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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Rapping the Arab Spring
Rapping the Arab Spring SAM R. KIMBALL UNIS—Along a dusty main avenue, past worn freight cars piled on railroad tracks and Tyoung men smoking at sidewalk cafés beside shuttered shops, lies Kasserine, a town unremarkable in its poverty. Tucked deep in the Tunisian interior, Kasserine is 200 miles from the capital, in a region where decades of neglect by Tunisia’s rulers has led ANE H to a state of perennial despair. But pass a prison on the edge of town, and a jarring mix of neon hues leap from its outer wall. During the 2011 uprising against former President Zine El-Abdine Ben Ali, EM BEN ROMD H prisoners rioted, and much of the wall was destroyed HIC in fighting with security forces. On the wall that re- 79 Downloaded from wpj.sagepub.com at COLUMBIA UNIV on December 16, 2014 REPORTAGE mains, a poem by Tunisian poet Abu al in it for fame. But one thing is certain— Qassem Chebbi stretches across 800 feet the rebellions that shook the Arab world of concrete and barbed wire, scrawled in tore open a space for hip-hop in politics, calligraffiti—a style fusing Arabic callig- destroying the wall of fear around freedom raphy with hip hop graffiti—by Tunisian of expression. And governments across the artist Karim Jabbari. On each section of region are now watching hip-hop’s advance the wall, one elaborate pattern merges into with a blend of contempt and dread. a wildly different one. “Before Karim, you might have come to Kasserine and thought, PRE-ARAB SPRING ‘There’s nothing in this town.’ But we’ve “Before the outbreak of the Arab Spring, got everything—from graffiti, to break- there was less diversity,” says independent dance, to rap. -
Sal Capone – Intro for Schools
Introduction to Sal Capone: The Lamentable Tragedy Of for teachers and students From the playwright, Omari Newton: I hope this story makes you all think, laugh and feel inspired to create your own art. Sal Capone is a story about people your age chasing their dreams and fighting to survive some of the pressure associated with growing up. It's also a love letter to Hip Hop culture. I hope you enjoy our show. From the director, Diane Roberts: Theatre is a tactile medium. You feel things as much as you hear and see them. Sal Capone’s characters are ordinary people caught up in extraordinary circumstances. I hope you will be moved by how all of the elements of drama, music, video and movement come together to make you feel the triumphs and tragedies of these potent characters. What is the play about? Sal Capone: The Lamentable Tragedy Of (let’s call it Sal from here-on for short) is about many things and we hope, in watching the play, you will find meanings and themes that we haven’t yet realized are there. In particular, we hope that you will find something about you in the play. The story follows the journeys of a group of friends and Hip Hop crew who are dealing with the fatal police shooting of their friend; a talented but troubled young DJ (inspired by true events that have occurred in Montreal, Toronto, New York, San Francisco and London, UK in recent years and many others that don’t reach mass media – see links in “Resources” section). -
BROWNOUT Fear of a Brown Planet COOP AVAILABLE SHIPPING with PROMO POSTER
BROWNOUT Fear Of A Brown Planet COOP AVAILABLE SHIPPING WITH PROMO POSTER KEY SELLING POINTS • Billboard premier: Brownout Delivers Funky Cover of Public Enemy’s ‘Fight the Power’ • Fear Of A Brown Planet follows The Elmatic Instrumentals and Enter The 37th Chamber in Fat Beats Records heralded stream of instrumental takes of hip hop classics • Brownout has released past albums with Ubiquity Records (Brown Sabbath) and enjoyed a stint backing the late legend Prince • Tour dates planned for the summer of 2018 DESCRIPTION ARTIST: Brownout Twenty-eight years ago, pissed-off 12-year-olds around the universe discovered TITLE: Fear Of A Brown Planet a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even CATALOG: L-FB5185 / CD-FB5185 in the border town of Laredo, Texas, home of the future founders of the Latin- Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album LABEL: Fat Beats Records Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s GENRE: Psych-Funk/Hip-Hop music and revolutionary spirit. BARCODE: 659123518512 / 659123518529 Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the FORMAT: LP / CD seeds for countless Public Enemy sleeper cells, one that would emerge nearly HOME MARKET: Austin, Texas three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” RELEASE: 5/25/2018 is built on James Brown samples, while a teenaged Beto Martinez (guitar) $17.98 / CH / $9.98 / AH alternated between metal and hip-hop in his walk-man, and Adrian Quesada LIST PRICE: (guitar/keys) remembers falling in love with Public Enemy’s sound at an early CASE QTY: LP 30 / CD 200/1 age. -
Signature Redacted Certified By: William Fjricchio Professor of Compa Ive Media Studies Thesis Supervisor Signature Redacted Accepted By
Manufacturing Dissent: Assessing the Methods and Impact of RT (Russia Today) by Matthew G. Graydon B.A. Film University of California, Berkeley, 2008 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2019 C2019 Matthew G. Graydon. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. S~ri' t A Signature red acted Department of Comparative 6/ledia Studies May 10, 2019 _____Signature redacted Certified by: William fJricchio Professor of Compa ive Media Studies Thesis Supervisor Signature redacted Accepted by: MASSACHUSETTS INSTITUTE Professor of Comparative Media Studies _OF TECHNOLOGY Director of Graduate Studies JUN 1 12019 LIBRARIES ARCHIVES I I Manufacturing Dissent: Assessing the Methods and Impact of RT (Russia Today) by Matthew G. Graydon Submitted to the Department of Comparative Media Studies on May 10, 2019 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT The state-sponsored news network RT (formerly Russia Today) was launched in 2005 as a platform for improving Russia's global image. Fourteen years later, RT has become a self- described tool for information warfare and is under increasing scrutiny from the United States government for allegedly fomenting unrest and undermining democracy. It has also grown far beyond its television roots, achieving a broad diffusion across a variety of digital platforms. -
NTOZAKE SHANGE, JAMILA WOODS, and NITTY SCOTT by Rachel O
THEORIZING BLACK WOMANHOOD IN ART: NTOZAKE SHANGE, JAMILA WOODS, AND NITTY SCOTT by Rachel O. Smith A Thesis Submitted to the Faculty of Purdue University In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of English West Lafayette, Indiana May 2020 THE PURDUE UNIVERSITY GRADUATE SCHOOL STATEMENT OF COMMITTEE APPROVAL Dr. Marlo David, Chair Department of English Dr. Aparajita Sagar Department of English Dr. Paul Ryan Schneider Department of English Approved by: Dr. Dorsey Armstrong 2 This thesis is dedicated to my mother, Carol Jirik, who may not always understand why I do this work, but who supports me and loves me unconditionally anyway. 3 ACKNOWLEDGMENTS I would like to first thank Dr. Marlo David for her guidance and validation throughout this process. Her feedback has pushed me to investigate these ideas with more clarity and direction than I initially thought possible, and her mentorship throughout this first step in my graduate career has been invaluable. I would also like to thank the other members of my committee, Dr. Aparajita Sagar and Dr. Ryan Schneider, for helping me polish this piece of writing and for supporting me throughout this two-year program as I prepared to write this by participating in their seminars and working with them to prepare conference materials. Without these three individuals I would not have the confidence that I now have to continue on in my academic career. Additionally, I would like to thank my friends in the English Department at Purdue University and my friends back home in Minnesota who listened to my jumbled thoughts about popular culture and Black womanhood and asked me challenging questions that helped me to shape the argument that appears in this document. -
Chai Release New Single/Video, “Maybe
February 24, 2021 For Immediate Release CHAI RELEASE NEW SINGLE/VIDEO, “MAYBE CHOCOLATE CHIPS” (FEAT. RIC WILSON) NEW ALBUM, WINK, OUT MAY 21ST ON SUB POP CHAI by Yoshio Nakaiso, Ric Wilson by Jackie Lee Young Japanese quartet CHAI present a new single/video, “Maybe Chocolate Chips” (Feat. Ric Wilson), from their forthcoming album, WINK, due May 21st on Sub Pop. CHAI’s past albums have been filled with playful references, in the lyrics, to food, and WINK’s intimate single “Maybe Chocolate Chips” offers an evolution of this motif. Bassist/lyricist YUUKI wanted to write a self-love song about her moles: “Things that we want to hold on to, things that we wished went away. A lot of things happen as we age and with that for me, is new moles! But I love them! My moles are like the chocolate chips on a cookie, the more you have, the happier you become! and before you know it, you're an original♡” Chicago rapper Ric Wilson, who they initially connected with at the 2019 Pitchfork Music Festival, brings smooth vocals over a laidback beat and whirring, dreamy synth. A community activist and artist based on the Southside of Chicago, he got his start with the legendary Young Chicago Authors, the Chicago-based storytelling and poetry organization which helped launch the likes of Noname, Saba, Jamila Woods, Chance The Rapper, Vic Mensa, Mick Jenkins, and many others. He’s also featured in the accompanying video, directed by Callum Scott-Dyson, which is made of fun collages and video clips in classic CHAI style. -
Haviah Mighty Has Won the 2019 Polaris Music Prize for the Album 13Th Floor
HAVIAH MIGHTY HAS WON THE 2019 POLARIS MUSIC PRIZE FOR THE ALBUM 13TH FLOOR TORONTO, ON – Monday, September 16, 2019 Haviah Mighty has won the 2019 Polaris Music Prize for the album 13th Floor. “For me, the 13th floor is something that we remove from our reality because it is something that we don’t understand and therefore we dismiss it,” said Haviah Mighty. “This is very parallel to so many of the experiences that I speak on, on this album. I’m in a room with so many different people from so many different walks of life who have acknowledged that this is something they feel is important. These people don’t necessarily share the narratives that I ,do or the walks of life that I have, and yet, here we are, finally on what I believe is the 13th floor. This is the moment of resurgence where the dismissal that has existed is now being removed, and the discussion is being had. I’m so grateful that the people around me push me to be brave enough to speak my truth and to have it be acknowledged in this way.” The Prize, which was presented by CBC Music, goes to the best Canadian album of the year based on artistic merit without regard to genre, sales history or label affiliation. It was determined by a Grand Jury of 11 music media professionals drawn from the greater Polaris jury pool of 199 writers, editors, broadcasters, DJs and personalities from across the country. Haviah Mighty’s victory came with a $50,000 monetary reward. -
Fitting Words Fit These Bingos Into Your Word Wardrobe: CLOTHES, FASHION, WEARABLES, ACCESSORIES Compiled by Jacob Cohen, Asheville Scrabble Club
Fitting Words Fit these bingos into your word wardrobe: CLOTHES, FASHION, WEARABLES, ACCESSORIES compiled by Jacob Cohen, Asheville Scrabble Club A 8s ACOUSTIC ACCIOSTU hearing aid [n -S] AIGRETTE AEEGIRTT tuft of feathers worn as head ornament [n -S] ALGERINE AEEGILNR woolen fabric [n -S] APPLIQUE AEILPPQU to apply as decoration to larger surface [v -D, -ING, -S] APRONING AGINNOPR APRON, to provide with apron (garment worn to protect one's clothing) [v] ARMATURE AAEMRRTU to furnish with armor [v -D, -RING, -S] ARMGUARD ADGMNRRU covering to protect arm [n -S] ARMIGERO AEGIMORR armiger (one who carries armor of knight) [n -S] ARMORING AGIMNORR ARMOR, to furnish with armor (defensive covering) [v] ARMOURED ADEMORRU ARMOUR, to armor (to furnish with armor (defensive covering)) [v] ARMOURER AEMORRRU armorer (one that makes or repairs armor) [n -S] ATTIRING AGIINRTT ATTIRE, to clothe (to provide with clothing) [v] AVENTAIL AAEILNTV ventail (adjustable front of medieval helmet) [n -S] B 8s BABOUCHE ABBCEHOU heelless slipper [n -S] BABUSHKA AABBHKSU woman's scarf [n -S] BABYDOLL ABBDLLOY short sheer pajamas for women [n -S] BACKWRAP AABCKPRW wraparound garment that fastens in back [n -S] BAGGIEST ABEGGIST BAGGY, loose-fitting [adj] BALDRICK ABCDIKLR baldric (shoulder belt) [n -S] BALMORAL AABLLMOR type of shoe (covering for foot) [n -S] BANDANNA AAABDNNN large, colored handkerchief [n -S] BARATHEA AAABEHRT silk fabric [n -S] BAREHEAD AABDEEHR without hat [adv] BARENESS ABEENRSS state of being bare (naked (being without clothing or covering)) -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
Of the Roman Empire
EDITIONLAUSANNE Limited to one tbousand registered sets N0.4'7 THE DECLINEAND FALL OF THE ROMAN EMPIRE VOL. I1 THE HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE BY EDWARD GIBBON EDITED BY J. B. BURY, M.A. WITH AN INTRODUCTION BY THE RT. HON. W. E. H. LECKY VOL. I1 NEW YORK FRED DE FAU & COMPANY PUBLISHERS COPYRIGHT,I+, FRED DE FAU & COMPANY. CONTENTS OF THE SECOND VOLUME PACE... LIST OF ILLUSTRATIONS......... xu1 CHAPTER X The Emperors Decks. Gallus. Amilianus. Valerian. and Galliersur - The General Irruption of the Barbarians - The Thirty Tyrads A.D. 248-268 The Nature of the Subject .......i The Emperor Philip .........a 249 Services.Revolt. Victory. and Reign of the Emperor Decius . a 250 He marchesagainst the Goths ......3 Origin of the Goths from Scandinavia .....4 Religion of the Goths ........5 Institutions and Death of Odin .......6 Agreeable. but uncertainHypothesis concerning Odin . 6 Emigration of the Goths fromScandinavia into Prussia . 7 -from Prussia to theUkraine ...... 8 The Gothic Nation increases in its March .... 9 Distinction of the Germans and Sarmatians ....10 Description ofUkraine the ......10 The Goths invade the Roman Provinces .....11 250 Various Events of the Gothic War ... ..12 251 Decius revives the ofice of Censor in the Person of Valerian . 14 The Design Impracticable. and without Effect ....15 Defeat and Death of Decius and his Son .....16 251 Election of Gallus .........IS 252 Retreat of the Goths ....... 18 gallus purchases Peace by the Payment of an annual Tnbut; 18 Popular Discontent .........19 253 Victory and Revolt of Ahilianus ......20 Gallus abandoned and slain .......20 Valerian revenges the Death of Gallus .....21 Is acknowledged Emperor ........21 'i Character of Valerian .... -
H-Diplo ARTICLE REVIEW 998 17 November 2020
H-Diplo ARTICLE REVIEW 998 17 November 2020 Douglas Selvage. “Operation ‘Denver’: The East German Ministry of State Security and the KGB’s AIDS Disinformation Campaign, 1985-1986.” Journal of Cold War Studies 21:4 (Fall 2019): 71-123. DOI: https://doi.org/10.1162/jcws_a_00907. https://hdiplo.org/to/AR998 Review Editors: Thomas Maddux and Diane Labrosse | Production Editor: George Fujii Review by Meredith L. Roman, SUNY Brockport ouglas Selvage’s in-depth exploration of the role that the Soviet Committee on State Security (KGB) and the East German Ministry for State Security (Stasi) and its Main Directorate for Intelligence (HVA) played in spreading Ddisinformation about the origins of the HIV virus that causes AIDS is particularly timely. The global COVID-19 pandemic has inspired conspiracy theories and disinformation efforts that are not based on scientific evidence but on racial prejudices in the case of the Trump White House, and, with regard to President Vladimir Putin’s Kremlin, a history inherited from its Soviet predecessor of identifying the CIA as an evil mastermind of infectious diseases. Selvage’s impressive research yields a detailed, multi-layered analysis of the ways in which different actors with varying objectives invested in the narrative that the U.S. government created the HIV virus as part of its bioweapons research program for its potential use in a future war or against despised groups domestically and internationally. “Operation ‘Denver’” is the first installment in a two-part essay project that draws partly on a monograph Selvage co-published in the German language in 2014 with historian Christopher Nehring.1 In this article, Selvage contends that the Stasi and HVA played an auxiliary role in the 1985-1986 efforts of the KGB to spread disinformation about AIDS, but assumed a more prominent role in the campaign by 1987 – the evidence of which he will outline in a future essay.