Contemporary Opera Newsletter
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Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Michel Van Der Aa Appears Tobenothingparticularlyradicalaboutit
Excerpt from the score of Here [to be found]. ‘This is the Gesamtkunst of the future.’ The Financial Times on After Life An Introduction to the Music cryptic suffering. As a dramatized documentary about a of Michel van der Aa genre it is quintessential Van der Aa. He is the observer whose expedition begins with the vital life questions his by Bas van Putten characters pose on his behalf. What do I see and hear, who am I, what do I feel, what do I think, where do I At first glance, Spaces of Blank (2007) by the Dutch stand? His brand of composing – and in the meantime, composer Michel van der Aa appears to be a conven- much more than just that: Van der Aa also films and tional three-movement song cycle for mezzo-soprano, directs – is less a matter of style as of attitude. ‘I’m not orchestra and soundtrack. The work, written on a a composer of just notes,’ he once said. Although he commission from the Royal Concertgebouw Orchestra, willingly qualifies that statement (‘not that notes aren’t Radio France and the Norddeutscher Rundfunk, is a important’), music is for Van der Aa unmistakably part of setting of evocative poems by Emily Dickinson, Anne a larger whole. The immediate recognizability of his tone, Carson and Rozalie Hirs; it is scored for more or less with the typical alternation between hectic motion and standard orchestral forces; the solo part is, for the most serene, surprisingly sonorous electro-acoustic harmo- part, without vocal eccentricities. Less common is the nies, does nothing to diminish this assertion. -
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Teatro de la Zarzuela Centro Nacional de Difusión Musical MATTHIAS GOERNE barítono ALEXANDER SCHMALCZ piano XXI CICLO DE LIED RECITAL X TEATRO DE LA ZARZUELA | LUNES 29/06/15 20:00h Centro Nacional de Difusión Musical UNIVERSO BARROCO | Auditorio Nacional de Música UNIVERSO BARROCO | SAlA SINfónica 10/12/15 | ORQUESTA BARROCA DE HElSINKI 22/11/15 | 18:00h | ENSEMBlE MATHEUS AAPO HÄKKINEN clave y dirección | MATTHIAS JEAN-CHRISTOPHE SPINOSI director MONICA GROOP mezzosoprano MALENA ERNMAN Serse (mezzosoprano) Obras de Johan Helmich Roman, Joseph Martin Kraus, ADRIANA KUCˇEROVÁ Romilda (soprano) Johann Sebastian Bach y Joseph Haydn SONIA PRINA Arsamene (contralto) GOERNE barítono KERSTIN AVEMO Atalanta (soprano) 21/01/16 | HESPÈRION XXI MARINA DE LISO Amastre (mezzosoprano) JORDI SAVALL viola da gamba y dirección CHRISTIAN SENN Elviro (barítono) La Europa musical: 1500-1700 LUIGI DE DONATO Ariodate (bajo) Danzas italianas del renacimiento veneciano George Frideric Haendel (1685-1759): Serse, HW 40 Obras de John Dowland, Orlando Gibbons, William Brade, Luys de Milán, Antonio de Cabezón, Diego 14/12/15 | 19:30h | WIENER AKADEMIE ALEXANDER Ortiz, Samuel Scheidt, Joan Cabanilles, MARTIN HASElBÖCK director Henry Purcell, Guillaume Dumanoir, Antonio Valente SOPHIE KARTHÄUSER Susanna (soprano) y anónimos CARLOS MENA Joacim (contratenor) ALOIS MÜHLBACHER Daniel (contratenor) 25/02/16 | ACCADEMIA BIZANTINA SCHMALCZ piano MARIE-SOPHIE POLLAK Ayudante (soprano) OTTAVIO DANTONE clave y dirección PAUL SCHWEINESTER Primer anciano (tenor) Johann Sebastian -
Maurizio Pollini
REVISTA DE MÚSICA Año XX - Nº 196 - Abril 2005 - 6,30 DOSIER Don Quijote y la música Nº 196 - Abril 2005 SCHERZO ENTREVISTA Miguel Sánchez ENCUENTROS Ofelia Sala ACTUALIDAD Maurizio Pollini ANIVERSARIO Karl Amadeus Hartmann 9778402 134807 9100 6 AÑO XX Nº 196 Abril 2005 6,30 € 2 OPINIÓN Don Quijote y los libros de caballerías CON NOMBRE Arturo Reverter 118 PROPIO Un singular encuentro 6 Maurizio Pollini entre Falla y Cervantes Yvan Nommick 122 Carmelo di Gennaro La discoteca del hidalgo 10 AGENDA Juan Manuel Viana 126 18 ACTUALIDAD ENCUENTROS NACIONAL Ofelia Sala “Espero no perder nunca la 44 ACTUALIDAD capacidad de ilusionarme” 132 INTERNACIONAL Rafael Banús Irusta 60 ENTREVISTA ANIVERSARIO Miguel Sánchez Karl Amadeus Hartmann “No podríamos sentir la música Francisco Ramos 138 sin el concierto” EDUCACIÓN Juan Antonio Llorente Pedro Sarmiento 140 64 Discos del mes EL CANTAR DE LOS CANTARES SCHERZO DISCOS Arturo Reverter 142 65 Sumario JAZZ Pablo Sanz 144 DOSIER 113 Don Quijote y la música LIBROS 146 114 Música para unos papeles LA GUÍA 148 y cartapacios CONTRAPUNTO Alfonso de Vicente Norman Lebrecht 152 Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, David Armendáriz Moreno, Rafael Banús Irusta, Alfredo Brotons Muñoz, José Antonio Cantón, José Luis Carles, Jacobo Cortines, Carmelo Di Gennaro, Giacomo Di Vittorio, Fernando Fraga, Joaquín García, José Antonio García y García, Mario Gerteis, José Guerrero Martín, Fernando Herrero, Leopoldo Hontañón, Bernd Hoppe, Paul Korenhof, Norman Lebrecht, Juan -
Malena Ernman På Arlanda Med Den Effektivt Packade, Röda Konsertväskan
RESKLAR Malena Ernman på Arlanda med den effektivt packade, röda konsertväskan. MALENA ERNMAN RESANDE I SKÖNSÅNG Snart är operahösten här, med en ny våg av svenska röster som ekar över världen. Och allra längst fram står supersopranen Malena Ernman. Vi ville träffa henne på ett ställe som är typiskt för hennes jobb. Det blev en taxi till Arlanda. TEXT PONTUS DAHLMAN FOTO LINDA GREN ➤ 14 TIDNINGEN VI NR 9 2011 TIDNINGEN VI NR 9 2011 15 SVENSKA OPERASTJÄRNOR ungsholmen, Stockholm, som den kanske tydligast lysande svenska hemma hos Malena stjärnan just nu. Ernman, mezzosopran. På hennes nya cd, med arior ur kända Hon står i hallens operor, finns också en svensk sommarvisa. halvdunkel. Managern Den heter I det fria, och börjar: Svante Thunberg, som ”Här är platsen där vägen tar slut … också är hennes man, marken, stenarna sjunger för mig, sången säger ömsint, nästan lugnande: om vägarna som förde mig hit.” K – Telefonen har du? Glasögonen? En Hon har inte skrivit texten själv, men bok? Vad vill du ha? Jag är skulle kunna ha gjort det. Det är något Hon rullar fram den ”lilla konsertväs med det där temat: borta, hemma, borta. kan”. Kabinmodellen i knallrött som ska för tuff Hon säger att hon är utomlands ”ungefär räcka för att vara borta en vecka i sträck. för att gå i terapi. tre månader om året”. – I den packar jag ett par högklackat, Vad tänker du på, när du sitter så här och springskor, långklänning. Till och med är på väg? trosorna ligger vikta. Jag är väldigt bra på att packa effektivt. -
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IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Philharmonie Luxembourg Salle de Concerts Grande-Duchesse Joséphine-Charlotte Saison 2010/11 1 Sommaire / Inhalt / Content Partenaires d’événements: IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Philharmonie Luxembourg Jazz, World & Easy listening Orchestre Philharmonique du Luxembourg Cycle Philharmonique I 150 Salle de Concerts Grande-Duchesse Jazz & beyond 68 Cycle Philharmonique II 152 Joséphine-Charlotte – Saison 2010/11 Autour du monde 76 Cycle «Dating:» 154 Ciné-Concerts 82 Cycle «Duo» 155 Bienvenue / Willkommen / Welcome 4 Pops 86 Cycle «Familles» 156 Chill at the Phil 90 Amis de l’Orchestre Philharmonique du Nous remercions nos partenaires qui, en IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Luxembourg 158 associant leur image à la Philharmonie et Orchestre IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Solistes Européens, Luxembourg en soutenant sa programmation, permettent Special Cycle Rencontres SEL A 160 sa diversité et l’accès à un public plus large. Partenaire de programme: Grands orchestres 14 Cycle Rencontres SEL B 162 Grands solistes 18 Luxembourg Festival 96 Camerata 164 L’Orchestral 22 back to the future – rainy days 2010 98 Soirées de Luxembourg 166 pour «Backstage» Concerts exceptionnels 26 Musiques d’aujourd’hui -
Neue Aufnahmen Im April 2013
CD CD 2 CD CD CD CD 2 CD CD CD CD CD CD 1 CD CD 2096,01 2103,01 2097,01 2095,01 07.05.13 Kurt Kurt Moll, , , , , , , , David Daniels, John Moore, Patricia Bardon, Coote, Natalie Alice Dessay, Christophe Dumaux, Guido Loconsolo, Rachid Ben Abdeslam, Joshua,Rosemary Sarah Connolly, Davies,Clayton, Allan Neal Lestyn Davies, , , , Linda Watson, Petersamer, Alexandra Jürgen Müller, Jukka Rasilainen, , , , , Anna Prohaska, , , , , , , , , , , , , , , , Malena Ernman, Bernard Richter, Christiane Ann-Beth Karg, Solvang, Martin Borchev, Nikolay Snell, Mikós , Sebestyén, Christian ,Gerhaher, , , , , , , Lucia Popp, Siegfried Doris Soffel, Ridderbusch, Jerusalem, Karl Siegmund Nimsgern, , , , Julianna Di Giacomo, Franck Ferrari, Jordi, NikaIsmael Guliashvili, , , Gabriela Gabriela Benacková, Marjana , , , Bryn Terfel, Keith Lipovsek, Lewis, , Katarina Kerstin Avemo, Karnéus, Karl Rombo, Markus Schwarz, Mats Persson, , , , Aleksandra Kurzak, Roberto Alagna, Fabio Capitanucci, Maestri, Ambrogio Susana Gaspar, , , , Karita Mattila, Jorma Silvasti, Judith VladimirForst, Ognovenko, Chris Merritt, MagdalenaRaymond Very, SebastianKozená, Catana, -- -- -- -- -- -- -- -- -- -- -- -- -- Nicolas Cavallier, Sophie Koch, -- cda1304 Leo Hussain Leo Mariss Jansons Bruno Campanella Heinz Wallberg Bicket Harry William Christie Jiri Belohlávek Marcus R. Bosch Daniel Harding Mariss Jansons Jean-Luc Tingaud Carlo Maria --Giulini Giancarlo --Andretta -- -- -- -- -- -- -- -- -- -- -- -- S h-O h O Orchestredel'OpéraNat O The MetropolitanThe Opera O C Orchester der Metropoli -
PRESENTS Table of Contents
PRESENTS Table of Contents Welcome................................................................................................................. 3 Staff and Board of Directors..........................................................................6 About Pittsburgh Festival Opera.................................................................7 Cornetti’s Candid Concert and After-Party | July 10................................8 Marianne: Unstaged | July 11, 18, and 25.................................................10 Pit Crew: Singer-Free Sundays | July 12, 19, and 26..............................13 Leitmotif: Walking through Wagner | July 16..........................................17 I, Too, Sing | July 17...........................................................................................18 Composer Spotlight: Mark Adamo | July 23.............................................20 Putting it Together: Online Young Artists Program | July 24..........21 2020 OYAP Faculty........................................................................................... 26 Rusalka: A Mermaid’s Tale | July 25............................................................27 Contributions, Gifts, and Institutional Support................................. 29 Welcome from the President We need 20-20 vision to view the events of 2020. Much of what we took for granted, including the highest ever level of our economy and the lowest ever level of unemployment, suggested a bright future for the performing arts. We at Pittsburgh Festival Opera were especially -
FY19 Annual Report View Report
Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut. -
Press Release Central City Opera Announces Casting
PRESS RELEASE FOR IMMEDIATE RELEASE: CONTACT: Valerie Hamlin, PR/Communications Director Dec. 11, 2006 303-292-6500, ext. 108; [email protected] CENTRAL CITY OPERA ANNOUNCES CASTING FOR 75TH ANNIVERSARY 2007 FESTIVAL LA TRAVIATA /POET LI BAI-World Premiere/ CINDERELLA/THE SAINT OF BLEECKER STREET 2007 Festival Features Four Operas with World Renowned Artists *=Central City Opera Debut Denver, Colo.— The artists have been selected for Central City Opera’s (CCO) historic 2007 75th Anniversary Festival. This monumental year is celebrated with the world premiere of Chinese opera, Poet Li Bai, presented in partnership with the Asian Performing Arts of Colorado as a special offering with only six performances. The company’s regular 2007 festival season features three new productions, including Verdi’s La Traviata, Massenet’s Cinderella and Menotti’s The Saint of Bleecker Street. Four operas will be presented in one festival for the first time in the history of Central City Opera during the 2007 Festival, which runs June 30 through Aug. 19 at the Central City Opera House in Central City, CO. “As we celebrate a landmark anniversary for Central City Opera, we are proud to showcase some of the best artists from around the globe,” states General/Artistic Director Pelham G. Pearce. “The high caliber of singers, designers and directors we have contracted for 2007 is a testament to how far this company has come in its 75 years and to the direction we are going in the future.” La Traviata (June 30 – Aug. 12) – The 2007 Festival opens with Verdi’s popular Italian opera about a young courtesan stricken with consumption and her tumultuous love affair with a nobleman in Paris. -
Otello Synopsis
ConduCtor giuseppe verdi Yannick Nézet-Séguin PRODUCtIon Bartlett Sher otello SEt dESIGnEr october 17, 2015 Es Devlin CoStuME dESIGnEr Catherine Zuber ACT 1 Cyprus, late 19th century. During a storm, the people of Cassio mentions an unknown admirer’s gift and produces the CominG soon LIGHtInG dESIGnEr Cyprus await the return of their governor and general of the telltale handkerchief—in fact planted by Iago in his room. Otello Donald Holder Venetian fleet, the Moor Otello. He has been fighting the Mus- is shattered and vows that he will kill his wife. Iago promises to Wagner lim Turks and guides his victorious navy to safe harbor. In his deal with Cassio. Tannhäuser PROJECtIon dESIGnEr absence, the young Venetian Roderigo has arrived in Cyprus and oCt 31 Luke Halls fallen in love with Otello’s new wife, Desdemona. Otello’s ensign A delegation from Venice arrives to recall Otello home and to appoint Cassio as the new governor of Cyprus. At this news, Berg LIVE IN HD HoSt Iago, who secretly hates the governor for promoting the officer Otello loses control, hurling insults at Desdemona in front of Lulu Eric Owens Cassio over him, promises Roderigo to help win her. While the citizens celebrate their governor’s return, Iago launches his plan the crowd. He orders everyone away and finally collapses in a NOV 21 LIVE IN HD Director to ruin Otello. Knowing that Cassio gets drunk easily, Iago pro- seizure. As the Cypriots are heard from outside praising Otello Gary Halvarson as the “Lion of Venice,” Iago gloats over him, “Behold the Lion!” Mozart poses a toast. -
Jmaddalena 14
James Maddalena Baritone (Updated February 2014. Please discard previous materials.) The renowned baritone James Maddalena commands a large and varied repertoire ranging from Monteverdi to contemporary opera. He first gained international recognition for his notable portrayal of the title role in the world premier of John Adams’ Nixon in China, directed by Peter Sellars with Houston Grand Opera followed by performances at Netherland Opera, the Edinburgh Festival, Brooklyn Academy of Music, Washington Opera, Frankfurt Opera, Australia’s Adelaide Festival, the Chatelet in Paris, English National Opera, the Greek National Opera and most recently for his debut with the Metropolitan Opera. His association with John Adams continued in two more recent roles: the Captain in Adams’s The Death of Klinghoffer, which premiered at the Théâtre de la Monnaie in Brussels and received performances at the Opera de Lyon, the Brooklyn Academy of Music, San Francisco Opera, and at the Vienna Festival prior to being recorded by Nonesuch under Kent Nagano; and Jack Hubbard in Doctor Atomic for San Francisco Opera. Mr. Maddalena has appeared with many other leading international opera companies: New York City Opera, San Francisco Opera, Atlanta Opera, Santa Fe Opera, Opera Theatre of St. Louis, Opera Boston, the Lyric Opera of Kansas City, Frankfurt Opera, and Glyndebourne Festival Opera, as well as with the Chicago Symphony, Los Angeles Philharmonic, Boston Symphony, San Francisco Symphony, Brooklyn Philharmonic, the Royal Scottish Orchestra, Orchestra of the Accademia di Santa Cecilia in Rome and the London Symphony Orchestra. He is a frequent collaborator with director Peter Sellars and sang major roles in Sellars’ stagings of the Mozart/Da Ponte operas (the Count in Le nozze di Figaro and Guglielmo in Così fan tutte), as well as his productions of operas by Haydn, Handel and John Adams.