Man on Fire: the Ultimate Experience in Organized Insanity Josh Raab Games
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Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Od
Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Odden Ohio State University Ohio Colleges of Medicine This is a pre-copyedited, author-produced version of an article accepted for publication in Social Forces following peer review. The version of record is available online at: https://doi.org/10.1093/sf/sox055. *Please direct all correspondence to Ryan Light, [email protected]. The authors thank James Moody, Jill Ann Harrison, Matthew Norton, Brandon Stewart, Achim Edelmann, Clare Rosenfeld Evans, Jordan Besek, and Brian Ott for their helpful comments on earlier drafts of this paper. Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science Abstract The proliferation of cultural objects, such as music, books, film and websites, has created a new problem: How do consumers determine the value of cultural objects in an age of information glut? Crowd-sourcing – paralleling word-of-mouth recommendations – has taken center stage, yet expert opinion has also assumed renewed importance. Prior work on the valuation of artworks and other cultural artifacts identifies ways critics establish and maintain classificatory boundaries, such as genre. We extend this research by offering a theoretical approach emphasizing the dynamics of critics’ valuation and classification. Empirically, this analysis turns to Pitchfork.com, an influential music review website, to examine the relationship between classification and valuation. Using topic models of fourteen years of Pitchfork.com album reviews (n=14,495), we model the dynamics of valuation through genre and additional factors predictive of positive reviews and cultural consecration. We use gold record awards to study the relationship between valuation processes and commercial outcomes. -
Ryan Mcginley, the Pied Piper of the Downtown Art World
Tony Cenicola/The New York Times Protégés of Ryan McGinley, from left: Phoebe Pritchett, Michael Bailey Gates, Sandy Kim, Chad Moore, Christian Storm and Benjamin Morsberger. Ryan McGinley, the Pied Piper of the They have all apprenticed for Mr. McGinley and are now Downtown Art World living a kind of bohemian archetype of what it’s like to be young, supremely talented and scene makers. By NATE FREEMAN November 20, 2013 It is a story line that Mr. McGinley knows well. Back in the early 2000s, he was at the center of a hard-partying crew of The social orbit surrounding the photographer Ryan artists, most prominently Dan Colen and the late Dash Snow, McGinley can sometimes feel like the world’s most exclusive who created a new myth of the downtown artist. Now 36, the nightclub, populated by good-looking and talented 20- former enfant terrible parties a little less (Mr. McGinley no somethings, who with their perfect skin and classic faces all longer drinks) and has matured into an improbable dean to seem to have walked out of a Kerouac novel, an idyllic the next generation of scrappy artists, with his Chinatown Midwestern town or an American Apparel ad. studio serving as a de facto clubhouse. But these are more than just hangers-on. They are also “It’s an education,” Mr. McGinley said recently in his studio, newcomers in a downtown art scene carved out by Mr. a tin-roofed loft on Canal Street that he originally shared McGinley. with Mr. Colen. Surrounded by a hive of stylish assistants, There’s Petra Collins, 20, who curates a women’s art Mr. -
Press Release – Launch of the Destination Contract
A new, creative, cultural, artistic and festive tourism offer from a bigger Paris www.exploreparis.com e-store launch #ExploreParis | PRESENTATION 3 Discover Greater Paris: a more generous tourism offer for original experiences Paris, the ultimate city break destination, is not simply a city centre. An abundance of cultural, artistic and festive offers on both sides of the ring road attract young tourists searching for something different. The aim is not only to develop the destination's image but also to increase Greater Paris has decided to boost and develop its tourism flows from the centre of Paris to tourism offer to meet young Europeans’ expectations the Capital's suburban districts and towns and gain their long-term loyalty. The comprehensive, - easily accessible by public transport - dynamic and creative offer is based on themes such and to promote these areas and their as street art, architecture, modern art, nature, tourist attractions. cosmopolitan Paris, and party-time Paris. A wide choice of venues, excursions and tours, often unknown The finalised offer has been launched in the to tourists, are available across the city. This new www.exploreparis.com e-store, both in French tourism scope also includes main attractions such and in English. Tourists can choose from a wide as the Royal Basilica of Saint-Denis, the Château choice of Greater Paris experiences to discover the de Vincennes and the Albert Kahn Museum. area and meet residents: tours, walks, workshops, cruises and parties, etc. Just like Berlin, London, Barcelona and Amsterdam, Greater Paris promises both exciting experiences in off-the-beaten-track venues and original encounters for a revamped tourism experience. -
Slugmag.Com 1
slugmag.com 1 SaltLakeUnderGround • Vol. 25 • Issue #310 • October 2014 • slugmag.com ABOUT THE COVER: There’s something out there, right in our back yard—in Ft. Duchesne, Utah, where Publisher: Eighteen Percent Gray Marketing Coordinator: people often report sightings of lights, noises and Editor: Angela H. Brown Robin Sessions voices possibly associated with UFOs. Revel in illus- Managing Editor: Alexander Ortega Marketing Team: Alex Topolewski, Carl Acheson, trator Robin Banks’ sensationalized presentation of Junior Editor: Christian Schultz Cassie Anderson, Cassie Loveless, Ischa B., Janie this Northeastern Utah point of interest. SLUG Senior Office Coordinator:Gavin Sheehan Greenberg, Jono Martinez, Kendal Gillett, Rachel Staff Writer Cody Kirkland went down to investi- Fact Checker: Henry Glasheen Roller, Raffi Shahinian, Robin Sessions, Zac Freeman gate—read his story on pg. 36. Copy Editing Team: Alex Cragun, Alexander Social Media Coordinator: Catie Weimer Ortega, Allison Shephard, Christian Schultz, Cody Distribution Manager: Eric Granato DISCLAIMER: SLUG Magazine does not necessarily Kirkland, Genevieve Smith, Henry Glasheen, Distro: Adam Okeefe, Eric Granato, John Ford, maintain the same opinions as those found in our John Ford, Jordan Deveraux, Julia Sachs, Maria Jordan Deveraux, Julia Sachs, Michael Sanchez, content. We seek to circulate ideas and dialogue Valenzuela, Mary E. Duncan, Shawn Soward, Traci Nancy Burkhart, Nancy Perkins, Nate Abbott, Ricky through quality coverage of contemporary music, art, Grant Vigil, Ryan Worwood, Tommy Dolph, Tony Bassett, action sports and the subcultures therein … except Content Consultants: Jon Christiansen, Xkot Toxsik rollerblading. Content is property of SLUG Magazine— Matt Hoenes Senior Staff Writers: Alex Springer, Alexander Cover Illustration: Robin Banks Ortega, Ben Trentelman, Brian Kubarycz, Brinley please do not use without written permission. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Könnyűzene” Történetéből Sinkó Dániel Tartalomjegyzék
14 kiemelkedő év a „könnyűzene” történetéből Sinkó Dániel Tartalomjegyzék: Előszó ….......................................................................…….. 3 1979-Pink Floyd, The Wall...................................................... 6 1980-Genesis, Duke ............................................................. 17 1981-Szabó Gábor, Femme Fatale........................................... 25 1981- King Crimson, Discipline …………………………….. 30 1982-Miles Davis, We want Miles.......................................... 39 1983-Yes, 90125 ....................................................................... 46 1983- Manfred Mann Earth Band, Somewhere in Africa ….... 53 1984-Pat Metheny, First circle …............................................… 60 1985- Dire Straits, Brothers in Arms …...................................… 67 1986-Peter Gabriel, So …........................................................... 75 1986-Paul Simon Graceland…………………………………….. 85 1987-U2, The Joshua tree.......................................................... 96 1987-Sting, Nothing Like the sun............................................. 105 1988-Pink Floyd, Delicate Sound of thunder............................. 114 1989-Jeff Beck, Guitar shop. …............................................... 123 1990- Phish, Lawn Boy …....................................................... 129 1991- U2, Achtung Baby........................................................ 134 1992- R.E.M., Automatic for the people …............................ 146 1992- Mike Oldfield, Tubular -
Vol. 85, No. 1: Full Issue
Denver Law Review Volume 85 Issue 1 Article 11 December 2020 Vol. 85, no. 1: Full Issue Denver University Law Review Follow this and additional works at: https://digitalcommons.du.edu/dlr Recommended Citation 85 Denv. U. L. Rev. (2007). This Full Issue is brought to you for free and open access by Digital Commons @ DU. It has been accepted for inclusion in Denver Law Review by an authorized editor of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. Published by the DENVER University of Denver Sturm College of Law UNIVERSITY LAW 2007 Volume 85 Issue 1 REVIEW CONTENTS FEDERAL SENTENCING SURVEY Rerouted on the Way to Apprendi-land: Booker, Rita, and the Future of Sentencing in the Federal Courts: An Introduction ............................. Sam Kamin 1 Rita, Reasoned Sentencing, and Resistance to Change ....................................................... Douglas A. Berman 7 Empirical Questions and Evidence in Rita v. United States........................................................ PaulJ. Hofer 27 Rita, District Court Discretion, and Fairness in Federal Sentencing ...... Hon. Lynn Adelman & Jon Deitrich 51 Rita Needs Gall-How to Make the Guide- lines Advisory ........................................... Hon. Nancy Gertner 63 An Appellate Perspective on Federal Sentencing After Booker and Rita ............................. Hon. Jeffrey S. Sutton 79 ARTICLE Days Without Immigrants: Analysis and Impli- cations of the Treatment of Immigration Rallies Under the National Labor Relations -
“All Politicians Are Crooks and Liars”
Blur EXCLUSIVE Alex James on Cameron, Damon & the next album 2 MAY 2015 2 MAY Is protest music dead? Noel Gallagher Enter Shikari Savages “All politicians are Matt Bellamy crooks and liars” The Horrors HAVE THEIR SAY The GEORGE W BUSH W GEORGE Prodigy + Speedy Ortiz STILL STARTING FIRES A$AP Rocky Django Django “They misunderestimated me” David Byrne THE PAST, PRESENT & FUTURE OF MUSIC Palma Violets 2 MAY 2015 | £2.50 US$8.50 | ES€3.90 | CN$6.99 # "% # %$ % & "" " "$ % %"&# " # " %% " "& ### " "& "$# " " % & " " &# ! " % & "% % BAND LIST NEW MUSICAL EXPRESS | 2 MAY 2015 Anna B Savage 23 Matthew E White 51 A$AP Rocky 10 Mogwai 35 Best Coast 43 Muse 33 REGULARS The Big Moon 22 Naked 23 FEATURES Black Rebel Motorcycle Nicky Blitz 24 Club 17 Noel Gallagher 33 4 Blanck Mass 44 Oasis 13 SOUNDING OFF Blur 36 Paddy Hanna 25 6 26 Breeze 25 Palma Violets 34, 42 ON REPEAT The Prodigy Brian Wilson 43 Patrick Watson 43 Braintree’s baddest give us both The Britanys 24 Passion Pit 43 16 IN THE STUDIO Broadbay 23 Pink Teens 24 Radkey barrels on politics, heritage acts and Caribou 33 The Prodigy 26 the terrible state of modern dance Carl Barât & The Jackals 48 Radkey 16 17 ANATOMY music. Oh, and eco light bulbs… Chastity Belt 45 Refused 6, 13 Coneheads 23 Remi Kabaka 15 David Byrne 12 Ride 21 OF AN ALBUM De La Soul 7 Rihanna 6 Black Rebel Motorcycle Club 32 Protest music Django Django 15, 44 Rolo Tomassi 6 – ‘BRMC’ Drenge 33 Rozi Plain 24 On the eve of the general election, we Du Blonde 35 Run The Jewels 6 -
Manhattan Institute's President's Update | Year-End 2019
PRESIDENT’S UPDATE Year-End 2019 CONTENTS 12 17 26 42 2 Manhattan Institute / 2019 President’s Year-End Update 22 17 12 26 42 Photo by Senate Photography Studio 44 3 Photo by Christopher Lane Photo by Christopher Lane hortly after joining the and doing so largely on the strength of might find themselves in need. Here we have Manhattan Institute, I private philanthropy. been inspired by Howard Husock’s masterful had the great pleasure Many of the most successful organizations new book, Who Killed Civil Society?, in which of immersing myself go well beyond doing the important work he recounts how American civil society once in the work of our civil of alleviating the suffering of those less dedicated itself to the cultivation of positive society programs. With the help of a large fortunate. They impart lessons and virtues social norms—and how a dense web of private and growing network of partners, MI looks that leave their beneficiaries feeling more organizations helped foster a moral revival in far and wide for voluntary organizations powerful and more capable of helping even the most deprived neighborhoods. What that are revitalizing their communities— themselves, their families, and others who our civil society work reminds us is that we as 4 Manhattan Institute / 2019 President’s Year-End Update a country can, and must, rededicate ourselves a federal government to the championing of healthy norms and that is limited and fiscally “ We at MI embrace a different belief: that small groups of dedicated volunteers sustainable—not one that Washington, D.C., is not the really can make a difference in the lives of that crowds out private- their neighbors. -
Rooted Practices in Globalized and Digital French Popular Music Michael Spanu
Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music Michael Spanu To cite this version: Michael Spanu. Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music. Open cultural studies, 2019, 10.1515/culture-2019-0018. hal-02556157 HAL Id: hal-02556157 https://hal.archives-ouvertes.fr/hal-02556157 Submitted on 27 Apr 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Open Cultural Studies 2019; 3: 195-206 Research Article Michael Spanu* Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music https://doi.org/10.1515/culture-2019-0018 Received April 30, 2018; accepted December 7, 2018 Abstract: Nowadays, popular music artists from a wide range of cultures perform in English alongside other local languages. This phenomenon questions the coexistence of different languages within local music practices. In this article, I argue that we cannot fully understand this issue without addressing the sacred dimension of language in popular music, which entails two aspects: 1) the transitory experience of an ideal that challenges intelligibility, and 2) the entanglement with social norms and institutions. Further to which, I compare Latin hegemony during the Middle Ages and the contemporary French popular music, where English and French coexist in a context marked by globalisation and ubiquitous digital technologies. -
WRFL 88.1 88.1 Table of Contents Special Notes
RiFLe summer 09’ RiFLe Free WRFL 88.1 88.1 table of contents Special Notes... cover art designed by Ceez One (see pages 25-27 to learn more about his art) print retractions of the “Lost Issue of the RiFLe”: “Music Is The Only Religion” by Paul Sineath “If my calculations are correct, when this thing hits 160 RPM you’re going to hear some serious jams-like great grandparents’ era seri- ous!” by Jeremy Russell 3 Words from your GM, excitement for the 3 upcoming year 5-6 Director’s Show and Tell 5-6throwback 8-12 WRFL presents, shows this past summer/com- 8-12ing up 13-18 Pitchfork: experiences from people who, well, 13-18experienced it 19-23 Rock the Bells 20 recap...from not one, but two hip hop lovers 25-27 Check the Technique...19-23 a look at graffiti from a 15 25-27hip hop queen 31-32 Excerpt from “The Life I Never Lived...A 31-32Memoir” 37-38 “How many of you are 37-38there?” 9 41-42 “My own Worst Enemy” cancelled;careers Star travels back in time; ruins 43 41-42 Sophie 5...a game for you inspired years old...Sophie 5 by a girl named Sophie...who is 5 47-50 43 Oh, the places WRFL will WRFL love go...a RFLian spreading the 53-54 47- Turn it up! Your fall print retractions of the “Lost Issue of the RiFLe”: semester show schedule “Music Is The Only Religion” by Paul Sineath general 53-manager Ainsley Wagoner “If my calculations are correct, when this thing hits 160 RPM you’re production director going to hear some serious jams-like great grandparents’ era seri- Bob Zuercher/ Landon Antonetti ous!” by Jeremy Russell news director Cass Dwyer training director Katie Dixon office assistant Aaron Wilburn RiFLe editor Lauren Weis promotions director James Friley music director Megan Neff Board of Directors sales and grants summeryours 09’ truly Tim Riley programming director Ashley Crawford/ Cass Dwyer 19-23 PR director Jaime Lazich art director Robert Beatty music librarian Patrick Smith not just any ol’ words, from your GM.. -
It Happened Here. It's No Joke -Really
It Happened Here. It's No Joke -really. page 23 DO YOU NEED CASH? All of us here at National Diamond will help you earn that extra cash ANNOUNCEMENTS you need to get thru those exciting, but expensive weekends. DELTA SIGMA PI- The only professional fraternity on campus. If you Reasons wh~· ~· nu should work at Nat i o 11 a I D i am o 11 d: are a business major and interested in joining us, come meet with us. · Friendly Work1ng Atmosphere Jan. 12- 7:00p.m. in Fleming Hall420 · Young Co-Workers · No Weekends Jan. 17- 7:00p.m. in Fleming Hall114 · Professional Environment · Non-Smok1ng Atmosphere Jan. 19- 7:00p.m. in Fleming Hall420 · Short Work Hours (25/week) · lmmed1ate Open1ngs Available Jan. 22- Noon in the FAU Pits (Barbecue) · Less than 5 Miles Form Campus · Big Pay ($10 I Hr) Or stop by our table in Fleming Hall from Jan. 9 to Jan. 20. For more information, call Jonathan at 734-9383 or Jessica at 483-2887. Call Jack at 800-659-5843 Campus Subscriptions to ~ C.A.S.T. Meeting- Jan 27 at 4:00p.m. on the patio of the Arts and Humanities Building. If you're interested in theater, please come by. THE NEW YORK TIMES For more information, call Cindi Blank at 367-3740 Are Available This Term Sing, Sing, Sing- The FAU Chorale Organizations are recruiting new members. at a Special Low Rate of For more information, call the Music Department at 367-3820 40¢ per day. VARIOUS MEETINGS -listed in the Classifieds under meetings.