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MERCEDES-BENZ Prepared By
Bhartidasan University Tiruchirappalli Project Report On MERCEDES-BENZ Prepared By MAHESHKUMAR DEVARAJ MBA 2ND SEM Roll no. :-BM100728 Exam no:- 10295229 Guided By Professor:- Mr. Abhijit rane College:- Mumbai school of business Academic Year July 2010-july 2012 Submitted To Bhartidasan University Tiruchirappalli DECLARATION I Maheshkumar Devaraj, student of MBA of Mumbai school of Business hereby declare that the project work presented in this report is my own work. The aim of this study is to understand the general information of Mercedes-Benz. I guarantee that this project report has not been submitted for the awards to any other university for degree, diploma or any other such prizes. CERTIFICATE This is to certify that the Project Report entitled “An Overview of Mercedes-Benz ” is a bonafied of project work done by MAHESHKUMAR DEVARAJ submitted to the Bharathidasan University in partial fulfillment of the requirement for the award of the Degree of MASTER OF BUSINESS ADMINISTRATION and that the dissertation has not previously formed the basis for the award of any other Degree, Diploma, Associate ship, Fellowship or other title and that the project report represents independent and original work on the part of the candidate under my guidance. Signature of the Guide Signature of the Supervisor Signature of the Coordinator Director Signature of the Internal Examiner Signature of the External AKNOWLEDGEMENT A successful project can never be prepared by the single effort of the person to whom project is assigned, but it also the hardwork and guardianship of some conversant person who helped the undersigned actively or passively in the completion of successful project. -
Memory and Myth: the Bombings of Dresden and Hiroshima in German and Japanese TV Drama
Memory and myth: the bombings of Dresden and Hiroshima in German and Japanese TV drama GRISELDIS KIRSCH Abstract Japan is often blamed for not coming to terms with its own wartime past and for focusing solely on its role as a victim of the war. Germany, however, is often seen as the model that Japan has to emulate, having penitently accepted responsibility. Thus, in order to work out how these popular myths are being perpetuated, the media prove to be a good source of information, since they help to uphold memory and myth at the same time. In this paper, it will be examined how the “memory” of the bombings of Dresden and Hiroshima is being upheld in Japan and Germany2 and what kinds of “myths” are being created in the process. In focusing on two TV dramas, it shall be worked out to what extent Japan and Germany are represented as “victims” and to what extent, if at all, the issue of war responsibility features in these dramas. Keywords: Hiroshima; Dresden; war memory; television; television drama. 記憶と神話:ドイツと日本のテレビドラマにおけるドレスデン爆 撃と広島 グリゼルディス・キルシュ 日本は過去の戦争について清算せず、被害者意識ばかりに焦点を置い ている。それに対してドイツは反省して自らの戦争責任を受け入れて おり、日本は倣うべきであるとしばしば言われる。こうした 「神話」 がいかに受け継がれて来ているかを検証するにあたって、メディアは 重要な情報源であり、過去の記憶と同時に 「神話」を広め続けている。 本稿はドレスデン大空襲と広島の原爆の記憶が両国でどのように継承 Contemporary Japan 24 (2012), 51270 18692729/2012/02420051 DOI 10.1515/cj-2012-0003 © Walter de Gruyter Brought to you by | School of Oriental and African Studies (SOAS), University of London Authenticated Download Date | 1/20/20 3:33 PM 52 Griseldis Kirsch され、どのような「神話」 が築き上げられてきたかを二つのテレビド ラマに焦点をあてて見ていきたい。ドイツと日本が単に「犠牲者」 と して描かれているのか、そして、戦争責任についてどの程度触れられ ているかを検証する。 1. Introduction People bowing deeply in the Peace Park, in the background the Atomic Bomb Dome. -
Comp. 09 Program Layout.Cwk
T h i r t y - S e c o n d S e a s o n 2 0 0 9 - 2 0 1 0 Celebrating Lukas Tuesday, March 2, 2010, 7:30 p.m. Free admission Alea III celebrates the life and work of Lukas Foss, a great master, with an evening devoted exclusively to his music. ALEA III Echoi For Toru Elegy for Anne Frank For Aaron Plus Theodore Antoniou, Eighteen Epigrams Music Director a new work written by Lukas Foss’s students: Apostolos Paraskevas, Panos Liaropoulos, Michalis Economou, Jakov Jakoulov, Contemporary Music Ensemble Mark Berger, Frank Wallace, Ronald G. Vigue, Julian Wachner, Jeremy Van Buskirk, in residence at Mauricio Pauly, Matt Van Brink, Ivana Lisak, Ramon Castillo, Pedro Malpica, Boston University Paul Vash, Po-Chun Wang, Margaret McAllister, Sunggone Hwang. Theodore Antoniou, conductor Saxes and Horns Wednesday, April 28, 2010, 7:30 p.m. Free admission 27th International Composition Works of unusual instrumentation, featuring 18 saxophones Competition and 9 French horns. Pierre Boulez Dialogue de l’ombre double Theodore Antoniou Music for Nine Gunther Schuller Perpetuum Mobile Sofia Gubaidulina Duo TSAI Performance Center Georgia Spiropoulos Rotations October 4, 2009, 7:00 pm Eric Hewitt la grenouille Eric Ruske, horn, Tsuyoshi Honjo, Eric Hewitt and Jared Sims, saxophones Special guest: Radnofsky Saxophone Ensemble Eric Hewitt, conductor Sponsored by Boston University and the George Demeter Realty. BOARD OF DIRECTORS BOARD OF ADVISORS OUR NEXT ALEA EVENTS President George Demeter Mario Davidovsky Hans Werner Henze Generations Chairman Milko Kelemen André de Quadros Oliver Knussen Monday, November 16, 2009, 7:30 p.m. -
Weltpremiere Concept EQV: Mercedes-Benz Zeigt Ausblick Auf
Après-Vente Communiqué Un Sprinter atelier mobile à Perpignan 25 juillet 2019 La concession Monopole Automobliles (Groupe LG Automobiles) met en service un Sprinter « atelier mobile » pour réparer les clients VP, VUL et VI « flottes » dans un rayon de 80 kilomètres autour de Perpignan. Perpignan – La concession Monopole Automobiles (groupe LG Automobiles) vient de mettre en service un Sprinter pas comme les autres. Aménagé par la société Luro en atelier mobile, ce Sprinter316 37S sillonne l’agglomération perpignanaise pour effectuer des réparations au plus près des clients VP, VUL et VI. Pour Benoît Lopez, responsable après-vente de Monopole Automobiles, « Nos entreprises clientes n’ont plus envie mobiliser du personnel et de perdre plusieurs heures à déplacer leurs camions jusqu’à l’atelier. Nous avons donc décidé de venir à eux. Cela nous permet par ailleurs de désengorger notre atelier, gagner des mètres carrés et donner davantage d’autonomie à nos techniciens qui se sont, sans hésiter, portés volontaires. » Vidange, disques, plaquettes etc. : le Sprinter stické « Atelier à domicile » dispose de tout le nécessaire pour dépanner ou réaliser l’entretien des voitures particulières, utilitaires légers, camions mais aussi des bus et des autocars. Valise de diagnostic, caisses à outils pour chaque type de véhicule, récupérateur d’huile auxquels s’ajoutent les pièces détachées préalablement commandées pour la réparation des véhicules. Cette organisation très efficace permet au Sprinter d’entretenir ou réparer jusqu’à neuf véhicules – tout type confondu - en une journée. Monopole Automobiles propose au démarrage exclusivement ce service aux clients flottes, mais n’exclut pas de l’étendre aux particuliers et aux possesseurs de camions d’autres marques que Mercedes-Benz. -
The Cultural Memory of German Victimhood in Post-1990 Popular German Literature and Television
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Commons@Wayne State University Wayne State University Wayne State University Dissertations 1-1-2010 The ulturC al Memory Of German Victimhood In Post-1990 Popular German Literature And Television Pauline Ebert Wayne State University Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the European History Commons, European Languages and Societies Commons, and the German Literature Commons Recommended Citation Ebert, Pauline, "The ulturC al Memory Of German Victimhood In Post-1990 Popular German Literature And Television" (2010). Wayne State University Dissertations. Paper 12. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE CULTURAL MEMORY OF GERMAN VICTIMHOOD IN POST-1990 POPULAR GERMAN LITERATURE AND TELEVISION by ANJA PAULINE EBERT DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2010 MAJOR: MODERN LANGUAGES Approved by: ________________________________________ Advisor Date ________________________________________ ________________________________________ ________________________________________ ________________________________________ © COPYRIGHT BY ANJA PAULINE EBERT 2010 All Rights Reserved Dedication I dedicate this dissertation … to Axel for his support, patience and understanding; to my parents for their help in financial straits; to Tanja and Vera for listening; to my Omalin, Hilla Ebert, whom I love deeply. ii Acknowledgements In the first place I would like to express my deepest gratitude to my advisor, Professor Anne Rothe. -
The Concept of Polymediality
Marios Joannou Elia The Concept of Polymediality Literary Sources as an Inherent Polymedial Element of Music Veröffentlicht unter der Creative-Commons-Lizenz CC BY-NC-ND 4.0 Marios Joannou Elia The Concept of Polymediality Literary Sources as an Inherent Polymedial Element of Music Coverstreifen: Autosymphonic – Open-air multimedia symphony (2010–11), 360-degree positioning of musical groups Quelle: Marios Joannou Elia, m:con – mannheim:congress GmbH Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. 978-3-95983-100-0 (Paperback) 978-3-95983-101-7 (Hardcover) © 2017 Schott Music GmbH & Co. KG, Mainz Alle Rechte vorbehalten. Nachdruck in jeder Form sowie die Wiedergabe durch Fernsehen, Rundfunk, Film, Bild- und Tonträger oder Benutzung für Vorträge, auch auszugsweise, nur mit Genehmigung des Verlags. Printed in Germany Abstract The commentary focuses on the predominantly applied extraneous media in my music, especially the inclusion of literary sources. The discourse begins with a succinct description of the concept of polymediali- ty, which involves two dimensions: the work-immanent compositional dimen- sion and polymediality in the process of staging (Chapter I). Chapter II considers literary sources as a constituent component of music’s polymediality. The first part is preoccupied with the implementation of textual elements and vocality in -
Die Zukunft Der Automobiltechnik the Future of Automotive Technology 19. VDA Technischer Kongress 19Th VDA Technical Congress
19. VDA Technischer Kongress 19 th VDA Technical Congress Programm Program 5./6. April 2017, Kosmos, Berlin April 5 – 6, 2017, Kosmos, Berlin Finales Programm Final Program! Melden Sie sich jetzt an! please register now! www.vda.de/ technischer-kongress Die Zukunft der Automobiltechnik The Future of Automotive Technology Kongress-Premiumpartner Kongress-Partner Kongress-Unterstützer TECHNISCHER KONGRESS 2017 • TECHNICAL CONGRESS 2017 3 lierung beleuchten. Wir wollen die derzeit so intensiv diskutierte Zukunft des Verbrennungsmotors und die zunehmende Elektrifizierung der Antriebe thematisie- ren. Die Automobilindustrie sucht nach Lösungen für die umweltfreundliche Mobilität und nach Wegen zur Erreichung der CO2-Reduktionsziele des Straßenver- kehrs. Dabei spielen die klassischen Verbrennungs- motoren eine ebenso bedeutende Rolle, wie neue Hybrid- und Elektrofahrzeuge. Natürlich wollen wir uns auch mit der neuen anspruchsvollen Abgasge- setzgebung auseinandersetzen und Wege zu deren Erfüllung aufzeigen. Ergänzt wird unsere Antriebs- strategie durch Konzepte zur De-Karbonisierung der Kraftstoffe wie z.B. E-Fuels. Des Weiteren stehen derzeit wichtige Entscheidungen Matthias Wissmann, Präsident des VDA bei der Weiterentwicklung der Fahrzeugsicherheit an. In Brüssel werden 2017 die Weichen für die Fort- schreibung der „General Safety Regulation“ gestellt. Dies wird nicht nur Auswirkungen auf Europa, son- dern auch auf andere Länder wie Japan, Korea, Indien, Russland und China haben. Darüber hinaus nehmen in einem der weltweit wichtigsten Verbrau- cherschutzkonsortien im Bereich der Fahrzeugsicher- am 25. und 26. Februar 2010 wird der 9. VDA-Logistikkongress im Congress Center Leipzig den Teilnehmern die Möglichkeit zu umfassender Information und Kommunikation bieten. Besonders heit,in der aktuellenEuro NCAP,Situation die Überlegungen zur Weiterent- derSehrAutomobilindustrie geehrte Damenwird der undAustausch Herren,von Erfahrungen, Strategien und LösungenMatthiaswichtigeWissmann,BeiträgePräsidentzurdes VDA Sicherstellung des Unternehmenserfolgs leisten. -
Abonnements 2021/22
Abonnements 2021/22 Inhalt Statements .............................................................................................................................................. 1 Hauptabonnement .................................................................................................................................. 3 abo@MUMUTH ..................................................................................................................................... 16 Abo für junges Publikum ....................................................................................................................... 25 Neue Formate der Vermittlung ............................................................................................................. 27 0 Pressekontakt: Hermann Götz E [email protected] T +43 (0) 316/ 389-1152 Abonnements 2021/22 Statements Mit den Abonnements der Kunstuniversität Graz verbinden sich zwei Angebote: Das Publikum kann erleben, wie junge Künstler*innen ihre Karrieren beginnen und sie dabei mit Ihrer Aufmerksamkeit unterstützen. Als Universität bilden wir nicht nur den künstlerischen, pädagogischen und wissenschaftlichen Nachwuchs, wir sind auch ein Ort der Entwicklung und Erschließung der Künste (EEK) sowie der Forschung. In unseren Veranstaltungen präsentieren wir Ihnen nicht zuletzt aktuelle Ergebnisse. Das macht unsere Abonnements so inhalts- und abwechslungsreich und damit einzigartig. Beide Aspekte – die Nachwuchsförderung sowie EEK – wollen wir im Programm verstärkt erlebbar machen. Bei allen -
NUDNIK Forgetting Josef Ganz Rémy Markowitsch
NUDNIK Forgetting Josef Ganz Rémy Markowitsch Maikäfer (From the Photo Archive of Josef Ganz, 1930-1933) Rémy Markowitsch Nudnik: Forgetting Josef Ganz Combining sculptural and multimedia works and archival ma- terials, the spatially expansive installation Nudnik: Forgetting Josef Ganz by Swiss artist Rémy Markowitsch deals with the Jewish engineer and journalist Josef Ganz. The artist presented his works in a cabinet space with two connecting corridors at the 2016 exhibition Wolfsburg Unlimited: A City as World La- boratory, the first show curated by Ralf Beil at Kunstmuseum Wolfsburg. The work consists not just of an aesthetic transfe- rence of Ganz’s photographic negatives and written documents to a presentation of large prints or as a video, but by way of the artist’s associative approach represents, as it were, the transil- lumination and “defoliation” of the history of a major figure in the automobile industry of the twentieth century, a figure ba- rely known until now. The processes of defoliation and transillumination, ex- posing hidden narratives, (material) conditions, and webs of relations, are defining aspects of Rémy Markowitsch’ s artistic approach. Driven in his work by certain stories, biographies, and literatures, since 1993 the artist has revealed the results of his research in photographic transilluminations. Just as the term from the realm of radiology describes, the relevant motif is penetrated, x-rayed, and superimposed with a different mo- tif. At the very moment when the photographic images shift from an opaque to a lucid state, they overlap one another. In Moving Forward so doing, the support material moves to the foreground, mat- rix dots become visible as grains and the representation is no longer focused on the act of illustration, but encourages simul- taneous examination. -
Annual Report 1998 Daimlerchrysler 98 98 98 97 96 DM 1) US $ 2) € € € Amounts in Millions
Merger of Growth Annual Report 1998 DaimlerChrysler 98 98 98 97 96 DM 1) US $ 2) € € € Amounts in Millions Revenues 257,744 154,615 131,782 117, 572 101,415 Europe 94,794 56,868 48,468 42,115 37,270 United States 127,716 76,616 65,300 56,615 49,485 Other markets 35,234 21,136 18,014 18,842 14,660 Employees (at Year-End) 441,502 425,649 418,811 Research and Development Costs 13,090 7,853 6,693 6,501 5,751 Investments in Property, Plant and Equipment 15,950 9,568 8,155 8,051 6,721 Cash Provided by Operating Activities 32,625 19,571 16,681 12,337 9,956 Operating Profit 16,807 10,082 8,593 6,230 6,212 Net Operating Income 12,862 7,716 6,576 5.252 - Net Income 9,428 5,656 4,820 4,057 3) 4,022 Per Share 10.09 6.05 5.16 4.28 3) 4.24 Net Income Adjusted 4) 10,212 6,126 5,221 4,057 - Per Share Adjusted 4) 10.90 6.55 5.58 4.28 - Total dividend 4,608 2,764 2,356 - - Dividend per Share 4.60 2.76 2.35 - - 1) Conversion rate: € 1 = DM 1.95583 2) Rate of exchange: € 1 = US $ 1.1733 (based on the noon buying rate on Dec. 31, 1998 of US $1 = DM 1.6670 and the conversion rate of € 1 = DM 1.95583); the average US $/DM rate of exchange in 1998 was 1.7597. -
Daimler Annual Report 2009
Pioneers of Sustainable Mobility. Annual Report 2009. Key Figures Daimler Group 2009 20082007 09/08 Amounts in millions of € % change Revenue 78,924 98,469 101,569 -20 1 Western Europe 36,458 46,276 49,753 -21 thereof Germany 18,788 21,832 22,582 -14 NAFTA 19,380 23,243 25,136 -17 thereof United States 16,569 19,956 21,846 -17 Asia 12,435 13,840 11,918 -10 thereof China 4,349 3,226 1,951 +35 Other markets 10,651 15,110 14,762 -30 Employees (December 31) 256,407 273,216 272,382 -6 Investment in property, plant and equipment 2,423 3,559 2,927 -32 Research and development expenditure 4,181 4,442 4,148 -6 thereof capitalized 1,285 1,387 990 -7 Cash provided by (used for) operating activities (including discontinued operations) 10,961 (786) 7,146 . EBIT (1,513) 2,730 8,710 . Value added (including discontinued operations) (4,644) (1,147) 1,380 . Net profit (loss) (2,644) 1,414 3,985 . Net profit (loss) from continuing operations (2,644) 1,704 4,855 . Earnings (loss) per share (in €) (2.63) 1.41 3.83 . Earnings (loss) per share, continuing operations (in €) (2.63) 1.71 4.67 . Total dividend 0 556 1,928 . Dividend per share (in €) 0.00 0.60 2.00 . 1 Adjusted for the effects of currency translation and changes in the consolidated group, decrease in revenue of 21%. With the B-Class F-CELL, Mercedes-Benz is the world’s first manufacturer to put a fuel-cell car on the road that was produced under series conditions. -
Administrative Offense Proceedings Against Daimler AG Fully Concluded
Press Information September 24, 2019 Administrative offense proceedings against Daimler AG fully concluded Negligent violation of supervisory duties results in fine in the amount of EUR 870 million Daimler AG refrains from taking legal remedy Earnings forecast of Company remains unchanged Stuttgart, Germany – Today, the Stuttgart public prosecutor issued a fine notice against Daimler AG pursuant to Sections 30 para. 1, 130 para. 1 of the Administrative Offenses Act based on a negligent violation of supervisory duties in the area of vehicle certification in connection with deviations from regulatory requirements in certain Mercedes-Benz vehicles. According thereto, the negligent violation of supervisory duties occurred on the department head level. The Company has refrained from taking a legal remedy against the fine notice. The public prosecutor’s administrative offense proceeding against Daimler AG is thereby fully concluded. According to the public prosecutor’s findings, the negligent violation of supervisory duties caused at least in part that certain vehicles of Daimler AG had partly deviated from regulatory requirements since 2008. In this context, the public prosecutor essentially refers to the known recall orders by the German Federal Motor Transport Authority (KBA). In order to get clarity also for the future with respect to the interpretation of relevant legal provisions in a complex technical environment, Daimler AG maintains the objections against the KBA orders. After weighing all aspects, Daimler has refrained from taking a legal remedy in the public prosecutor’s administrative offense proceeding. It is in the Company’s best interest to end the administrative offense proceeding in a timely and comprehensive manner and thereby conclude this matter.