Alternatives to Kinship? Tetrarchs and The
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REVUE BELGE DE NUMISMATIQUE ET DE SIGILLOGRAPHIE PUBLIÉE UITGEGEVEN SOUS LE HAUT PATRONAGE ONDER DE HOGE BESCHERMING DE S. M. LE ROI VAN Z. M. DE KONING PAR LA Doon HET SOCIÉTÉ ROYALE KONINKLIJK BELGISCH DE NUMISMATIQUE DE BELGIQUE GENOOTSCHAP VOOR NUMISIVIATIEK ET SUBSIDIÉE PAR LE EN :MET DE STEUN VAN DE GOUVERNgl\IENT REGEIUNG DIRECTEURS: PAUL NASTER, ÉMILE BROUETTE, JEAN JADûT, TONY HACKENS CXX - 1974. BHUXELLES BRUSSEL WILLIAM E. METCALF THE «CAIRO)} HOARD OF TETRARCHIC FOLLES (Planche 1) In March, 1914, the late E. T. Newell acquired a large hoard of tetrarchie folles from Hassan Abd-el-Salam, a Cairo dealer. Beyond the fact of its purchase at Cairo, nothing is known of the hoard's provenance; but this combines with the dominance of Alexandrian issues to suggest an Egyptian find spot. At an unknown date, Newell listed the contents of the hoard, describing types and legends and including references to Voetter's catalogue of the Gerin collection. About 1932 poorly preserved and duplicate specimens were removed from his trays; until recently, 400 such specimens remained in theîr original box and wrappings. Approxîmately 350 more pieces, aIl later issues of Alexandria, were discarded, sold, or lost ; they cannot now be located. It is possible to reconstruct the hoard fully from Newell's notes, though not in every case to identify pieces which came from it (1). Where his notes cau be checked against current ANS holdings, they are accurate; and despite the loss of many pieces which might have illuminated mint activity at Alexandria, the size and prove nance of the hoard warrant a record of its contents. -
Constantine the Great and Christian Imperial Theocracy Charles Matson Odahl Boise State University
Boise State University ScholarWorks History Faculty Publications and Presentations Department of History 1-1-2007 Constantine the Great and Christian Imperial Theocracy Charles Matson Odahl Boise State University Publication Information Odahl, Charles Matson. (2007). "Constantine the Great and Christian Imperial Theocracy". Connections: European Studies Annual Review, 3, 89-113. This document was originally published in Connections: European Studies Annual Review by Rocky Mountain European Scholars Consortium. Copyright restrictions may apply. Coda: Recovering Constantine's European Legacy 111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 Constantine the Great and Christian Imperial Theocracy Charles Matson Odahl, Boise State University1 rom his Christian conversion under the influence of cept of imperial theocracy was conveyed in contemporary art Frevelatory experiences outside Rome in A.D. 312 until (Illustration I). his burial as the thirteenth Apostle at Constantinople in Although Constantine had been raised as a tolerant 337, Constantine the Great, pagan polytheist and had the first Christian emperor propagated several Olympian of the Roman world, initiated divinities, particularly Jupiter, the role of and set the model Hercules, Mars, and Sol, as for Christian imperial theoc di vine patrons during the early racy. Through his relationship years of his reign as emperor -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
The Political and Military Aspects of Accession of Constantine the Great
Graeco-Latina Brunensia 24 / 2019 / 2 https://doi.org/10.5817/GLB2019-2-2 The Political and Military Aspects of Accession of Constantine the Great Stanislav Doležal (University of South Bohemia in České Budějovice) Abstract The article argues that Constantine the Great, until he was recognized by Galerius, the senior ČLÁNKY / ARTICLES Emperor of the Tetrarchy, was an usurper with no right to the imperial power, nothwithstand- ing his claim that his father, the Emperor Constantius I, conferred upon him the imperial title before he died. Tetrarchic principles, envisaged by Diocletian, were specifically put in place to supersede and override blood kinship. Constantine’s accession to power started as a military coup in which a military unit composed of barbarian soldiers seems to have played an impor- tant role. Keywords Constantine the Great; Roman emperor; usurpation; tetrarchy 19 Stanislav Doležal The Political and Military Aspects of Accession of Constantine the Great On 25 July 306 at York, the Roman Emperor Constantius I died peacefully in his bed. On the same day, a new Emperor was made – his eldest son Constantine who had been present at his father’s deathbed. What exactly happened on that day? Britain, a remote province (actually several provinces)1 on the edge of the Roman Empire, had a tendency to defect from the central government. It produced several usurpers in the past.2 Was Constantine one of them? What gave him the right to be an Emperor in the first place? It can be argued that the political system that was still valid in 306, today known as the Tetrarchy, made any such seizure of power illegal. -
A Handbook of Greek and Roman Coins
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library CJ 237.H64 A handbook of Greek and Roman coins. 3 1924 021 438 399 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021438399 f^antilioofcs of glrcfjaeologj) anU Antiquities A HANDBOOK OF GREEK AND ROMAN COINS A HANDBOOK OF GREEK AND ROMAN COINS G. F. HILL, M.A. OF THE DEPARTMENT OF COINS AND MEDALS IN' THE bRITISH MUSEUM WITH FIFTEEN COLLOTYPE PLATES Hon&on MACMILLAN AND CO., Limited NEW YORK: THE MACMILLAN COMPANY l8 99 \_All rights reserved'] ©jcforb HORACE HART, PRINTER TO THE UNIVERSITY PREFACE The attempt has often been made to condense into a small volume all that is necessary for a beginner in numismatics or a young collector of coins. But success has been less frequent, because the knowledge of coins is essentially a knowledge of details, and small treatises are apt to be un- readable when they contain too many references to particular coins, and unprofltably vague when such references are avoided. I cannot hope that I have passed safely between these two dangers ; indeed, my desire has been to avoid the second at all risk of encountering the former. At the same time it may be said that this book is not meant for the collector who desires only to identify the coins which he happens to possess, while caring little for the wider problems of history, art, mythology, and religion, to which coins sometimes furnish the only key. -
A Medallion of Constantius II Julia Ruff Lawrence University
Lawrence University Lux Lawrence University Honors Projects 2005 A Medallion of Constantius II Julia Ruff Lawrence University Follow this and additional works at: https://lux.lawrence.edu/luhp Part of the Byzantine and Modern Greek Commons © Copyright is owned by the author of this document. Recommended Citation Ruff, Julia, "A Medallion of Constantius II" (2005). Lawrence University Honors Projects. 70. https://lux.lawrence.edu/luhp/70 This Honors Project is brought to you for free and open access by Lux. It has been accepted for inclusion in Lawrence University Honors Projects by an authorized administrator of Lux. For more information, please contact [email protected]. This honors these submitted by Julia Ruff has been read and found acceptable for Honors in Independent Study Randall McNeill, Member of the Examinin~ Committee Je#ld Podair, Member of the Examining Committee Carol Lawton, Thesis Adviser A MEDALLION OF CONSTANTIUS II Julia Ruff TABLE OF CONTENTS Preface 1 Introduction 2-3 The Sources 4 Historical Background 4-9 Ammianus Marcellinus 9-12 Reign of Constantius II 13-18 Medallions: Definition 18-19 Medallions: Occasions for Minting 19-22 Medallions: Intended Recipients 23-27 Description of the Medallion 28 Obverse 28-33 Reverse 34-39 Medallions: Production 39-45 The Messages of the Medallion of Constantius 45-50 Conclusions 50-51 Figure 1 52 Figure 2 53 Figure 3 54 Figure 4 55 Figure 5 56 Figure 6 57 Figure 7 58 Figure 8 59 Figure 9 60 Bibliography 61-62 ( 1 ( PREFACE I would like to acknowledge those individuals who have helped to make this work possible. -
Journal of Ancient History and Archaeology
JOURNAL OF ANCIENT HISTORY AND ARCHAEOLOGY JAHA Romanian Academy JOURNAL OF ANCIENT HISTORY Technical University Of Cluj-Napoca AND ARCHAEOLOGY Journal of Ancient History and Archaeology DOI: http://dx.doi.org/10.14795/j.v1i2 ISSN 2360 – 266X ISSN–L 2360 – 266X No. 1.2 /2014 CONTENTS STUDIES REVIEWS ANCIENT HISTORY Victor Cojocaru Horaţiu Cociş ONCE MORE ABOUT ANTONIA TRYPHAINA 3 RADU OLTEAN, DACIA. THE ROMAN WARS.VOLUME I. SARMIZEGETUSA ..............................................57 Dragoș MITROFAN THE ANTONINE PLAGUE IN DACIA AND MOESIA INFERIOR 9 Csaba Szabó KREMER, GABRIELLE (MIT BEITRÄGEN VON CHRISTIAN GUGL, CHRISTIAN UHLIR UND MICHAEL Olivier Hekster UNTERWURZACHER), GÖTTERDARSTELLUNGEN, ALTERNATIVES TO KINSHIP? KULT – UND WEIHEDENKMÄLER AUS CARNUNTUM......59 TETRARCHS AND THE DIFFICULTIES OF REPRESEN- TING NON-DYNASTIC RULE 14 Imola Boda ARCHAEOLOGICAL MATERIAL RADA VARGA, THE PEREGRINI OF ROMAN DACIA (106–212) 61 Vitalie Bârcă RETURNED FOOT EXTERIOR CHORD BROOCHES Gaspar Răzvan Bogdan MADE OF A SINGLE METAL PIECE (TYPE ALMGREN C. GĂZDAC, F. HUMER, LIVING BY T HE COINS. 158) RECENTLY DISCOVERED IN THE WESTERN ROMAN LIFE IN THE LIGHT OF COIN FINDS PLAIN OF ROMANIA. NOTES ON ORIGIN AND AND ARCHAEOLOGY WITHIN A RESIDENTIAL CHRONOLOGY 21 QUARTER OF CARNUNTUM ..................................63 Silvia Mustață, Iosif Vasile Ferencz, Cristian Dima A ROMAN THIN-CAST BRONZE SAUCEPAN FROM THE DACIAN FORTRESS AT ARDEU (HUNEDOARA Florin Fodorean COUNTY, ROMANIA) 40 Z. CZAJLIK, A. BÖDŐCS (EDS.), AERIAL ARCHAEOLOGY AND REMOTE SENSING FROM THE BALTIC TO THE ADRIATIC. SELECTED PAPERS OF THE ANNUAL CONFERENCE OF THE AERIAL TH TH DIGITAL ARCHAEOLOGY ARCHAEOLOGY RESEARCH GROUP, 13 – 15 OF SEPTEMBER 2012, BUDAPEST, HUNGARY 65 Ionuț Badiu, Radu Comes, Zsolt Buna Xenia-Valentina Păușan CREATION AND PRESERVATION OF DIGITAL R. -
Roman Coins Elementary Manual
^1 If5*« ^IP _\i * K -- ' t| Wk '^ ^. 1 Digitized by Google Digitized by Google Digitized by Google Digitized by Google Digitized by Google Digitized by Google PROTAT BROTHERS, PRINTBRS, MACON (PRANCi) Digitized by Google ROMAN COINS ELEMENTARY MANUAL COMPILED BY CAV. FRANCESCO gNECCHI VICE-PRBSIDENT OF THE ITALIAN NUMISMATIC SOaETT, HONORARY MEMBER OF THE LONDON, BELGIAN AND SWISS NUMISMATIC SOCIBTIES. 2"^ EDITION RKVISRD, CORRECTED AND AMPLIFIED Translated by the Rev<> Alfred Watson HANDS MEMBF,R OP THE LONDON NUMISMATIC SOCIETT LONDON SPINK & SON 17 & l8 PICCADILLY W. — I & 2 GRACECHURCH ST. B.C. 1903 (ALL RIGHTS RF^ERVED) Digitized by Google Arc //-/7^. K.^ Digitized by Google ROMAN COINS ELEMENTARY MANUAL AUTHOR S PREFACE TO THE ENGLISH EDITION In the month of July 1898 the Rev. A. W. Hands, with whom I had become acquainted through our common interests and stud- ieSy wrote to me asking whether it would be agreeable to me and reasonable to translate and publish in English my little manual of the Roman Coinage, and most kindly offering to assist me, if my knowledge of the English language was not sufficient. Feeling honoured by the request, and happy indeed to give any assistance I could in rendering this science popular in other coun- tries as well as my own, I suggested that it would he probably less trouble ii he would undertake the translation himselt; and it was with much pleasure and thankfulness that I found this proposal was accepted. It happened that the first edition of my Manual was then nearly exhausted, and by waiting a short time I should be able to offer to the English reader the translation of the second edition, which was being rapidly prepared with additions and improvements. -
The Persecution of Licinius
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies Legacy Theses 1999 The persecution of licinius Gearey, James Richard Gearey, J. R. (1999). The persecution of licinius (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/14363 http://hdl.handle.net/1880/25021 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY The Persecution of Licinius by James Richard Gearey A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF GREEK, LATIN AND ANCIENT HISTORY CALGARY, ALBERTA JUNE, 1999 Wames Richard Gearey 1999 National Library Biblioth&que nationale 1+1 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Sweet 395. me Wellington Ottawa ON K 1A ON4 OltewaON KIAW Canada Canada YarrNI VOV.~ Our im Mr. mIk.nc. The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive pennettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distribute or sell reproduire, preter, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. -
A Numismatic Iconographical Study of Julian the Apostate
A Revolutionary or a Man of his Time? A Numismatic Iconographical Study of Julian the Apostate Master’s Thesis in Classical Archaeology and Ancient History, Spring 2018 Department of Archaeology and Ancient History Lund University Author: Nicolas Frendin Supervisor: Henrik Gerding 2 Abstract Julian the Apostate’s short rule has left in the historical records a clearly divisive picture. This thesis starts with that divisive nature of the reign of Rome’s last pagan emperor and aims to analyse some of the Apostate’s coinage iconography. Can the symbols used on the coins minted during his reign say something about his allegedly revolutionary rule? By choosing to focus on a set of ten symbols found of Julian’s coins, this thesis was subsequently divided in a three-phased analysis in order to approach the subject. Julian’s coin iconography was first analysed in comparison to the totality of the Roman Emperors, stretching back to Octavian/Augustus. The second step was to put Julian’s rule within its own context and compare his coinage iconography to that of his predecessors in his own family, the second Flavian dynasty. The last step was to observe the changes during Julian’s two periods of time in power: being first a Caesar – subordinate to his cousin Constantius II – and later on the sole ruler/Augustus. Julian’s iconography was also compared to Constantius’. The results tend to show that most of Julian’s coin iconography could be characterised as conventional. The true departures can be divided into either obvious or surprising ones. 3 Contents -
Imperial Women and the Evolution of Succession Ideologies in the Third Century
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School July 2020 Embodying the Empire: Imperial Women and the Evolution of Succession Ideologies in the Third Century Christina Hotalen University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Ancient History, Greek and Roman through Late Antiquity Commons Scholar Commons Citation Hotalen, Christina, "Embodying the Empire: Imperial Women and the Evolution of Succession Ideologies in the Third Century" (2020). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8452 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Embodying the Empire: Imperial Women and the Evolution of Succession Ideologies in the Third Century by Christina Hotalen A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of History College of Arts and Sciences University of South Florida Major Professor: Julie Langford, Ph.D. William Murray, Ph.D. Sheramy Bundrick, Ph.D. Matthew King, Ph.D. Alex Imrie, Ph.D. Date of Approval: July 2, 2020 Keywords: Numismatics, Epigraphy, Material Culture, Digital Humanities Copyright © 2020, Christina Hotalen ACKNOWLEDGEMENTS It is quite an understatement to say that it takes a village to write a dissertation. This was written during a global pandemic, civic unrest, and personal upheavals. However, to quote a dear friend, “non bellum, sed completum est.” I could not have ventured into and finished such a monumental undertaking, and at such a time, without my very own village. -
Julia Valeva
Ni{ i Vizantija VII 67 Julia Valeva EMPRESSES OF THE FOURTH AND FIFTH CENTURIES: IMPERIAL AND RELIGIOUS ICONOGRAPHIES It is considered that two of the palaces of the tetrarchs are related to ladies of august status. The first is Felix Romuliana, the residence which Galerius started to build for the years of his retirement and which he named after his mother. We know this from Aurelius Victor who wrote: “ortus Dacia Ripensi ibique sepultus est (Galerius); quem locum Romulianum ex vocabulo Romulae matris appellarat” (Epitome 40, 16)1. The spirit of Romula is perceptible in the dualistic conception of the site2: there are two residential parts, two mausolea (one for Galerius and one for Romula), and two tumuli, the latter related to the year of Romula’s death in 303 as estimated on the basis of the gold coins found underneath3. Probably the same relationship between mother and son (ruling emperor) should be seen in Sharkamen where the jewellery found during the excavations of the Mausoleum suggests a female, presumably also an imperial burial. It is assumed that Maximinus Daia in his capacity of emperor (305-311) began the construction of this palace which was intended to be his luxurious residence after his abdication. Following Galerius’ example the emperor’s mother most probably was venerated here along with her son: if we accept the identification of the commissioner of Sharkamen palace with Maximinus Daia, the empress- mother would be Galerius’ anonymous sister4. However, the strong veneration of the Mother-Empress seems not to have been characteristic of Diocletian. The only female image in the context of im- perial art which we have from his age is the one from the mausoleum frieze in Split.