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1 Madama Butterfly I Personaggi E Gli Interpreti
1 G V M e i r a a s i d c o n o a e Madama Butterfly m m o o r a i Versione originale del 17 febbraio 1904 g i P B n u a u l c Giacomo Puccini e t c t d e i e n r l i f 1 l 7 y f e Stagione d’Opera 2016 / 2017 b b r a i o 1 9 0 4 S t a g i o n e d ’ O p e r a 2 0 1 6 / 2 0 1 7 Madama Butterfly Versione originale del 17 febbraio 1904 Tragedia giapponese in due atti Musica di Giacomo Puccini Libretto di Luigi Illica e Giuseppe Giacosa (da John L. Long e David Belasco) Nuova produzione Teatro alla Scala EDIZIONI DEL TEATRO ALLA SCALA TEATRO ALLA SCALA PRIMA RAPPRESENTAZIONE Mercoledì 7 dicembre 2016, ore 18 REPLICHE dicembre Sabato 10 Ore 20 – TurNo B Martedì 13 Ore 20 – TurNo A VeNerdì 16 Ore 20 – TurNo C DomeNica 18 Ore 20 – TurNo D VeNerdì 23 Ore 20 – TurNo E REPLICHE gennaio 2017 Martedì 3 Ore 20 – Fuori abboNameNto DomeNica 8 Ore 15 – Fuori abboNameNto ANteprima dedicata ai GiovaNi LaScalaUNDER30 Domenica 4 dicembre 2016, ore 18 SOMMARIO 5 Madama Butterfly . Il libretto 40 Il soggetto ArgumeNt – SyNopsis – Die HaNdluNg – ࠶ࡽࡍࡌ – Сюжет Claudio Toscani 53 Giacomo PucciNi Marco Mattarozzi 56 L’opera iN breve Claudio Toscani 58 La musica Virgilio Bernardoni 62 La prima Butterfly , uN ricoNoscimeNto morale all’Autore. UNa possibilità iN più di ascolto, coNfroNto e coNosceNza INtervista a Riccardo Chailly 67 “UNa vera sposa...”? INgaNNo e illusioNe Nella prima Arthur Groos scaligera di Madama Butterfly 83 Madama Butterfly, uNa tragedia iN kimoNo Michele Girardi 99 Come eseguire Madama Butterfly Dieter Schickling 110 Madama Butterfly alla Scala dal 1904 al 2007 Luca Chierici 137 Alvis HermaNis e Madama Butterfly Olivier Lexa Il gesto della fragilità 167 Riccardo Chailly 169 Alvis HermaNis 170 Leila Fteita 171 Kris t¯ıNe Jur j¯aNe 172 Gleb FilshtiNsky 173 INeta SipuNova 174 Alla Sigalova 175 Olivier Lexa 176 Madama Butterfly . -
Soprano NICOLETA ARDELEAN Universitary Associate Professor At
Soprano NICOLETA ARDELEAN Universitary Associate Professor at the Faculty of Arts from the Ovidius University of Constanța, professor doctor in music Nicoleta Ardelean graduated, with bachelor’s degree, the specializations Musical Pedagogy-Religious music and Canto-Canto professor, masteral and doctoral studies , all of these at the Music Academy G.Dima from Cluj-Napoca. She has been awarded the Great Prize at the National Vocal Interpretation Contest Sabin Drăgoi at Timişoara in 1999 and the Third Prize at the International Canto Contest Hariclea Darclee at Brăila in 1999. In 2000 she was awarded the N. Bretan Prize at the International Vocal Interpretation Contest Nicolae Bretan at Cluj Napoca and at the International Contest of Canto from Bilbao, Spain, Second Prize and the Music Critics Prize . In 2001, after her international debut on the stage of the Strasbourg Opera, she was awarded the Prize of recognition of artistic talent, by the European Culture Foundation from the European Parliament. After her international debut at Strasbourg in 2001, with Micaela from Bizet’s “Carmen”, she was hired to sing the part of Antonia from “Hoffmann’s Stories” by Jacques Offenbach and that of Ines from „L’Africaine” by Giacomo Meyerbeer. The Opera from Marseille, France, invited her for Mimi in “La Boheme” and for Liu in “Turandot”, and the Theatre from Toulouse for Nedda in „Pagliacci” by Leoncavallo. In 2001, Nicoleta Ardelean performs for the first time in Germany, in the New Year’s Concert with the Berlin Symphonic Orchestra, followed by the roles of Micaela and Antonia at the Opera in Leipzig. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
56 0809Englisch.Pdf
A Wien Holding Company Intendant Roland Geyer General sponsors of the Theater an der Wien The Theater an der Wien recieves subsidies from the Cultural Department of the City of Vienna insNoten130x205_4c_E_TheaterRZ 04.06.2008 13:53 Uhr Seite 1 „WHOEVER HEARS BUTTERFLIES LAUGHING, KNOWS THE SCENT OF CLOUDS“ (Novalis) he butterfly is a wonderful symbol of transformation and freedom. And this is a requirement that art repeatedly demands, too. The mysterious Tmetamorphosis of the ugly caterpillar into the magnificent butterfly has sti- mulated man’s imagination from time immemorial. Everyone who watches Where does a butterfly is struck by its beauty, elegance and lightness. The ancient ability to think in images and symbols is inside each one of us – and in the world of opera, too. The opera is a treasure-house of the music call the tune? irrational. It unfolds “our imagination’s most beautiful alternative world.” Mozart himself confessed, “I need only to hear talk about opera, I need only to be in the theatre and hear voices – it suffices to transport me utterly.” The Theater an der Wien, the new opera house, is aiding a development in our city that no one can now fail to notice: more and more people with an interest in culture, and younger people too, are going to the opera! They are looking for a space where dreams and longings can unfold freely with great emotion and even pathos – and the opera provides a meeting place for them: everything appears bathed in “bright” light, and in this light one is drawn in by enchanting sounds. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Early Music Review EDITIONS of MUSIC Here Are Thirteen Works in the Present Volume
Early Music Review EDITIONS OF MUSIC here are thirteen works in the present volume. The first two are masses by John Bedingham, while the others are anonymous mass movements (either New from Stainer & Bell T single or somehow related). Previous titles in the series have been reviewed by Clifford Bartlett, and I confess this English Thirteenth-century Polyphony is the first time I have looked at repertory from this period A Facsimile Edition by William J. Summers & Peter M. since I studied Du Fay at university! At that time I also Lefferts sang quite a lot of (slightly later) English music, so I am not Stainer & Bell, 2016. Early English Church Music, 57 completely unfamiliar with it. I was immediately struck 53pp+349 plates. by the rhythmic complexity and delighted to see that the ISMN 979 0 2202 2405 8; ISBN 978 0 85249 940 5 editions preserve the original note values and avoids bar £180 lines - one might expect this to complicate matters with ligatures and coloration to contend with, but actually it is his extraordinarily opulent volume (approx. 12 laid out in such a beautiful way that everything miraculously inches by 17 and weighing more than seven pounds makes perfect sense. Most of the pieces are in two or three T- apologies for the old school measurements!) is a parts (a fourth part – called “Tenor bassus” – is added to marvel to behold. The publisher has had to use glossy paper the Credo of Bedingham’s Mass Dueil angoisseux in only in order to give the best possible colour reproductions of one of the sources). -
25 December 2009 Page 1 of 13
Radio 3 Listings for 19 – 25 December 2009 Page 1 of 13 SATURDAY 19 DECEMBER 2009 Jorma Rahkonen (violin) SAT 13:00 The Early Music Show (b00pgvpy) La Fenice SAT 01:00 Through the Night (b00p8jc6) 5.48am Presented by Susan Sharpe. Paganini, Niccolo (1782-1840): Polonaise Catherine Bott presents highlights from a concert given in 2008 Viktor Pikajzen (violin) in Villars-sur-Glane in Switzerland, featuring the ensemble La 1.00am Evgenia Sejdelj (piano) Fenice directed by Jean Tubery, with soprano Nuria Rial. Music Enescu, George (1881-1955): Violin Sonata No 3 in A, Op 25 includes Monteverdi's Exulta filia Sion and works by Tarquinio (dans le caractere populaire roumain) 5.54am Merula, Bonifazio Graziano and Jacob van Eyck. Sebastian Tegzesiu (violin) Mendelssohn, Fanny Hensel (1805-1847): Trio in D minor, Op Viorica Boerescu (piano) 11 Anon: Misteri gioisi. Ave Maria gratia plena. Canto fermo for Trio Orlando one voice; Lucis creator optime. Canto fermo for male voices; 1.29am Mozart, Wolfgang Amadeus (1756-1791): String Quartet No 20 6.19am Giuseppe Scarani: Sonata sopra Lucis creator optime, for two in D, K499 (Hoffmeister) Arban, Jean-Baptiste (1825-1889), arr David Stanhope: Fantasy cornetts, organ, harpsichord, cello and theorbo ANIMA Quartet and variations on a Cavatina (Beatrice di Tenda - by Bellini) Geoffrey Payne (trumpet) Bonifazio Graziano: Venite pastores ad sacros amores (Motets 1.54am Melbourne Symphony Orchestra for 1, 2 and 3 male voices and continuo), arr for soprano Muthel, Johann Gottfried (1728-1788): Concerto in D -
Curriculum-Nicola-Pamio.Pdf
NICOLA PAMIO TENORE 0039 338312157 [email protected] Apprezzato per le sue doti sceniche è di particolare interesse la sua collaborazione con il Teatro alla Scala, iniziata nel 1999. Nel teatro milanese è stato impegnato neI Matrimonio di Musorgskij, in Manon di Massenet con la direzione di Gary Bertini e la regia di Nicolas Joel, in Peter Grimes,nel ruolo di Rev.Horace con la direzione di Jeffrey Tate e la regia di John Schlesinger, in Tatjana di Azio Corghi con la regia di Peter Stein e la direzione di Will Humburg e in Pagliacci diretto da Daniel Harding con la regia di Mario Martone. Ha interpretato Il Barbiere di Siviglia con la regia di Carlo Verdone al Teatro dell’Opera di Roma. Alle spalle ha circa trenta produzioni Scaligere , tra le più recenti Otello di Rossini, Rigoletto , Fedora, Traviata, Adriana Lecouvreur, Nozze di Figaro , Andrea Chénier, Tatiana di Azio Corghi, Volpe Astuta , Gli Stivaletti , Boris G. , lavorando con i massimi esponenti della musica Lirica Internazionale come il Maestro Muti , Valerie Gergiev, J. Tate, J. Conlon, Sir. Andrew Davis, Dudamel, Harding, Gatti, Rustioni, Renzetti, e Registi del calibro di Zeffirelli, Puggelli, Ronconi , Stein, Pizzi, Michieletto, Moshe Leiser. Nel 2011 è stato invitato a New York alla Carnagie Hall per Adriana lecouvreur (Abate) con J. Kaufman, A. Gheorghiu , e nel 2013 all’ Avery Fisher Hall nell’opera Andrea Chénier (Incredibile), con Roberto Alagna , riscuotendo grande interesse dalla critica del New York Times . Da due anni lavora con Cecilia Bartoli prima a Zurigo poi a Parigi e al Festival di Salisburgo nell’Otello di Rossini, effettuando la registrazione per la Decca. -
Program Aida
AÏDA ANNONSE Giuseppe Verdi AÏDA Opera i fire akter Libretto av Antonio Ghislanzoni Fremføres på originalspråket italiensk Sommeropera på Bergenhus Festning 14., 16., 18. og 20. august 2005 Regissør: Sandro Santillo Scenografi- og kostymedesigner: Kentaur Dirigent/kunstnerisk leder: Anne Randine Øverby Aïda: Galina Gorchakova Radames: Ernesto Grisales Amneris: Eugenie Grunewald Amonasro: Anooshah Golesorkhi Ramfis: Arutjun Kotchinian Konge: Balátz Póka Yppersteprestinne: Sylvia Skeie Vik Budbærer: Daniel Icobescu Prester, prestinner, tjenere, feltherrer, soldater, slaver, egyptiske fanger, egyptiske folk: Timisoara Filharmoniske Kor Bergen Operakor Fra VNOs Barnekor Ragazzi: Randi Emilie Dahlen, Marie Stølsbotn, Susanne Grønner, Ina Rokne Midtun, Teresia M. S. Aarskog, Laura Agathe Moberg, Ida Ludvigsen, Grete Iren Grønner, Alette Jervell Pettersen Små barn: Åshild Øyro, ,Laura Hagen Aadland, Kaja Rønning Statister: Birthe Gundersen, Alexandra Hoff, Korinnstudering: Anne Randine Øverby, Repetitør: Sabrina Trosje Orkester: Timisoara Filharmoniske Orkester Lysdesign: Lysteknikk: AVAB CAC Bergen; Jørgen Lystrup, Per Rye Ravnestad, Lyddesign: Peter Dan Lydteknikk: AVAB CAC Bergen; Karim Balgobin, Terje Ellefsen. Scenografiassistent: Peter Hala’sh Kostymeassistent: Antonia Baranyai Sceneteknikk: Sverre Hus, Stig Thorsen, Espen Tufta Søm/påkledning: Guri-Marie Johnsen, Aud Engevik, Gunn-Bente Solstrand Hår/maske: Tove Ingebrigtsen, Tonny Garmannslund, Kristine Fjose, Marit Pedersen Inspisient: Annlaug Hus Støttet av Norsk Kulturråd Bakgrunn AïDA er en stor opera med en forhistorie og tilblivelse som ikke står tilbake operaens handling når det gjelder dramatikk. I 1867 ble Egypt lagt under tyrkisk herredømme, en tilstand som vedvarte frem til 1914. 2 år senere ble Suez-kanalen åpnet, og i denne forbindelsen ønsket khediven Ismael Pasha å bestille en ny opera fra en av samtidens ledende operakomponister. Fremføringen av operaen skulle samtidig innvie den nye italienske operaen i Kairo, som khediven hadde latt bygge. -
Orpheus Opernreisen Gmbh, München Mailand
Orpheus FESTSPIELE / SAISONAUSKLANG 2015 INTERNATIONALE OPERN- UND KONZERTREISEN Deiner hab’ ich um alles bedurft! Sehnsucht & Lust - Reisen in die Welt der Oper Faust Charles Gounod Sascha Weidner Sascha 19. [Premiere], 24., 27., 30. Juni; 2., 5. Juli 2015 Musikalische Leitung: Marco Armiliato Inszenierung: Philipp Stölzl Mit Teodor Ilincăi, Ildebrando D’ Arcangelo, Krassimira Stoyanova u. a. Stan Hema; Foto © Karten: +49 [30]-343 84 343; www.deutscheoperberlin.de Wikipedia Inhalt Kalender . 4 Verona . 57 Ansprechpartner . 6 Wien . 60 Aix-en-Provence . 7 Reiseanmeldung . 65 Baden-Baden . 10 Geschäftsbedingungen . 66 Berlin . 12 Dresden . 16 Gruppenreise Drottningholm & Dalhalla . 20 Glyndebourne . 22 Grafenegg . 26 Luzern . 28 Herausgeber: Orpheus Opernreisen GmbH, München Mailand . 32 Betreuung & Grafik: Qolmamit, Marseille Druck: Kastner & Callwey Medien GmbH, Forstinning Mailand & Venedig . 36 Titel: Ariadne auf Naxos © Suzanne Schwiertz, Opernhaus Zürich München . 38 Änderungen & Druckfehler vorbehalten. Pesaro . 44 Alle Preise sind in Euro berechnet. Rom . 46 Nicht im Katalog aufgeführte Arrangement-Nummern finden Salzburg . 48 Sie auf: www.Orpheus-Opernreisen.de Flüge ab allen großen deutschen Flughäfen. Venedig . 54 Premierenabend & Premiere Wiederaufnahme. 3 Amsterdam, Bayreuth, Bregenz, London, New York… Sie vermissen Ihre Wunschdestination? Sprechen Sie uns gerne an. 23. bis 26. Pfingsten 18. bis 21. Glyndebourne 2 ....... 22 APRIL Seite Rom 11 .............. 46 Verona 1 ............. 57 30. bis 3. Mai Maifeiertag Salzburg 10 ........... 48 Wien 111 ............. 63 Berlin 52 ............. 12 27. bis 1. Juni Mailand & Venedig 8 ... 36 19. bis 22. Dresden 43 ........... 18 28. bis 1. Juni Dresden 40 ........... 17 München 57 .......... 39 MAI Wien 104 ............. 61 Wien 112 ............. 63 28. bis 31. Baden-Baden 21 ....... 10 25. bis 28. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P.