The Concept of Polymediality
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 By Leon Chisholm A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Professor Mary Ann Smart Professor Massimo Mazzotti Summer 2015 Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 Copyright 2015 by Leon Chisholm Abstract Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 by Leon Chisholm Doctor of Philosophy in Music University of California, Berkeley Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Keyboard instruments are ubiquitous in the history of European music. Despite the centrality of keyboards to everyday music making, their influence over the ways in which musicians have conceptualized music and, consequently, the music that they have created has received little attention. This dissertation explores how keyboard playing fits into revolutionary developments in music around 1600 – a period which roughly coincided with the emergence of the keyboard as the multipurpose instrument that has served musicians ever since. During the sixteenth century, keyboard playing became an increasingly common mode of experiencing polyphonic music, challenging the longstanding status of ensemble singing as the paradigmatic vehicle for the art of counterpoint – and ultimately replacing it in the eighteenth century. The competing paradigms differed radically: whereas ensemble singing comprised a group of musicians using their bodies as instruments, keyboard playing involved a lone musician operating a machine with her hands. -
Comp. 09 Program Layout.Cwk
T h i r t y - S e c o n d S e a s o n 2 0 0 9 - 2 0 1 0 Celebrating Lukas Tuesday, March 2, 2010, 7:30 p.m. Free admission Alea III celebrates the life and work of Lukas Foss, a great master, with an evening devoted exclusively to his music. ALEA III Echoi For Toru Elegy for Anne Frank For Aaron Plus Theodore Antoniou, Eighteen Epigrams Music Director a new work written by Lukas Foss’s students: Apostolos Paraskevas, Panos Liaropoulos, Michalis Economou, Jakov Jakoulov, Contemporary Music Ensemble Mark Berger, Frank Wallace, Ronald G. Vigue, Julian Wachner, Jeremy Van Buskirk, in residence at Mauricio Pauly, Matt Van Brink, Ivana Lisak, Ramon Castillo, Pedro Malpica, Boston University Paul Vash, Po-Chun Wang, Margaret McAllister, Sunggone Hwang. Theodore Antoniou, conductor Saxes and Horns Wednesday, April 28, 2010, 7:30 p.m. Free admission 27th International Composition Works of unusual instrumentation, featuring 18 saxophones Competition and 9 French horns. Pierre Boulez Dialogue de l’ombre double Theodore Antoniou Music for Nine Gunther Schuller Perpetuum Mobile Sofia Gubaidulina Duo TSAI Performance Center Georgia Spiropoulos Rotations October 4, 2009, 7:00 pm Eric Hewitt la grenouille Eric Ruske, horn, Tsuyoshi Honjo, Eric Hewitt and Jared Sims, saxophones Special guest: Radnofsky Saxophone Ensemble Eric Hewitt, conductor Sponsored by Boston University and the George Demeter Realty. BOARD OF DIRECTORS BOARD OF ADVISORS OUR NEXT ALEA EVENTS President George Demeter Mario Davidovsky Hans Werner Henze Generations Chairman Milko Kelemen André de Quadros Oliver Knussen Monday, November 16, 2009, 7:30 p.m. -
Petr Eben's Oratorio Apologia Sokratus
© 2010 Nelly Matova PETR EBEN’S ORATORIO APOLOGIA SOKRATUS (1967) AND BALLET CURSES AND BLESSINGS (1983): AN INTERPRETATIVE ANALYSIS OF THE SYMBOLISM BEHIND THE TEXT SETTINGS AND MUSICAL STYLE BY NELLY MATOVA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Choral Music in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctoral Committee: Associate Professor Donna Buchanan, Chair Professor Sever Tipei Assistant Professor David Cooper Assistant Professor Ricardo Herrera ABSTRACT The Czech composer Petr Eben (1927-2007) has written music in all genres except symphony, but he is highly recognized for his organ and choral compositions, which are his preferred genres. His vocal works include choral songs and vocal- instrumental works at a wide range of difficulty levels, from simple pedagogical songs to very advanced and technically challenging compositions. This study examines two of Eben‘s vocal-instrumental compositions. The oratorio Apologia Sokratus (1967) is a three-movement work; its libretto is based on Plato‘s Apology of Socrates. The ballet Curses and Blessings (1983) has a libretto compiled from numerous texts from the thirteenth to the twentieth centuries. The formal design of the ballet is unusual—a three-movement composition where the first is choral, the second is orchestral, and the third combines the previous two played simultaneously. Eben assembled the libretti for both compositions and they both address the contrasting sides of the human soul, evil and good, and the everlasting fight between them. This unity and contrast is the philosophical foundation for both compositions. -
Is Eastern Insulindia a Distinct Musical Area? L’Est Insulindien Est-Il Une Aire Musicale Distincte ?
Archipel Études interdisciplinaires sur le monde insulindien 90 | 2015 L’Est insulindien Is Eastern Insulindia a Distinct Musical Area? L’Est insulindien est-il une aire musicale distincte ? Philip Yampolsky Electronic version URL: http://journals.openedition.org/archipel/373 DOI: 10.4000/archipel.373 ISSN: 2104-3655 Publisher Association Archipel Printed version Date of publication: 15 October 2015 Number of pages: 153-187 ISBN: 978-2-910513-73-3 ISSN: 0044-8613 Electronic reference Philip Yampolsky , « Is Eastern Insulindia a Distinct Musical Area? », Archipel [Online], 90 | 2015, Online since 01 May 2017, connection on 14 November 2019. URL : http://journals.openedition.org/archipel/ 373 ; DOI : 10.4000/archipel.373 Association Archipel PHILIP YAMPOLSKY 1 Is Eastern Insulindia a Distinct Musical Area? 1In this paper I attempt to distinguish the music of “eastern Insulindia” from that of other parts of Insulindia.2 Essentially this is an inquiry into certain musical features that are found in eastern Insulindia, together with a survey of where else in Insulindia they are or are not found. It is thus a distribution study, in line with others that have looked at the distribution of musical elements in Indonesia (Kunst 1939), the Philippines (Maceda 1998), Oceania (McLean 1979, 1994, 2014), and the region peripheral to the South China Sea (Revel 2013). With the exception of McLean, these studies have focused exclusively on material culture, namely musical instruments, tracing their geographical distribution and the vernacular terms associated with them. The aim has been to reveal cultural continuities and discontinuities and propose hypotheses about prehistoric settlement and culture contact in Insulindia and Oceania. -
Abonnements 2021/22
Abonnements 2021/22 Inhalt Statements .............................................................................................................................................. 1 Hauptabonnement .................................................................................................................................. 3 abo@MUMUTH ..................................................................................................................................... 16 Abo für junges Publikum ....................................................................................................................... 25 Neue Formate der Vermittlung ............................................................................................................. 27 0 Pressekontakt: Hermann Götz E [email protected] T +43 (0) 316/ 389-1152 Abonnements 2021/22 Statements Mit den Abonnements der Kunstuniversität Graz verbinden sich zwei Angebote: Das Publikum kann erleben, wie junge Künstler*innen ihre Karrieren beginnen und sie dabei mit Ihrer Aufmerksamkeit unterstützen. Als Universität bilden wir nicht nur den künstlerischen, pädagogischen und wissenschaftlichen Nachwuchs, wir sind auch ein Ort der Entwicklung und Erschließung der Künste (EEK) sowie der Forschung. In unseren Veranstaltungen präsentieren wir Ihnen nicht zuletzt aktuelle Ergebnisse. Das macht unsere Abonnements so inhalts- und abwechslungsreich und damit einzigartig. Beide Aspekte – die Nachwuchsförderung sowie EEK – wollen wir im Programm verstärkt erlebbar machen. Bei allen -
NEW on NAXOS the World’S Leading Classical Music Label DECEMBER 2019
NEW ON NAXOS The World’s Leading Classical Music Label DECEMBER 2019 © 2019 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.NaxosMusicGroup.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | DECEMBER 2019 8.573422 Playing Time: 74:25 Price Code: NXP Release Date: 7 47313 34227 3 13 Dec 2019 Balevska © V. Nayden Todorov Pancho VLADIGEROV (1899–1978) Key Features: Bulgarian Suite ● Despite being one of the most decorated composers of his generation, Pancho Vladigerov is still barely known outside Seven Symphonic Bulgarian Dances Bulgaria, his music being found here and there on recital Vardar Rhapsody recordings of music by Balkan composers. Rousse Philharmonic Orchestra Nayden Todorov ● As one of the first composers to successfully combine elements of Bulgarian folk music with the rich sonorities available to Pancho Vladigerov is considered by many to be the most influential modern symphonic orchestras, his music has much of the wit composer that Bulgaria has yet produced, gaining fame between the and freshness and touch of exotic flavor that has given popularity World Wars and earning the admiration of Shostakovich. The three to the works of Kodály, if anything with an even lighter and more works recorded here are a testament to Vladigerov’s mission to bring approachable feel. The Seven Symphonic Bulgarian Dances in Bulgarian music to international attention, successfully combining particular have a cinematic opulence that will appeal to a wide elements of folk music with European classical tradition. The Vardar audience. Rhapsody has been called ‘the Bulgarian equivalent of Chopin’s ● Conductor Nayden Todorov is among the most talented Polonaise in A’, and the lively and exotic Seven Symphonic Bulgarian Bulgarian musicians of the younger generation: ‘A musician to Dances is among the most notable of a series of works that fuse the backbone whose harmonic and smooth movements enchant joyous regional melodies with sophisticated Western orchestration. -
Weekender July-2021 Web.Pdf
JUL-AUG 2021 FULL SPEED AHEAD SUMMER SIPPERS TIME IS RUNNING OUT Takuya Haneda hopes to paddle his New and true Japanese liqueurs that Japan’s slapdash love affair with SDGs canoe to gold at Tokyo 2020 will hold the Tokyo heat at bay is anything but sustainable — 2 — Weekender_August_Master_002.indd 2 2018/07/24 11:41 CONTENTS RADAR IN-DEPTH TRAVEL THIS MONTH’S HEAD TURNERS COFFEE-BREAK READS WHERE TO GO 8 AREA GUIDE: TOKYO’S LUMBERYARD 20 BALLET IN THE TIME OF CORONA 46 SHONAI SHRINE Once Tokyo’s center for all things wood, How National Ballet of Japan’s new artistic Embark on small adventures on the grounds Shin-Kiba now brightens up at night as a director Miyako Yoshida stays on her toes. of a former Yamagata castle. popular entertainment hub. 23 KYOTO IN SYMPHONY 50 SPORTS PARADISE 10 STYLE: ODE TO THE BIRDS Composer Marios Joannou Elia orchestrates a Traditional and modern sports have deep Photographer and filmmaker Boa Campbell masterpiece of sound dedicated to Kyoto. roots in Kyushu’s Miyazaki Prefecture. takes us on a flight through Tokyo’s world of modern fashion. 26 A DAY IN THE LIFE OF A SHAMISEN 52 KYUSHU BY TRAIN MAKER Escape to these iconic locales with 16 SHOP JAPAN: BEST OF THE BEACH The designer of Tokyo 2020’s official shamisen assistance from the JR Kyushu Rail Pass. These Japan-made summer accessories spreads the word about the native instrument. help anyone stay cool and look stylish on their next seaside excursion. 30 ON IMPULSE GUIDE Special effects makeup artist extraordinnaire CULTURE ROUNDUP 18 TRENDS: 5 JAPANESE LIQUEURS Amazing Jiro takes TW inside his twisted world. -
Your Partner for Quality Television
Your Partner for Quality Television DW Transtel is your source for captivating documentaries and a range of exciting programming from the heart of Europe. Whether you are interested in science, nature and the environment, history, the arts, culture and music, or current affairs, DW Transtel has hundreds of programs on offer in English, Spanish and Arabic. Versions in other languages including French, German, Portuguese and Russian are available for selected programs. DW Transtel is part of Deutsche Welle, Germany’s international broadcaster, which has been producing quality television programming for decades. Tune in to the best programming from Europe – tune in to DW Transtel. CONTACT Key High Definition Standard Definition Video on demand Mobile Ultra High Definition SCIENCE TECHNOLOGY MEDICINE Reaching for the Stars The Human Miracle The Mysteries of the Brain Science on the Seven Seas Foresight The Quest for Knowledge Science Workshop Know it! A Changing Planet Totally Phenomenal Climate, Weather, Catastrophes EinSteinchen (Animation) EinSteinchen (Clips) Great Moments in Science and Technology Our Technical World Faster, Higher, Stronger – Tomorrow’s Technology How Nature Heals TeleMed The World of Medicinal Plants Feel Fine MAIN MENU NATURE ENVIRONMENT The Great Outdoors: Our National Parks Let’s Go Wild The Allure of Nature Struggle for Survival Wildlife Shorts Expedition to the Animal Kingdom Guardians of Nature Global Energy Global Ideas SOS – Earth Calling! The Barren Sea ECONOMICS AGRICULTURE Founders’ Valley €conomic$ Inside -
JAHRESBERICHT 2012 Mai 2013 LEITBILD WIR LIEBEN MUSIK UND SIND DIE PROFESSIONELLEN PARTNERINNEN DER ÖSTERREICHISCHEN TALENTE
JAHRESBERICHT 2012 Mai 2013 LEITBILD WIR LIEBEN MUSIK UND SIND DIE PROFESSIONELLEN PARTNERINNEN DER ÖSTERREICHISCHEN TALENTE. WIR NEHMEN UNS ZEIT, MUSIK ZU HÖREN UND UNSEREN KUNDINNEN ZUZUHÖREN. WIR ERKENNEN IHRE BEDÜRFNISSE UND SETZEN UNS DAFÜR EIN. DURCH UNSER ENGAGEMENT VERSTÄRKEN WIR IHRE WELTWEITE SICHTBARKEIT UND ANERKENNUNG. ALS EXPERTINNEN FORSCHEN UND INFORMIEREN WIR UMFASSEND ÜBER DIE ÖSTERREICHISCHE MUSIK UND IHR INTERNATIONALES UMFELD. 2 LEITBILD .............................................................................................................................2 1. ZUSAMMENFASSUNG UND VORWORT ...................................................................4 2. AKTIVITÄTEN UND PROJEKTE VON MICA – MUSIC AUSTRIA 2012 ...............8 2.1. PROMOTION ...........................................................................................................9 2.1.1. MUSIKDATENBANK ......................................................................................9 2.1.2. WEBSITE-MAGAZIN ..................................................................................10 2.1.3. NEWSLETTER ............................................................................................11 2.1.4. SHOP ...........................................................................................................12 2.1.5. BIBLIOTHEK UND ARCHIV ........................................................................12 2.2. SERVICES FÜR ÖSTERREICHISCHE MUSIKSCHAFFENDE ..........................14 2.2.1. SERVICESTELLE SALZBURG ...................................................................15 -
Salzburg Guitar Fest
SALZBURG GUITAR FEST Künstlerische Leitung ELIOT FISK 24. – 27. Mai 2017 Solitär Universität Mozarteum Mirabellplatz 1 BEGRÜSSUNG Liebe Freunde der Gitarrenmusik, Im Programm finden Sie weitere Einzelheiten über die Konzerte, Workshops, Meisterkurse, werte Musikliebhaber, den internationalen Gitarrenwettbewerb und den „Guitar Bazaar“. hochverehrtes Festivalpublikum, Die Musik als universelle Sprache und „holde Kunst“ - so wie sie in Schuberts berühmten Lied mit großer Freude heißen wir Sie herzlich willkommen zum gepriesen wird - kann durch das „Salzburg Guitar Fest“ einen großen humanitären Dienst ersten Salzburger Gitarrenfestival! verrichten, um Musikliebhaber aus allen Gebieten zusammenzuführen. Nur durch die erfolgreiche Zusammenarbeit der Professoren, Dieses Festival ist erst der Anfang. Seine edle Bestimmung soll fortgesetzt werden, um die der Studierenden (Salzburg Guitar Fest-Team), der „Gitarrenfamilie“ in Salzburg weiter zu vergrößern. Universität Mozarteum Salzburg, dem Musikum Salzburg und dem lokalen Musikhaus Key-Wi Music ist es überhaupt Wir wünschen Ihnen einen regen musikalischen Austausch, tolle Konzerterlebnisse und eine möglich geworden, ein Festival dieser Größenordnung ins unvergesslich schöne Zeit, Leben zu rufen. Eliot Fisk und Ihr „Salzburg Guitar Fest“-Team In den Konzerten können Sie die klassische Gitarre in allen ihren Facetten hautnah miterleben: virtuos, poetisch, rhythmisch, anspruchsvoll. Ein Repertoire aus fünfeinhalb Jahrhunderten Kunstmusik wird vorgestellt, wobei Kammermusik einen wichtigen Teil einnimmt. Das spielerische Niveau hat in Salzburg einen neuen Höhepunkt erreicht. Überzeugen Sie sich selbst! Eliot Fisk, der künstlerische Leiter des Festivals, spielt das Abschlusskonzert. Unter anderem wird man dabei die europäische Uraufführung von Kurt Schwertsiks „Conversation Piece“ für Gitarre und Marimba hören. Der Wiener Komponist Kurt Schwertsik wird vor dem Konzert als „Composer in Residence“ für eine Diskussionsrunde zur Verfügung stehen. -
Festkonzert 70 Jahre Swr Vokalensemble Dirigent: Marcus Creed Inhalt
HOLLIGER LIGETI KURTÁG NONO SMOLKA FESTKONZERT 70 JAHRE SWR VOKALENSEMBLE DIRIGENT: MARCUS CREED INHALT 4 EDITORIAL FESTKONZERT 6 PROGRAMM 14 TEXTE UND ÜBERSETZUNGEN 25 BIOGRAFIEN VIER REFLEXIONEN 29 ZEICHNUNGEN I SIMONE RUESS 39 DOROTHEA ENDERLE ALTERNATIVE ENERGIE 44 CLAUS-STEFFEN MAHNKOPF DER KULTURAUFTRAG 48 ZEICHNUNGEN II JÜRGEN PALMER 70 JAHRE 58 CHRONIK 64 URAUFFÜHRUNGEN 70 MITGLIEDER 72 ZITATE AUS DEM GÄSTEBUCH 74 FREUNDE UND FÖRDERER 75 IMPRESSUM KLANGVIELFALT ERLEBEN Liebe Konzertbesucher und Freunde des SWR Vokalensembles, FESTKONZERT seit 70 Jahren streben wir in jedem Konzert nach dem besonderen Moment, wenn die Welt kurz 70 JAHRE SWR VOKALENSEMBLE still seht und Kunst und Leben eins werden. Das Besondere, Einzigartige zu suchen und Unver- zichtbares zu leisten ist uns Anspruch und Motivation und ich danke allen, die uns auf diesem Weg begleiten. Unserem Publikum, das sich mit offenen Ohren und Herzen auf alle musikali- schen Abenteuer einlässt und allen Fürsprechern und Förderern, die uns die Möglichkeit geben, nach den Sternen zu greifen und auch Wagnisse einzugehen. Denn nur in dieser künstlerischen Freiheit ist musikalische Weiterentwicklung möglich und können Meisterwerke erschaffen werden. Gerade in der Neuen Musik müssen Interpreten wie Zuhörer sich immer wieder mit Offenheit und Mut auf Ungewohntes einlassen. Diese Bereitschaft, sich mit Neuem, zunächst Fremdem zu befassen und vertraut zu machen, ist uns eine wichtige Haltung, bei der unsere künstleri- sche Arbeit auf eine weltoffene Gesellschaft hinwirkt. Zum Anlass des Jubiläums haben wir uns für diese Festbroschüre ein Geschenk gemacht: Wir haben zwei Künstler und zwei Persönlichkeiten des Musiklebens gebeten, unsere Arbeit aus ihren sehr unterschiedlichen Blickwinkeln zu betrachten. Spannende Ein- und Aussichten sind dabei entstanden, die das Potenzial haben, über den Moment hinaus zu wirken. -
Music of Latin America
Missouri University of Science and Technology Scholars' Mine Course Materials Open Educational Resources (OER) 01 Jun 2019 Music Appreciation: Music of Latin America Lorie L. Francis Missouri University of Science and Technology, [email protected] Follow this and additional works at: https://scholarsmine.mst.edu/oer-course-materials Part of the Music Commons Recommended Citation Francis, Lorie L., "Music Appreciation: Music of Latin America" (2019). Course Materials. 3. https://scholarsmine.mst.edu/oer-course-materials/3 This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. This Course materials is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in Course Materials by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. Music Appreciation: Music of Latin America Lorie L. Francis, Associate Teaching Professor Class expectations What is this class all about?? Syllabus A printable version is located within canvas Quick overview of syllabus It is important to remember this is a blended class No class is held on Fridays Procedure for checking out a drum for practicing Rooms are only open certain hours Drums CANNOT be taken out of the building Best way to contact me is through email [email protected] Office hours are 1:00-2:00 Monday and Wednesday;