Kard You and Me Album Download You in Me

Total Page:16

File Type:pdf, Size:1020Kb

Kard You and Me Album Download You in Me kard you and me album download You In Me. " You In Me " is a single recorded by KARD. It is the fifth and title track in the second mini album You & Me, following song "Because" and before "Trust Me" (BM & Somin ver.) . The music video and single was released on November 21, 2017. Lyrics. 나의 넌 내 꺼 My everything 나의 넌 내 꺼 My everything Why don’t you know 그 어떤 것도 너를 대신할 순 없어 어둠이 삼켜버린 방 한켠 곳곳에 박힌 네 흔적 또는 파편 널 삭혀도 눈에 밟혀 아침이 날 밝혀도 현실은 안 바뀌어 상실감 안에 갇혀 온전한 날 못 밝 혀 네 부재와 결핍 무기력증에 잃은 갈피 고달파진 갈증 내 목을 휘감듯 숨조차 버거운 내 박동은 못해도 반쯤 죽어있는 내 사 투. 너 왜 날 밀어내려 해 말해봐요 진심이 아닌 걸 알 수 있는데 자꾸 왜 날 밀어내 다 느껴지는데 아무런 말도 왜 안 해주나요. 이렇게 널 불러 널 대답 없는 너 I apologize You are the only one I love love 보낼 수 없어 널 널 영원할 거야 나의 넌. My love you are my everything My love you are my everything Why don’t you know 나의 사랑을 (나의 넌 내 꺼) 야 영원히. So painful propane을 너와 나의 불신 위에 뿌린 듯 태워버려 죽인 우릴 되돌리기엔 너무 멀리 와버린 이 Story는 Nightmare 지나치 게 아낀 게 숨을 쉰 이유가 돼야 했었는데 오히려 네 숨을 막았네 홀로 남아 어둠을 삼킨 방안에 Damn. 왜 날 밀어내려 해 말해봐요 진심이 아닌 걸 알 수 있는데 자꾸 왜 날 밀어내 다 느껴지는데 아무런 말도 왜 안 해주나요. 이렇게 널 불러 널 대답 없는 너 I apologize You are the only one I love love 보낼 수 없어 널 널. [SO/JI] I need you in my life [SO/JI] 이렇게 널 불러 [SO/JI] Come back into my life [SO/JI] 보낼 수 없어 널 영원할 거야 나의 넌. naye neon nae kkeo My everything naye neon nae kkeo My everything Why don’t you know geu eotteon geotto neoreul daeshinal sun eopseo eodumi samkyeobeorin bang hankyeon gotgose bakhin ne heunjeok ttoneun papyeon neol sakhyeodo nune bapyeo achimi nal balkyeodo hyeonshireun an bakkwieo sangshilgam ane gathyeo onjeonan nal mot balkyeo ne bujaewa gyeolpib mugiryeokjeunge ireun galpi godalpajin galjeung nae mogeul hwigamdeut sumjocha beogeoun nae bakdongeun mothaedo banjeum jugeoinneun nae satu. neo wae nal mireonaeryeo hae malhaebwayo jinshimi anin geol al su inneunde jakku wae nal mireonae da neukkyeojineunde amureon maldo wae an haejunayo. ireoke neol bulleo neol daedap eomneun neo I apologize You are the only one I love love bonael su eopseo neol neol yeongweonal geoya naye neon. My love you are my everything My love you are my everything Why don’t you know naye sarangeul (naye neon nae kkeo) ya yeongweoni. So painful propaneeul neowa naye bulshin wie ppurin deut taeweobeoryeo jugin uril doedolligien neomu meolli wabeorin i Storyneun Nightmare jinachige akkin ge sumeul shwin iyuga dwaeya haesseonneunde ohiryeo ne sumeul maganne hollo nama eodumeul samkin bangane Damn. wae nal mireonaeryeo hae malhaebwayo jinshimi anin geol al su inneunde jakku wae nal mireonae da neukkyeojineunde amureon maldo wae an haejunayo. ireoke neol bulleo neol daedap eomneun neo I apologize You are the only one I love love bonael su eopseo neol neol. [SO/JI] I need you in my life [SO/JI] ireoke neol bulleo [SO/JI] Come back into my life [SO/JI] bonael su eopseo neol yeongweonal geoya naye neon. You’re mine, my everything You’re mine, my everything Why don’t you know Nothing can replace you Darkness swallows a corner of my room Traces and fragments of you everywhere I try to ferment you, but you still come into my eyes Morning shines on me but reality won’t change Trapped in loss, I can’t make myself complete The absence of you makes me helpless and lose my senses My worn-out thirst wraps around my neck It’s hard even to breathe with my heart beat The fight in me is half dead. Why do you try to push me away? Tell me I know you don’t mean it Why do you keep pushing me away? I feel it all Why aren’t you saying anything? I’m calling out to you But you don’t answer, I apologize You are the only one I love love I can’t let you go You’re forever in me. My love you are my everything My love you are my everything Why don’t you know my love? (You’re mine) forever. So painful propane poured on top of our distrust It burns and kills us It’s too late to turn us back We’ve come too far This story is a nightmare I loved you too much You should’ve been my reason to breathe But instead, you suffocate me As I’m alone in this dark room, damn. Why do you try to push me away? Tell me I know you don’t mean it Why do you keep pushing me away? I feel it all Why aren’t you saying anything? I’m calling out to you But you don’t answer, I apologize You are the only one I love love I can’t let you go. [SO/JI] I need you in my life [SO/JI] I’m calling out to you [SO/JI] Come back into my life [SO/JI] I can’t let you go You’re forever in me. Kard you and me album download. KARD (Hangul: 카드, also stylized as KARD or K♠RD) is a South Korean co-ed group formed by DSP Media in 2016. They officially debuted on July 19, 2017 with the mini album Hola Hola. Prior to their debut, the group released three pre-debut singles: "Oh NaNa" on December 13, 2016, followed by "Don't Recall" in February 16, 2017 and "Rumor" on April 24, 2017. Contents. History. Pre-debut. From 2012 to 2014, member Somin was a member of DSP Media's Japanese girl group Puretty with releasing singles "Cheki☆Love" in 2012, "Shuwa Shuwa BABY" in 2013 and then disbanded in 2014 with plans for the members to re-debut into other groups. She reached the finals of Kara Project, a television programme in which seven trainees competed to become the new members of label mates girl group, Kara, where she finished at the second place. On August 24, 2015, Somin debuted as the leader of DSP Media's new girl group APRIL. She announced her departure from the group, on November 9. In August 2015, member BM was featured in Goo Ha-ra's song "La La La" on her debut extended play Alohara (Can You Feel It?), and was her dance partner for the lead single "Choco Chip Cookies". 2016–2017: Project singles. On December 8, 2016, KARD official channel revealed that the first hidden member was Youngji, and [1] 5 members including hidden member Youngji made a live broadcast on V app. [2] On December 9, Oh NaNa's music video teaser was released. [3] On December 13, 2016, they released their first project single titled "Oh NaNa" featuring Heo Young-ji as a "hidden card". They planned to release three project singles before their official debut. On January 19, 2017, Billboard selected KARD as one of the Top 5 K-Pop artists to watch in 2017. [4] Their follow-up project single "Don't Recall" was released on February 16, 2017, followed by its English version on March 1. On April 21, LG Electronics selected them as their global ambassador for the G6 smartphone,. All content for their third project "Rumor" including music videos, will be collaborated with LG Electronics G6. [5] Their third and final project single, titled "Rumor", was released on April 24. After its release, the single charted at #1 in 13 countries on iTunes' K-Pop charts and ranked high on main iTunes charts in the U.S., Southeast Asia, and Europe. [6] The group held their first tour, 2017 The 1st Tour "Wild K.A.R.D" , in the United States between May–June 2017. [7] [8] [9] [10] 2017–present: Debut and touring. On July 19, 2017, they released their debut EP Hola Hola . The six-track EP contained their previous project singles, as well as the title track "Hola Hola". They made their official televised performance on M Countdown on July 19. Their Wild Kard Tour was held in September 2017, with five European dates in London, Lisbon, Madrid, Milan, and Rotterdam, and five North American dates in Minneapolis; Washington, D.C.; New York City; Miami; and San Francisco. [11] The group released their second EP, You & Me , on November 21 with the song "You In Me" serving as the title track. [12] [13] The female members of the group, Somin and Jiwoo, featured in a special version of the song "Lo Siento", the lead single of Super Junior's album Replay (a repackaged album of their eighth Korean studio album Play). This version is included inside the digital version of the album. The album was released on April 12, 2018. Somin and Jiwoo joined Super Junior to perform on Korean music programs. KARD had a tour held in four countries: Singapore, Taiwan, Hong Kong and the Philippines. [14] KARD performed at the South By Southwest (SXSW) 2018. [15] They were the only K pop group on the '2018 year expectation team' selected by FUSE TV. FUSE TV selected 16 teams expected to be in 2018 among the teams participating in the "SXSW" music festival, the largest music market in the United States.
Recommended publications
  • Rapping the Arab Spring
    Rapping the Arab Spring SAM R. KIMBALL UNIS—Along a dusty main avenue, past worn freight cars piled on railroad tracks and Tyoung men smoking at sidewalk cafés beside shuttered shops, lies Kasserine, a town unremarkable in its poverty. Tucked deep in the Tunisian interior, Kasserine is 200 miles from the capital, in a region where decades of neglect by Tunisia’s rulers has led ANE H to a state of perennial despair. But pass a prison on the edge of town, and a jarring mix of neon hues leap from its outer wall. During the 2011 uprising against former President Zine El-Abdine Ben Ali, EM BEN ROMD H prisoners rioted, and much of the wall was destroyed HIC in fighting with security forces. On the wall that re- 79 Downloaded from wpj.sagepub.com at COLUMBIA UNIV on December 16, 2014 REPORTAGE mains, a poem by Tunisian poet Abu al in it for fame. But one thing is certain— Qassem Chebbi stretches across 800 feet the rebellions that shook the Arab world of concrete and barbed wire, scrawled in tore open a space for hip-hop in politics, calligraffiti—a style fusing Arabic callig- destroying the wall of fear around freedom raphy with hip hop graffiti—by Tunisian of expression. And governments across the artist Karim Jabbari. On each section of region are now watching hip-hop’s advance the wall, one elaborate pattern merges into with a blend of contempt and dread. a wildly different one. “Before Karim, you might have come to Kasserine and thought, PRE-ARAB SPRING ‘There’s nothing in this town.’ But we’ve “Before the outbreak of the Arab Spring, got everything—from graffiti, to break- there was less diversity,” says independent dance, to rap.
    [Show full text]
  • Reeperbahn Festival Conference MAG / SEPT 2017
    CONFERENCE 20 – 23 SEPT 2017 MAG Branded PartnershipsBranded Algorithms and on Hackney Camille Licensing and Sync Time for Diversity for Time Equality and Vanessa Reed on Keychange – Photo: Bonaparte © Musik Bewegt / Henning Heide Henning / Bewegt Musik © Bonaparte Photo: Raise Your Voice Voice Raise Your year´s This Conference Focus Music on and Politics mobile apps for your festival proudly presents the official app Available on the App Store and Google Play Meet us in Hamburg in September! Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] _ INDEX EDITORIAL 4 mobile apps for your festival RAISE YOUR VOICE The International Music World Is Turning Up 7 Its Political Volume SHIRLEY MANSON Early Days In Madison 15 DAVE ALLEN proudly presents Streaming and Music Culture 21 LIVE FOR (RE)SALE A Sort of Darknet for Tickets 25 VANESSA REED Closing the Gender Gap 31 TERRY MCBRIDE Understanding the Value of Music and 36 How to Effectively Monetize It UNSIGNED VS SIGNED Do Artists Benefit from Blockchain? 39 CAMILLE HACKNEY On Music, Brands, Data and Storytelling 45 MUSIC IN IRAN A Personal Experience 49 HARTWIG MASUCH 10 Songs that Helped Create the New BMG 55 PROGRAMME REGISTER SESSIONS 59 SHOWCASES 65 the AWARDS 68 official app MEETINGS 68 Available on the App Store and Google Play NETWORKING 69 IMPRINT 76 PARTNERS 78 Meet us in Hamburg in September! Coverphoto: Camille Hackney, speaker at „Sync Faster – Sync Different and board member of ANCHOR 2017. © Grayson Dansic Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] 3 _ EDITORIAL DEAR CONFERENCE ATTENDEES, DEAR FRIENDS, we‘re delighted you have made it back to Hamburg once again this year for what is now the 12th edition of the Reeperbahn Festival.
    [Show full text]
  • Landscapes of Korean and Korean American Biblical Interpretation
    BIBLICAL INTERPRETATION AMERICAN AND KOREAN LANDSCAPES OF KOREAN International Voices in Biblical Studies In this first of its kind collection of Korean and Korean American Landscapes of Korean biblical interpretation, essays by established and emerging scholars reflect a range of historical, textual, feminist, sociological, theological, and postcolonial readings. Contributors draw upon ancient contexts and Korean American and even recent events in South Korea to shed light on familiar passages such as King Manasseh read through the Sewol Ferry Tragedy, David and Bathsheba’s narrative as the backdrop to the prohibition against Biblical Interpretation adultery, rereading the virtuous women in Proverbs 31:10–31 through a Korean woman’s experience, visualizing the Demilitarized Zone (DMZ) and demarcations in Galatians, and introducing the extrabiblical story of Eve and Norea, her daughter, through story (re)telling. This volume of essays introduces Korean and Korean American biblical interpretation to scholars and students interested in both traditional and contemporary contextual interpretations. Exile as Forced Migration JOHN AHN is AssociateThe Prophets Professor Speak of Hebrew on Forced Bible Migration at Howard University ThusSchool Says of Divinity.the LORD: He Essays is the on author the Former of and Latter Prophets in (2010) Honor ofand Robert coeditor R. Wilson of (2015) and (2009). Ahn Electronic open access edition (ISBN 978-0-88414-379-6) available at http://ivbs.sbl-site.org/home.aspx Edited by John Ahn LANDSCAPES OF KOREAN AND KOREAN AMERICAN BIBLICAL INTERPRETATION INTERNATIONAL VOICES IN BIBLICAL STUDIES Jione Havea Jin Young Choi Musa W. Dube David Joy Nasili Vaka’uta Gerald O. West Number 10 LANDSCAPES OF KOREAN AND KOREAN AMERICAN BIBLICAL INTERPRETATION Edited by John Ahn Atlanta Copyright © 2019 by SBL Press All rights reserved.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • O Fenômeno K-Pop – Reflexões Iniciais Sob a Ótica Da Construção Do Ídolo E O Mercado Musical Pop Sul-Coreano1
    Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação 40º Congresso Brasileiro de Ciências da Comunicação – Curitiba - PR – 04 a 09/09/2017 O FENÔMENO K-POP – REFLEXÕES INICIAIS SOB A ÓTICA DA CONSTRUÇÃO DO ÍDOLO E O MERCADO MUSICAL POP SUL-COREANO1 Letícia Ayumi Yamasaki2 Rafael de Jesus Gomes3 Universidade do Estado de Mato Grosso (UNEMAT) Resumo: A finalidade deste artigo é discutir de que forma a indústria fonográfica começa a se reinventar a partir da abrangência da internet e da cultura participativa (JENKINS, 2008) e suas estratégias para sobreviver nesse mercado. Dessa forma, pretende-se analisar aqui o fenômeno K-Pop (Korean Popular Music) e suas técnicas para a construção do ídolo, licenciamento de produtos e seu respectivo sucesso no mercado global de música. A partir de uma reflexão inicial, discutiremos aqui como a indústria cultural está absorvendo esses elementos e construindo novos produtos. Como aporte metodológico, reuniu-se a pesquisa bibliográfica a partir dos conceitos sobre produtos culturais, economia afetiva além de pesquisa em sites focados no universo da cultura Pop Sul-Coreana. Palavras-chave: K-Pop, convergência, estratégias, indústria cultural 1. INTRODUÇÃO Um mercado que fatura bilhões de dólares por ano, altamente influenciado pelo uso de tecnologias durante o processo de produção, consumo e sua relação com a lógica do capital (BOLAÑO, 2010); (ARAGÃO, 2008); (BRITTOS, 1999); (DIAS, 2010). Este é o cenário da indústria fonográfica que, nos últimos 20 anos precisa lidar com o faturamento de suas produções e, ao mesmo tempo, precisa também se adaptar aos processos de compartilhamento via aplicativos, streamings e serviços on demand (JENKINS, 2008); (KELLNER, 2004).
    [Show full text]
  • The K-Pop Wave: an Economic Analysis
    The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute).
    [Show full text]
  • K-Pop Fandom in Lima,Perú
    Wesleyan ♦ University K-POP FANDOM IN LIMA, PERÚ: VIRTUAL AND LIVE CIRCULATION PATTERNS By Stephanie Ho Faculty Advisor: Dr. Mark Slobin A Dissertation submitted to the Faculty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts. Middletown, Connecticut MAY 2015 i Acknowledgements I would like to thank my advisor, Dr. Mark Slobin, for his invaluable guidance and insights during the process of writing this thesis. I am also immensely grateful to Dr. Su Zheng and Dr. Matthew Tremé for acting as members of my thesis committee and for their considered thoughts and comments on my early draft, which contributed greatly to the improvement of my work. I would also like to thank Gabrielle Misiewicz for her help with editing this thesis in its final stages, and most importantly for supporting me throughout our time together as classmates and friends. I thank the Peruvian fans that took the time to help me with my research, as well as Virginia and Violeta Chonn, who accompanied me on fieldwork visits and took the time to share their opinions with me regarding the Limeñan fandom. Thanks to my friends and colleagues at Wesleyan – especially Nicole Arulanantham, Gen Conte, Maho Ishiguro, Ellen Lueck, Joy Lu, and Ender Terwilliger – as well as Deb Shore from the Music Department, and Prof. Ann Wightman of the Latin American Studies Department. From my pre-Wesleyan life, I would like to acknowledge Francesca Zaccone, who introduced me to K-pop in 2009, and has always been up for discussing the K-pop world with me, be it for fun or for the purpose of helping me further my analyses.
    [Show full text]
  • Pross Made ,Oal Is Set Plan Strict Enforcement CARTERET-Effective Today, a Nickel Will Buy N Full Hour Sergeant It Wl.L Cost You One Dollar for Parking
    first With The News! For Value - Shop The Ados ..„ Astride All The Activities fcrrpof The Town With Your The Largest And Best Sh«f>s And Home-Town Paper Services In The Area Kn Our Advertisers! Patronhr Them! XXXIV-NO. 5 larterrCARTERET, N J., tFRIDAY, MAY 20, PRICE EIGHT CENTS mid Drive As The New First Presbyterian Church Will Look Parking Meters Operating; Pross Made ,oal is Set Plan Strict Enforcement CARTERET-Effective today, A nickel will buy n full hour Sergeant It wl.l cost you one dollar for parking. This Is the maximum. overtime parklnK in the metered The other nvallab e parking pe- |\l $50,000 area on Upper Roosevelt Avsnue. riods are 12 minutes for one By Couneil Operation of parking meters penny and 24 minutes fon two in the borough for the first time cents. began this morning with motor- Boroush Council decided on Sewage Plant Again i (iroiip Maps ists experiencing a minimum of the installation of metars after l.lnin'l difficulty. complaints have been received by Discussed; Claim f,,r Campaign According to Police Commis- merchants In that section that Many Deficiencies sioner Richard Donovan the new patrons have trouble In flndln? M r The First Presby- parkins meter ordinance will be parking space, since cars were CARTERET — Patrolman An- ,,'iiBiiildlniiFundCam- ripidly enforced. parked there all day long. drew Prosit, a member of the bor- ,, ijpcniise of specific ough police department ror the ,. lonil church. One of past 11 ye»fs, last night was pro- 1|(.,MIIR needs Is a desire moted to the rank of sergeant by ,,,nii and space.
    [Show full text]
  • A Thesis Presented to the Faculty of Divinity of the University of Edinburgh for the Degree of Ph.D
    THE RELATION OF ST. PAUL'S ETHICS TO HIS DOCTRINE OF SALVATION BY H. W. KSRLEY, B.A., B.D. A THESIS PRESENTED TO THE FACULTY OF DIVINITY OF THE UNIVERSITY OF EDINBURGH FOR THE DEGREE OF PH.D. THE RELATION OF ST. PAUL'S ETHICS TO HIS DOCTRINE OF SALVATION CONTENTS Page CHAPTER ONE INTRODUCTION................................ 1 CHAPTER TWO CONVERSION AND BACKGROUND................... 10 CHAPTER THREE THE DOCTRINE OF "IN CHRIST1"................. 60 CHAPTER FOUR THE NATURE OF: REDEMPTION.................... 106 CHAPTER FIVE THE NATURE OF JUSTIFICATION................. 145 CHAPTER SIX THE NATURE OF RECONCILIATION................ 182 CHAPTER SEVEN THE LIFE OF HOLINESS........................ £14 CHAPTER EIGHT ETHICAL PRESUPPOSITIONS..................... 248 CHAPTER ONE INTRODUCTION In the epistles of St. Paul we find a remarkably well- developed theology. Ethical teaching is, however, by no means lacking. A brief survey is sufficient to show that a large proportion of his extant writings is devoted to practical advice and exhortation. Frequently the main body of ethical teaching follows the section in which his theology is developed and explained. Sometimes, as in the epistle to the Romans, the transition seems to be abrupt and the connection obscure. Possibly it is for this reason that there has been, at times, a tendency either to emphasize the doctrine or the ethic to the exclusion of the other, or to give more or less equal weight to both, and thus to emphasize the disconnection between the two. Some ages have taken St. Paul's doctrine without his ethic. Our own seems to be more concerned with ethics than with theology, and the attempt is made to establish morality without a doctrinal basis.
    [Show full text]
  • Attempted Sexual Assault Reported at BC Newly Elected BCSGA Officers
    Possible league title in bc_rip The Renegade Rip Grand opening of sight for BC softball @bc_rip @bc_rip Studio Movie Grill Sports, Page 7 www.therip.com News, Page 2 The Renegade Rip Vol. 90 ∙ No. 6 Bakersfield College Thursday, April 19, 2018 Attempted Newly elected BCSGA officers for sexual assault 2018-2019 have big plans for future By Issy Barrientos Reporter A few weeks ago, Bakersfield College held its Student Government Asso- reported at BC ciation elections to vote in the new officers for the next school year. The new president and vice-president are James Tompkins and Ashely Nicole Harp. By Hector Martinez Bakersfield College, explained that Tompkins joined BCSGA because he not only wanted his voice, and the Reporter for the moment, all the information voices of other students heard, but also the voice of former incarcerated stu- Public Safety had on the matter was dents. He has been a part of BCSGA for a year now as senator. As a senator he On April 10, Bakersfield Col- included in the email alert sent to was able to pass a resolution to have staff on campus complete bias training so lege’s Public Safety sent out an alert the campus community that day. that they can see pass their own biases. As the president he would like continue about an incident that happened in- Counts also explained that there to expand on his work for incarcerated students. side the women’s restroom of the are sometimes several incidents in a “I still think there are a lot of barriers for education for people that are deal- Humanities building.
    [Show full text]
  • Kara Rock You Download
    Kara rock you download click here to download Kara - Rock U is a song popularized by Kara. This track MB size that you can download here for free, and only as a review. You can also. Download. KARA Rock U Han Rom Eng Color Coded Lyrics mp3. Free KARA Rock U Han Rom Eng Color Coded Lyrics mp3. Kbps MB Convert Youtube [Audio] KARA -ROCK U to MP3 instantly. [MV]KARA 미ë%u%u02C61ì§%u ROCK U [www.doorway.ru]. Скачать MP3. Размер: MB | Длина: MIN. Rock U (Kara). Скачать MP3. k pop baby kara rock u go go summer step kara project in japan size: MB - Duration: - Bitrate: Kbps - FileType: mp3. download. 【TVPP】KARA - Mickey + Rock U + Mister, - Mickey + + @ Korean Music Festival Live. 【TVPP】KARA - Mickey + Rock U + Mister, . Kara Rock U Mp3 Free Download. Free download Kara Rock U Mp3 Free Download mp3 for free. [Audio] KARA -ROCK U. Source: youtube. Play Stop. Watch the video, get the download or listen to Kara – Rock U for free. Rock U appears on the album The Best of KARA. Discover more music, gig and concert. Download MP3 Songs Free Online Kara rock www.doorway.ru3 MP3 youtube downloader music free download - Search for your favorite music and download these in the. Download MP3 Audio Kara Rock U. [] Rock U - Kara /Lyrics Hangul/Romanized. View Detail · KARA - Rock U M/V. March 08, By. Download: [HD][] | KARA - Rock U. (Comeback Stage ♡) @ MuBank. ☆彡. By LiveLoveOldKpopHD. , KARA - Rock You MV + Lyrics (sub) Video Download - FaceDL. (KARA) 1st mini album "Rock U" Music Video # #KARA # #RockU # # #.
    [Show full text]
  • THE GLOBALIZATION of K-POP by Gyu Tag
    DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program.
    [Show full text]