The Goats of Austin Welcome to Glennart Farm, Home to Urban Agriculture, Community Development—And Goat Yoga

Total Page:16

File Type:pdf, Size:1020Kb

The Goats of Austin Welcome to Glennart Farm, Home to Urban Agriculture, Community Development—And Goat Yoga CHICAGO’SFREEWEEKLYSINCE | APRIL | APRIL CHICAGO’SFREEWEEKLYSINCE How to get rid of a CPS principal Maya Dukmasova 6 Operation Hennessy digs a new channel Leor Galil 24 The goats of Austin Welcome to GlennArt Farm, home to urban agriculture, community development—and goat yoga By LS12 THIS WEEK CHICAGOREADER | APRIL | VOLUME NUMBER IN THIS ISSUE T R - ­ ­ CITYLIFE OPINION @ 03 PublicService 34 GrassrootsHowthe AnnouncementFreeadvicefor NoCopAcademycampaignshook sealingyourmarijuanabust themachine P 04 FeralCitizenSomethingsyou 35 IndependentMediaWhythe TB IEC alwayswantedtoknowaboutfungi Readerisworthsaving SKKH butwereafraidtoask 36 SavageLoveDanSavageoff ers DEKS adviceonwhattodoifsomeone’s C LSK D P JR NEWS&POLITICS sexuallyattractedtochildren CEAL 05 Joravsky|PoliticsChicago FILM M EP M wouldrathersolveaphonyproblem 19 MoviesofnoteDogman A EJL CLASSIFIEDS SWDI likealdermanicprerogativethan 14 RestaurantReviewMima’sis keepsusonedgetothebitter 37 Jobs BJ MS dealwitharealone whereCubsgoforCuban endAnElephantSittingStillis 37 Apartments&Spaces SWMD L G ahyperrealistdebutfromChina 37 Marketplace G D D C S MEBW andRedJoanisnagginglybland M L C inthewayoneassociateswith S C -J “respectable”Britishcinema FL CPF TA ECS CN B D C MUSIC&NIGHTLIFE D C LCNLC 24 Galil|FeatureOperation C C MDLCS F IG AG Hennessydigsanewchannelfor KTHJH JH Chicagohiphop IH DJM K 29 ShowsofnoteBillyBraggAll S K MM E MT B MJRN MO SmilesAliceMertonandmore LPKSKRBS FEATURE THEATER showsthisweek DS L S A W 06 Dukmasova|NewsHowtoget 16 ReviewTheIAmFest 30 SecretHistoryofChicago COMICSSERIALS ---------------------------------------------------------------- ridofaCPSprincipal celebratingwomenofcolorcomes MusicTheInfi nitives’onlyrelease 38 Yourfaveindiestripsreturn! D D J D D P E &P 12 GoatsWelcometoGlennArt totheGoodmanTheatre isamongthemostcollectible KK Farmhometourbanagriculture 17 PlaysofnoteBuyer&Cellar recordsingaragerock O M SN L communitydevelopmentandgoat entersthedarknessofBarbra 33 EarlyWarningsBestCoast ADVERTISING yoga Streisand’smakebelieve theDamnedThorandmorejust -- -@ basementmallFirstLoveisthe announcedconcerts C @ FOOD&DRINK Revolutionexaminesthebrutal 33 GossipWolfTheMaypole SD PF O P J 13 FeatureSolCaféwantstobring natureofanimalsandFootlooseis FolkFestivalbuildsabigtentthe V PS moretotheneighborhoodthanjust justlikethemovieexceptwithout GoldstarsleadatributetoR&B RF R’ AM specialtycoff ee theboringparts iconAndreWilliamsandmore SA R J L A R LM-H CRM TP NA THIS WEEK ON CHICAGOREADER.COM V MG --- J LSB ---------------------------------------------------------------- DC [email protected] -- STM READER LLC BPD RL TE R S JS A- S V CC EB ---------------------------------------------------------------- R ISSN-­ Movie Tuesday: Making the news Friends till the end STMRLLC SM SC IL Art imitating life Anya Davidson continues her comics Read Leah Pickett’s review of -- series documenting the year-long, Avengers: Endgame, the three- C ©C R Ben Sachs introduces fi ve capsule citywide event series Chicago 1919: hour Marvel blockbuster that will P C IL reviews from the Reader archives in Confronting the Race Riots. defi nitely not resurrect all those A C RR which directors look at themselves superheroes from Infi nity War. RR T® via autobiographical stand-ins. 2 CHICAOREADER - APRIL ll CITY LIFE Less scrolling. You can pack your marijuana- related record away by seeking out expungement TOPHER I/FLICKR PUBLIC SERVICE ANNOUNCEMENT More strumming. Clear your name Free advice for sealing your public record YOU MAY HAVE had a marijuana -related You can also seek help from Cabrini Green arrest, charge, or even sentence years ago Legal Aid in person at their help desk at the and feel that your past is behind you. Per- Daley Center (50 W. Washington, Room 1006) haps you were arrested as a teenager for Monday-Thursday during limited hours. Be possession but never got charged. You may aware that help is available on a first-come, not realize that, unless you’ve gone through the process of having your records sealed or expunged, they are still public. CGL A While there are laws in effect to prevent W. Washington, Room employers and landlords from discriminating against those with a criminal record, there are P H -- many reasons that one may want to have their records sealed or expunged. The core diff er- ence between “sealing” a record and “expung- ing” is that a sealed record will still exist and fi rst-served basis. Project Homecoming, a new could be unsealed in specifi c legal situations. eff ort from the Westside Justice Center, runs An expungement fully deletes the record of a hotline for previously incarcerated people arrest or conviction from the archive. You may and their families. have to undergo a waiting period before you There’s also a free summit coming up on Give your digital life a break. can start either process. Those whose arrests June 1 hosted by Cook County Clerk of the resulted in no charge or a dismissal could be Circuit Court Dorothy Brown’s office that Connect over music, dance & more. eligible to start the process immediately a er promises volunteer lawyers who will provide dismissal. counseling about your case and assist you Anyone can play! Find your spring class Several legal aid organizations in Chica- with the beginning of the process. You must at oldtownschool.org go can help you navigate expungement. pre-register to attend. Marijuana may soon be Illinois Legal Aid off ers information about Illi- legal in lllinois, but it’s still a criminalized sub- nois laws and procedures on their website. stance. —SC-J ll APRIL - CHICAOREADER 3 CITY LIFE health, including moisture regulation, carbon scapes that we live with, and containing an storage, and nutrient cycling in grasslands, Feral Citizen understory of wild currant, honeysuckle, and forests, parklands, and backyards. And let us barberry—plants usually “managed” (sought not forget their role as deathmongers. They and destroyed) by restorationists. We traced are the only decomposers who can break down Fungus a narrow section of the Des Plaines River, the lignin (the woody structure of the tree), and longest stream in the Chicago region, which they play a large role in fermentation and well- was the western route used by native peoples ness, and as foods themselves. This makes one among us to canoe from Lake Michigan to the Missis- think that perhaps mycology would be greatly sippi. We were 100 miles or so from where valued. But most of us weren’t taught about Cramp balls, pu alls, and more it begins, maybe 15 miles before it joins the fungi (or lichens or mosses) in our biology or friends in the woods industrial waters in the human-dug Sanitary earth science classes. Or we were taught to be and Ship Canal. phobic of them. By N K There were no footsteps of other humans, As you can imagine, for over 35 years Patrick though plenty from deer. The sky was filled has kept meticulous data and has compiled with naked branches, with only the maples detailed sheets of many of the 1,200 species flowering red. It was also not warm enough found in the Chicago region. If you want to oving past the concrete barrier for fruiting mushrooms, just “the rotters,” as discover the role of fungi in the world and marked “CLOSED,” Patrick Lea- Patrick called them. Mushrooms are deeply learn the characteristics of species commonly cock and I slipped and slided relational and emerge from a complex living and not so commonly found in this area, join our way into the woods, quiet (or dying) context. They don’t “just happen.” Turkey tail (Trametes versicolor) NANCE KLEHM the Illinois Mycological Association on fungal except for the hissing cars and As Michael Kuo, professional amateur mycolo- forays, or attend the monthly meetings, which Moccasional woodpecker. Species of maple, oak, gist, author of Mushrooms of the Midwest, and always feature fabulous presenters from the poplar, elm, and wild cherry were present, as creator of mushroomexpert.com, writes: “It I spotted a jelly fungus that looked like a far-flung myco world. Appreciation of all well as last year’s leaves in the du below our should be obvious that understanding mush- turmeric-colored paint spill and Patrick col- things fungal is what this club is about. feet. There were plenty of tree snags and fallen rooms, therefore, depends on understanding lected it, as he couldn’t identify it. I watched On the drive home we talked about leading logs decomposing. It’s important to know spe- the whole picture.” him cut a long and wide strip of the specimen, newbies on a mushroom foray or a plant forage cies, as fungi have woody associates, meaning When you are on a walk and discover a including wings of the tree bark it was grow- and getting the same, sometimes annoying, they identify and grow on or with particular fungus, note the date and where it is found. ing on, place it gently into his tackle box, and question time and again: Is it edible? When I trees, or “mothers” as I am wont to say. Some Note the color, shape, and size. Does it have scribble down some notes. I casually asked asked him his least favorite question, Patrick species prefer dying or dead wood, others are gills, pores, spines, or teeth? Is it in assem- him to let me know what he found out about snorted and shook his head. When someone parasitic on the living ones. One can’t get away blage with others and how so? Or is it alone, the species. “I won’t have time to look at that points
Recommended publications
  • Rapping the Arab Spring
    Rapping the Arab Spring SAM R. KIMBALL UNIS—Along a dusty main avenue, past worn freight cars piled on railroad tracks and Tyoung men smoking at sidewalk cafés beside shuttered shops, lies Kasserine, a town unremarkable in its poverty. Tucked deep in the Tunisian interior, Kasserine is 200 miles from the capital, in a region where decades of neglect by Tunisia’s rulers has led ANE H to a state of perennial despair. But pass a prison on the edge of town, and a jarring mix of neon hues leap from its outer wall. During the 2011 uprising against former President Zine El-Abdine Ben Ali, EM BEN ROMD H prisoners rioted, and much of the wall was destroyed HIC in fighting with security forces. On the wall that re- 79 Downloaded from wpj.sagepub.com at COLUMBIA UNIV on December 16, 2014 REPORTAGE mains, a poem by Tunisian poet Abu al in it for fame. But one thing is certain— Qassem Chebbi stretches across 800 feet the rebellions that shook the Arab world of concrete and barbed wire, scrawled in tore open a space for hip-hop in politics, calligraffiti—a style fusing Arabic callig- destroying the wall of fear around freedom raphy with hip hop graffiti—by Tunisian of expression. And governments across the artist Karim Jabbari. On each section of region are now watching hip-hop’s advance the wall, one elaborate pattern merges into with a blend of contempt and dread. a wildly different one. “Before Karim, you might have come to Kasserine and thought, PRE-ARAB SPRING ‘There’s nothing in this town.’ But we’ve “Before the outbreak of the Arab Spring, got everything—from graffiti, to break- there was less diversity,” says independent dance, to rap.
    [Show full text]
  • Evaluating Agreement and Disagreement Among Movie Reviewers Alan Agresti & Larry Winner Version of Record First Published: 20 Sep 2012
    This article was downloaded by: [University of Florida] On: 08 October 2012, At: 16:45 Publisher: Taylor & Francis Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK CHANCE Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/ucha20 Evaluating Agreement and Disagreement among Movie Reviewers Alan Agresti & Larry Winner Version of record first published: 20 Sep 2012. To cite this article: Alan Agresti & Larry Winner (1997): Evaluating Agreement and Disagreement among Movie Reviewers, CHANCE, 10:2, 10-14 To link to this article: http://dx.doi.org/10.1080/09332480.1997.10542015 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with
    [Show full text]
  • STATEMENT of PRINCIPLE No One Should Be Forced to Choose
    STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales.
    [Show full text]
  • Roger Ebert's
    The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked.
    [Show full text]
  • Chance the Rapper's Creation of a New Community of Christian
    Bates College SCARAB Honors Theses Capstone Projects 5-2020 “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book Samuel Patrick Glenn [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Glenn, Samuel Patrick, "“Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book" (2020). Honors Theses. 336. https://scarab.bates.edu/honorstheses/336 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book An Honors Thesis Presented to The Faculty of the Religious Studies Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Samuel Patrick Glenn Lewiston, Maine March 30 2020 Acknowledgements I would first like to acknowledge my thesis advisor, Professor Marcus Bruce, for his never-ending support, interest, and positivity in this project. You have supported me through the lows and the highs. You have endlessly made sacrifices for myself and this project and I cannot express my thanks enough.
    [Show full text]
  • Community Letter in Support of Nonpartisanship
    Community Letter in Support of Nonpartisanship Updated September 5, 2017 Community Letter in Support of Nonpartisanship UPDATED September 5, 2017 The Honorable Paul Ryan The Honorable Mitch McConnell Speaker Senate Majority Leader H-232 The Capitol S-230 The Capitol Washington, D.C. 20515 Washington, D.C. 20510 The Honorable Nancy Pelosi The Honorable Chuck Schumer House Democratic Leader Senate Democratic Leader H-204 The Capitol S-221 The Capitol Washington, D.C. 20515 Washington, D.C. 20510 The Honorable Kevin Brady The Honorable Orrin Hatch Chairman, House Ways and Means Committee Chairman, Senate Committee on Finance 1102 Longworth House Office Building 219 Dirksen Senate Office Building Washington, D.C. 20515 Washington, D.C. 20510 The Honorable Richard Neal The Honorable Ron Wyden Ranking Member, House Ways and Means Committee Ranking Member, Senate Committee on 1139E Longworth House Office Building Finance Washington, D.C. 20515 219 Dirksen Senate Office Building Washington, D.C. 20510 Dear Speaker Ryan, Majority Leader McConnell, Leader Pelosi, Leader Schumer, Chairman Brady, Chairman Hatch, Ranking Member Neal, and Ranking Member Wyden: The undersigned organizations strongly oppose proposals that would politicize the charitable nonprofit and philanthropic community by repealing or weakening current federal tax law protections that prohibit 501(c)(3) organizations from endorsing, opposing, or contributing to political candidates. Nonpartisanship is a cornerstone principle that has strengthened the public’s trust of the charitable community. In exchange for enjoying tax-exempt status and the ability to receive tax-deductible contributions, 501(c)(3) organizations – charitable nonprofits, including religious congregations, and foundations – agree to not engage in “any political campaign on behalf of (or in opposition to) any candidate for public office.” That provision of law protects the integrity and independence of charitable nonprofits and foundations.
    [Show full text]
  • Fresh Connect Marketing Plan 2020
    Fresh Connect Marketing Plan 2020 Operational Budget: Individual Paid Ads Fresh Connect Week Flier Facebook: A budget of $5.00 per day for 2 weeks (Week: Start Nov. 22nd and Week Nov. 29) - $70.00 Instagram: A budget of $5.00 per day for 30 days (Week: Start Nov. 11) - $150.00 _________________________________________________________ Smaller Ad Placements (Fundraising/Spons placement content) Facebook: A budget of $5.00 per day for 5 days (2 Posts in total) - $50.00 Instagram: A Budget of $5.00 per day for 7 days (2 Posts in total) - $70.00 _________________________________________________________ Graphic Designer: Logo and additional expenses for fliers - $220.00 Physical Posters (Digital Printing Center) 30 Posters (8x11 or 11x17) - Waiting on the center to reach out Total: $560.00 Platform Daily Price Duration Total Days Posts Total Week Flier Facebook $5 Nov22 - 14 $70 Dec 5 Instagram $5 Nov11 - 30 $150 Dec 10 Smaller Ad Facebook $5 5 2 $50 Placements Instagram $5 7 2 $70 Unit Price Amount Total Logo $100 1 $100 Graphic Designer Flyer $30 3 $120 Physical Posters 30 In Total: $560 EVENT / CONTENT Calendar: FOR THE MONTH OF NOVEMBER Funding proposal documentation must include (but is not limited to) the following: Team Objectives ● Objective 1: Increase the amount of social interaction we get on social media by utilizing ads and ​ interactions. We hope to raise Facebook's followers up to 700 from 243 and Instagram from 176 to 500 by December 7th. ● Objective 2: To market as many artists as we can through proposals, video interactions ​ and articles. We will showcase each featured artist twice a week on Facebook and Instagram closer to the programming(2-3 weeks before December 7th).
    [Show full text]
  • Jahresbericht 2020 – Musicboard Berlin Gmbh
    Jahresbericht Annual Report Musicboard Berlin GmbH 2020 1 02 Vorwort Preface Inhalt Contents 06 Musicboard Berlin – Über uns About Us 08 Struktur des Musicboards Structure of the Musicboard 10 Übersicht Förderung 2020 Funding overview 2020 16 Stipendien & Residenzen 2020 Scholarships & Residencies 2020 116 Supporttourförderung Support-Tour Funding 118 Labelförderung Label Funding 120 Festivalförderung Festival Funding 140 Karrieresprungbrett Berlin 160 Pop im Kiez 174 Sonderaus schreibung für Popmusikprojekte Special Call for Concepts for Pop Music Projects 202 Kooperationen und Eigenveranstaltungen 2020 Cooperations and Musicboard Events 2020 206 Pop-Kultur 2020 210 Fête de la Musique 2020 2 — Vorwort Katja Lucker Das Festival Pop-Kultur sowie die Fête de la Musique erfanden Musicboard Berlin GmbH is dedicated first and foremost to the The Tag der Clubkultur (»Day of Club Culture«) took place on the Preface Katja Lucker sich in kürzester Zeit und unter immensem Druck als Digital-For- needs and visions of musicians. At the time of our residency 3rd of October, organised by the Clubcommission Berlin in co-op- mate neu, um den Bewohner:innen der Stadt wie auch weit über showcase in February 2020, it was hardly foreseeable what the eration with Musicboard and the Senate Department for Culture — sie hinaus die uneingeschränkte Teilhabe an Popkultur zu ermög- coming months would bring. For many artists, the year meant a and Europe. It highlighted 40 clubs and collectives across the city, Die Musicboard Berlin GmbH widmet sich in erster Linie den lichen – ohne dabei an Qualität nachzulassen. Sie zeigten, wie big step back: with tours and festivals cancelled, a main source of letting them present their utopian visions of collective, cultural Bedürfnissen und Visionen von Musiker:innen.
    [Show full text]
  • Metal Guitar Sample Packs Free
    Metal Guitar Sample Packs Free Yuri lites his Hindoos last fifty-fifty or slothfully after Lorenzo reactivate and overgrows physiologically, louche and lorn. Oxidizable Yancy usually knobbling some twaddlers or vat unusably. Behind Rolph negative uncertainly. Download top royalty-free Nu-Metal loops sample packs construction kits wav. Bass loops and synth loops to guitar loops cinematic and lots more. FREE Xplosive Rhythms For Xmas Sample Pack under One water Tribe. Ugritone Heavy Metal VST Plugins MIDI Packs and Drum. Best 20 Guitar Sample Libraries Free & Premium The Home. Nu-Metal Loops Samples WAV Files Royalty-Free. It is no rope suspension drum circle of like and metal. Vintage Soul means a sensational Soul sample pack filled to the cone with classic Motown grooves. Here are yes the best acoustic and electric drum heavy But once. Hip Hop Samples House Samples IDM Samples Metal Samples Sound Effects Trance Samples Categories Arpeggio Loops Bass Loops Drum Loops Guitar Loops. Heavy metal including but not here you how you fix this sample packs! Vst sound human products do everything you can unsubscribe at competitive prices. Download the latest Sample Packs Music Samples Loops Presets MIDI Files DAW Templates for Hip Hop house Trap EDM Future Bass R B D B and. Browse our collection of decent drum Loops drum breaks loops packs. Guitar Electric Free Wave Samples. Drumdrops is behind world's finest creator of overnight and royalty-free drum loops drum. Future Loops is essential to present 'Headbangers Metal Guitars' an epic collection of Heavy Metal Guitar. Samples to improving the midi files are you have been meticulously edited into your favorite daw of a cult classic.
    [Show full text]
  • Freeandfreak Ysince
    FREEANDFREAKYSINCE | DECEMBER THIS WEEK CHICAGOREADER | DECEMBER | VOLUME NUMBER IN THIS ISSUE TR - YEARINREVIEW 20 TheInternetTheyearofTikTok theWorldoff erstidylessonson “bootgaze”crewtheKeenerFamily @ 04 TheReaderThestoryof 21 DanceInayearoflosswefound Americanpowerdynamicsand returnwithasecondEP astoldthroughsomeofourfavorite thatdanceiseverywhere WildMountainThymefeaturesone PPTB covers 22 TheaterChicagotheaterartists ofthemostagonizingcourtshipsin OPINION PECKH 06 FoodChicagorestaurantsate rosetochallengesandcreated moviehistory 40 NationalPoliticsWhen ECS K CLR H shitthisyearAlotofshitwasstill newonesin politiciansselloutwealllose GD AH prettygreat 24 MoviesRelivetheyearinfi lm MUSIC &NIGHTLIFE 42 SavageLoveDanSavage MEP M 08 Joravsky|PoliticsIthinkwe withthesedoublefeatures 34 ChicagoansofNoteDoug answersquestionsaboutmonsters TDEKR CEBW canallagreethenextyearhasgot 28 AlbumsThebestoverlooked Maloneownerandleadengineer inbedandmothersinlaw AEJL tobebetter Chicagorecordsof JamdekRecordingStudio SWMD LG 10 NewsOntheviolencesadness 30 GigPostersTheReadergot 35 RecordsofNoteApandemic DI BJ MS CLASSIFIEDS EAS N L andhopeof creativetofi ndwaystokeep can’tstopthemusicandthisweek 43 Jobs PM KW 14 Isaacs|CultureSheearned upli ingChicagoartistsin theReaderreviewscurrentreleases 43 Apartments&Spaces L CSC-J thetitlestillhewasdissingher! 32 MusiciansThemusicscene byDJEarltheMiyumiProject 43 Marketplace SJR F AM R WouldhedothesametosayDr doubleddownonmutualaidand FreddieOldSoulMarkLanegan CEBN B Kissinger? fundraisingforcommunitygroups
    [Show full text]
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
    Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption.
    [Show full text]