Musical Musings – the Third Tune
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Lent Term 2010
KING’SCOLLEGE CAMBRIDGE CHAPELSERVICES LENTTERM HOLYWEEKANDEASTER 2010 NOT TO BE TAKEN AWAY THE USE OF CAMERAS, RECORDING EQUIPMENT, VIDEO CAMERAS AND MOBILE PHONES IS NOT PERMITTED IN CHAPEL [ 2 ] NOTICES SERMONSAND ADDRESSES 17 January Dr Edward Kessler Director Woolf Institute of Abrahamic Faiths, Cambridge; Fellow St Edmund’s College 24 January The Revd Richard Lloyd Morgan Acting Dean 31 January The Revd Abi Smetham Assistant Curate of Sheffield Manor Parish 7 February The Revd Canon Michael Hampel Acting Dean and Precentor, St Edmundsbury Cathedral 14 February The Revd Canon Anna Matthews St Albans Cathedral 21 February The Very Revd Dr John Hall Dean of Westminster 28 February The Rt Revd Dr Richard Cheetham Bishop of Kingston 7 March The Revd Canon Brian Watchorn Assistant Chaplain Maundy Thursday Professor Ellen Davies Amos Ragan Kearns Professor, Duke Divinity School, North Carolina Easter Day The Revd Richard Lloyd Morgan Acting Dean SERVICE BOOKLETS Braille and large print service booklets are available from the Chapel Administrator for Evensong and Sung Eucharist services. CHORAL SERVICES Services are normally sung by King’s College Choir on Sundays and from Tuesdays to Saturdays. Services on Mondays are sung by King’s Voices, the College’s mixed voice choir. Exceptions are listed. ORGAN RECITALS Each Saturday during term time there is an organ recital at 6.30 p.m. until 7.15 p.m. Admission is free, and there is a retiring collection. There is no recital on 16 January; the recital on 20 February will last 30 minutes and start at 6.45 p.m. following the longer Evensong that day. -
Seventh Sunday After Pentecost
Seventh Sunday after Pentecost Holy Eucharist July 11th, 2021 10:00AM Service The Gathering Organ Voluntary Ceremonial Suite for Organ, No 2, Aria Music: Carson Cooman (b. 1982 ) Welcome Abel E. Lopez, Rector Prayer of Meditation The Rev. Jim Lee Imaginative God, creator of all that is, inspire us who are overwhelmed by the complexities of life. Send through us the great rushing wind of your spirit to stir our hopes and breathe into us new life. Rekindle in us the flame of your spirit, that with energy and enthusiasm we may rise to meet the challenges of our life, and work to bring heaven on earth, today and every day of our lives. Amen. All stand and sing, as able. Hymn in Procession The Hymnal 1982 #365 Come, Thou Almighty King Opening Acclamation Abel E. Lopez, Rector Priest Blessed be God: Father, Son, and Holy Spirit. People And blessed be God’s kingdom, now and for ever. Amen. Remain standing. Collect for Purity All together. Almighty God, to you all hearts are open, all desires known, and from you no secrets are hid: Cleanse the thoughts of our hearts by the inspiration of your Holy Spirit, that we may perfectly love you, and worthily magnify your holy Name; through Christ our Lord. Amen. 2 All sing, remain standing, as able. Song of Praise The Hymnal 1982 #S-236 (found in very front of hymnal) Glory to you, Lord God of our fathers; you are worthy of praise; glory to you. Glory to you for the radiance of your holy Name; we will praise you and highly exalt you for ever. -
Organ Scholarship 2021-2022
Organ Scholarship 2021-2022 The Dean and Chapter of St Davids Cathedral wishes to appoint an Organ Scholar for the academic year beginning in September 2021. The scholarship is an outstanding opportunity for a gap-year or post-graduate organist to gain valuable training and experience as a church musician and play a full part in the musical life of a busy cathedral. The period of the appointment is usually for one year with the possibility to extend for a further year if appropriate. Please note: all the details shown here are subject to change depending on developing government guidance, rules and laws surrounding COVID-19. The Organ Scholarship was set up in 2016. Previous holders of the position have gone on to hold organist-posts at Tewkesbury Abbey; Ely Cathedral; Magdalen College, Oxford and St George’s Chapel, Windsor. The current post-holder, Michael D’Avanzo, has been appointed Organ Scholar of Southwell Minster. The scholarship is generously supported by the Friends of Cathedral Music (FCM), and by an anonymous donor who wishes to support and encourage the performance of Tudor church music at the cathedral. The successful candidate will have an interest in, and be willing to spend an appropriate portion of their time studying, performing and promoting Tudor music. St Davids St Davids is situated in the beautiful Pembrokeshire Coast National Park, West Wales. It is surrounded by some of the finest coastline in Europe and offers an unrivalled range of outdoor activities including walking, rock climbing, surfing, swimming and hiking. St Davids is an extremely popular tourist destination and hosts around half a million visitors every year. -
A Festival of Nine Lessons & Carols
A FESTIVAL OF NINE LESSONS & CAROLS SUNDAY, DECEMBER 22, 2013 S T . P A U L ’ S E PISCOPAL C HURCH F AIRFIELD , C ONNECTICUT 2 ELCOME TO THIS SERVICE , which anticipates the great feast of the Nativity of Our Lord Jesus Christ. The liturgy of Lessons and Carols was first used in the chapel of King’s WCollege, Cambridge, on Christmas Eve, 1918, with the candle-lit splendor of the chapel, the prayers and scripture readings, the great hymns and the soaring music of the choir and organ standing in eloquent contrast to the darkness of a cold winter night and the tragic shadows of the recently concluded Great War. The intervening years have seen the worldwide broadcast of this service become a much beloved Christmas tradition. As in 1918, we in our own day turn again to these sacred words and songs in a world troubled by war, natural disaster, violence, and economic uncertainty. Tonight’s service is offered in the spirit of that first service at King’s, as a light shining in the darkness; with fervent prayer for peace, goodwill and understanding among all people rising amidst the strains of glorious hymns and carols. Although much of the music at this service is sung by the choir, the congregation plays a central role. Please listen intently, pray and sing with your heart and voice, as indicated below. Again, welcome ! Of course, a major part of this service involves the joining together of everyone in making a joyful noise to the Lord. Should your child be further inspired to the making of extended joyful noise while others are trying to listen, we do ask that you escort your little one to the gathering area or outside for a brief moment or two until he or she becomes more contemplative. -
Benjamin Britten's Liturgical Music and Its Place in the Anglican
Benjamin Britten’s liturgical music and its place in the Anglican Church Music Tradition By Timothy Miller Submitted for the degree of Doctor of Philosophy Department of Music and Sound Recording School of Arts, Communication and Humanities University of Surrey August 2012 ©Timothy Miller 2012 ProQuest Number: 10074906 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10074906 Published by ProQuest LLO (2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. ProQuest LLO. 789 East Eisenhower Parkway P.Q. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This study presents a detailed analysis of the liturgical music of Benjamin Britten (1913- 1976). In addition to several pieces Britten wrote for the Anglican liturgy and one for the Roman Catholic Church, a number of other works, not originally composed for liturgical purpose, but which fonction well in a liturgical setting, are included, providing a substantial repertory which has hitherto received little critical commentary. Although not occupying a place of central importance in the composer’s musical output, it is argued that a detailed examination of this liturgical music is important to form a fuller understanding of Britten’s creative character; it casts additional light on the composer’s technical procedures (in particular his imaginative exploitation of tonal structure which embraced modality, free-tonality and twelve-tone ideas) and explores further Britten’s commitment to the idea of a composer serving society. -
Robert Shay (University of Missouri)
Manuscript Culture and the Rebuilding of the London Sacred Establishments, 1660- c.17001 By Robert Shay (University of Missouri) The opportunity to present to you today caused me to reflect on the context in which I began to study English music seriously. As a graduate student in musicology, I found myself in a situation I suspect is rare today, taking courses mostly on Medieval and Renaissance music. I learned to transcribe Notre Dame polyphony, studied modal theory, and edited Italian madrigals, among other pursuits. I had come to musicology with a background in singing and choral conducting, and had grown to appreciate—as a performer—what I sensed were the unique characteristics of English choral music of the sixteenth and seventeenth centuries. It was a seminar on the stile antico that finally provided an opportunity to bring together earlier performing and newer research interests. I had sung a few of Henry Purcell’s polyphonic anthems (there really are only a few), liked them a lot, and wondered if they were connected to earlier music by Thomas Tallis, William Byrd, and others, music which I soon came to learn Purcell knew himself. First for the above-mentioned seminar and then for my dissertation, I cast my net broadly, trying to learn as much as I could about Purcell and his connections to earlier English music. I quickly came to discover that the English traditions were, in almost every respect, distinct from the Continental ones I had been studying, ranging from how counterpoint was taught (or not taught) 1 This paper was delivered at a March 2013 symposium at Western Illinois University with the title, “English Cathedral Music and the Persistence of the Manuscript Tradition.” The present version includes some subsequent revisions and a retitling that I felt more accurately described the paper. -
FESTIVAL of LESSONS and CAROLS for CHRISTMAS Royal Hospital Chelsea Wednesday 16 December 2020 WELCOME
FESTIVAL OF LESSONS AND CAROLS FOR CHRISTMAS Royal Hospital Chelsea Wednesday 16 December 2020 WELCOME As Chairman of Combat Stress, our charity’s crucial support Happy I’d like to welcome you to our particularly while the ongoing annual Festival of Lessons and COVID-19 safety measures Christmas... Carols. This service, like most continue. The platform includes of 2020, is so very different to new self-help psychoeducation what we expected but we are so materials and intensive psychological pleased that you are able to join rehabilitation programmes delivered us virtually this evening and I remotely, such as live group-based CDS Defence & hope this programme will help webinars and workshops and 1:1 guide you through the event. assessments and treatment. Security wishes 2020 has been a year of huge COVID-19 has affected us all but Combat Stress and change for us all but when the some of those veterans with PTSD all its supporters a pandemic began in March, Combat and other complex mental health Stress was already part-way through conditions may have found it even restful Christmas & its own transformation to provide a harder to cope. We are doing all we peaceful New Year. refocused service for veterans with can to support those who so need complex mental health needs and our help but today we are 75% reliant their families. on donations from people like you. We rapidly adapted to support Please help make a difference to lives veterans during COVID-19 through of veterans by making a donation this the provision of online self-help evening via combatstress.org.uk. -
The Preces, Responses, and Litany of the English Church: a By-Way of Liturgical History Author(S): J
The Preces, Responses, and Litany of the English Church: A By-Way of Liturgical History Author(s): J. M. Duncan Source: The Musical Times, Vol. 61, No. 930 (Aug. 1, 1920), pp. 551-552 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/910321 Accessed: 09-01-2016 04:36 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 138.253.100.121 on Sat, 09 Jan 2016 04:36:50 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES-AUGUST I 1920 551 Lord, Cburcbanb Groan flnteic (8.) Cristjt. have mercyupon us: THE PRECES, RESPONSES, AND LITANY [ ] OF THE ENGLISH CHURCH: A BY-WAY OF LITURGICAL HISTORY BY J. M. DUNCAN Ky - ri -e e - le - i - son. Chris - - te e - le - i - son. [ The writerwishes to acknowledgethe help kindlygiven him bythe librarians of the various librariesnamed in this In the English Litany,however, for the sake of article,and also byMr. G. E. -
Read Book New English Hymnal Full Music Edition
NEW ENGLISH HYMNAL FULL MUSIC EDITION PDF, EPUB, EBOOK English Hymnal Co. | 1312 pages | 01 Jan 1986 | CANTERBURY PRESS NORWICH | 9780907547518 | English | London, United Kingdom New English Hymnal Full Music Edition PDF Book The text of the song reminds us that because of Jesus, none of us are ever lost because God is with us always. Pirpoint; Tunes: Dix — W. Weight: Chiron Media Wallingford, United Kingdom. Publisher: Canterbury Press Norwich. Stock photo. It includes general hymns; hymns for feasts, seasons and saints' days; office hymns for the liturgical year; an enlarged eucharistic section; responsorial psalms; and a new English folk mass setting. Seller Rating:. Book Description Condition: New. Seller Inventory GRD There are 0 reviews and 0 ratings from Canada. Seller rating : This seller has earned a 2 of 5 Stars rating from Biblio customers. Schrijf een review. Showing Book Description Condition: New. More about the hymns. There are more copies of this book View all search results for this book. Seller Inventory V Words and Music: Horatio Gates Spafford. Amazon Music Stream millions of songs. Condition: New. Want to Read saving…. About this product. He went home and immediately penned this song, realising that God was reaching out to his creation and inviting everyone to come and worship. Find out how. Height: 21 cm. See all reviews. Bookseller Inventory ST It was made particularly popular by a recording of it, sung by Cat Stevens, that made no. Show details. Other editions. In , the Composer Herbert Howells was sent the words by a friend and apparently thought of a tune immediately and wrote it down over breakfast. -
The Relationship Between Church and State in the United Kingdom
By David Torrance 28 July 2021 The relationship between church and state in the United Kingdom Summary 1 Establishment 2 Church of England 3 Church of Scotland 4 Church of Ireland 5 Church in Wales commonslibrary.parliament.uk Number CBP8886 The relationship between church and state in the United Kingdom Disclaimer The Commons Library does not intend the information in our research publications and briefings to address the specific circumstances of any particular individual. We have published it to support the work of MPs. You should not rely upon it as legal or professional advice, or as a substitute for it. We do not accept any liability whatsoever for any errors, omissions or misstatements contained herein. You should consult a suitably qualified professional if you require specific advice or information. Read our briefing ‘Legal help: where to go and how to pay’ for further information about sources of legal advice and help. This information is provided subject to the conditions of the Open Parliament Licence. Feedback Every effort is made to ensure that the information contained in these publicly available briefings is correct at the time of publication. Readers should be aware however that briefings are not necessarily updated to reflect subsequent changes. If you have any comments on our briefings please email [email protected]. Please note that authors are not always able to engage in discussions with members of the public who express opinions about the content of our research, although we will carefully consider and correct any factual errors. You can read our feedback and complaints policy and our editorial policy at commonslibrary.parliament.uk. -
Love in the Time of Corona As Our Health Service Faces the Greatest
Love in the Time of Corona As our health service faces the greatest challenge ever, the Dean has released a sermon on healing, originally preached on the occasion of the 70th annviersary of the NHS in September 2018. Sermon for Down Ampney Festival Feast of St Bartholomew The NHS 70th Anniversary and the Christian Socialism of Ralph Vaughan Williams? Preached at Choral Evensong on Sunday 26 August, 2018 Isaiah 43: 8-13 and Acts 5:12-16 For the record, I don’t believe in reincarnation. But if I did, and if I had to be reincarnated as an animal, I would come back as a St. Bernard dog. I have my reasons. First, I’d like to be a saint, and this is as about close as I’ll get. Second, I believe in searching for the lost. Third, everyone loves a good dog, so there is a chance of being both liked and gainfully employed, and you can rarely do both of these in the church – trust me on this. And finally, a rescue mission that involves a hip flask full of malt whisky can’t be all that bad. Indeed, find or lose your victim, it still ends with a well-deserved drink. (Even though I am teetotal). One of the more famous quotes from another saint of the same era as Bernard is from Benedict: “Before all things and above all things, care must be taken of the sick; so that the brethren shall minister to them as they would to Christ himself; for he said: “I was sick and ye visited me.” [Rule of St. -
Durham Research Online
CORE Metadata, citation and similar papers at core.ac.uk Provided by Durham Research Online Durham Research Online Deposited in DRO: 22 May 2018 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Palmer Heathman, Katie (2017) 'Lift up a living nation : community and nation, socialism and religion in The English Hymnal, 1906.', Cultural and social history., 14 (2). pp. 183-200. Further information on publisher's website: https://doi.org/10.1080/14780038.2017.1290995 Publisher's copyright statement: c 2017 The Author(s). Published by Informa UK Limited, trading as Taylor Francis Group This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY,