Organ Scholarship 2021-2022
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DANCING DAY MUSIC FORCHRISTMAS FIFTH AVENUE,NEWYORK JOHN SCOTT CONDUCTOR Matthew Martin (B
DANCING DAY MUSIC FOR CHRISTMAS SAINT THOMAS CHOIR OF MEN & BOYS, FIFTH AVENUE, NEW YORK JOHN SCOTT CONDUCTOR RES10158 Matthew Martin (b. 1976) John Rutter (b. 1945) Dancing Day 1. Novo profusi gaudio [3:36] Dancing Day Part 1 Music for Christmas Patrick Hadley (1899-1973) 17. Prelude [3:35] 2. I sing of a maiden [2:55] 18. Angelus ad virginem [1:55] 19. A virgin most pure [5:04] Benjamin Britten (1913-1976) 20. Personent hodie [1:57] A Ceremony of Carols, Op. 28 Part 2 Saint Thomas Choir of Men & Boys, Fifth Avenue, New York 3. Procession [1:32] 21. Interlude [4:05] 4. Wolcum Yole! [1:24] 22. There is no rose [1:53] 3-15 & 17-24 5. There is no Rose [2:26] 23. Coventry Carol [3:54] Sara Cutler harp [1:46] 1 & 16 6. That yonge child 24. Tomorrow shall be my Stephen Buzard organ 7. Balulalow [1:21] dancing day [3:03] Benjamin Sheen organ 2 & 25-26 8. As dew in Aprille [1:02] 9. This little babe [1:30] Traditional English 10. Interlude [3:32] arr. Philip Ledger (1937-2012) John Scott conductor 11. In Freezing Winter Night [3:50] 25. On Christmas Night [2:00] 12. Spring Carol [1:14] (Sussex Carol) 13. Adam lay i-bounden [1:12] 14. Recession [1:37] William Mathias (1934-1992) [1:41] 26. Wassail Carol Benjamin Britten 15. A New Year Carol [2:19] Total playing time [63:58] Traditional Dutch arr. John Scott (b. 1956) About the Saint Thomas Choir of Men & Boys: 16. -
Medieval Heritage and Pilgrimage Walks
Medieval Heritage and Pilgrimage Walks Cleveland Way Trail: walk the 3 miles from Rievaulx Abbey, Yorkshire to Helmsley Castle and tread in the footsteps of medieval Pilgrims along what’s now part of the Cleveland Way Trail. Camino de Santiago/Way of St James, Spain: along with trips to the Holy Land and Rome, this is the most famous medieval pilgrimage trail of all, and the most well-travelled in medieval times, at least until the advent of Black Death. Its destination point is the spot St James is said to have been buried, in the Cathedral of Santiago de Compostela. Today Santiago is one of UNESCO’s World Heritage sites. Read more . the Cathedral of Santiago de Compostela holds a Pilgrims’ Mass every day at noon. Walk as much or as little of it as you like. Follow the famous scallop shell symbols. A popular starting point, both today and in the Middle Ages, is either Le Puy in the Massif Central, France OR the famous medieval Abbey at Cluny, near Paris. The Spanish start is from the Pyrenees, on to Roncevalles or Jaca. These routes also take in the Via Regia and/or the Camino Frances. The Portuguese way is also popular: from the Cathedrals in either Lisbon or Porto and then crossing into Falicia/Valenca. At the end of the walk you receive a stamped certifi cate, the Compostela. To achieve this you must have walked at least 100km or cycled for 200. To walk the entire route may take months. Read more . The route has inspired many TV and fi lm productions, such as Simon Reeve’s BBC2 ‘Pilgrimage’ series (2013) and The Way (2010), written and directed by Emilio Estevez, about a father completing the pilgrimage in memory of his son who died along the Way of St James. -
Preces and Responses
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Between History & Hope: Where Will the Church Be in 2020?
www.stdavidsdiocese.org.uk Tachwedd / November 2010 ‘Something Must be Done!’ ORD Rowe-Beddoe, the At the September meeting of the Governing Body of the Church in Wales, members ute to the growth of the churches.” LChairman of the Representa- were given a succinct and honest account of the state of the Church’s finances and It is interesting that the two tive Body (RB), the organisation future predictions. Paul Mackness reports people presenting that report were that administers the Church in both lay people, Richard Jones, Wales’ finances, summed up the punch: “ . your fund is in pretty the Parish Resources Adviser for current problems, “The financial good shape – but we do not see a It is inevitable Llandaff Diocese, and Tracey situation of the Church in Wales substantial uplift in the medium that clergy feel White, Funding and Parish Support is unlikely to improve over the term. Meanwhile the costs of the de-motivated when officer for St Asaph Diocese. next five years and will be unable Church rise inexorably. Something The questions posed dominated to continue operating in the way has to be done!” they service numerous the rest of the the meeting. it is doing at the moment. Never- The Church, like the secular congregations without Is it now time for change? Has theless the objectives of the RB world, is going to have to tighten the parish system run its course? remain – to relieve financial pres- its belt if we are to survive. For the opportunity to What needs to change in order for sure on parishes and support the past three years -
Issue 18 • Spring 2014 Patron: the Duchess of Kent Singing Out!
NEWS FROM THE CHOIR SCHOOLS’ ASSOCIATION The benefits of a Choir School education ISSUE 18 • SPRING 2014 PATRON: THE DUCHESS OF KENT SINGING OUT! l Canterbury Cathedral Girls’ Choir sang their first Evensong on Saturday 25 January which included music by Vaughan Williams, Dyson and SS Wesley. As the girls processed out from the Quire stalls they received a standing ovation. Under the baton of Assistant Organist, David COnHAIRMAN 22 November moreR thanOGER 100,000O youngVEREND people worldwide, WRITES including… Newsholme, the girls will initially sing at many of our choristers, sang the music of Benjamin Britten. They were services when the boy choristers are on celebrating the centenary of the birth of one of the greatest composers of their twice-termly breaks. Their next the 20th century. Evensong is on Saturday 29 March, followed by the Diocesan Service Our cathedrals and college chapels taken for granted and that they are fully celebrating the 20th anniversary of continued to ring with the sound of supported, musically, socially and Women’s Ministry on Saturday 10 May. glorious music sung by our choristers financially. Music of a high quality often The sixteen girls are aged 12-16 and attend through Christmas, with much of it brought comes at a price, but I believe that any eight different schools in the area. to the fore through radio and television. money spent on cathedral music pays for This term we are working towards Easter itself many times over. It gives pleasure to permeates each day and where what they and I asked Christopher Walji, Head the listener, engaging many entering our do is highly-respected by fellow non- Chorister of Rochester Cathedral, to reflect cathedrals and college chapels for the first chorister pupils. -
Information on Organ and Choral Scholarships in the Colleges at Oxford University Applications for Entry in 2021/2
INFORMATION ON ORGAN AND CHORAL SCHOLARSHIPS IN THE COLLEGES AT OXFORD UNIVERSITY APPLICATIONS FOR ENTRY IN 2021/2 Please note that the information here is provided by the individual colleges, and is subject to change. BALLIOL COLLEGE (ORGAN SCHOLARSHIP ONLY) BRASENOSE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) CORPUS CHRISTI COLLEGE (ORGAN SCHOLARSHIP ONLY) CHRIST CHURCH (ORGAN SCHOLARSHIP AND ACADEMICAL CLERKSHIPS) EXETER COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) HERTFORD COLLEGE (ORGAN SCHOLARSHIP ONLY) JESUS COLLEGE (ORGAN SCHOLARSHIP ONLY) KEBLE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) LINCOLN COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) LADY MARGARET HALL (ORGAN SCHOLARSHIP ONLY) MAGDALEN COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) MERTON COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) NEW COLLEGE (ORGAN SCHOLARSHIP AND ACADEMICAL CLERKSHIPS) ORIEL COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) PEMBROKE COLLEGE (ORGAN SCHOLARSHIP ONLY) QUEEN’S COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) ST EDMUND HALL (ORGAN AND CHORAL SCHOLARSHIPS) SOMERVILLE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) ST PETER’S COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) UNIVERSITY COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) WORCESTER COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS BALLIOL COLLEGE Balliol Choir has a warm and lively atmosphere. It is a wonderfully exciting place to be as an Organ Scholar. Balliol Chapel houses a three-manual electric action Harrison organ, complete with pistons and several channels. This is one of the larger college organs in OxFord and is among Oxford’s most versatile for both accompaniment and solo playing. Balliol also has a second organ in the Hall, a splendid Willis instrument previously played at the beginning of celebratory meals and other events. Plans are being made for the Willis to be restored to its full glory. -
The Governing Body of the Church in Wales Corff Llywodraethol Yr Eglwys Yng Nghymru
For Information THE GOVERNING BODY OF THE CHURCH IN WALES CORFF LLYWODRAETHOL YR EGLWYS YNG NGHYMRU REPORT OF THE STANDING COMMITTEE TO THE GOVERNING BODY APRIL 2016 Members of the Governing Body may welcome brief background information on the individuals who are the subject of the recommendations in the Report and/or have been appointed by the Standing Committee to represent the Church in Wales. The Reverend Canon Joanna Penberthy (paragraph 4 and 28) Rector, Llandrindod and Cefnllys with Diserth with Llanyre and Llanfihangel Helygen. The Reverend Dr Ainsley Griffiths (paragraph 4) Chaplain, University of Wales Trinity Saint David, Camarthen Campus, CMD Officer, St Davids, member of the Standing Doctrinal Commission. (NB Dr Griffiths subsequently declined co-option and resigned his membership.) His Honour Judge Andrew Keyser QC (paragraph 4) Member of the Standing Committee, Judge in Cardiff, Deputy Chancellor of Llandaff Diocese, Chair of the Legal Sub-committee, former Deputy President of the Disciplinary Tribunal of the Church in Wales. Governing Body Assessor. Mr Mark Powell QC (paragraph 4 and 29) Chancellor of Monmouth diocese and Deputy President of the Disciplinary Tribunal. Deputy Chair of the Mental Health Tribunal for Wales. Chancellor of the diocese of Birmingham. Solicitor. Miss Sara Burgess (paragraph 4) Contributor to the life of the Parish of Llandaff Cathedral in particular to the Sunday School in which she is a leader. Mr James Tout (paragraph 4) Assistant Subject Director of Science, the Marches Academy, Oswestry. Worship Leader in the diocese of St Asaph for four years. Mrs Elizabeth Thomas (paragraph 5) Elected member of the Governing Body for the diocese of St Davids. -
Lent Term 2010
KING’SCOLLEGE CAMBRIDGE CHAPELSERVICES LENTTERM HOLYWEEKANDEASTER 2010 NOT TO BE TAKEN AWAY THE USE OF CAMERAS, RECORDING EQUIPMENT, VIDEO CAMERAS AND MOBILE PHONES IS NOT PERMITTED IN CHAPEL [ 2 ] NOTICES SERMONSAND ADDRESSES 17 January Dr Edward Kessler Director Woolf Institute of Abrahamic Faiths, Cambridge; Fellow St Edmund’s College 24 January The Revd Richard Lloyd Morgan Acting Dean 31 January The Revd Abi Smetham Assistant Curate of Sheffield Manor Parish 7 February The Revd Canon Michael Hampel Acting Dean and Precentor, St Edmundsbury Cathedral 14 February The Revd Canon Anna Matthews St Albans Cathedral 21 February The Very Revd Dr John Hall Dean of Westminster 28 February The Rt Revd Dr Richard Cheetham Bishop of Kingston 7 March The Revd Canon Brian Watchorn Assistant Chaplain Maundy Thursday Professor Ellen Davies Amos Ragan Kearns Professor, Duke Divinity School, North Carolina Easter Day The Revd Richard Lloyd Morgan Acting Dean SERVICE BOOKLETS Braille and large print service booklets are available from the Chapel Administrator for Evensong and Sung Eucharist services. CHORAL SERVICES Services are normally sung by King’s College Choir on Sundays and from Tuesdays to Saturdays. Services on Mondays are sung by King’s Voices, the College’s mixed voice choir. Exceptions are listed. ORGAN RECITALS Each Saturday during term time there is an organ recital at 6.30 p.m. until 7.15 p.m. Admission is free, and there is a retiring collection. There is no recital on 16 January; the recital on 20 February will last 30 minutes and start at 6.45 p.m. following the longer Evensong that day. -
Download Album Booklet
CHRISTMAS WITH ST JOHN’S Christmas with St John’s unhurried, easy-flowing vernacular feel as Sansom’s powerful verses, and the overall For many people, the pleasures of the Christmas structure is equally effective; the melody is 1 The Shepherd’s Carol Bob Chilcott [3.40] season can be summed up in a single word: first presented by trebles alone before the 2 The Holly and the Ivy Traditional, arr. Henry Walford Davies [2.54] tradition. However, perhaps strangely for a other voices softly enter, one by one, gradually 3 Sir Christèmas William Mathias [1.33] world so steeped in the music and practices layering a serene pillow of harmonic suspensions. 4 O Oriens Cecilia McDowall [4.35] of centuries past, the English sacred choral The one fortissimo moment comes at the 5 Adam Lay ybounden Boris Ord [1.19] scene is as much about the new as it is the central climax, when all the vocal parts join 6 A Spotless Rose Philip Ledger [2.00] in homophony, for the first and only time, 7 The Seven Joys of Mary William Whitehead [4.45] old at this time of year; Christmas presents 8 Dormi Jesu John Rutter [4.56] a golden opportunity to present brand new to describe the angels’ voices. 9 Creator of the Stars of Night Plainsong, arr. John Scott [3.41] music to wide audiences, and the role played 0 I Wonder as I Wander Carl Rutti [1.46] by St John’s College Choir in this area has Henry Walford Davies’ popular 1913 q O Little Town of Bethlehem Henry Walford Davies [4.49] been significant, as demonstrated by this arrangement of The Holly and the Ivy sticks w I Saw Three Ships Traditional arr. -
A Cathedral Training with All the Advantages of a Leading Co-Educational Independent School
NEW: 32ft Double Ophicleide installed in 2017 Application closing dates: Monday 4 November 2019 (Round 1) Saturday 8 February 2020 (Round 2) Sixth Form Open Afternoon Wednesday 9 October 2019 A cathedral training with all the advantages of a leading co-educational independent school. 16+ entry from September 2020 Boarding or Day place with a £5,000 annual grant and a means-tested allowance up to full fees available Find out more information at www.cliftoncollege.com/upper/admissions Or please contact: Mr Daniel Robson, Director of Music, Clifton College: [email protected] / 0117 3157 247 Sir David Willcocks Organ Scholarship Clifton College in partnership with Bristol Cathedral Through its 150 years, Clifton College has been noted for the importance it attaches to organists and organs in the school’s musical life. It has nurtured generations of Old Cliftonian musicians including Boris Ord, the one-handed Dr Douglas Fox (famed for his radio broadcasts and recitals), C.S. Lang, and Sir David Willcocks himself. More recent alumni organists include Charles Matthews (winner of the Franz Liszt Organ Competition), Andrew Nethsingha (Director of Music at St John’s College, Cambridge), and current Oxbridge organ scholars. All have benefited from the four-manual organ in the College chapel, still maintained by its original maker, Harrison and Harrison. Sir David Willcocks MC CBE (1919-2015) Old Cliftonian Director of Music, King’s College, Cambridge (1957-73) Present-day life at the College — daily assemblies with hymns (the congregational singing supported by the College’s 2012 Hymn Book), choral services on Sundays, and the numerous concerts and oratorios performed in the chapel with the organ — ensures that the instrument and its players remain at the heart of College life. -
Nun Street, St Davids, Pembrokeshire: Historic Environment Appraisal
PROPOSED DEVELOPMENT SITE NUN STREET, ST DAVIDS, PEMBROKESHIRE: HISTORIC ENVIRONMENT APPRAISAL Prepared by Dyfed Archaeological Trust For: Ms Nicola Pert DYFED ARCHAEOLOGICAL TRUST RHIF YR ADRODDIAD / REPORT NO. 2017/47 RHIF Y DIGWYDDIAD / EVENT RECORD NO. 110505 Awst 2017 August 2017 NUN STREET, ST DAVIDS: HISTORIC ENVIRONMENT APPRAISAL Gan / By Alice Day ACIfA Paratowyd yr adroddiad yma at ddefnydd y cwsmer yn unig. Ni dderbynnir cyfrifoldeb gan Ymddiriedolaeth Archaeolegol Dyfed Cyf am ei ddefnyddio gan unrhyw berson na phersonau eraill a fydd yn ei ddarllen neu ddibynnu ar y gwybodaeth y mae’n ei gynnwys The report has been prepared for the specific use of the client. Dyfed Archaeological Trust Limited can accept no responsibility for its use by any other person or persons who may read it or rely on the information it contains. Ymddiriedolaeth Archaeolegol Dyfed Cyf Dyfed Archaeological Trust Limited Corner House, 6 Stryd Caerfyrddin, Llandeilo, Sir Corner House, 6 Carmarthen Street, Llandeilo, Gaerfyrddin SA19 6AE Carmarthenshire SA19 6E Ffon: Ymholiadau Cyffredinol 01558 823121 Tel: General Enquiries 01558 823121 Adran Rheoli Treftadaeth 01558 823131 Heritage Management Section 01558 823131 Ebost: [email protected] Email: [email protected] Gwefan: www.archaeolegdyfed.org.uk Website: www.dyfedarchaeology.org.uk Cwmni cyfyngedig (1198990) ynghyd ag elusen gofrestredig (504616) yw’r Ymddiriedolaeth. The Trust is both a Limited Company (No. 1198990) and a Registered Charity (No. 504616) CADEIRYDD CHAIRMAN: Professor -
What Julian Saw: the Embodied Showings and the Items for Private Devotion
religions Article What Julian Saw: The Embodied Showings and the Items for Private Devotion Juliana Dresvina History Faculty, University of Oxford, 41-47 George St, Oxford OX1 2BE, UK; [email protected] Received: 28 February 2019; Accepted: 29 March 2019; Published: 2 April 2019 Abstract: The article traces potential visual sources of Julian of Norwich’s (1343–after 1416) Revelations or Showings, suggesting that many of them come from familiar everyday devotional objects such as Psalters, Books of Hours, or rosary beads. It attempts to approach Julian’s text from the perspective of neuromedievalism, combining more familiar textual analysis with some recent findings in clinical psychology and neuroscience. By doing so, the essay emphasizes the embodied nature of Julian’s visions and devotions as opposed to the more apophatic approach expected from a mystic. Keywords: revelations; mysticism; ekphrasis; neuromedievalism; neuroarthistory; psychohistory; Julian of Norwich; visions; sleep paralysis; psalters; books of hours; rosary beads 1. Introduction This paper has a very simple thesis to illustrate: that a lot, if not most of theology, found in the writings of Julian of Norwich (1343–after 1416)—a celebrated mystic and the first English female author known by name—comes from familiar, close-to-home objects and images. Images are such an integral aspect of our existence that the famous neuroscientist Rodolfo Llinás, and many after him, claimed that our brain is about making images (Llinás and Paré 1991; Damasio 2010, pp. 63–88). However, such complicated private visual experiences as dream-visions or mystical revelations are insufficient to synthesise knowledge per se, particularly if understood as aimed at a broader community.