdening light Wood Psalm: 12 Saturday 8th July Voluntary Preludium in G Buxtehude Hymns: 483 (t.77), 252 11.05am Eucharist said in Saint Stephen’s Chapel rd Monday 3 July Saint Thomas th 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Sunday 9 July The Fourth Sunday after Trinity Cantoris Week Canticles Dyson in D Re sponses: Hancock Anthem The deer’s cry Pärt Psalm: 18 vv 1 -16 9.15am Eucharist said in the Lady Chapel 11.15am Choral Eucharist sung by the Georgia Boys’ Choir Tuesday 4th July Setting Missa de Angelis 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Gradual Os Justi Bruckner Motet Faire is th e Heaven Harris Canticles Hogan in D b Responses: Hancock Preacher The Revd W.P. -
Lent Term 2010
KING’SCOLLEGE CAMBRIDGE CHAPELSERVICES LENTTERM HOLYWEEKANDEASTER 2010 NOT TO BE TAKEN AWAY THE USE OF CAMERAS, RECORDING EQUIPMENT, VIDEO CAMERAS AND MOBILE PHONES IS NOT PERMITTED IN CHAPEL [ 2 ] NOTICES SERMONSAND ADDRESSES 17 January Dr Edward Kessler Director Woolf Institute of Abrahamic Faiths, Cambridge; Fellow St Edmund’s College 24 January The Revd Richard Lloyd Morgan Acting Dean 31 January The Revd Abi Smetham Assistant Curate of Sheffield Manor Parish 7 February The Revd Canon Michael Hampel Acting Dean and Precentor, St Edmundsbury Cathedral 14 February The Revd Canon Anna Matthews St Albans Cathedral 21 February The Very Revd Dr John Hall Dean of Westminster 28 February The Rt Revd Dr Richard Cheetham Bishop of Kingston 7 March The Revd Canon Brian Watchorn Assistant Chaplain Maundy Thursday Professor Ellen Davies Amos Ragan Kearns Professor, Duke Divinity School, North Carolina Easter Day The Revd Richard Lloyd Morgan Acting Dean SERVICE BOOKLETS Braille and large print service booklets are available from the Chapel Administrator for Evensong and Sung Eucharist services. CHORAL SERVICES Services are normally sung by King’s College Choir on Sundays and from Tuesdays to Saturdays. Services on Mondays are sung by King’s Voices, the College’s mixed voice choir. Exceptions are listed. ORGAN RECITALS Each Saturday during term time there is an organ recital at 6.30 p.m. until 7.15 p.m. Admission is free, and there is a retiring collection. There is no recital on 16 January; the recital on 20 February will last 30 minutes and start at 6.45 p.m. following the longer Evensong that day. -
Contemporary Christian Music & The
PLAYING THE MARKET: CONTEMPORARY CHRISTIAN MUSIC & THE THEORY OF RELIGIOUS ECONOMY by Jamie Carrick B.A., The University of Calgary, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Religious Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) October 2012 © Jamie Carrick, 2012 Abstract Contemporary Christian music (CCM) is a fascinating and understudied part of the religious vitality of modern American religion. In this dissertation the theory of religious economy is proposed as a valuable and highly serviceable methodological approach for the scholarly study of CCM. The theory of religious economy, or the marketplace approach, incorporates economic concepts and terminology in order to better explain American religion in its distinctly American context. In this study, I propose three ways in which this method can be applied. Firstly, I propose that CCM artists can be identified as religious firms operating on the “supply-side” of the religio-economic dynamic; it is their music, specifically the diverse brands of Christianity espoused there within, that can allow CCM artists to be interpreted in such a way. Secondly, the diversity within the public religious expressions of CCM artists can be recognized as being comparable to religious pluralism in a free marketplace of religion. Finally, it is suggested that the relationship between supply-side firms is determined, primarily, by the competitive reality of a free market religious economy. ii Table of Contents Abstract . ii Table of Contents . iii List of Figures . iv Acknowledgements . v 1 Introduction . 1 1.1 Introduction . 1 1.2 Religion & Popular Culture . -
The 2007 Edition Is Available in PDF Form By
VOX The new Chapter Secretary: Nick Gale [email protected] The Academy of St Cecilia Patrons: The Most Hon. The Marquess of Londonderry Dean and Education Advisor: Sir Peter Maxwell Davies CBE John McIntosh OBE Vice Patrons: James Bowman CBE, Naji Hakim, Monica Huggett [email protected] From the master Treasurer: Paula Chandler [email protected] elcome to the 2007 edition of Vox - the mouthpiece of the Academy of St Cecilia. Registrar: Jonathan Lycett We always welcome contributions from our members - [email protected] indeed without them Vox would not exist. In this edition we announce our restructured Chapter and its new members; feature a major article on Thomas Tallis Director of Communications: whose 500th anniversay falls at this time; and we Alistair Dixon review the Academy’s most major event to date, the [email protected] chant day held in June 2006. Our new address is: Composer in Residence: Nicholas O'Neill The Academy of St Cecilia Email: [email protected] C/o Music Department [email protected] Cathedral House Westminster Bridge Road Web site: LONDON SE1 7HY www.academyofsaintcecilia.com Archivist: Graham Hawkes Tel: 020 8265 6703 [email protected] ~ Page 1 ~ ~ Page 2 ~ Advisors to the Academy Thomas Tallis (c.1505 - 1585) Alistair Dixon, a member of the Chapter of the Academy, spent ten years studying and performing the music of Thomas Tallis. In 2005 Academic Advisor: he released the last in the series of recordings with his choir, Chapelle Dr Reinhard Strohm PhD (KU Berlin) FBA HonFASC. Heather Professor of Music Oxford University du Roi, of the Complete Works of Thomas Tallis in nine volumes. -
Sunday 1 November 2020 Choral Evensong All Saints Day Online Evensong from University College, Oxford
Sunday 1 November 2020 Choral Evensong All Saints Day Online Evensong from University College, Oxford A warm welcome to our service this week. Thank you for joining us from wherever you may be. The full text of the service is found in this pdf file that you have downloaded from our Online Evensong page. An audio-recording of the full service is on the page where you found the link to this text. Our preacher this week is the Rt Revd Christopher Chessun, the Bishop of Southwark. 1 WORDS OF WELCOME INTROIT ‘With prayer and supplication’ With prayer and supplication, let your requests be known unto God. And the peace of God which passeth all understanding, shall keep your hearts and minds, through Jesus Christ, our Lord. Words: Philippians 4.6-7 Music: Amy Beach (1867-1944) 2 HYMN ‘Jerusalem the Golden’ Jerusalem the golden, with milk and honey blest, beneath thy contemplation sink heart and voice oppressed. I know not, O I know not, what social joys are there; what radiancy of glory, what light beyond compare. They stand, those halls of Zion, conjubilant with song, and bright with many an angel, and all the martyr throng. The Prince is ever in them, the daylight is serene; the pastures of the blessed are decked in glorious sheen. There is the throne of David; and there, from care released, the song of them that triumph, the shout of them that feast; and they who, with their Leader, have conquered in the fight, forever and forever are clad in robes of white. -
Seventh Sunday After Pentecost
Seventh Sunday after Pentecost Holy Eucharist July 11th, 2021 10:00AM Service The Gathering Organ Voluntary Ceremonial Suite for Organ, No 2, Aria Music: Carson Cooman (b. 1982 ) Welcome Abel E. Lopez, Rector Prayer of Meditation The Rev. Jim Lee Imaginative God, creator of all that is, inspire us who are overwhelmed by the complexities of life. Send through us the great rushing wind of your spirit to stir our hopes and breathe into us new life. Rekindle in us the flame of your spirit, that with energy and enthusiasm we may rise to meet the challenges of our life, and work to bring heaven on earth, today and every day of our lives. Amen. All stand and sing, as able. Hymn in Procession The Hymnal 1982 #365 Come, Thou Almighty King Opening Acclamation Abel E. Lopez, Rector Priest Blessed be God: Father, Son, and Holy Spirit. People And blessed be God’s kingdom, now and for ever. Amen. Remain standing. Collect for Purity All together. Almighty God, to you all hearts are open, all desires known, and from you no secrets are hid: Cleanse the thoughts of our hearts by the inspiration of your Holy Spirit, that we may perfectly love you, and worthily magnify your holy Name; through Christ our Lord. Amen. 2 All sing, remain standing, as able. Song of Praise The Hymnal 1982 #S-236 (found in very front of hymnal) Glory to you, Lord God of our fathers; you are worthy of praise; glory to you. Glory to you for the radiance of your holy Name; we will praise you and highly exalt you for ever. -
Gaudent in Coelis 1
GAUDENT IN COELIS CHORAL MUSIC BY SALLY BEAMISH, JUDITH BINGHAM & JOANNA MARSH THE CHOIRS OF ST CATHARINE’S COLLEGE, CAMBRIDGE EDWARD WICKHAM RES10185 Sally Beamish (b. 1956) Judith Bingham & Gaudent in coelis 1. Gaudent in coelis [3:05] Charles Hubert Hastings Parry (1848-1918) Choral Music by Sally Beamish, 15. Distant thunder [5:13] Judith Bingham & Joanna Marsh Joanna Marsh (b. 1970) 16. My soul there is a country [3:51] 2. Lord, thou hast searched me and known me [3:23] Sally Beamish St Catharine’s Service Judith Bingham (b. 1952) 17. Magnificat [3:29] Edington Service 18. Nunc Dimittis [3:22] 3. Magnificat [5:48] The Choirs of St Catharine’s College, Cambridge 4. Nunc Dimittis [3:26] Edward Wickham conductor Total playing time [69:08] Joanna Marsh Missa Brevis: Collegium Sanctae Catharinae 5. Kyrie [3:28] 6. Gloria [6:25] 7. Sanctus & Benedictus [3:29] 8. Agnus Dei [3:22] Sally Beamish Two Canticles 9. Canticle by the Lax Pool [3:24] 10. Among the Sundered People [3:21] Judith Bingham & Thomas Tallis (c. 1505-1585) 11. The Spirit of truth [4:05] About The Choirs of St Catharine’s College & Edward Wickham: 12. If ye love me [2:20] ‘[...] splendidly performed by these exceptionally well-trained singers’ Judith Bingham & The Observer Samuel Sebastian Wesley (1810-1876) 13. The darkness is no darkness [4:06] ‘St Catharine’s […] acquit themselves well in some tricky music 14. Thou wilt keep him in in the lustrous wood surroundings of the college’s little chapel’ perfect peace [3:21] Gramophone Gaudent in coelis: Choral Music by In heaven rejoice the souls of the saints, Sally Beamish, Judith Bingham & who have followed the steps of Christ; Joanna Marsh and, because for his love they shed their blood, therefore with Christ they exult forever. -
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 Email: [email protected]
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 email: [email protected] CD-No. Title Composer/Track Artists GMCD 7101 Canticum Novum My soul, there is a country - Charles H.H.Parry; All Wisdom cometh from the Lord - Philip The Girl Choristers, The Boy Choristers and The Lay Vicars of Moore; Tomorrow shall be my dancing day - John Gardner; Psalm Prelude (2nd Set, No.1) - Salisbury Cathedral directed by Richard Seal / David Halls Organ / Herbert Howells; Quem vidistis pastores dicite - Francis Poulenc; Videntes stellam - Francis Martin Ings Trumpet Poulenc; The old order changeth - Richard Shepard; Even such is time - Robert Chilcott; Paean - Kenneth Leighton; When I survey the wondrous Cross - Malcolm Archer; Magnificat (Salisbury Service) - Richard Lloyd; A Hymn to the Virgin - Benjamin Britten; Pastorale - Percy Whitlock; Psalm 23 (Chant) - Henry Walford Davies; Love's endeavour, love's expense - Barry Rose; Ye Choirs of new Jerusalem - Richard Shepard GMCD 7102 Coronation Anthems & Hymns “Jubilant” Fanfare - Arthur Bliss; I was glad when they said unto me - Charles H.H. Parry; O The Choir of St Paul’s Cathedral directed by Barry Rose / Christopher taste and see - Ralph Vaughan Williams; Credo from the “Mass in G minor” - Ralph Vaughan Dearnley Organ Williams; Praise, my soul, the King of heaven - John Goss; Trumpet Tune f GMCD 7103 In Dulci Jubilo Ad Libitum/O Come, all ye faithful - Hark! the Herald-Angels Sing - Once in Royal David's city - - Festive & Christmas Music - Paul Plunkett Trumpets & Rudolf Lutz The First Nowell - Ding Dong! Merrily on High - Away in a Manger - Angels from the Realms Organ of Glory - Noël Op.