An Annotated Bibliography for Counseling Psychologists
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rapping the Arab Spring
Rapping the Arab Spring SAM R. KIMBALL UNIS—Along a dusty main avenue, past worn freight cars piled on railroad tracks and Tyoung men smoking at sidewalk cafés beside shuttered shops, lies Kasserine, a town unremarkable in its poverty. Tucked deep in the Tunisian interior, Kasserine is 200 miles from the capital, in a region where decades of neglect by Tunisia’s rulers has led ANE H to a state of perennial despair. But pass a prison on the edge of town, and a jarring mix of neon hues leap from its outer wall. During the 2011 uprising against former President Zine El-Abdine Ben Ali, EM BEN ROMD H prisoners rioted, and much of the wall was destroyed HIC in fighting with security forces. On the wall that re- 79 Downloaded from wpj.sagepub.com at COLUMBIA UNIV on December 16, 2014 REPORTAGE mains, a poem by Tunisian poet Abu al in it for fame. But one thing is certain— Qassem Chebbi stretches across 800 feet the rebellions that shook the Arab world of concrete and barbed wire, scrawled in tore open a space for hip-hop in politics, calligraffiti—a style fusing Arabic callig- destroying the wall of fear around freedom raphy with hip hop graffiti—by Tunisian of expression. And governments across the artist Karim Jabbari. On each section of region are now watching hip-hop’s advance the wall, one elaborate pattern merges into with a blend of contempt and dread. a wildly different one. “Before Karim, you might have come to Kasserine and thought, PRE-ARAB SPRING ‘There’s nothing in this town.’ But we’ve “Before the outbreak of the Arab Spring, got everything—from graffiti, to break- there was less diversity,” says independent dance, to rap. -
A Hip-Hop Copying Paradigm for All of Us
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ............................................... -
The Italian Girl in Algiers
Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music -
Haitian Creole – English Dictionary
+ + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo + + + + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo dp Dunwoody Press Kensington, Maryland, U.S.A. + + + + Haitian Creole – English Dictionary Copyright ©1993 by Jean Targète and Raphael G. Urciolo All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without the prior written permission of the Authors. All inquiries should be directed to: Dunwoody Press, P.O. Box 400, Kensington, MD, 20895 U.S.A. ISBN: 0-931745-75-6 Library of Congress Catalog Number: 93-71725 Compiled, edited, printed and bound in the United States of America Second Printing + + Introduction A variety of glossaries of Haitian Creole have been published either as appendices to descriptions of Haitian Creole or as booklets. As far as full- fledged Haitian Creole-English dictionaries are concerned, only one has been published and it is now more than ten years old. It is the compilers’ hope that this new dictionary will go a long way toward filling the vacuum existing in modern Creole lexicography. Innovations The following new features have been incorporated in this Haitian Creole- English dictionary. 1. The definite article that usually accompanies a noun is indicated. We urge the user to take note of the definite article singular ( a, la, an or lan ) which is shown for each noun. Lan has one variant: nan. -
Eva Mauaeikakaluaolonoikahiki ~Omroy
EVA MAUAEIKAKALUAOLONOIKAHIKI ~OMROY An Interview by J. Ward RLJssell January 14, 1986 This oral history interview is a project of the Historical Committee of the Outrigger Canoe Club. The legal rights to this material remain with the 0LJtrigger Canoe ClLjb, Anyone wishing to r·eproduce j.-t 01~ quo·te at length From it should contact the Historical Committee of the Outrigger Canoe Club. * "The reader sho..tld be awcre tha t an r.r.a.l history document portrays informati on as recalled by the interviewee, Because or the spontaneous nature of this kind of document, it may contain stat:ements and imp,~essions that are not .factual. 11 --Quoted by permission of the University of Hawaii Ethnic Studies Program, Ot~al Hista~y P!"'Oject . DCC 27-1 EVA MAUAEIKAKALUAOLONOIKAHIKI POMROY Inte1~view by .J . Wa..,d Russell January 14, 1986 Th is is Tuesday, .January 14, 1986, I am Ward Russell a member of the Outrigger Canoe Club ' s Histori cal Comm i ·ttee and this morni ng it i s my pleasure to interview a long-·time employee of the O~Jtt~i g ger~ Ca noe Club, Eva Mauaeikakaluaolonoikahiki Pomroy*. Eva worked for· the Club for over thirty years and thi s mol"ning we are seated in hel~ apartment on Leahi Avenue on the slopes of Diamond Head just a few steps away fl~om the Outrigger Canoe Club. It is a love ly morning and we have been t a lking aboLJt ·the past. We are now ready to start our interview. WR: Eva, when and where were you born? EP: In Honolulu at 3213 Monsarr at Avenue. -
VOL XIL MASON , MICHIGAN , THUESDAY . AUGUST 18, 1887. NO . 33 Ii E . M . SLAYTON
VOL XIL MASON, MICHIGAN, THUESDAY. AUGUST 18, 1887. NO. 33 Strictly Fresh Oysters every day at tho Serious KiiJiinvny. Fresh Oysters by the can or dish at th Cily Baltery, Warranted, * City Bakery, * About 7 o'clock Monday evening last, Ford's Bazaar The game of base ball at i^ailsville last During the chilly winds of March, six Henry Peters started wilh his team and years ago, John H, Martin totik unto him Friday, between tho Mason and Dansville wagon for his slnucrhter house in the south• self a wife nailied Helen A,, nt Sidney, clubs, resulted in a victory lor tho Mason ern pari of Uio city. He was accompanied Montcalm county. They lived togothi boys, the score staiidlnfr S'l to M, by Claud VanDeusen and Geo, Smith, two Farmers, we want your Choice nearly two years, when tho unfaithful hus A strange''freak, of nature" was shown young lads. When they reached EUn band left his wife and child at lier father' Butter for our rapidly in• us last Saturday by ]), D, Lindsay, in tho street, going south on C street, tho bolt Our Entire Stock of house in Whito Oak, and went "where th shape of a small snapping turtle, with two fastening ono end of the pole to tho nxlo creasing Retail Trade. woodbine twineth." Helen wants the cir heads and two tails, but otherwise perfectly cnmo out. The pole dropping down fright cuit court to decree her a free womnn, nnd formed, enod his spirited team and they were soon this week files her bill of complaint with dashing along nt fearful speed. -
Paw Print Jr. June 2019
Maple Hill Jr. PawPrint Issue 4 June 2019 Summer Poetry If you have ever been on a road trip or you are looking forward to one this summer, you will be able to relate to this poem! Maybe you will write a road trip poem this summer! Road Trip By Oriana Letzelter, grade 7 In New York, you pack up and leave fast, In New Jersey, you*beep**beep**beep*and* honk honk honk*! In Delaware, you leave with lots and lots of speed, In Maryland, you wait wait wait for traffic to go, In Washington D.C. you go around it so you aren't stressed, In Virginia, you have lots of fun and finally, get some rest. In a week, you have to repeat in reverse! My NBA Mock Draft By: Brady Cole, grade 7 There is an NBA draft every year that introduces teenagers and some young adults get drafted to their dream job, playing basketball for millions of dollars a year. There is a draft lottery, so these teams know exactly which pick they get. Then, a week after, the players that declared to be drafted, there is an NBA combine. The NBA combine is where players measure height, weight, body fat, that stuff. Then they do drills and they go through those and then they have a 5 on 5 scrimmage. The teams get the players’ info, and can decide to schedule workouts with them. In the upcoming weeks, these guys can decide whether to go back to college, or go into the draft. There is a 3 week span where NBA teams can trade their picks, and then the draft begins. -
Headlines in Rhyme: a Case Study on Le Journal Rappé As an Agent of Senegalese Sociopolitical Change Jessica Hackel SIT Study Abroad
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2013 Headlines in Rhyme: A Case Study on Le Journal Rappé as an Agent of Senegalese Sociopolitical Change Jessica Hackel SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the Broadcast and Video Studies Commons, Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Journalism Studies Commons, Mass Communication Commons, and the Social Media Commons Recommended Citation Hackel, Jessica, "Headlines in Rhyme: A Case Study on Le Journal Rappé as an Agent of Senegalese Sociopolitical Change" (2013). Independent Study Project (ISP) Collection. 1682. https://digitalcollections.sit.edu/isp_collection/1682 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. Headlines in Rhyme: A Case Study on Le Journal Rapp é as an Agent of Senegalese Sociopolitical Change Hackel, Jessica Academic Director: Diallo, Souleye Project Advisor: Mbaye, Ayemerou Boston University English Literature Africa, Senegal, Dakar Submitted in partial fulfillment of the requirements for Senegal: Arts and Culture SIT Study Abroad: Fall 2013 2 Hackel A special thank you to Keyti and Xuman —for feeding me, for making sure I got home safely, and for teaching me how to “break barriers. ” 3 Hackel Table of Contents Abstract ... …………………………………………………………………………….......4 Introduction ………………………………………………………………………….......5 Methodology ………………………………………………………………………….......8 Situating Le Journal Rapp é in Historical, Political, and Musical Contexts ………....11 The Creative Process ……………………………………. -
The Goats of Austin Welcome to Glennart Farm, Home to Urban Agriculture, Community Development—And Goat Yoga
CHICAGO’SFREEWEEKLYSINCE | APRIL | APRIL CHICAGO’SFREEWEEKLYSINCE How to get rid of a CPS principal Maya Dukmasova 6 Operation Hennessy digs a new channel Leor Galil 24 The goats of Austin Welcome to GlennArt Farm, home to urban agriculture, community development—and goat yoga By LS12 THIS WEEK CHICAGOREADER | APRIL | VOLUME NUMBER IN THIS ISSUE T R - CITYLIFE OPINION @ 03 PublicService 34 GrassrootsHowthe AnnouncementFreeadvicefor NoCopAcademycampaignshook sealingyourmarijuanabust themachine P 04 FeralCitizenSomethingsyou 35 IndependentMediaWhythe TB IEC alwayswantedtoknowaboutfungi Readerisworthsaving SKKH butwereafraidtoask 36 SavageLoveDanSavageoff ers DEKS adviceonwhattodoifsomeone’s C LSK D P JR NEWS&POLITICS sexuallyattractedtochildren CEAL 05 Joravsky|PoliticsChicago FILM M EP M wouldrathersolveaphonyproblem 19 MoviesofnoteDogman A EJL CLASSIFIEDS SWDI likealdermanicprerogativethan 14 RestaurantReviewMima’sis keepsusonedgetothebitter 37 Jobs BJ MS dealwitharealone whereCubsgoforCuban endAnElephantSittingStillis 37 Apartments&Spaces SWMD L G ahyperrealistdebutfromChina 37 Marketplace G D D C S MEBW andRedJoanisnagginglybland M L C inthewayoneassociateswith S C -J “respectable”Britishcinema FL CPF TA ECS CN B D C MUSIC&NIGHTLIFE D C LCNLC 24 Galil|FeatureOperation C C MDLCS F IG AG Hennessydigsanewchannelfor KTHJH JH Chicagohiphop IH DJM K 29 ShowsofnoteBillyBraggAll S K MM E MT B MJRN MO SmilesAliceMertonandmore LPKSKRBS FEATURE THEATER showsthisweek DS L S A W 06 Dukmasova|NewsHowtoget -
Songs in the Key of Z
covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin. -
Jamila Woods
CHICAGO’SFREEWEEKLYSINCE | MAY | MAY CHICAGO’SFREEWEEKLYSINCE Jamila Woods builds on legacies that shook the world By TW 22 Seven thumbs up A historic event: our theater critics like everythin! 13 State of the unions Deanna Isaacs 9 2 CHICAOREADER - MAY ll CHICAGOREADER | MAY | VOLUME NUMBER THIS WEEK IN THIS ISSUE T R - fi ghtstoexposethetruthwhile 34 GossipWolfTheCoProsperity @ Rahmtriestohideit Spheredevotesaconcertand 09 Isaacs|CultureChicago exhibittosChicagonowave SymphonyOrchestramusiciansand andtheCHIRPRecordFairreturns P ColumbiaCollegeparttimefaculty TB IEC unionssolidarityforever OPINION SKKH 35 SavageLoveDanSavageoff ers D EKS adviceonscratchingthatopen C LSK D P JR ofcitylifeandI’mGonnaPray relationshipitch CEAL ForYouSoHardshowstheapple M EP M doesn’tfallfarfromthetree A EJL CLASSIFIEDS SWDI CITYLIFE 37 Jobs BJ MS 04 StreetViewAcheerleading FILM 37 Apartments&Spaces SWMD L G coachonhowtodressforthewin 16 ReviewCanthetwocrazykidsin 37 Marketplace G D D C S MEBW 05 PublicService LongShotfi ndhappiness? M L C AnnouncementBam!Boom! 17 MoviesofnoteAskDrRuthis S C -J Pow!FreeComicBookDayreturns anaff ectionatetributetothesex FL CPF TA ECS therapistBlackMotherpresents CN B FOOD&DRINK highlysensuousfi lmmakingand D C LCI 10 RestaurantReviewArigato TheWhiteCrowsimulatesthe G A G KT HR H JH Marketslingstacoswithasideof connectivetissueofmemory JH IH DJM beefinWestTown K S K MM B MJRN LP MUSIC&NIGHTLIFE KR BSD ARTS &CULTURE 22 FeatureOnLegacy!Legacy! S A W 12 LitInHowtoHideanEmpire singerandpoetJamilaWoods -
Kard You and Me Album Download You in Me
kard you and me album download You In Me. " You In Me " is a single recorded by KARD. It is the fifth and title track in the second mini album You & Me, following song "Because" and before "Trust Me" (BM & Somin ver.) . The music video and single was released on November 21, 2017. Lyrics. 나의 넌 내 꺼 My everything 나의 넌 내 꺼 My everything Why don’t you know 그 어떤 것도 너를 대신할 순 없어 어둠이 삼켜버린 방 한켠 곳곳에 박힌 네 흔적 또는 파편 널 삭혀도 눈에 밟혀 아침이 날 밝혀도 현실은 안 바뀌어 상실감 안에 갇혀 온전한 날 못 밝 혀 네 부재와 결핍 무기력증에 잃은 갈피 고달파진 갈증 내 목을 휘감듯 숨조차 버거운 내 박동은 못해도 반쯤 죽어있는 내 사 투. 너 왜 날 밀어내려 해 말해봐요 진심이 아닌 걸 알 수 있는데 자꾸 왜 날 밀어내 다 느껴지는데 아무런 말도 왜 안 해주나요. 이렇게 널 불러 널 대답 없는 너 I apologize You are the only one I love love 보낼 수 없어 널 널 영원할 거야 나의 넌. My love you are my everything My love you are my everything Why don’t you know 나의 사랑을 (나의 넌 내 꺼) 야 영원히. So painful propane을 너와 나의 불신 위에 뿌린 듯 태워버려 죽인 우릴 되돌리기엔 너무 멀리 와버린 이 Story는 Nightmare 지나치 게 아낀 게 숨을 쉰 이유가 돼야 했었는데 오히려 네 숨을 막았네 홀로 남아 어둠을 삼킨 방안에 Damn. 왜 날 밀어내려 해 말해봐요 진심이 아닌 걸 알 수 있는데 자꾸 왜 날 밀어내 다 느껴지는데 아무런 말도 왜 안 해주나요.