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Soprano NICOLETA ARDELEAN Universitary Associate Professor At
Soprano NICOLETA ARDELEAN Universitary Associate Professor at the Faculty of Arts from the Ovidius University of Constanța, professor doctor in music Nicoleta Ardelean graduated, with bachelor’s degree, the specializations Musical Pedagogy-Religious music and Canto-Canto professor, masteral and doctoral studies , all of these at the Music Academy G.Dima from Cluj-Napoca. She has been awarded the Great Prize at the National Vocal Interpretation Contest Sabin Drăgoi at Timişoara in 1999 and the Third Prize at the International Canto Contest Hariclea Darclee at Brăila in 1999. In 2000 she was awarded the N. Bretan Prize at the International Vocal Interpretation Contest Nicolae Bretan at Cluj Napoca and at the International Contest of Canto from Bilbao, Spain, Second Prize and the Music Critics Prize . In 2001, after her international debut on the stage of the Strasbourg Opera, she was awarded the Prize of recognition of artistic talent, by the European Culture Foundation from the European Parliament. After her international debut at Strasbourg in 2001, with Micaela from Bizet’s “Carmen”, she was hired to sing the part of Antonia from “Hoffmann’s Stories” by Jacques Offenbach and that of Ines from „L’Africaine” by Giacomo Meyerbeer. The Opera from Marseille, France, invited her for Mimi in “La Boheme” and for Liu in “Turandot”, and the Theatre from Toulouse for Nedda in „Pagliacci” by Leoncavallo. In 2001, Nicoleta Ardelean performs for the first time in Germany, in the New Year’s Concert with the Berlin Symphonic Orchestra, followed by the roles of Micaela and Antonia at the Opera in Leipzig. -
Curriculum-Nicola-Pamio.Pdf
NICOLA PAMIO TENORE 0039 338312157 [email protected] Apprezzato per le sue doti sceniche è di particolare interesse la sua collaborazione con il Teatro alla Scala, iniziata nel 1999. Nel teatro milanese è stato impegnato neI Matrimonio di Musorgskij, in Manon di Massenet con la direzione di Gary Bertini e la regia di Nicolas Joel, in Peter Grimes,nel ruolo di Rev.Horace con la direzione di Jeffrey Tate e la regia di John Schlesinger, in Tatjana di Azio Corghi con la regia di Peter Stein e la direzione di Will Humburg e in Pagliacci diretto da Daniel Harding con la regia di Mario Martone. Ha interpretato Il Barbiere di Siviglia con la regia di Carlo Verdone al Teatro dell’Opera di Roma. Alle spalle ha circa trenta produzioni Scaligere , tra le più recenti Otello di Rossini, Rigoletto , Fedora, Traviata, Adriana Lecouvreur, Nozze di Figaro , Andrea Chénier, Tatiana di Azio Corghi, Volpe Astuta , Gli Stivaletti , Boris G. , lavorando con i massimi esponenti della musica Lirica Internazionale come il Maestro Muti , Valerie Gergiev, J. Tate, J. Conlon, Sir. Andrew Davis, Dudamel, Harding, Gatti, Rustioni, Renzetti, e Registi del calibro di Zeffirelli, Puggelli, Ronconi , Stein, Pizzi, Michieletto, Moshe Leiser. Nel 2011 è stato invitato a New York alla Carnagie Hall per Adriana lecouvreur (Abate) con J. Kaufman, A. Gheorghiu , e nel 2013 all’ Avery Fisher Hall nell’opera Andrea Chénier (Incredibile), con Roberto Alagna , riscuotendo grande interesse dalla critica del New York Times . Da due anni lavora con Cecilia Bartoli prima a Zurigo poi a Parigi e al Festival di Salisburgo nell’Otello di Rossini, effettuando la registrazione per la Decca. -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
Private Musiksammlung Archiv CD/DVD
Private Musiksammlung Aktualisierung am: 04.09.15 Archiv CD/DVD - Oper Sortierung nach: in CD - mp3 / DVD - MEGP- Formaten 1. Komponisten 2. Werk-Nummer (op.Zahl etc) TA und TR: Daten sind bei „alne“ vorhanden 3. Aufnahmejahr Auskünfte über Mail [email protected] Diese Datei erreichen Sie unter: T und TR: Daten sind bei „EO“ vorhanden http://www.euro-opera.de/T-TA-TR.pdf Auskünfte über Mail in Kürze auch unter: [email protected] http://www.cloud-de.de/~Alne_Musik/ Tagliaferri Tagliaferri Piscatore e Pusilleco - Luciano Pavarotti - - - - - - - - - n OS - 410015,1 Tagliaferri - - 01.01.1900 - W 0,046 - T- CD Tchaikowsky Der Kaufmann von - 2013 Bregenz Charles Workman - Magdalena Anna Erik Nielsen O - 18.07.2013 Oe 1 Hofmann - Christopher Ainslie - Jason 2208,01 André Tchaikowsky Venedig - Bridges - Kathryn Lewek - Juliusz (1935 - 1982) - Wiener Symphoniker 18.07.2013 - Kubiak - Verena Gunz - David Stout - Oper 1 - Keith Warner - Ashley Martin-Davis cda1311 T- M 4 3 CD Telemann Heilig, heilig ist Gott - 2004 Magdeburg Dorothee Fries - Martin Oro - Andreas Ulrich Stötzel Ch-O - 12.03.2004 DLR Berlin Post - Albrecht Pöhl - - - - - 407,01 Georg Philipp - Collegium vocale des Bach-Chores Telemann (1681 - - Hannoversche 24.03.2004 - Siegen - Hofkapelle TWV 2,06 - cda404 T- Dok 117 2 CD Telemann Unsterblicher - 2000 Magdeburg Sophie Daneman - Alison Hagley - Simon Preston O - 16.03.2000 DLR Berlin Rufus Müller - Paul Agnew - Roman 408,01 Georg Philipp Nachruhm Friedrich - Trekel - Colin Campbell - - - - Telemann (1681 - Augusts - verfaßt auf den Tod Augusts Orchestra of the Age 08.08.2000 - des Starken of Enlightenment TWV 4,07 - cda404 T- VHS-Audi 2 CD o Telemann Brockes-Passion - 2005 Paris Annette Dasch - Dietrich Henschel - René Jacobs O - 23.03.2005 Fr. -
Opera, Dance, Classical Music Arts Holidays
OPERA, DANCE, TRAVELFOR THE ARTS CLASSICAL MUSIC SPRING & SUMMER FESTIVALS 2016 ARTS HOLIDAYS www.travelforthearts.com +44 20 8799 8350 [email protected] welcome to the world of OPERA, DANCE, CLASSICAL MUSIC ARTS HOLIDAYS Welcome to Travel for the Arts, the UK’s leading opera, All details including hotels, meals, excursions and tour leaders classical music and dance holiday specialist, established in are hand-picked, and we endeavour to provide the best tickets 1988 for The Friends of Covent Garden. We specialise in available for every performance. Our group tours are exclusive creating bespoke tours for private groups and arranging and rarely exceed 25 in number. We have no upper age limit ‘à la Carte’ itineraries for individuals. for participation and we are fully ABTA, IATA and ATOL bonded to assure quality and complete financial security. We are constantly searching for the finest Opera, Ballet and Classical Music performances worldwide. This brochure We pride ourselves on the personal care we give to our includes the highlights of the 2016 Spring and Summer patrons; many of our travellers are regulars with up to 100 TFA festivals, and we are delighted to be offering you the chance tours under their belts. We hope to welcome you on our of our to visit several new destinations once again. We hope that tours soon! you will find our selection of highlights tempting. www.travelforthearts.com Travel for the Arts for Travel MEET OUR TEAM Travel for the Arts is staffed by a team of specialists with a wealth of experience in travel, music and the arts, who are involved in the planning of every tour from conception to fruition. -
National Cinemedia and the Metropolitan Opera Renew Agreement to Bring Acclaimed Live Opera Series to More Than 440 Theatres Across the United States
August 20, 2008 National CineMedia and The Metropolitan Opera Renew Agreement to Bring Acclaimed Live Opera Series to More Than 440 Theatres across the United States The Metropolitan Opera: Live in HD Kicks Off its Return to Theatres Nationwide for its Third Season with the Met's Opening Night Gala, starring Renee Fleming 2008-09 Met: Live in HD Series Season Tickets on Sale Friday, Aug. 22nd CENTENNIAL, Colo., Aug 20, 2008 (BUSINESS WIRE) -- National CineMedia (NCM) LLC, operator of the largest digital in- theatre network in North America for cinema advertising and alternative entertainment and events, and the Metropolitan Opera are proudly partnering to bring a third season of the critically-acclaimed The Metropolitan Opera: Live in HD series transmitted live, in high-definition, to more than 440 movie theatres and performing arts centers in the United States. Based on overwhelming consumer demand, the series will now reach new markets and theatres throughout the United States in a 30 percent theatre expansion over last season. Tickets will go on sale to the general public in the United States beginning Friday, August 22nd. Visit www.FathomEvents.com to learn more and purchase tickets. Ticket prices vary by location. The 2008-09 season of The Met: Live in HD will be the biggest yet, expanding from eight to 11 live high-definition opera transmissions. Kicking off the season on September 22nd and celebrating the 125th anniversary of the Met will be the never- before-seen, big-screen Opening Night Gala celebration starring soprano Renee Fleming in fully staged performances of scenes from Verdi's La Traviata (Act II), Massenet's Manon (Act III), and the final scene from Richard Strauss's Capriccio. -
La Force Du Destin Giuseppe Verdi
LA FORCE DU DESTIN GIUSEPPE VERDI 1 Christophe Ghristi Directeur artistique Claire Roserot de Melin Administratrice générale La Force du destin, maquette du décor par Hubert Monloup, Théâtre du Capitole, 1999. 2 LA FORCE DU DESTIN GIUSEPPE VERDI (1813-1901) VERSION CONCERT Opéra en trois actes Livret de Francesco Maria Piave d’après Ángel de Saavedra, Duc de Rivas Créé le 10 novembre 1862 au Théâtre impérial Bolchoï Kamenny de Saint-Pétersbourg (Version définitive : 27 février 1869, Teatro alla Scala, Milan) Paolo Arrivabeni Direction musicale Les représentations de La Force du destin sont dédiées à la mémoire de Nicolas Joel. Catherine Hunold Donna Leonora Amadi Lagha Don Alvaro Gezim Myshketa Don Carlo de Vargas Roberto Scandiuzzi Le Marquis de Calatrava, Padre Guardiano Raehann Bryce-Davis Preziosilla Sergio Vitale Fra Melitone Roberto Covatta Trabuco Cécile Galois Curra Barnaby Rea Alcade, Chirurgo En raison des contraintes du couvre-feu, les représentations des 25 et 28 mai, 1er et 3 juin donnent de larges extraits de l’œuvre (voir Orchestre national du Capitole détails p. 5). Elle est présentée dans son intégralité les 23 et 30 mai. Chœur du Capitole Alfonso Caiani Direction 23 ET 30 MAI, 15H (durée : 3h10) 25 ET 28 MAI, 1er ET 3 JUIN, 18H30 (durée : 1h45, sans entracte) THÉÂTRE DU CAPITOLE Collectif Laroch’ (dir. Philippe Perrin et Camille Taver) Adaptation Diffusion sur Radio Classique le 25 juin à 20h30, avec le soutien de l’association Aïda. 3 La Force du destin, mise en scène Nicolas Joel, Théâtre du Capitole, 1999 © Patrick Riou. 4 PROGRAMME DES 25 ET 28 MAI, 1ER ET 3 JUIN, 18H30 (1h45 sans entracte) OUVERTURE ACTE II Aria : « Sono giunta… Madre, pietosa Vergine » (Leonora, Chœur) Scena e Duetto : « Chi mi cerca ?.. -
Contemporary Opera Newsletter
Leporello Contemporary Opera Newsletter Nr. 15 December 2012 World Première Performances In December 2012, three operas will be performed for the first time, inspired by Franz Kafka, Charles Dickens and Pietro Metastasio. Since 1974, Hans-Jürgen von Bose has already composed 8 operas, including Die Leiden des jungen Werthers and Schlachthof V . Cristian Carrara’s first opera, La piccola vendetta lombarda was first performed in Citta’ di Castello in August 2011. Lucia Ronchetti has already composed eight music theatre pieces since 1995. Hans-Jürgen von Bose : Cristian Carrara : Oliver Twist Verkehr mit Gespenstern Chamber opera in one act Chamber opera Libretto : Cristian Carrara, after Charles Dickens, in Libretto : the composer, after Franz Kafka, in German. Italian. Vienna, Theater an der Wien (in the Wiener Modena, Teatro Comunale ‘Luciano Pavarotti’ Kammeroper) December 16, 2012 December 5, 2012 with Stefano Consolini, Matteo Ferrara, Laura Catrani. Conducted by Flavio Emilio Scogna. Directed by Soo- Sho. with Tim Severloh and Falko Hönisch. Directed by Peter Pawlik. On the occasion of Charles Dickens’ 200th birthday, This opera is written for accordion, violoncello, the composer has turned his most famous novels into countertenor and baritone. an opera, describing the English society in the 19th century : the poverty, the child labor, the urban crime The young business traveler Gregor Samsa wakes up and the inherent hypocrisy of Victorian culture. one morning transformed into a giant beetle. It symbolizes the fatal isolation of the individual in a society in which oppressive rules are incomprehensible to human. The composer combines fragments of the Metamorphosis and The Trial with Kafka’s letters and diaries. -
P.E. Macallister Collection
Collection # P 0492 P. E. MACALLISTER COLLECTION 1974–2010 (DVDS, 1982–2007) Collection Information Biographical Sketch Scope and Content Note Series Contents Processed by Sarah Newell and Barbara Quigley June 12, 2012 Revised June 16, 2015 Manuscript and Visual Collections Department William Henry Smith Memorial Library Indiana Historical Society 450 West Ohio Street Indianapolis, IN 46202-3269 www.indianahistory.org COLLECTION INFORMATION VOLUME OF 309 titles on DVD (1982–2007); 10 folders of manuscript and COLLECTION: printed materials (1974–2010) COLLECTION 1974–2010 (DVDs, 1982–2007) DATES: PROVENANCE: Donated by P.E. MacAllister, 2008; second accession in December 2008 of 94 DVDs of On Site programs (ca. 1983- 2006) from IUPUI special collections, who in turn got them from P.E. MacAllister; MacAllister Machinery newsletters mailed to IHS in 2010 RESTRICTIONS: None COPYRIGHT: REPRODUCTION Permission to reproduce or publish material in this collection RIGHTS: must be obtained from the Indiana Historical Society. ALTERNATE FORMATS: RELATED HOLDINGS: ACCESSION 2008.0004, 2008.0380, 2010.0382X NUMBER: NOTES: BIOGRAPHICAL SKETCH P.E. (Pershing Edwin) MacAllister is chairman of the board at MacAllister Machinery Co., a Caterpillar dealership started by his father. He was born 30 August 1918 in Green Bay, Wisconsin, to Edwin W. and Hilda MacAllister. His father, a WWI veteran, named him Pershing after General John Joseph “Black Jack” Pershing. P.E. graduated from Carroll College in Waukesha, Wisconsin, with a major in history and minors in English and speech. Upon his graduation he enlisted in the U.S. Army Air Corps and reported for duty at the Muskogee, Oklahoma, Air Corps Primary Training School. -
November 2003
21ST CENTURY MUSIC NOVEMBER 2003 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219. Subscription rates in the U.S. are $84.00 per year; subscribers elsewhere should add $36.00 for postage. Single copies of the current volume and back issues are $10.00. Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. e-mail: [email protected]. Typeset in Times New Roman. Copyright 2003 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Typescripts should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors with access to IBM compatible word-processing systems are encouraged to submit a floppy disk, or e-mail, in addition to hard copy. -
Digital Scenography in Opera in the Twenty-First Century
Digital scenography in opera in the twenty-first century by Caitlin Claire Vincent BA (Honours), Harvard University MM, Johns Hopkins University Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Deakin University December, 2018 Dedication For Nathan and Vivien. Acknowledgements I owe a great debt to my supervisor, Katya Johanson, who has been my mentor, guide, and champion. I am grateful for the additional mentorship and support of Jordan Beth Vincent and Amanda Coles throughout this process, as well as my colleagues at the Deakin Motion.Lab, Peter Divers and Deanne Czarnecki. Professor Brenda Cherednichenko, Professor Joe Graffam, and Professor Jack Reynolds each played a role in supporting my studies at Deakin University, for which I am extremely thankful. My work would not have been possible without the support of my parents, sister, and husband, all of whom provided much-needed feedback, editing, and encouragement over the past four years. Additional thanks to Kim Vincs and Richard Mills for envisioning the possibilities of digital scenography in practice and giving me the opportunity to pursue this field of research. This research was partially funded by the Australian Government through the Australian Research Council through the Linkage Scheme, project LP140100742, in partnership with Victorian Opera. Publications Excerpts of this thesis have been published in the following articles: Vincent, Caitlin, Jordan Beth Vincent, Kim Vincs, and Katya Johanson. 2017. “The Intersection of Live and Digital: New Technical Classifications for Digital Scenography in Opera.” Theatre and Performance Design 3, no. 3: 155-171. https://doi.org/10.1080/23322551.2017.1400764 Vincent, Caitlin, and Jordan Beth Vincent. -
Contemporary Opera Newsletter
Leporello Contemporary Opera Newsletter Nr. 14 November 2012 World Première Performances In November 2012, eleven new operas will be performed, including three short operas to be performed on the same evening, and a sequel to a late 20th century chamber opera. Composer Matthew Harris is still working on the full score of Tess after Thomas Hardy. Daron Hagen has already composed 6 operas, including Vera of Las Vegas . Refidim Junction is Margret Wolf’s second opera after Kirisk in 2000. Frank Schwemmer’s last opera, Robin Hood , was performed in 2008. Prolific opera composer Oscar Strasnoy presents his 12th opera, whereas Mathis Nitschke just composed his first one. Judith Berkson : The Vienna Rite Matthew Harris : The Mark of Cain Chamber opera Chamber opera in 1 act New York, Roulette Libretto : Terry Quinn November 2, 2012 New York, St. Peter’s Church (Chelsea) November 8, 2012 with Ian Greenlaw, Judith Berkson, Bo Chang, Allyssa with Brace Negron, Blythe Gaissert, Kate Oberiat, Tom Lamb, Lana Cencic, Gavriel Savit, Aram Tchobanian. McNichols, Jonathan Estabrooks, Jonathan Kline. The piece is written for 3 drummers, 3 organists and 7 Vocal ensemble of 12. singers. Conducted by Steven M. Crawford and directed by Lynne Hayden-Findlay. This chamber opera is the story of a new service composed in 1828 by Viennese cantor Salomon Sulzer The librettist chose “to re-imagine a key part of the in collaboration with Franz Schubert and other creation myths found in Genesis, the Koran and the Viennese composers which sought to merge European Jewish Midrash tradition.” He re-examines how greed, music with synagogue chant.