WHO's WHO in POP LP ENGINEERING the Following Is a List of ENGINEERS Credited on at Least One Album in the Top Pop 100 Charts from January 1997 to the Present
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Billboard.Com “Finesse” Hits a New High After Cardi B Hopped on the Track’S Remix, Which Arrived on Jan
GRAMMYS 2018 ‘You don’t get to un-have this moment’ LORDE on a historic Grammys race, her album of the year nod and the #MeToo movement PLUS Rapsody’s underground takeover and critics’ predictions for the Big Four categories January 20, 2018 | billboard.com “Finesse” hits a new high after Cardi B hopped on the track’s remix, which arrived on Jan. 4. COURTESY OF ATLANTIC RECORDS ATLANTIC OF COURTESY Bruno Mars And Cardi B Title CERTIFICATION Artist osition 2 Weeks Ago Peak P ‘Finesse’ Last Week This Week PRODUCER (SONGWRITER) IMPRINT/PROMOTION LABEL Weeks On Chart #1 111 6 WK S Perfect 2 Ed Sheeran 120 Their Way Up W.HICKS,E.SHEERAN (E.C.SHEERAN) ATLANTIC sic, sales data as compiled by Nielsen Music and streaming activity data by online music sources tracked by Nielsen Music. tracked sic, activity data by online music sources sales data as compiled by Nielsen Music and streaming Havana 2 Camila Cabello Feat. Young Thug the first time. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2018, Prometheus Global Media, LLC and Nielsen Music, Inc. Global Media, LLC All rights reserved. © 2018, Prometheus for complete rules and explanations. the first time. See Charts on billboard.com/biz Legend 3 2 2 222 FRANK DUKES (K.C.CABELLO,J.L.WILLIAMS,A.FEENY,B.T.HAZZARD,A.TAMPOSI, The Hot 100 B.LEE,A.WOTMAN,P.L.WILLIAMS,L.BELL,R.L.AYALA RODRIGUEZ,K.GUNESBERK) SYCO/EPIC DG AG SG Finesse Bruno Mars & Cardi B - 35 3 32 RUNO MARS AND CARDI B achieve the career-opening feat, SHAMPOO PRESS & CURL,STEREOTYPES (BRUNO MARS,P.M.LAWRENCE II, C.B.BROWN,J.E.FAUNTLEROY II,J.YIP,R.ROMULUS,J.REEVES,R.C.MCCULLOUGH II) ATLANTIC bring new jack swing and the second male; Lionel Richie back to the top 10 of the landed at least three from each of his 2 3 4 Rockstar 2 Post Malone Feat. -
Tom Jennings
12 | VARIANT 30 | WINTER 2007 Rebel Poets Reloaded Tom Jennings On April 4th this year, nationally-syndicated Notes US radio shock-jock Don Imus had a good laugh 1. Despite the plague of reactionary cockroaches crawling trading misogynist racial slurs about the Rutgers from the woodwork in his support – see the detailed University women’s basketball team – par for the account of the affair given by Ishmael Reed, ‘Imus Said Publicly What Many Media Elites Say Privately: How course, perhaps, for such malicious specimens paid Imus’ Media Collaborators Almost Rescued Their Chief’, to foster ratings through prejudicial hatred at the CounterPunch, 24 April, 2007. expense of the powerless and anyone to the left of 2. Not quite explicitly ‘by any means necessary’, though Genghis Khan. This time, though, a massive outcry censorship was obviously a subtext; whereas dealing spearheaded by the lofty liberal guardians of with the material conditions of dispossessed groups public taste left him fired a week later by CBS.1 So whose cultures include such forms of expression was not – as in the regular UK correlations between youth far, so Jade Goody – except that Imus’ whinge that music and crime in misguided but ominous anti-sociality he only parroted the language and attitudes of bandwagons. Adisa Banjoko succinctly highlights the commercial rap music was taken up and validated perspectival chasm between the US civil rights and by all sides of the argument. In a twinkle of the hip-hop generations, dismissing the focus on the use of language in ‘NAACP: Is That All You Got?’ (www.daveyd. -
JULY/AUGUST $2.95 I the SOUND ENGINEERING MAGAZINE Serving
I JULY/AUGUST $2.95 THE SOUND ENGINEERING MAGAZINE serving:recording, broadcast and sound contracting fields Featuring 2 to 8 trk—The Smaller Recording Studio Guides: Reverbs & Delays; Equalizers & Crossovers www.americanradiohistory.com Experience a tape transport ready for the balance of this millenium. After spending a few minutes with the production pressure is on, the A820 be- A820 you'll know you're in touch with to- comes a joy and a lifesaver. morrow. Here is everything you've ever The A820 also ushers in a new era of user dreamed of in a production/mastering ATR. programmability. In a matter of minutes, by And then some. selecting from a menu of more than a dozen For openers, note these features: Four tape operating features, you can tailor an A820 speeds. Reel sizes up to 14". Real time counter to meet any application. All primary and accurate to tenths of a second. Advanced secondary top panel buttons can be as- phase compensation in all audio circuits. And, signed to any desired function. You can of course, the massive chassis, rugged con- practically "redesign" your machine on a day- struction and precision Swiss manufacturing to-day basis! you'd naturally expect from Studer. The A820 line has been augmented by the And now for the unexpected. Inside the A820 addition of V2" two-track and center-track time you'll find the most comprehensive micropro- code versions. Also, interfaces for control by ex- cessor control systems ever put in an ATR - by ternal computers or/video editing systems are anybody. -
Bob Stuart Awarded Prince Philip Medal by Royal Academy of Engineering Prestigious Award Presented to Founder of MQA for Career of Innovations
Bob Stuart awarded Prince Philip Medal by Royal Academy of Engineering Prestigious award presented to Founder of MQA for Career of Innovations News by Hi-Fi+ Staff Sep 16, 2020 Categories: Audio From the press release London, 14 September 2020 – Bob Stuart, creator of MQA and co-founder of Meridian Audio, is awarded the Royal Academy of Engineering Prince Philip Medal for ‘his exceptional contribution to audio engineering which has changed the way we listen to music and experience films’. Stuart is the first audio engineer to receive the award in its 20-year history. Previous recipients of the Prince Philip Medal include inventor of the turbojet engine, Air Commodore Sir Frank Whittle OM KBE CB FREng FRS; geothermal power innovator, Lucien Bronicki; and the electrical engineer who revolutionised fibre optics, Dr Charles Kao CBE FRS FREng. Commissioned by HRH Prince Philip, The Duke of Edinburgh KG KT, Senior Fellow of the Royal Academy of Engineering, the Prince Philip Medal is awarded periodically to an engineer of any nationality who has made exceptional contributions to engineering through practice, management or education. In accepting this award, Bob Stuart reflects: “Audio engineering sits at an intersection between analogue and digital engineering, music and the human listener. My passion to enable great sound recording and playback has required a multi-disciplinary approach, but that quest to preserve and share music performances is very satisfying and important. I am honoured and humbled to receive this award from the Royal Academy of Engineering.” Legendary, multi-Grammy Award winning Mastering Engineer, Bob Ludwig[1], shared his thoughts: “Bob Stuart is a connoisseur of both engineering and music and that is what sets him apart. -
Senate R Funding Educes 'Source' for Second Time
T DAILY THE Volume XXXVI, Number 45 IWhere You Read It First Tuesday, Marchs 31,1998 Senate reduces ‘Source’ funding for second time by ANDREWF’REEDMAN According to Thever, she met able to meet before spring break, Daily Editorial Board with Levenberg after the last Sen- however. The Primary Sourceis still feel- ate meeting. “[Levenberg] as- Until last evening, Levenberg ing the repercussions for alleg- sumed he was allocated $1 1,500 was unaware ofthe Senate’sdeci- edly turning its budget in late. nomatterwhat,”Theversaid,add- sion to remove him as signatory. Before spring break, the Tufts ing that in fact the amount was “The Senate has been stone-wall- Community Union (TCU) Senate only a suggested cap, and said ing us for weeks, I have to hear voted to reduce the Source’s bud- she and Levenberg were to agree about it from you guys; this is get from approximately$17,000 to on the final budget. ridiculous,” he said. a maximum of $1 1,500. At this “He rejected everything I had Levenberg saidThever ignored 1 Photo by Mike Weissmai Sunday’s meeting, the Senate to say. He didn’t even have an hise-mails followingspring break. TCU Senate voted on Spring Fling funding Sunday night. votedtogranttheSource$10,625. itemized budget for me then,” He said that Thever tried to con- The Senate also removed the Thever said. tact him before the Senate meeting publication’s signatory, Editor-in- She said an itemized budget on Sunday, but that he was in The Senate strikes the ChiefKeithLevenberg, which bars was sent to her after that meeting, Primary Sourceofficeworking on him from future budgetary nego- but said she had no other contact production of the next issue. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Sunday Edition
day three edition | map and exhibitor listings begin on page 20 day3 From the editors of Pro Sound News & Pro Audio Review sunday edition the AES SERVING THE 131STDA AES CONVENTION • october 20-23, I 2011 jacob k. LY javits convention center new york, ny Analog AES State Tools Still Of Mind By Clive Young While the AES Convention has always attracted audio professionals from Rule On around the country—and increasingly, the world—when the show lands in New York City, it naturally draws more visi- The Floor tors from the East Coast. That, in turn, By Strother Bullins is a benefit for both exhibitors looking Though “in the box” (ITB), fully to reach specific markets that call the digital audio production is increas- Big Apple home, and regional audio ingly the rule rather than the excep- pros who want to take advantage of the tion, the creative professionals show’s proximity. The end result is a attending the Convention are clearly win-win situation for everyone involved. seeking out analog hardware, built Back by popular demand, yesterday the P&E Wing presented a “AES is a good way for us to meet to (and, in many cases, beyond) the second iteration of “Sonic Imprints: Songs That Changed My Life” different types of dealers and custom- now-classic standards of the 1960s, that explored the sounds that have inspired and shaped careers of ers that we don’t normally meet, as we ‘70s and ‘80s, as these types of prod- influencers in the field. The event featured a diverse, New York- have five different product lines and ucts largely populate our exhibition centric, group of panelists including producers/engineers (from left): five different customer groups, so it’s a floor. -
Market Report
MARKET REPORT Thursday 13th May 2021 Due to staff holidays the market report will be slightly shorter than normal. Market Headlines US consumer inflation rose 4.2% in April year-on-year, the most since 2008, ahead of the 3.6% rate expected and up from the 2.6% figure in March, further stoking inflation fears. The US Colonial pipeline reopened following the cyberattack, as it warned it would take several days before supplies returned to normal, with twelve states having declared a state of emergency amid consumers panic buying petrol and stations running dry. Japan’s service sector sentiment index fell to 39.1 in April, from 49.0 in March, the first drop in three months. The S&P 500 fell 2.1%, the Nasdaq dropped 2.7%, the Nikkei 225 dipped 2.5%, the Hang Seng lost 1.7%, whilst the Shanghai Composite closed down 1.0%. European markets were lower. Investments on our buy list Hipgnosis Songs Fund (SONG) - announced its latest acquisition, the catalogue of legendary Grammy Award winner Andy Wallace comprising 100% of producer, mixer and performance royalties on 17,242 songs. Collaborations include Aerosmith, Biffy Clyro, Blink-182, Bruce Springsteen, Coldplay, Foo Fighters, Guns N' Roses, Jeff Buckley, Kasabian, Linkin Park, Nirvana, Paul McCartney, Prince, Rage Against the Machine, Run D.M.C., Rush, Slayer, Sonic Youth, Stereophonics, System Of A Down and White Zombie. The growth in streaming continues to support the fund, which trades on a 3.9% premium to NAV with a 4.3% projected yield. We remain positive. Source: Alpha Terminal Redrow (RDW) - Jefferies increased its target price from 751p to 833p to accompany its BUY rating. -
Mojoearlier Results Are Tremendous
INCLUDES MOTOWN THE UNKNOWN 15-TRACK A SOUL REVOLUTION JOY DIVISION CD! Y PLUS! HE MAC NOW! “It’s a miracle that we survived” STATUS QUO MARK HOLLIS R.I.P. AND! BRITISH JAZZ BLOWS UP! MAY 2019 £5.75 US$11.99 CAN$14.99 If your CD is missing please inform your newsagent. For copyright reasons the CD is not available in some overseas territories. Lias Saoudi, torch-carrying FILTER ALBUMS provocateur. These New hypnosis rule, though, remains town (the New York strut of duet of self-destruction. After to be seen. Enlightening 2017’s City Music). With Oh My all of it, JPW is left at the sink, Puritans nevertheless. God, Morby launches a more repeating, “Your love’s the ★★ Charles Waring overtly spiritual quest, hurting kind,” unable or investigating the tensions unwilling to give it up. Inside The Rose between the sacred and Chris Nelson INFECTIOUS MUSIC. CD/DL/LP profane – or “horns on my Underwhelming fourth Our Native head, wings from my album from Southend Daughters shoulder,” as he puts it on The Cranberries erstwhile avant-garde ★★★★ O Behold. A blast of Mary world-beaters Lattimore’s harp on Piss River #### SongsOfOur or Savannah’s glassy Dirty Slimmed down In The End Native Daughters Projectors-style choir hint at to the core the celestial, but if Morby BMG. CD/DL/LP fraternal duo SMITHSONIAN FOLKWAYS. CD/DL Edwyn Collins speaks in tongues, they are still Final album, with Step of Jack and New history from onet very much those of Bob Dylan #### Street back producing George Barnett leader of the Carolina and Leonard Cohen – earthly, after the 2016 Chocolate Drops. -
Porovnání Písní Roku Cen Anděl a Grammy Z Let 1991–1998
Masarykova univerzita Filozofická fakulta Ústav hudební vědy obor Hudební věda POROVNÁNÍ PÍSNÍ ROKU CEN ANDĚL A GRAMMY Z LET 1991–1998 Bakalářská diplomová práce vedoucí práce: PhDr. Aleš Opekar, CSc. Zbyněk Sklenský Brno, 2018 Prohlašuji, že jsem tuto bakalářskou diplomovou práci vypracoval samostatně a veškeré elektronické zdroje řádně citoval. Brno, 11. 5. 2018 Děkuji panu PhDr. Aleši Opekarovi, CSc. za konzultace a cenné rady při zpracování této bakalářské diplomové práce. Děkuji paní Mgr. Lucii Krausové za jazykovou kontrolu a paní Mgr. et Mgr. Evě Barnové za kontrolu anglického shrnutí. Děkuji také panu ing. Svatoslavu Ondrovi za typografickou kontrolu. Obsah Úvod ........................................................................................................................................... 6 Poznámky k textu ....................................................................................................................... 7 1. Informace k jednotlivým oceněním ....................................................................................... 8 1.1 Ceny Anděl ..................................................................................................................... 8 1.2 Ceny Grammy ................................................................................................................ 8 2. Porovnávané písně sledovaných let, jejich autoři a interpreti ............................................. 10 2.1 Ročník 1991 ................................................................................................................