KULTUR Koreaausgabe 1 / 2018
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Rapping the Arab Spring
Rapping the Arab Spring SAM R. KIMBALL UNIS—Along a dusty main avenue, past worn freight cars piled on railroad tracks and Tyoung men smoking at sidewalk cafés beside shuttered shops, lies Kasserine, a town unremarkable in its poverty. Tucked deep in the Tunisian interior, Kasserine is 200 miles from the capital, in a region where decades of neglect by Tunisia’s rulers has led ANE H to a state of perennial despair. But pass a prison on the edge of town, and a jarring mix of neon hues leap from its outer wall. During the 2011 uprising against former President Zine El-Abdine Ben Ali, EM BEN ROMD H prisoners rioted, and much of the wall was destroyed HIC in fighting with security forces. On the wall that re- 79 Downloaded from wpj.sagepub.com at COLUMBIA UNIV on December 16, 2014 REPORTAGE mains, a poem by Tunisian poet Abu al in it for fame. But one thing is certain— Qassem Chebbi stretches across 800 feet the rebellions that shook the Arab world of concrete and barbed wire, scrawled in tore open a space for hip-hop in politics, calligraffiti—a style fusing Arabic callig- destroying the wall of fear around freedom raphy with hip hop graffiti—by Tunisian of expression. And governments across the artist Karim Jabbari. On each section of region are now watching hip-hop’s advance the wall, one elaborate pattern merges into with a blend of contempt and dread. a wildly different one. “Before Karim, you might have come to Kasserine and thought, PRE-ARAB SPRING ‘There’s nothing in this town.’ But we’ve “Before the outbreak of the Arab Spring, got everything—from graffiti, to break- there was less diversity,” says independent dance, to rap. -
Ready for Prime Time 27/142
www.li.com www.prosperity.com PROSPERITY IN DEPTH: SOUTH KOREA Ready for Prime Time By Mark Russell 2012 LEGATUM PROSPERITY INDEX™ RANKING: SOUTH KOREA 27/142 GLOBAL TRANSITIONS PROSPERITY STUDIES THE LEGATUM INSTITUTE Based in London, the Legatum Institute (LI) is an independent non-partisan public policy organisation whose research, publications, and programmes advance ideas and policies in support of free and prosperous societies around the world. LI’s signature annual publication is the Legatum Prosperity Index™, a unique global assessment of national prosperity based on both wealth and wellbeing. LI is the co-publisher of Democracy Lab, a journalistic joint-venture with Foreign Policy Magazine dedicated to covering political and economic transitions around the world. PROSPERITY IN DEPTH To complement the annual Legatum Prosperity Index, we regularly commission specialists—economists, political scientists, journalists— to provide additional analysis of selected countries. In each case they represent highly original work by distinguished experts that adds depth and insight to the statistical analysis of the index. THE LEGATUM INSTITUTE FOREWORD South Korea’s modern history is one of extremes: harsh colonial occupation, near-total destruction by war, crony capitalism, brutal dictatorship, episodic sabre-rattling by its heavily armed neighbour—and, of course, the triumph of democracy and lightning rise to a level of affluence approaching that of Japan. It shouldn’t be surprising, then, that South Koreans continue to struggle with their past and worry much about their future, realities reflected in the country’s mixed rankings on the 2012 Legatum Prosperity Index. While it gets high marks on sub-indices for entrepreneurship and opportunity (19th out of 142 countries), education (7th), and health (24th), it ranking surprisingly low for a rich democracy on safety and security (40th), personal freedom (56th), and social capital (51st). -
CSFIN2016 Protocol
PROTOCOL ISU Challenger Series competition Finlandia Trophy Espoo 2016 October 6-9, 2016 PROTOCOL 21 st FINLANDIA TROPHY part of the Challenger Series Competitions October 6-9, 2016 organizer Finnish Figure Skating Association authorized by International Skating Union place Metro Areena, Espoo, Finland INTERNATIONAL SKATING UNION Council President Jan Dijkema NED 1st Vice President SS Tron Espeli NOR 2nd Vice President FS Alexander Lakernik RUS Members FS Junko Hiramatsu JPN Patricia St. Peter U.S.A Marie Lundmark FIN Benoit Lavoie CAN Maria Teresa Samaranch ESP SS Yang Yang CHN Jae Youl Kim KOR Stoytcho G. Stoytchev BUL Roland E. Maillard SUI Sergio Anesi ITA Director General Fredi Schmid SUI ISU FS Sports Directors Charles Z Cyr USA Krisztina Regöczy HUN ISU SS Sports Director Hugo Herrnhof ITA Technical Committees Single & Pair Skating Chairperson Fabio Bianhetti ITA Members Susan Lynch AUS Yukiko Okabe JPN Rita Zonnekeyn BEL Appointed Skater Patrick Meier SUI Appointed Coach David P Kirby U.SsA Ice Dance Chairperson Halina Gordon-Poltorak POL Members Shawn Rettstatt U.S.A Alla Shekhovtsova RUS Hilary Selby GBR Appointed Skater Sylwia Nowak-Trebacka POL Appointed Coach Maurizio Margaglio ITA Synchronized Skating Chairperson Christopher Buchanan GBR Members Mika Saarelainen FIN Petra Tyrbo SWE Lois Long U.S.A. Appointed Skater Helena Ericson SWE Appointed Coach Cathy Dalton CAN FINNISH FIGURE SKATING ASSOCIATION President Laura Raitio Vice Presidents Anne-Mari Jussila Mika Saarelainen Members Kirsi Greis Jaana Juhola Janne Korhonen -
Norges Skøyteforbund Årbok 2015–2017
Norges Skøyteforbund Årbok 2015–2017 Versjon 2 – 30.05.2017 ©Norges Skøyteforbund 2017 Redaktør: Halvor Lauvstad Historikk/resultater: Svenn Erik Ødegård Trond Eng Bjørg Ellen Ringdal Tilrettelegging: Halvor Lauvstad Distribusjon: Elektronisk (PDF) Innholdsfortegnelse Norges Skøyteforbunds Årbok 2015-2017 2/150 Innkalling til ordinært ting for Norges Skøyteforbund Det innkalles herved til Forbundsting på Quality Hotel Edvard Grieg (Sandsliåsen 50, 5254 Bergen) på Sandsli like utenfor Bergen, 9. – 11. juni 2017. Tingforhandlingene starter fredag 9. juni kl. 16.30. Forslag og saker som ønskes behandlet på Skøytetinget 2017, må være begrunnet og innsendt gjennom et lag eller en krets til forbundsstyret innen 9 mai 2017. Minimumskrav for at for at saker/lovforslag skal bli behandlet ifb med NSFs Ting, er at innmeldte saker/forslag inneholder henvisninger til aktuelle lover/regler og konkrete forslag til endret tekst/ordlyd. NSFs lover er her: https://skoyte.klubb.nif.no/dokumentarkiv/Documents/NSF%20lov%20revidert%20NIFs%20lovnorm %20Mai%202017.pdf Forslag/saker sendes elektronisk til Norges Skøyteforbund på epost: [email protected] Skøytetinget 2017 avholdes i henhold til § 14, 15, 16, 17 og 18 i Norges Skøyteforbunds lov. Dagsorden 1. Tingets åpning a) Minnetaler b) Åpningstale c) Hilsningstaler 2. Konstituering a) Godkjenning av innkalling til Tinget b) Godkjenning av fullmaktene c) Godkjenning av dagsorden d) Godkjenning av forretningsorden e) Valg av: - 2 dirigenter - sekretærer - 2 tillitsvalgte til å undertegne protokollen - reisefordelingskomité - tellekorps - Valg av redaksjonskomite på 3 medlemmer 3. Beretninger 4. Regnskap Norges Skøyteforbunds Årbok 2015-2017 3/150 a) Regnskap for perioden 1.1.2015 til 31.12.2015 b) Regnskap for perioden 1.1.2016 til 31.12.2016 5. -
Deutsche Eislauf-Union E.V. ∙ Menzinger Str. 68 ∙ D-80992 München
Deutsche Eislauf-Union e.V. ∙ Menzinger Str. 68 ∙ D-80992 München Geschäftsstelle: Menzinger Straße 68 München, 01.12.2016 D-80992 München Telefon: 089 / 89 12 03 14 Telefax: 089 / 89 12 03 20 PRESSEMITTEILUNG E-Mail: [email protected] Homep.: www.eislauf-union.de Deutsche Meisterschaften in Berlin HypoVereinsbank IBAN: DE58 7002 0270 0015 3830 06 Swift-BIC: HYVE DE MM XXX Die besten deutschen Eiskunstläufer treffen sich bei den Deutschen Meisterschaften 2017 in Berlin. Für die einen geht es noch um einen begehrten Amtsgericht München Startplatz bei der Europameisterschaft in Ostrava (Tschechische Republik), für VR-Nr.: 6729 andere ist es ein letzter Test vor diesem ersten Saisonhöhepunkt. Finanzamt München f. Körpersch. Ein Highlight der Wettbewerbe am 16. und 17. Dezember in Berlin verspricht Steuer-Nr.: 143/212/60021 USt-IdNr.: DE 129514797 natürlich der Auftritt von Aljona Savchenko/Bruno Massot (Oberstdorf) zu werden. Die Vize-Europameister und WM-Dritten haben mit zwei Siegen in der Grand Prix Serie bestätigt, dass sie in der absoluten Weltspitze angekommen sind. Allerdings hat sich Savchenko beim Grand Prix in Paris eine Knöchelverletzung zugezogen. Mari Vartmann/Ruben Blommaert (Düsseldorf/Oberstdorf) waren neben Savchenko/Massot die einzigen deutschen Starter im Grand Prix und wollen sich mit den Stars messen. Die jungen Berliner Minerva Fabienne Hase/Nolan Seegert wollen sich vor heimischen Publikum möglichst gut präsentieren. Partner der DEU: Der fünffache Deutsche Meister Peter Liebers (Berlin) gibt nach langer Verletzungspause sein Comeback in seiner Heimatstadt und muss mit starker Konkurrenz rechnen. Paul Fentz (Berlin) ist nach einigen guten Auftritten im Herbst in die Favoritenrolle geschlüpft und könnte seinen ersten Titel holen. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
A Hip-Hop Copying Paradigm for All of Us
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ............................................... -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
The Italian Girl in Algiers
Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music -
ISU Communication 2359
Communication No. 2359 National Results 2019/20 In accordance with Rule 104, paragraph 13 a), b) and c) the ISU publishes the following results for the season 2019/20: a) The five best times set up on standard tracks by Speed Skaters of the Member over distances of 500, 1000, 1500, 3000, 5000 and 10 000 meters for Men and 500, 1000, 1500, 3000 and 5000 meters for Ladies and Team Pursuit for Men and Ladies; b) The five best Short Track Speed Skaters of the Member over the distances 500, 1000, 1500, 3000 meters and Relay based on the results from International Competitions or National Championships; c) The names of the five best Ladies and Men Figure Skaters, the five best pairs and the five best couples in Ice Dance and the five best Synchronized Skating Teams based on the results of National Championships. The ISU cannot take any responsibility for the accuracy of the results furnished by the Members.. 1. Speed Skating ARGENTINA Ladies 500 meters Ladies 1000 meters 38,84 Victoria Rodriguez Salt Lake City 16.11.2019 1.18,75 Victoria Rodriguez Salt Lake City 29.02.2020 42,72 Valentina Espinosa Salt Lake City 16.11.2019 1.22,06 Valentina Espinosa Salt Lake City 08.03.2020 Ladies 1500 meters Ladies 3000 meters 2.05,94 Valentina Espinosa Salt Lake City 07.03.2020 4.25,01 Valentina Espinosa Salt Lake City 06.03.2020 2.09,04 Victoria Rodriguez Salt Lake City 23.11.2019 Ladies 5000 meters 7.54,94 Valentina Espinosa Salt Lake City 12.10.2019 AUSTRALIA Ladies 500 meters Ladies 1000 meters 50,04 Eva Fabian Calgary 01.03.2020 1.38,92 Eva Fabian Calgary -
Sociology of Sport International Review For
International Review for the Sociology of Sport http://irs.sagepub.com Sport Star Vs Rock Star in Globalizing Popular Culture: Similarities, Difference and Paradox in Discussion of Celebrities Heejoon Chung International Review for the Sociology of Sport 2003; 38; 99 DOI: 10.1177/10126902030381006 The online version of this article can be found at: http://irs.sagepub.com/cgi/content/abstract/38/1/99 Published by: http://www.sagepublications.com On behalf of: International Sociology of Sport Association Additional services and information for International Review for the Sociology of Sport can be found at: Email Alerts: http://irs.sagepub.com/cgi/alerts Subscriptions: http://irs.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.co.uk/journalsPermissions.nav Citations http://irs.sagepub.com/cgi/content/refs/38/1/99 Downloaded from http://irs.sagepub.com at GLASGOW CALEDONIAN UNIVERSITY on November 13, 2009 03_IRS 38/1 articles 24/2/03 10:32 am Page 99 INTERNATIONAL REVIEW FOR THE SOCIOLOGY OF SPORT 38/1(2003) 99–108 99 © Copyright ISSA and SAGE Publications (London, Thousand Oaks, CA, New Delhi) www.sagepublications.com [1012–6902 (200303) 38:1;99–108; 031731] SHORT COMMUNICATION SPORT STAR VS ROCK STAR IN GLOBALIZING POPULAR CULTURE Similarities, Difference and Paradox in Discussion of Celebrities Heejoon Chung Dong-A University, South Korea Abstract This paper investigates the multiplex and complex nature of popular culture in develop- ing nations in the midst of globalization by comparatively analyzing two cultural icons of Korean society: a Texas Ranger pitcher, Chanho Park, and a rock musician, Taiji Seo. -
Hip-Hopdraws Growing Academic Interest
Singer Sharon Jones dies at 60 SUNDAY, NOVEMBER 20, 2016 38 Mari Vartmann and Ruben Blommaert of Germany perform during the pairs free skating at the Ice Dance short dance at the Cup of China ISU Grand Prix of Figure Skating in Beijing yesterday. — AFP Global Citizen Festival India Hip-hop draws growing academic interest he forgotten music of Boston's early hip-hop studies professor at Northeastern University. "It's and rap scene is being revived by two unlikely really rich for analysis in all kinds of contexts." Theroes: a local college and the public library. Some scholars still question whether hip-hop Researchers at the University of Massachusetts has a place in academia, but its acceptance is grow- Boston have been working with the Boston Public ing, said Forman, who was a Nasir Jones fellow last Library to compile an online archive of demo tapes year. University presses have published dozens of by the city's top hip-hop and rap artists of the textbooks on rap and hip-hop's political and cultur- 1980s. Opening to the public on Saturday, the al importance. Scores of graduate students have Massachusetts Hip-Hop Archive was created in part taken on similar topics for their dissertations. For to reclaim the city's role in the genres' history. "It's archivists in particular, there has been a surge of been an untold story," said Pacey Foster, a rap histo- interest in preserving the artifacts of hip hop, espe- rian and professor at UMass. "Boston is not a city cially from its early days in the 1970s and 1980s, that has had its rightful place in the early stories of Forman said.