Production et diffusion d’art contemporain 48 avenue Sergent Maginot, f-35000 Rennes +33 (0)2 90 09 64 11 [email protected] - www.40mcube.org
Press Kit Lang/Baumann Street Painting #7 May 24, 2013 to May 24, 2014 Opening : Friday May 24, 2013 at 6:30 pm
Work of art in the public space - Jules Simon Street, Rennes (France). Curated by 40mcube Coproduced by 40mcube and PHAKT, in partnership with Signature and Identic, and with the support of the city of Rennes and the Swiss Art Council Pro Helvetia. Press relations : Cyrille Guitard - +33 (0)2 90 09 64 11 - [email protected] Contents
Press release...... 3
Street Painting #7 : simulation...... 4
Images ...... 5
Biography...... 6
Text...... 8
40mcube...... 10
PHAKT ...... 12
Practical informations...... 13 Production et diffusion d’art contemporain 48 avenue Sergent Maginot, f-35000 Rennes +33 (0)2 90 09 64 11 [email protected] - www.40mcube.org Presse release A new work of art in the public space Street Painting #7 Lang/Baumann
From May 25, 2013 to May 25, 2014 Opening : Friday May 24, 2013 at 6:30 pm Jules Simon Street - Rennes (France)
Curated by 40mcube Produced by 40mcube and PHAKT, in partnership with Signature and Identic, and with the sup- port of the city of Rennes and the Swiss Art Council Pro Helvetia.
Lang/Baumann’s work can be found in exhibition spaces but also in public spaces, on buildings and in the city which receive their interventions. Their pieces, blending in perfectly with urban and rural spaces, subtly compromise with the established norms and codes. The artists add growths to buildings such as inaccessible staircases or invasive inflatable structures, they occupy unexploited spaces like the arches of a bridge or roofs on which they opened their Hotel Everland, and paint entire roads. Those striking artworks create new landscapes and offer original perspectives on our cities.
The series Street Painting are paintings with geometrical shapes and bright colours directly laid on the asphalt of streets and roads. Until now, six of those paintings have been realised in rural areas, none in France. 40mcube, in line with its presentations of artworks in the public space, invites Lang & Baumann to produce a new painting in a street of Rennes’ city centre. In cities where the use of colours is normed, Lang/Baumann blow up the codes and offer for a year a colourful, poetical and utopic extension of the public space.
Lang/Baumann are represented by Loevenbruck gallery (Paris) et Urs Meile gallery (Beijing).
Press relations : Cyrille Guitard ([email protected] - +33 (0)2 90 09 64 11). High resolution images available for editorial coverage
Partners
3 Street Painting #7 Simulation
Lang/Baumann, Street Painting #7 (simulation), 2013, road marking paint, 59 × 3,7 m. Courtesy Loevenbruck gallery and Urs Meile gallery.
4 Images
Lang/Baumann, Street Painting #1, 2003, road marking paint, 2 × 20 m. Lang/Baumann, Comfort #6, 2008, polyester fabric, ventilator, 14 × 36 × 5 m. Courtesy Loevenbruck gallery and Urs Meile gallery. Photo : L/B. Courtesy Loevenbruck gallery and Urs Meile gallery.
Lang/Baumann, Spielfeld, 2009, paint, 21,5 × 44,5 m. Courtesy Loevenbruck gallery and Urs Meile gallery.
Lang/Baumann, Street Painting #5, 2010, road marking paint, 100 × 60 m. Courtesy Loevenbruck gallery and Urs Meile gallery. Photo : Robert Hofer.
L a ng / B a u ma n n , Street Painting #6, 2010, road marking paint, 26 × 8 m. Courtesy Loeven- Lang/Baumann, Beautiful Bridge #1, 2011, flat paint, 68 × 10 m. bruck gallery and Urs Courtesy Loevenbruck gallery and Urs Meile gallery. Meile gallery.
5 Lang/Baumann
Sabina Lang, born in 1972 in Berne (Switzerland) and Daniel Baumann, born in 1967 in San Francisco (USA). Live and work in Berthoud (Switzerland). Lang/Baumann are represented by Loevenbruck gallery (Paris), and Urs Meile galerry (Beijing – China).
SOLO SHOWS (selection)
2013 Street Painting #7 – Public space, Rennes. Curated by 40mcube. Struktur und Zufall – Wilhelm-Hack-Museum, Ludwigshafen (Germany). 2012 PSYCHEDELICA 1 – Forde, Geneva (Switzerland). Open – Grand Palais, Bern (Switzerland). 2011 Comfort #6 – Fri-Art Contemporary Art Center, Fribourg (Switzerland). Beautiful Tube – Wroclaw Contemporary Museum, Wroclaw (Poland). Strelka Institute of Media, Design and Architecture, Moscow (Russia). Loevenbruck gallery, Paris (France). 2010 Lang/Baumann – Foksal gallery – Warsaw (Poland). Street Painting #5 – R-Art, Vercorin (Switzerland). 2009 Le Bel Accident – Le Confort Moderne, Poitiers (France). I'm Real – Urs Meile gallery, Beijing (Chine). 2008 More is More – Loevenbruck gallery, Paris (France). 2007 Pocket Stadium – Locust Projects, Miami (USA). Hotel Everland – Palais de Tokyo, Paris (France). Comfort #4 – Villa du Parc, Annemasse (France). 2006 Lumps and Bumps – Spiral/Wacoal Art Center, Tokyo (Japan). Hotel Everland – Galerie Für Zeitgenössische Kunst, Leipzig (Germany). 2005 Diving Platform – Marks Blond Project, Bern (Switzerland). 2004 Perfect #2 – Stage, Bern (Switzerland). Lobby – Kunsthalle, St. Gallen (Switzerland). 2003 L/B – Bell-Roberts Gallery, Cape Town (South Africa). 2002 Duell – Urs Meile gallery, Lucerne (Switzerland). 2001 Window 002 – Kunstraum Walcheturm, Zurich (Switzerland). Transit, eine Navigation – Kunstverein, Fribourg (Switzerland). Beautiful Entrance #3 – Swiss Insitute for Contemporary Art, New-York (USA).
GROUP SHOWS (selection)
2012 Chromazone: colour in contemporary architecture – Victoria & Albert Museum, London (United Kingdom). Smart Illumination Yokohama 2012 – Zou-no-hana / Port de Yokohama, Yokohama (Japan). Multi Plakati – Curtat Tunnel, Lausanne (Switzerland). The Old, the New, the Different– Kunsthalle, Bern (Switzerland). Personaleffectonsale – Padiglione dell’Esprit Nouveau, Bologna (Italy). 2011 Frontiers of Architecture III-IV : Living – Louisiana Museum of Modern Art, Humlebæk (Denmark). Höhenrausch 2. Luftsprünge & Wasserspiele – OK Offenes Kulturhaus, Linz (Austria). Luftkunst – Zeppelin Museum, Friedrichshafen (Germany). Of Bridges & Borders – Puente Figueroa Alcorta, Recoleta, Buenos Aires (Argentina). 2010 Vous rentrez dans une zone de perturbation – Musée FMR, La Pontaise Olympic Stadium, Lausanne (Switzerland). Fukutake House – Art Setouchi 2010, Megijima, Kawaga (Japan). Portrait de l’artiste en motocycliste. Olivier Mosset – Museum of fine art, La Chaux-de-Fonds (Switzerland). Y – The Black Issue – Ystads Konstmuseum, Ystad (Sweden). 2009 Le bel accident – Le Confort Moderne, Poitiers (France). Loevenbruck gallery, Paris. Acte III Aravis – La Clusaz (France). 2008 La noche en blanco – Fundacion Telefonica, Madrid (Spain). Balls and Brains – Helmhaus, Zurich (Switzerland). 2007 Art en plein air – Môtiers (Switzerland).
PUBLIC COLLECTIONS
2009 Fonds national d’art contemporain, Paris (France). 2008 Kunstsammlung des Kantons Bern (Switzerland).
6 2007 Kunstsammlung der Schweizerischen Eidgenossenschaft. 2002 Kunstsammlung der Schweizerischen Eidgenossenschaft. Kunstsammlung der Schweizer Post, Bern (Switzerland). 1999 Kunstsammlung der Stadt Bern (Switzerland). 1998 Sammlung Museum für Gestaltung Zurich (Switzerland). Stiftung Kunsthaussammlung Biel (Switzerland). 1996 Kunstsammlung des Kantons Bern (Switzerland). 1994 Kunstsammlung der Stadt Bern (Switzerland).
AWARDS / GRANTS
2006 Sommerakademie, Zentrum Paul Klee, Bern (Switzerland). Prix de la ville de Bern (Switzerland). 2005 Atelier New York, Office fédéral de la culture. 2003 Atelier Cape Town, Pro Helvetia. 2002 Swiss Art Award, Office fédéral de la culture. 2000 Prix Aeschlimann-Corti-Fondation. 1998 Atelier Budapest, Studio of Young Artist Association, Budapest. Swiss Art Award, Office fédéral de la culture. 1997 Cahier d’artiste, Pro Helvetia. Kunstpreis, Canton de Berne. 1996 Prix Élisabeth-Forberg-Fondation, Bâle. Atelier Romme, Institut Suisse Rome. 1995 Danioth Fondation, Canton de Uri.
PUBLIC PROJECTS
2009 Train station, Bollingen. 2008 Banque Cantonale Bernoise. Banque Vontobel Zurich. 2005 Forces Motrices Bernoises 2003 Housing Project, Family-Cooperative, Zurich. 2002 École technique LWB, Berne. Puits Schaffhauserplatz, Zurich. 1998 Assurance sociale, Canton de Zurich. 1996 Ville de Burgdorf.
PRESS / PUBLICATIONS
Tenzing Barshee, “Der Zauber gelingt”, in SPIKE no 33, automn 2012, Vienna. Daria de Beauvais, “Pure Interview”, in L’histoire du Palais de Tokyo depuis 1937, Paris : Palais de Tokyo, 2012. Christoph Doswald, “Simply Beautiful”, in Der schaffende Mensch., Graz : Universalmuseum Joanneum, 2010. David Spalding, “It’s Real. The knowing, Dreaming Spectator”, in L/B. I’m Real, Urs Meile gallery, Beijing-Lucerne, Beijing, 2009. Yann Chevalier, “About L/B”, in Textes, exhibition catalogue, Paris : Éditions Loevenbruck, 2009. Jeon Minji, “Comfort #6”, in bob 056, International Magazine of Space Design, Séoul : A&C Publishing, 2009. Beautiful Book, coll., Zurich : JRP | Ringier, 2008. Charles Barachon, “Le duo du mois”, in Technikart, no 126, 2008. Annika von Traube, “Sport Art”, in Sleek Magazine, Berlin, 2008. Seth Sherwood, “One Night in Paris”, in Interior Design, New York, 2008. Shigenori Hamaguchi, “Visite de Paris autour de l’art & Hotel Everland”, in Title Vol. 98, Bungeishunju LTD, Tokyo, 2008. Françoise-Marie Santucci, “Hôtel chambre à part”, in Libération Next, no 7, Paris, mars 2008. Marc-Olivier Wahler, “Une nuit”, in Hotel Everland, Basel : Christoph Merian Verlag, 2008. Gianni Jetzer, “Eine Nacht im Everland”, in Hotel Everland, Basel : Christoph Merian Verlag, 2008. Julia Schäfer & Barbara Steiner, “Chat History on Everland”, in Hotel Everland, Basel : Christoph Merian Verlag, 2008. Laurent Wolf, “2007, visions d’artistes”, in Samedi Culturel no 506, Geneva : Le Temps, 2007. Peter Stohler, “Brand New, you’re Retro”, in Radar – Texts zur Gegenwartskunst, Stuttgart : Arnoldsche Theorie, 2007. Noah Stolz, “Lang/Baumann. Swiss Attacks”, in Mousse #8, p.50, Milan : Mousse Magazine, 2007. Sue Williamson, “L/B’s Lounge in Cap Town”, in Club Design, Barcelona : Links Books, 2006. Paul Ardenne, “Cinq Milliards d’Années”, in Art Press, no 328, novembre 2006. Barbara Basting, “Eine Chance Für Kettensägen-Kunstler”, in Tages-Anzeiger, Zurich, 2006. Anaid Demir, “Décollage, Millénarisme Flamboyant”, in Le Journal des Arts, no 243, september 22, 2006, Paris : Art Clair Éditions, 2006. Bénédicte Ramade, “Le Palais de Tokyo mis sur orbite”, in L’Œil, no 583, septembre 2006, Paris : Art Clair Éditions, 2006.
7 L/B
Eléonore Varone
Sabrina Lang and Daniel Baumann form a duo of artists working together since 1990. Respectively born in Bern in 1972 and in San Francisco in 1967, they now live in Burgdorf, near Bern. As multifaceted artists, their work shows a great diversity. Under the label L/B, their artistic research involves furnishing as well as mural painting, sculpture or installations that play with elements of architecture and design, which allows them to find tools for a new creative framework. This duo of artists interrogates, calls out and questions the spectator by often departing from familiar and common objects. Hence, for the interiors, they are inspired by 1960-1970s interior design of which they like the typical elements and materials. Through this research, Sabrina Lang emphasises their interest for this time period during which scientists, architects, designers, musicians and other artists have thought together in order to reach an ideal, a sort of immutable perfection. This ideal is found in their Hotel Everland where each element is at its place, where the possibility of moving a chair is no longer possible and more importantly not necessary. Can this ideal of perfection reached inside this small closed room by achieved outside? Inspired by this passed period, Lang and Baumann continue their reflexion by developing a 21st century futurism. But where the Italian “art of the future” of the beginning of the 20th century and the wish, as put by Boccioni, “to paint the new, the fruit of our industrial era”, L/B develops a reflexion on the indispensable, reminding us by some aspects of Bauhaus. Where nothing is unnecessary and useless, a new lecture of the place is possible as an innovative projection. The industrial era imagined by the artists departs the overabundance to get closer to the fundamental. To the purely technological production put forward by the Italian futurists and realised by Bauhaus is here preferred a more spiritual environmental futurism. The one-night tenant of the Hotel Everland thus accepts to play his part as the protagonist in the “journey” offered by the artists. A sort of dream that needs, to be complete, to be realised by the artists and the spectators themselves. The perfection of the beginning then cannot be the same for everyone, just like the imagination of each one will be different. Is the ideal a real notion? Lang and Baumann add touches of humour to this confusing aspect that sometimes gives itself serious appearances. The first element known to the spectator varies depending on the different research trails chosen by the artists. The series Spielfeld for example has for central element a sport field. The characteristic elements of those fields or their representations are diverted and placed in unlikely places. Let’s give the example of football goals placed in the centre of a small lake for Spielfeld #5. Intervenes here the surrealist poetic characteristic of Magritte and that we can find in Lang and Baumann’s work. For the artworks such as Diving Platform and the series Beautiful Steps, the spectator is invited to imagine himself at the heart of unlikely environments and odd contexts. Through his effort of imagination and of projection, the spectator completes the artwork left to the public’s disposal. The notion of space is thus always at the heart of the reflexion of the two artists. The desire to get out of the “white cube”, of museums or other conventional exhibition spaces links them to the Land Art movement and to in situ art. To this notion of space is added the notion of experience. L/B encourages the spectator to enter the artwork and to interact with it. By definition, each experience will be different and the artwork, deliberately freed from any pre-established message left by the artists, will obtain each spectator’s interpretations.
8 It was the case in Vercorin. Street Painting #5 asks for the participation of the spectator, who becomes one of the protagonists of the artwork. Several lines of five colours stretch from the village square to the neighbouring streets, losing their density as they move away from the neuralgic point. Those lines intersect like an underground map. Just like a map at a giant scale, it first appears obscure, but soon becomes readable and familiar. Paradoxical and contrasted, the work surprises and disconcerts the spectator-actor before guiding him to the elements of his everyday life. The colours, striking at first sight because of the clash with the darker tons of the houses, then appear to be a reference to the natural elements specific to the place. It is not possible for the spectator in his journey to see the artwork in its entirety. He is invited to reconstitute the map and to imagine it outside the frame of the work itself, that would be extended to the rest of the village and maybe even infinitely. Concerned to intervene in a given place using pre-existing elements, the artists have chosen for the project in Vercorin to use road marking paint. This brings another dimension to Street Painting #5 and underlines another artistic aspect of Lang and Baumann. If the road marking paint reminds us of mass- production and of codified indications that are meant to last, it is here diverted for artistic purposes in a limited time and space. Within this village, witness of another time, the artists bring us to new paths. Diversion, integration and differentiation are thus subtly at the heart of Street Painting #5 leading the spectator to another dimension.
9 40mcube Founded in 2001, 40mcube is an exhibition space, an office of organization for contemporary art projects and a studio for the fabrication of works of art, based in Rennes (France). 40mcube’s principal activity is art production, where there exists a close interaction with the artist through all aspects of the process including its feasibility, technique, fabrication, up until the presentation and public mediation. This process of production, from expositions to mediation, is made through a reflection on contemporary art, which is further shown through 40mcube’s published editions. Edited through a collaboration with partners of editing houses and distributors, these publications are available in bookstores. 40mcube has developed several different sectors that act as a part of the organization: 40mcube – exposition; 40mcube – edition; 40mcube AV, which co-produces with the audiovisual sector of artists’ videos; 40mcube – espace public, which works with artistic projects taking place in a public space, notably the project Chantier public and the operation Nouveaux commanditaires created by the Fondation de France. 40mcube occupies an industrial building that includes an exhibition space of 170m², an office, a documentation room, a studio for artists in residence, which all exists on a plot of 1100m² divided into three sections: a courtyard, a patio, and a garden. Considered a public place, this exterior site will be used to house artistic projects with the same statute as the exhibitions as well as works of a more permanent nature, which will eventually lead to the creation of an urban sculpture park.
Artistic programming from 2001 to 2013 (selection)
- Avec une bomme prise de conscience des divers segments du corps, votre geste sera plus précis dans l’eau, Loïc Raguénès, 2013. - AGGER, Marion Verboom, 2012. - Gisement et Extraction, Naïs Calmettes & Rémi Dupeyrat, 2012. - Analnathrach, Antoine Dorotte, 2012. - RN 137, Antoine Dorotte, Angélique Lecaille, Briac Leprêtre, Bevis Martin & Charlie Youle, Benoît-Marie Moriceau, Armand Morin, Samir Mougas, Julien Nédélec, Blaise Parmentier, Ernesto Sartori, Yann Sérandour, Mélanie Vincent, 2011. - Stranger by Green, Yann Gerstberger, 2011. - « We can never go back to Manderley », Sarah Fauguet & David Cousinard, 2011. - Smears, Ida Tursic & Wilfried Mille, 2011. - Use Once and Destroy, Stéphanie Cherpin, 2010. - INGENIUM, Emmanuelle Lainé, 2010. - Espèces d’hybrides, Guillaume Constantin, Vincent Ganivet, Laurent Perbos, Guillaume Poulain, Aurore Valade, 2010. - L’enclos, Lina Jabbour, 2009. - Trout Farm, Samir Mougas, 2009. - Abstract Lady Guardian, Florian & Michaël Quistrebert, 2008. - Anachronismes et autres manipulations spatio-temporelles #2 : Universalisme, Renaud Auguste-Dormeuil, Dionis Escorsa, Michel Guillet, Amala Hély & Guillaume Robert, Nicolas Milhé, 2008. - Anachronismes et autres manipulations spatio-temporelles #1 : Particularismes, Virginie Barré, Joost Conijn, Dora Garcia, Briac Leprêtre, Damien Mazières, Nicolas Milhé, Yann Sérandour, Joana Vasconcelos, 2008. - Psycho, Benoît-Marie Moriceau, 2007. - Optrium, Patrice Gaillard & Claude, 2007. - Chantier public #3, Sylvie Reno, 2007. - Les Biches, Nathalie Djurberg, Rodolphe Huguet, Steven Le Priol, Edouard Levé, 2007. - TERMINATOR, Hubert Duprat, Jon Mikel Euba, Rodolphe Huguet, Angélique Lecaille, Delphine Lecamp, NG, 2006. - L’Ambassade des possibles, Virginie Barré, Julien Celdran, Philippe Parreno, Sébastien Vonier, 2006. - Even Cow-girls Get the Blues, Delphine Lecamp, 2006. - Colloque « Comment faire tenir une forme colorée dans l’espace?* », Luc Deleu, Simona Denicolai & Ivo Provoost, Benoît Goetz, Eva Gonzales-Sancho, Odile Lemée, Christophe Le Gac ; Maison du Champs de Mars – Rennes, 2005. - Classic & Smart, Briac Leprêtre, 2005. - Chantier public #2, atelier mobile, Simona Denicolai & Ivo Provoost, Daniel Dewar & Grégory Gicquel, Le Gentil Garçon, Nicolas Milhé, Benoît-Marie Moriceau, Bénédicte Olivier – 40mcube, Centre d’Information sur l’Urbanisme, Le Coin, galerie du Centre Culturel Colombier, Orangerie du Thabor, espace public (Rennes), 2005. - Chronique d’une œuvre annoncée, Stéfanie Bourne - Castel coucou (Forbach), École supérieure d’art de Metz, Tramway (Glasgow), 2005.
10 - EXTRA, Patrice Gaillard et Claude, 2004. - Au tableau, Cécile Desvignes, 2004. - Conférence/performance Révélation, Nicolas Boone – École supérieure des beaux-arts de Rennes, 2003. - Chantier public #1, Lara Almarcegui, Matthieu Appriou, Yves Gendreau, Patrice Goasduff, Stalker – 40mcube, Centre d’architecture et d’art, Centre d’information sur l’urbanisme, LENDROIT, espace public (Rennes), 2003. - Projets de projets, Jean-Philippe Lemée et Yves Trémorin – 40mcube, Galerie Art et Essai (Rennes), 2002. - Sogar, 2002. - L’inconnu des grands horizons, Abraham Poincheval et Laurent Tixador – 40mcube (Rennes), Frac Basse-Normandie (Caen), École supérieure d’art de Metz, 2002. - Total symbiose, Abraham Poincheval et Laurent Tixador, 2002. - Là-bas tout près, Anabelle Hulaut, 2002. - 40mcube de Valérie Travers, Valérie Travers, 2001. - Alma Skateshop, Daniel Dewar et Grégory Gicquel, 2001.
Works produced by 40mcube 2001 - 2012 (selection)
Benoît-Marie Moriceau, Psycho, 2007, painting. Produced by 40mcube. Photo : Laurent Grivet.
Nicolas Milhé, Meurtrière, 2012, concrete, stainless steel, 200 × 300 × 25 cm. Coproduced by galerie Samy Abraham, 40mcube, Buy-Sellf. Courtesy galerie Samy Abraham. View of the scupture du- ring the FIAC hors-les-murs 2012. Photo : Marc Domage.
Nicolas Milhé, Sans titre, 2005, concrete, 600 × 300 × 250 cm. Centre national des arts plastiques - Ministère de la Culture et de la Communication. Inv. FNAC : 09-281. Produced by 40mcube. View of the sculpture on the Colonel Fabien square in Paris du- ring the Belleville biennale. Julien Berthier, Monstre, 2010, bronze, 155 × 150 × 130 cm. Produced by Courtesy galerie Samy 40mcube / Galerie Vallois / Julien Berthier, with the support of the City of Paris. Abraham. Courtesy galerie Vallois. Photo : Patrice Goasduff. Photo : Patrice Goasduff.
11 PHAKT
The PHAKT – Colombier Cultural Center develop an urban cultural project at the crossing of works of art, practises and their setting in the cultural space. The artistic project focuses on works display and artistic creation support and explores different kind of media, giving priority to young artists’ work. The PHAKT organize residencies, conferences, encounters with the public, etc. Every year, five to six exhibitions are presented in the exhibition space. About 600 members are taking part to the artistic workshop dedicated to visual art and photography.
View of the exhibition Chère Sonia D., Johanna Fournier, 2012.
CONTACTS PHAKT - Centre culturel Colombier 5, place des Colombes F-35000 Rennes 02 99 65 19 70 www.phakt.fr
Jean Jacques LE ROUX [email protected] + 33 (0)2 99 65 19 70
Richard GUILBERT [email protected] + 33 (0)2 99 65 19 70 Joao Modé, Projeto Rede, 2007.
12 Practical informations
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Partners
40mcube is supported by
PHAKT - Colombier Cultural Center is supported by
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