ASTRO ALL ASIA NETWORKS Plc Annual Report 2009 ASTRO ALL ASIA NETWORKS Plc (ASTRO) Has Been Penetrating New Markets Across the World in Recent Years
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Table of Contents
TABLE OF CONTENTS PAGE Introduction ANANDA KRISHNAN PROFILE AND BACKGROUND 3 - 8 MAXIS COMMUNICATION COMPANY PROFILE 9 - 12 ASTRO COMPANY PROFILE 13 - 20 STYLE OF LEADERSHIP 21 - 24 LEADERSHIP THEORY ADAPTATION 25 Conclusion 26 References 27 1 (a) Background of the leader: the aim of this section is to know and understand the leader as a person and the bases for his/her success. The data and information should be taken from any published sources such as newspapers, company reports, magazines, journals, books etc. INTRODUCTION ANANDA KRISHNAN Who is Ananda Krishnan? According to a report then by Bernama News Agency, the grandfathers of Tan Sri T. Ananda Krishnan and Tan Sri G. Gnanalingam had been brought to Malaysia from Jaffna by British colonial rulers to work in Malaysia¶s Public Works Department, a common practice then as Jaffna produced some of the most educated people in the whole country. Tan Sri Gnanalingam himself told one of our ministers that he wants to put something back into this country because his grandfather was Sri Lankan," Deputy Director-General of Sri Lanka's Board of Investment (BOI) Santhusht Jayasuriya had told a a group of visiting Malaysian journalists then, 2 according to the Bernama 2003 story. Gnanalingam, executive chairman of Malaysia's Westport, held talks with Prime Minister Ranil Wickremesinghe during a visit to Malaysia in 2003 and the former followed up with a visit to Colombo. In the same year a Memorandum of Understanding was formalized in March this year between 'Westport' and the Sri Lanka Ports Authority (SLPA). Westport is keen to invest in Sri Lanka but no formal process has begun. -
Latest Rate Card
Connecting brands with Malaysia’s most valuable audience TV Advertising Rate Card • Effective 15 April 2021 Introduction Hi! We appreciate your interest in partnering with us. As the only growing local media platform in Malaysia, you can count on our dedication in delivering customised advertising and marketing solutions for your brand. Together, let’s take your business to the next level across TV, Radio and Digital Platforms, with the added impact of influencers, event activations and marketplaces. We’ve grouped the available TV advertising channels by target audience or interest – Malay, Chinese, Indian, English, GenNext, News and Sports. The advertising rates are priced according to channel value propositions and timebelt viewerships. Enjoy a base rate that starts from RM1,000 for a 30-sec TVC (category x1), with specific pricing ratios for respective durations, as outlined in the following rate table. TV ADVERTISING RATE TABLE (RM GROSS) Category 10 sec 15 sec 20 sec 25 sec 30 sec 35 sec 40 sec 45 sec 50 sec 60 sec x1 500.00 660.00 800.00 900.00 1,000.00 1,180.00 1,300.00 1,500.00 1,700.00 2,000.00 x1.5 750.00 990.00 1,200.00 1,350.00 1,500.00 1,770.00 1,950.00 2,250.00 2,550.00 3,000.00 x2 1,000.00 1,320.00 1,600.00 1,800.00 2,000.00 2,360.00 2,600.00 3,000.00 3,400.00 4,000.00 x2.5 1,250.00 1,650.00 2,000.00 2,250.00 2,500.00 2,950.00 3,250.00 3,750.00 4,250.00 5,000.00 x3 1,500.00 1,980.00 2,400.00 2,700.00 3,000.00 3,540.00 3,900.00 4,500.00 5,100.00 6,000.00 x3.5 1,750.00 2,310.00 2,800.00 3,150.00 3,500.00 4,130.00 4,550.00 -
Brunei Darussalam Household ICT Survey 2013
BRUNEI DARUSSALAM HOUSEHOLD ICT SURVEY REPORT 2013 disclaimer This publication is protected by copyright and save where otherwise stated may only be reproduced for non-commercial use provided it is reproduced accurately and not used in a misleading context. Where material in this publication is reproduced, the source of the material must be identified and the copyright status acknowledged. All rights to brand names, registered trademarks, logos and images remain with their legal owners. The use of any image, trade name and trademark in this publication shall not be construed as an endorsement of the same. Whilst every effort has been made to ensure that results reported in this document are complete, accurate and true, AITI does not provide any warranty that the information provided is complete, accurate or true, and will not be responsible for any damage or loss suffered as a result of its use. 02 Brunei Household ICT Survey Report 2013 contents Message from the Chief Executive 04 1 Introduction 05 2 Methodology 06 2.1 Overview 06 2.2 Geographical Diagram 07 2.3 Structure (Demographic Information) 07 3 Findings of the Household ICT Survey 10 3.1 Household Section 10 3.1.1 Available Services And Devices In Households 10 3.1.2 Number of Devices in Households 12 3.1.3 Internet Access In Households 13 3.1.4 Amount of Household Members Using The Internet 14 3.1.5 Type of Internet Access 14 3.1.6 Monthly Household Spend On ICT Devices 15 3.1.7 Computer Protection 15 3.1.8 Reasons For No Internet Access In Household 16 3.1.9 Media Usage 17 3.1.10 -
Filem Lakonan Izzue Islam
Filem Lakonan Izzue Islam. Izzue IslamKelahiranMuhammad Izzul Islam bin Mazlan (1990-06-02) 2 Jun 1990 (umur 29)Kota Bharu, Kelantan, MalaysiaKediamanKuala LumpurPendidikanSijil Pelajaran Malaysia (SPM)PekerjaanPelakon, model, penyanyiTahun aktif2010–kiniKetinggian1.75 m (5 ka 8+7⁄8 in)Berat55 kg (121 lb; 8.7 st)PasanganAwin Nurin (k. 2013)Kerjaya muzikGenrePopPekerjaanPenyanyiInstrumenVokalTahun aktif2011–kiniSyarikat rakamanKRU StudiosKegiatan berkaitanForteen (2011-18) Muhammad Izzul Islam bin Mazlan (lahir 2 Jun 1990)[a] ialah seorang penyanyi, pemuzik dan pelakon Malaysia. Memulakan kerjaya seninya dengan berlakon dan seterusnya nyanyian dengan menyertai sebuah kumpulan di bawah naungan KRU Studios iaitu kumpulan Forteen.[1] Beliau mula dikenali selepas memenangi anugerah "Pelakon Terbaik[2] Festival Filem Malaysia ke-25" dan "Hero Baru Terhebat Anugerah Blokbuster 2". Namanya kian meningkat apabila diberikan tanggungjawab menggalas watak utama di dalam drama Sebenarnya, Saya Isteri Dia!.[3] Kehidupan awal Beliau dilahirkan pada 2 Jun 1990 sebagai Muhammad Izzul Islam bin Mazlan di Kota Bharu, Kelantan dan berkelulusan Sijil Pelajaran Malaysia (SPM). Forteen Rencana utama: Kumpulan Forteen Izzue Islam menyertai kumpulan Forteen sewaktu kumpulan ini ditubuhkan pada 2011. Kumpulan ini turut dianggotai Muhammad Ridzuan Sharifuddin (One), Saiful Ridzuan Abdul Hamid (Ariz) dan Mohd Arif Ameerais Azhar (Ameerais). Forteen mula dikenali umum setelah muncul bersama single "Berdua Bersatu" yang dkeluarkan pada 27 Ogos 2011.[4] Album EP sulung mereka, Kita dikeluarkan pada 19 Disember 2013 diterbitkan oleh KRU Records,[5] mengandungi 6 lagu. Pada 2014, KRU Music mengumumkan bahawa Forteen bakal menganjurkan konsert buat pertama kalinya pada 29 Mac 2014 bagi menghargai peminat mereka[6][7] Namun, pihak menganjur telah menunda konsert tersebut kepada tarikh baharu iaitu 26 April 2014 bagi menghormati kejadian pesawat MH370 yang hilang pada 8 Mac 2014.[8][9] Pada Disember 2016, Izzue menafikan khabar angin mengatakan beliau keluar dari Forteen. -
The History of Film Adaptation in Malaysia: the Long Journey of Its Rise and Fall
THE HISTORY OF FILM ADAPTATION IN MALAYSIA: THE LONG JOURNEY OF ITS RISE AND FALL (Sejarah Filem Adaptasi di Malaysia: Sebuah Perjalanan Jatuh Bangun yang Panjang) Wan Hasmah Wan Teh [email protected] School of Humanities, Universiti Sains Malaysia. Published online: 3 December 2018 To cite: Wan Hasmah Wan Teh. (2018). The history of film adaptation in Malaysia: The long journey of its rise and fall. Malay Literature 31(2), 361 – 382. Abstract Morris Beja in his book Film and Literature: An Introduction, said that since the Academy Awards was introduced in 1927 – 1928, about three quarters of the award for best film was won by film adaptations. This is proof that film adaptation is a form of art that has gained the attention of the world community and was a well- known form of narrative in the 19th and 20th centuries in Europe. This paper takes the initiative to trace the history of film adaptations in general by focusing on such films in Malaysia. Findings of the study reveal that the history of film adaptation in Malaysia started in 1933 during the filming enterprise of Cathay Film and Malay Film in Singapore up to the setting up of Merdeka Studio in Kuala Lumpur in the 1970s and beyond. The film industry in Malaysia faced many problems including the influx of imported films from Indonesia and the commercialization factor that did not guarantee profits. However, around 2006, concerted efforts were reinforced to adapt literary works into films, through workshops and competitions organized by Malaysian government bodies such as Dewan Bahasa dan Pustaka (DBP), National Film Development Corporation (FINAS) and Radio and Television Malaysia (RTM). -
PDF ATF Dec12
> 2 < PRENSARIO INTERNATIONAL Commentary THE NEW DIMENSIONS OF ASIA We are really pleased about this ATF issue of world with the dynamics they have for Asian local Prensario, as this is the first time we include so projects. More collaboration deals, co-productions many (and so interesting) local reports and main and win-win business relationships are needed, with broadcaster interviews to show the new stages that companies from the West… buying and selling. With content business is taking in Asia. Our feedback in this, plus the strength and the capabilities of the the region is going upper and upper, and we are region, the future will be brilliant for sure. pleased about that, too. Please read (if you can) our central report. There THE BASICS you have new and different twists of business devel- For those reading Prensario International opments in Asia, within the region and below the for the first time… we are a print publication with interaction with the world. We stress that Asia is more than 20 years in the media industry, covering Prensario today one of the best regions of the world to proceed the whole international market. We’ve been focused International with content business today, considering the size of on Asian matters for at least 15 years, and we’ve been ©2012 EDITORIAL PRENSARIO SRL PAYMENTS TO THE ORDER OF the market and the vanguard media ventures we see attending ATF in Singapore for the last 5 years. EDITORIAL PRENSARIO SRL in its main territories; the problems of the U.S. and As well, we’ve strongly developed our online OR BY CREDIT CARD. -
ABSTRAK Penuli
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RUMPUN (E-Journal) Jurnal Antarabangsa Persuratan Melayu (RUMPUN) International Journal of Malay Letters Jilid 3/Jan/2015, 47-74 Persatuan Penulis Budiman Malaysia ISSN:2289-5000 Budiman Writers Association of Malaysia KUMPULAN CERPEN PASCASEJARAH MELALUI BACAAN SEMIOTIK [THE SEMIOTIK READING ON THE POST-HISTORICAL SHORT STORIES] Tengku Intan Marlina Tengku Mohd Ali Akademi Pengajian Melayu, Universiti Malaya, Kuala Lumpur, Malaysia [email protected] ABSTRAK Penulisan ini akan membincangkan cerpen Pascasejarah dari sudut Teori Semiotik Peirce dan Morris yang dapat mengungkapkan satu penanda kepada petanda yang sampai kepada pemikiran pembaca berkisar dengan cerita-cerita yang telah berlaku, atau cerita yang sudah menjadi sejarah. Penandanya dapat dikenalpasti melalui proses semiosis dalam tiga kategori, iaitu: hasil pemahaman persembahan, objek dan interpretasi. Tanda-tanda yang diungkapkan oleh pengarang dalam teks memperlihatkan kisah- kisah sejarah yang dimasukkan ke dalam Pascasejarah kerana kisah- kisah sejarah itu sendiri merupakan “rumus yang berulang- berulang” dan dijadikan ikhtibar kepada para pembaca. Kisah-kisah benar dan nyata dari sejarah-sejarah yang terdahulu dipersembahkan oleh pengarang dalam fiksyen melalui tanda- tanda ikon, indeks dan simbol. Tajuk-tajuknya pula memperlihatkan tanda-tanda yang tersendiri yang perlu ditafsir oleh pembaca dan memberi indeks pengertian yang tersirat di sebalik tanda-tanda yang dipaparkan. Keseluruhan tajuk-tajuk cerpen tersebut merupakan indeksikal kepada dunia imaginatif dan kreatif dalam cerita yang digarap oleh pengarang. Tajuk-tajuk tersebut dipilih dan diletakkan bersesuaian dengan isi cerita yang telah dapat 47 menyiratkan makna rumusan cerita yang hendak disampaikan oleh pengarang melalui sejarahsejarah lalui Greek dan Rom serta mitos Yunani. -
Go Beyond™ MULTITAINMENT 360˚
Go Beyond™ MULTITAINMENT 360˚ Financial Year Ended 31 January 2015 Astro is more than just bringing joy into the living rooms of millions of Malaysians. We strive to touch all facets of their lives – from empowering our customers with the most 2015 current and relevant information to championing SHARE OF 33% education by creating quality learning content and giving our children better opportunities. TV ADEX 2014 31% To our customers, we are a reflection of their diversity and aspirations. Going beyond TV and radio into content creation, e-commerce and digital media, we offer them unlimited ways to ‘Watch, Listen, Read and Shop’ with exceptional quality content on the tv, tablet and mobile – not just in every corner of their homes, but on the go ADVERTISING INCOME too. 2015 2014 To our very own eclectic mix of talent, we are a RM RM believer in their dreams, providing them with the platform to not only fulfill their potential but also add colour to the lives of others. We nurture the 589MILLION 582MILLION growth of Malaysia’s singing sensations, actors, sporting heroes and comedy kings – turning them into stars and even propelling them onto the world stage. 2 0 1 5 2 0 1 4 At Astro, it is about embracing a multimedia, multidimensional and multicultural approach to enrich the lives of all Malaysians. 49% 47% All this takes us beyond entertainment to a whole new level – Multitainment 360˚. SHARE OF VIEWERSHIP household SHARE OF ARPU RADEX PENETraTION 2 0 1 5 2 0 1 4 2015 2 0 1 5 2 0 1 4 2015 % 60 RM99.0 2014 6360% 5652% 2014 54% % % RM96.0 -
Company Profile
3D ANIMATION | MULTIMEDIA | VIDEO PRODUCTIONS COMPANY PROFILE 3D ANIMATION | MULTIMEDIA | VIDEO PRODUCTIONS 3D ANIMATION | MULTIMEDIA | VIDEO PRODUCTIONS OVERVIEW Today's business environment is more competitive than ever. To succeed, companies must embrace technology to improve upon the traditional ways of doing business. Many successful companies have turned to multimedia technology to help them gain a competitive advantage by communicating, training and using information more effectively. At Side Fx Sdn. Bhd., we specialize in designing and producing quality animation and visual media for the corporate, multi-media and broadcast television industries. Calling upon a comprehensive set of disciplines, skills and equipment, Side Fx Sdn. Bhd. can bring both the professionalism and talent to your project to maximise the potential of your ideas. We work with our clients in a consultative partnership to provide a variety MISSION STATEMENT of solutions which meet specific needs. Side Fx Sdn. Bhd. helps its clients market their products and services more effectively and train their employees more efficiently. Side FX Sdn Bhd was founded with a mission to provide high quality tools which help the business community in utilizing Having created successful applications for such leading edge companies as digital technology for their competitive advantages. Ella Animation Production (Jeddah, Saudi Arabia), Taman Tamadun Islam, Majlis Bandaraya Ipoh, Anugerah Media Network, Luncai Emas Productions, Petronas, TV Pendidikan, Layar Consult Sdn Bhd, OBJECTIVES Gerakan Belia 4B Malaysia and Fuelee.com, Side Fx Sdn. Bhd. has a proven track record of excellence. The idea behind the foundation of Side FX Sdn. Bhd. is to be one of Malaysia's premiere 3D Animation, Multimedia, To be the best in your market, you need to create new media products Internet and post-production effect facilities. -
Channel Profile – Malay Segment
Channel Profile – Malay Segment Jan – Dec 2016 Home of signature entertainment on the Astro Malay front - A Malay entertainment channel that offers a variety of local programmes ranging from reality shows to fun game shows. Key Signature Programmes: AF, Gegar Vaganza, AME, Duo Star, Top Rated Drama Belt @10pm Channel 104 & 123 (HD) Gender Age Group Location Male 30% 26% 78% Urban 22% Rural 20% 16% 14% 48% 11% 13% 12% 10% 7% 0% Female 4-9 10-19 20-29 30-39 40-49 50-59 60+ 52% Astro Ria Total TV Highly skewed Female (Index:105) Occupation HH Income 40% 37% 36% 40% Monthly Net Reach 30% 26% 30% 25% 18% (Ave. 2016) 19% 18% 20% 20% 7% 9% 10% 6% 10.22 mil 10% 0% 0% RM2K & RM2K-4K RM4K-6K RM6K-8K RM8K-10K RM10K+ PMEBs Blue Collar Students Housewife Below Astro Ria Total TV Astro Ria Total TV Highly skewed:- Highly skewed Students (Index:112) HHI RM2K-4K (Index:109) | HHI RM2K-RM4K (Index:107) Source: Kantar Media DTAM, Individual (Total Universe: 15,245K), Jan-Dec 2016 Index is against Total Astro TV Universe. Wholesome Family Channel - A general entertainment channel that offers a variety of local programmes from drama's, documentaries and classic movies. Key Signature Programme: Kilauan Emas, Malay Telenovela Channel 105 Gender Age Group Location 30% Male 22% 72% Urban 28% Rural 20% 16% 48% 12% 12% 13% 13% 11% 10% 0% 4-9 10-19 20-29 30-39 40-49 50-59 60+ 52% Female Astro Prima Total TV Highly skewed Female (Index:104) Occupation HH Income 35% 40% 33% Monthly Net Reach 40% 34% 31% 30% (Ave. -
ASR1304876 Astro Channel Renumbering PDF RGB FA R5
YOUR NEW CHANNEL LISTING Here is your complete and latest channel listing for your reference. MEASAT Broadcast Network Systems Sdn Bhd 199201008561 (240064-A) Click on your desired channels MALAY VARIETY 101 – 149 INDIAN VARIETY 200 – 251 CHINESE VARIETY 300 – 375 KOREAN & JAPANESE 391 – 398 MOVIES 401 – 433 NEWS 501 – 533 LEARNING 550 – 576 KIDS 601 – 636 ENGLISH VARIETY 701 – 736 SPORTS 800 – 841 FAQ CHANNELS MALAY VARIETY TV1 101 TV2 102 TV3 103 104 (HD) Astro Ria 124 (SD) 105 (HD) Astro Prima 125 (SD) 106 (HD) Astro OASIS 126 (SD) 107 (HD) Astro Warna 127 (SD) 108 (HD) Astro Citra 128 (SD) Naura 109 (HD) TV AlHijrah 114 ABO Movies 115 (HD) Tayangan Hebat MALAY Back to directory MALAY VARIETY Colors Hindi 116 (HD) Go Shop RUUMA 118 (HD) Go Shop GAAYA 120 (HD) ART 129 NJOI TV 140 Bintang 141 Pelangi 142 TV Okey 146 NTV7 147 8TV 148 TV9 149 MALAY Back to directory INDIAN VARIETY* Self Service Portal 200 Astro Vaanavil 201 Astro Vellithirai 202 Makkal TV 203 SUN Music 212 Chutti TV 213 Adithya 214 Jaya TV 221 Raj TV 222 Kalaignar TV 223 Astro Vinmeen 231 (HD) INDIAN *Channel numbers remain unchanged. Back to directory INDIAN VARIETY* 232 (HD) Star Vijay 224 (SD) Colors Tamil 233 (HD) SUN TV 234 (HD) 211 (SD) ABO Movies 241 (HD) Thangathirai BollyOne 251 (HD) INDIAN *Channel numbers remain unchanged. Back to directory CHINESE VARIETY iQIYI 300 (HD) Go Shop 303 (HD) Astro 304 (HD) Xiao Tai Yang 344 (SD) TVB Classic 305 306 (HD) Astro AEC 346 (SD) Astro 307 (HD) Shuang Xing 347 (SD) Astro Quan Jia 308 (HD) 309 (HD) Celestial Movies 349 (SD) -
Go Beyond™ KEPELBAGAIAN HIBURAN 360˚
LAPORAN TAHUNAN 2015 Go Beyond™ KEPELBAGAIAN HIBURAN ˚ 360 Tahun Kewangan Berakhir 31 Januari 2015 FAKTA Astro bukan sekadar mengundang keceriaan ke dalam ruang tamu jutaan warga Malaysia. Kami berusaha melengkapkan/memenuhi setiap sudut kehidupan mereka - daripada memperkasakan PERATUSAN 2015 pelanggan kami dengan maklumat yang mutakhir 33% serta relevan sehinggalah kepada memperjuangkan PERBELANJAAN pendidikan dengan menghasilkan kandungan 2014 pembelajaran yang berkualiti dan memberi peluang IKLAN TV % yang lebih baik buat anak-anak kita. 31 Kepada para pelanggan, kami adalah cerminan kepelbagaian dan aspirasi mereka. Melangkah lebih jauh melangkaui tv dan radio kepada penghasilan kandungan, e-dagang dan media digital, kami menawarkan kepada mereka kaedah yang tidak PENDAPATAN terbatas untuk ‘menonton, mendengar, membaca dan membeli-belah’ dengan kualiti kandungan yang PENGIKLANAN luar biasa di tv, tablet dan mudah alih - bukan sahaja 2015 2014 di setiap sudut rumah mereka, tetapi juga ketika sedang sibuk. RM RM Dengan gabungan bakat kami yang bersifat eklektik, kami menaruh keyakinan terhadap impian 589JUTA 582JUTA mereka, menyediakan ruang bukan sahaja untuk memenuhi potensi mereka, bahkan untuk turut mewarnai kehidupan orang lain. Kami memupuk perkembangan bakat sensasi para penyanyi, pelakon, wira sukan serta raja lawak Malaysia - menjadikan mereka bintang dan malahan turut 2 0 1 5 2 0 1 4 mendorong mereka melangkah ke pentas dunia. Di Astro, ia berkisar tentang menghayati pendekatan % % kepelbagaian media, dimensi serta budaya