Bc Library Federations' Book Club Sets
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1 Introduction: Birth, Death and Resurrection
Notes 1 Introduction: Birth, Death and Resurrection 1. Seán Burke, Authorship: From Plato to the Postmodern. A Reader (Edinburgh: Edinburgh University Press, 1995), p. 145. 2. Carol Shields, Mary Swann (London: Flamingo, 1993); Muriel Spark, Loitering with Intent (Harmondsworth, Middlesex: Penguin, 1995); Antonia Byatt Possession: A Romance (London: Vintage, 1991). 3. Sherley Anne Williams, Dessa Rose (London: Virago Press Ltd., 1998); Margaret Atwood, Lady Oracle (London: Virago Press Ltd., 1982); Ursula Le Guin, ‘Sur’, The Compass Rose (London: Victor Gollancz, 1983). 4. Alice Walker, ‘Everyday Use’, In Love and Trouble (London: The Women’s Press Ltd., 1984); Antonia Byatt, ‘Art Work’, The Matisse Stories (London: Vintage, 1994). 5. The history and etymology of the term, ‘author’, are usefully discussed in Donald E. Pease, ‘Author’, in Frank Lentricchia and Thomas McLaughlin (eds) Critical Terms for Literary Study (Chicago, IL and London: University of Chicago Press, 1990), pp. 105–117. 6. See, for example, Grace Stewart, A New Mythos: The Novel of the Artist as Heroine 1877–1977 (Montreal, Canada: Eden Press Women’s Publications, 1981); Linda Huf, A Portrait of the Artist as a Young Woman (New York: Frederick Ungar Publishing Co., 1983); Rachel Blau DuPlessis, Writing Beyond the Ending: Narrative Strategies of Twentieth-Century Women Writers (Bloomington, IN: Indiana University Press, 1985); Gayle Greene, Changing the Story: Feminist Fiction and the Tradition (Bloomington, IN: Indiana University Press, 1991); Lisa Maria Hogeland, Feminism and Its Fictions: The Consciousness-Raising Novel and the Women’s Liberation Movement (Philadelphia, PA: University of Pennsylvania, 1998). 7. Ruth Parkin-Gounelas, Fictions of the Female Self: Charlotte Brontë, Olive Schreiner, Katherine Mansfield (London: Macmillan, 1991), p. -
Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT TITEL DER DIPLOMARBEIT “The Politics of Storytelling”: Reflections on Native Activism and the Quest for Identity in First Nations Literature: Jeannette Armstrong’s Slash, Thomas King’s Medicine River, and Eden Robinson’s Monkey Beach. VERFASSERIN Agnes Zinöcker ANGESTREBTER AKADEMISCHER GRAD Magistra der Philosophie (Mag.phil.) Wien, im Mai 2009 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuer: o.Univ.-Prof. Dr. Waldemar Zacharasiewicz Acknowledgements To begin with, I owe a debt of gratitude to my supervisor, Dr. Waldemar Zacharasiewicz. He supported me in stressful times and patiently helped me to sort out my ideas about and reflections on Canadian literature. He introducing me to the vast field of First Nations literature, shared his insights and provided me with his advice and encouragements to develop the skills necessary for literary analysis. I am further indebted to express thanks to the ‘DLE Forschungsservice und Internationale Beziehungen’, who helped me complete my degree by attributing some funding to do research at the University of Victoria, British Columbia. I also wish to address special thanks to Prof. Misao Dean from the University of Victoria for letting me join some inspiring discussions in her ‘Core Seminar on Literatures of the West Coast’, which gave me the opportunity to exchange ideas with other students working in the field of Canadian literature. Lastly, I warmly thank my parents Dr. Hubert and Anna Zinöcker for their devoted emotional support and advice, and for sharing their knowledge and experience with me throughout my education. -
Longlisted & Shortlisted Books 1994-2018
Longlisted & Shortlisted Books 1994-2018 www.scotiabankgillerprize.ca # The Boys in the Trees, Mary Swan – 2008 13 Ways of Looking at a Fat Girl, Mona Awad - 2016 Brother, David Chariandy – 2017 419, Will Ferguson - 2012 Burridge Unbound, Alan Cumyn – 2000 By Gaslight, Steven Price – 2016 A A Beauty, Connie Gault – 2015 C A Complicated Kindness, Miriam Toews – 2004 Casino and Other Stories, Bonnie Burnard – 1994 A Fine Balance, Rohinton Mistry – 1995 Cataract City, Craig Davidson – 2013 The Age of Longing, Richard B. Wright – 1995 The Cat’s Table, Michael Ondaatje – 2011 A Good House, Bonnie Burnard – 1999 Caught, Lisa Moore – 2013 A Good Man, Guy Vanderhaeghe – 2011 The Cellist of Sarajevo, Steven Galloway – 2008 Alias Grace, Margaret Atwood – 1996 Cereus Blooms at Night, Shani Mootoo – 1997 Alligator, Lisa Moore – 2005 Childhood, André Alexis – 1998 All My Puny Sorrows, Miriam Toews – 2014 Cities of Refuge, Michael Helm – 2010 All That Matters, Wayson Choy – 2004 Clara Callan, Richard B. Wright – 2001 All True Not a Lie in it, Alix Hawley – 2015 Close to Hugh, Mariana Endicott - 2015 American Innovations, Rivka Galchen – 2014 Cockroach, Rawi Hage – 2008 Am I Disturbing You?, Anne Hébert, translated by The Colony of Unrequited Dreams, Wayne Johnston – Sheila Fischman – 1999 1998 Anil’s Ghost, Michael Ondaatje – 2000 The Colour of Lightning, Paulette Jiles – 2009 Annabel, Kathleen Winter – 2010 Conceit, Mary Novik – 2007 An Ocean of Minutes, Thea Lim – 2018 Confidence, Russell Smith – 2015 The Antagonist, Lynn Coady – 2011 Cool Water, Dianne Warren – 2010 The Architects Are Here, Michael Winter – 2007 The Crooked Maid, Dan Vyleta – 2013 A Recipe for Bees, Gail Anderson-Dargatz – 1998 The Cure for Death by Lightning, Gail Arvida, Samuel Archibald, translated by Donald Anderson-Dargatz – 1996 Winkler – 2015 Curiosity, Joan Thomas – 2010 A Secret Between Us, Daniel Poliquin, translated by The Custodian of Paradise, Wayne Johnston – 2006 Donald Winkler – 2007 The Assassin’s Song, M.G. -
Université De Montréal “The Hybridity of Violence: Location, Dislocation
Université de Montréal “The Hybridity of Violence: Location, Dislocation, and Relocation in Contemporary Canadian Multicultural and Indigenous Writing” par: Maude Lapierre Études anglaises, faculté des arts et des sciences Thèse présentée à la faculté des arts et des sciences en vue de l’obtention du grade de Philosophiae Doctor (Ph.D) Décembre, 2012 ©, Maude Lapierre, 2012 Résumé : Cette thèse explore la relation entre les littératures autochtones et multiculturelles du Canada. Même si les critiques littéraires examinent les littératures dites mineures de plus en plus, ces dernières sont rarement étudiées sans la présence médiatrice de la littérature canadienne considérée comme étant dominante. Afin de produire une telle analyse, cette thèse mobilise le concept d’hybridité en tant que catégorie d’analyse de texte qui, en plus de son histoire raciale et coloniale, décrit convenablement les formes d’expérimentations stylistiques que les écrivains autochtones et multiculturels emploient afin de représenter et questionner leur marginalisation. Ne voulant pas reproduire les interprétations fétichistes qui réduisent les littératures autochtones et multiculturelles à leurs représentations de concepts d’altérité, j’examine ces textes dans leurs relations avec différents discours et débats ayant marqué les études littéraires canadiennes, notamment, le long poème canadien, l’écriture des prairies canadiennes, la littérature urbaine, le multiculturalisme, et les premières nations. Ma méthode d’analyse repose sur la façon dont chaque texte étudié alimente ces catégories d’analyse littéraire tout en les modifiant radicalement. De plus, je développe un cadre conceptuel et théorique permettant l’étude de la relation entre les textes autochtones et multiculturels sans toutefois confondre ou réduire les contextes d’où proviennent ces littératures. -
(Title of the Thesis)*
SCIENCE IMAGINED | LITERATURE REALIZED: TRUTH AND FICTION IN CANADA by Marc André Fortin A thesis submitted to the Department of English In conformity with the requirements for the degree of PhD Queen‟s University Kingston, Ontario, Canada (January, 2012) Copyright © Marc André Fortin, 2012 Abstract In Canada, writers of long fiction have recently begun to employ representations of science and to use scientific theories to construct narratives that investigate issues of class, race, sexuality, faith, truth and the ontological understanding of human existence. This turn towards science in creative works of art suggests that scientific discourse in the early twenty-first century has become a space from which to respond to questions about the search for truth after the rise of poststructuralist theory and postmodern culture. My work investigates this recent turn towards science in contemporary Canadian literature as a way of reevaluating the idea that science is associated with a teleological movement towards human progress, and to analyze how scientific representations re-imagine faith and ethics from a secular perspective. The recent shift towards science in the literature of Canada in English suggests a questioning of social conditions which place the human within epistemological spectrums between truth and fiction, faith and reason, and the individual and the universal. In my dissertation questions related to belief and truth are bound up in a cross-textual study that looks at how Canadian literature reevaluates important debates among -
STATUTORY REVIEW of the COPYRIGHT ACT Report of the Standing Committee on Industry, Science and Technology
STATUTORY REVIEW OF THE COPYRIGHT ACT Report of the Standing Committee on Industry, Science and Technology Dan Ruimy, Chair JUNE 2019 42nd PARLIAMENT, 1st SESSION Published under the authority of the Speaker of the House of Commons SPEAKER’S PERMISSION The proceedings of the House of Commons and its Committees are hereby made available to provide greater public access. The parliamentary privilege of the House of Commons to control the publication and broadcast of the proceedings of the House of Commons and its Committees is nonetheless reserved. All copyrights therein are also reserved. Reproduction of the proceedings of the House of Commons and its Committees, in whole or in part and in any medium, is hereby permitted provided that the reproduction is accurate and is not presented as official. This permission does not extend to reproduction, distribution or use for commercial purpose of financial gain. Reproduction or use outside this permission or without authorization may be treated as copyright infringement in accordance with the Copyright Act. Authorization may be obtained on written application to the Office of the Speaker of the House of Commons. Reproduction in accordance with this permission does not constitute publication under the authority of the House of Commons. The absolute privilege that applies to the proceedings of the House of Commons does not extend to these permitted reproductions. Where a reproduction includes briefs to a Standing Committee of the House of Commons, authorization for reproduction may be required from the authors in accordance with the Copyright Act. Nothing in this permission abrogates or derogates from the privileges, powers, immunities and rights of the House of Commons and its Committees. -
Rights Catalogue 2016
GOOSE LANE EDITIONS Rights Catalogue 2016 Goose Lane Editions T. 506.450.4251 | F. 506.459.4991 Toll Free: 1.888.926.8377 [email protected] www.gooselane.com FORTHCOMING ALOHA WANDERWELL NON-FICTION The Border-Smashing, Record-Setting Life of the Girl Who Stole the World CHRISTIAN FINK-JENSEN & RANDOLPH EUSTACE-WALDEN In 1922 an eighteen-year-old American woman set out to become the first female to drive around the world. Her name was Aloha Wanderwell. The project was foolhardy in the extreme. Drivable roads were scarce and the cars themselves — about as powerful as today’s ride-on mowers — were alien in much of the world. To overcome these limitations, the Wanderwell Expedition created a specially modified Model T Ford that featured rubber tires, steel disc wheels, gun scabbards, and a sloped back that could fold out to become a darkroom. Thus equipped, Aloha set out to see the world. All that remained was learning how to drive. Aloha’s name and adventures became known around the world. Tall, graceful, and beautiful, she was photographed in front of the Eiffel Tower, in the salt caverns of Poland, parked on the back of the Sphinx, firing mortars in China, visiting American fliers in Calcutta, meeting the prince regent of Japan, shaking hands with Mussolini, smiling through a tickertape parade in Detroit. She was an inspiration to thousands. As it turns out, the famous Aloha Wanderwell was an invention. The American Aloha Wanderwell was, in reality, the Canadian Idris Hall. And her mentor, the dashing filmmaker, lecturer, polyglot, and world traveller Captain Walter Wanderwell, was an invention himself. -
Program Guide
Change your leaves, keep intact your roots. WELCOME - Victor Hugo We started the Whistler Writers Festival nineteen years ago Our popular Saturday reading events are back, each featuring authors of different in my living room. And here, after all this time and many genres: Poetry, Non-Fiction and Fiction. wonderful festivals and events later, we’re back where we We won’t be having our regular Saturday Crime Writers Lunch session this year, but we’ll be hosting the Domestic Thriller event, moderated by our very started, in my living room. How did that happen? own Amber Cowie with Roz Nay, Amy Stuart and Stephanie Wrobel. Oh, right, a pandemic. On Saturday night, a special main stage event will see Vicki Gabereau in conversation with author and activist, Wade Davis about his new book, This year, we’re connecting virtually (a word I barely uttered in the past) to ensure Magdelena: River of Dreams. everyone remains safe. Yes, it’s going to be different. It has taken me some time to get used to this new world and this idea, but I’m convinced we can come together Dakshana Bascaramurty will join us on Sunday, October 18th to host our and make it work. Why? Simply put, we haven’t forgotten our roots. Even Sunday Brunch and discussion with award winning authors David Bergen, though we won’t be seeing each other in person in 2020, we remain committed Annahid Dashtgard, Emily St. John Mandel, and Waubgeshig Rice. We’ll and connected to what we started so long ago: workshops for emerging writers, have recipes to share with you online prior to the event so you might make your readings that encourage and engage healthy, provocative and thoughtful debate and own brunch at home. -
Interview with Miriam Toews
Interview with Miriam Toews [00:00:09] Kendra Hello, I'm Kendra Winchester, here with Autumn Privett. And this is Reading Women, a podcast inviting you to reclaim half the bookshelf by discussing books written by or about women. And today we're talking to Miriam Toews, the author of WOMEN TALKING, which is out now from Bloomsbury. [00:00:23] Autumn You can find a complete transcript and a list of all the books mentioned in today's episode linked in our show notes. And don't forget to review and subscribe wherever you get your podcasts. I feel like, Kendra, this interview marks off a bucket list item for you. [00:00:40] Kendra Yes. [00:00:40] Autumn Which doesn't happen often. But it does happen. [00:00:45] Kendra Yes. I fell in love hard and fast for Miriam Toews when I read ALL MY PUNY SORROWS, and then even more so with WOMEN TALKING. And so Jacqueline and I went and found all of her books in paperback in the matching Canadian editions because we're that extra. But also very much in love. And they actually are downstairs as a display talking piece in my living room. [00:01:09] Autumn And then they proceeded to double-team me into abandoning my TBR and picking this one up. [00:01:16] Kendra Yes. So we are so excited to talk to Miriam Toews today about WOMEN TALKING, which is her latest novel, which came out this past spring. It is fabulous. So Miriam Toews has written so many other novels. -
A Conversation with Carolyn Gray What Is Joan Thomas Reading?
NOTES HELP MAKE OUR LIBRARIES THE BEST THEY CAN BE • JANUARY 2020 A CONVERSATION WITH CAROLYN GRAY MARYLOU DRIEDGER Over the last two decades Friends of the a Winnipeg Fringe Festival play called Dr. Winnipeg Public Library has donated nearly Faustus featuring over a hundred puppets. $40,000 to the Writer- in-Residence program. Did you know Carolyn was at the University For the last seven years we have been of Saskatchewan for the last two years pleased to provide a representative for the earning a Masters degree? She is a staff Writer-in-Residence selection committee. In writer for the Manitoba Metis Federation. November I had a lively chat with current Carolyn previously served as the executive Writer-in-Residence Carolyn Gray. director of the Manitoba Writers Guild and Did you know she shares her home with as a scriptwriter for a true crime television her beloved golden retriever Minnie? She series. She is also a creative writing attended Luxton Elementary School and instructor at the University of Brandon and lived only one house away from Burton for years directed many of the advanced Cummings. She’s written a biography companies at the Manitoba Theatre for of local magician Dean Gunnarson Young People. And, she was recently and her award winning play Elmwood appointed as the new editor of Prairie Visitation features a Winnipeg doctor who Fire, an award-winning Winnipeg literary photographs ghostly spirits. magazine. Did you know Carolyn spent twenty- five Did you know Carolyn is a fan of Toronto years involved in three different puppet horror writer Michael Rowe? In fact she If you’d like to consult with Carolyn your companies? She went to Prague to learn is working on a horror movie screenplay manuscript can be dropped off at the Reader how to make marionettes and has visited during her Writer-in-Residence term. -
Rethinking Royalties: Why Writers Need a Cut of Resale 14
WRITE THE MAGAZINE OF THE WRITERS’ UNION OF VOLUME 40 NUMBER 4 CANADA SPRING 2013 Rethinking Royalties: Why Writers Need a Cut of Resale 14 Admit Some: Reflections on Membership in Changing Times 16 Robots, Rebels, and the Coming Writing Renaissance: Celebrating 40 years of The Writers’ Union of Canada 23 TWUC ads Spring 2013 3/22/13 9:54 AM Page 1 Our Spring Fiction Is All About Translation A Special Collection ~ 13 Yiddish Women; 8 would call Canada home THE ALMOST-LOST VOICES OF OUR YIDDISH WOMEN WRITERS This important book, which includes various texts never before translated into English, and most of which originally appeared in books, journals and newspapers, is the first to emphasize the work of so many Canadian-Yiddish women writers, like Chava Rosenfarb, Rachel Korn and Ida Maze. The short stories, excerpts from novels and memoirs, and several personal essays, were written at points in these women’s lives when they were looking out to and at the world around them. They were facing a traditional world confronting moder- nity: family life during a tumultuous period when parental authority was chal- lenged by political and social movements; sexual awakening during a profound revolutionary period in Europe; longings for independence, education, and cre- ative, artistic expression; the conflicted entry of Yiddish-speaking women into the modern world, beyond the restrictions of traditional Jewish life; the Holocaust and “These are vibrant women, and its aftermath, and adjustment after immigration. their writings should not be read To date, the major anthologies of Yiddish prose in translation have con- only as something from the past, centrated on popular male writers and excluded not only fiction by women but something important to our but their memoirs and other prose writing as well. -
Society-Pages-64-Spring-2020.Pdf
N U M B E R 6 4 ■ SPRING 2020 ■ $ 2 . 0 0 ■ IMAGINATION WRITERS’ FESTIVAL 2020 ■ STREET STORIES PREVIEW ■ OPEN BOOK AUTHOR INTERVIEWS The Morrin Centre is managed by the Literary & Historical Society of Quebec. Society Pages is published with the assistance of Canada Post. Quebec Heritage News Subscribe Now! Quebec’s English-language heritage magazine. Popular history – Profiles of remarkable people and events – Contemporary issues in heritage conservation – Book reviews – Insightful commentary – and much more. Individual: $30 for 1 year; $75 for 3 years; $120 for 5 years Institutional: $40 for 1 year; $100 for 3 years; $160 for 5 years To pay by cheque, please mail payment to: QAHN, 400-257 rue Queen, Sherbrooke QC J1M 1K7. or pay by Paypal to: [email protected]. For more information, call (819) 564-9595 Toll free: 1-877-964-0409. EDITOR Kathleen Hulley LAYOUT Kathleen Hulley NUMBER 64 ■ SPRING 2020 PROOFREADING Hoffman Wolff ■ CONTENTS PUBLISHER Literary & Historical Society of Quebec 44 chaussée des Écossais Quebec, Quebec G1R 4H3 Letter from the President 2 Barry Holleman PHONE 418-694-9147 From the Executive Director 2 Barry McCullough GENERAL INQUIRIES [email protected] Transactions WEBSITE www.morrin.org Street Stories: Introduction 3 Kathleen Hulley LHSQ COUNCIL Street Stories: Vignettes 4 Alex Tremblay Lamarche [email protected] Barry Holleman, President Library Pages Ladd Johnson, Vice-President Gina Farnell, Treasurer Open Books Interviews 7 Jeanne Lebossé-Gautron Éric Thibault, Secretary Donald Fyson, Honorary Librarian New Acquisitions 10 Susan Saul, Member at Large Jacob Stone, Member at Large On the Shelf 12 Britta Gundersen-Bryden Jean-David Banville Peter Black Imagination 2020 Diana Cline Jennifer Hobbs-Robert Imagination Program 14 Anne-Marie Newman Grant Regalbuto Review: The Student 19 Gail Cameron Cheryl Rimmer Julie Rochon Review: The Wagers 19 Donna Yavorska Sovita Chander, Ex-Officio Review: Obits.