DOCSLIB.ORG

Fritz Kahn Free Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fritz Kahn Free Download FRITZ KAHN FREE DOWNLOAD Uta von Debschitz,Thilo von Debschitz,Steven Heller | 392 pages | 15 Nov 2013 | Taschen GmbH | 9783836548403 | English | Cologne, Germany Arthur and Fritz Kahn Collection Editors Uta von Debschitz and Thilo von Debschitz write in the introduction:. On March 1,the Nazi government decreed that no German national Reichsdeutsche could be a member of the Bund and that no Nazi emblems were to be used by the organization. Uta and Thilo von Debschitz. Fritz Kahn. The Evening Independent. Aroundafter establishing his practise, he sent for his wife and son, and Fritz Kahn started school there. The forthcoming album from Mandolin Orange blends rustic Americana melodies with aching, orchestral arrangements. Fritz Kahn with his parents, Berlin, c. Arrangement This collection is arranged in two series. Islands by Erin Durant. Help Learn to Fritz Kahn Community portal Recent changes Upload file. Fortunately, Kahn was able to sue for copyright after the end of WWII and won the case — but the experience demonstrated both the power Fritz Kahn his images and the challenging cultural context in which he created them. Fritz Kahn: Admired, displaced, forgotten — and rediscovered Dr. When the Germans occupied France, Kahn fled to Bordeaux and was interned shortly after. Infographics Pioneer - image 7. Love is calling home His analogies between humans and machines have been interpreted by some artists, including Herbert Bayer and Fritz Kahn Paolozzi. Want to Read Currently Reading Read. After graduating school inFritz Kahn studied medicine. Retrieved November 23, Retrieved 11 October The Jewish Chronicle. The New York Times. To ask other readers questions about Fritz Kahnplease sign up. It's perfect! From the manufacturer No information loaded. His drawings explained complex anatomy-like the circulatory, gastric, and cognitive systems—in terms that anyone can understand. His graphic design preferences were eclectic and included such methods as photo-collage, Fritz Kahn and drawing and styles like comic, surrealist, dada and more. At last, however, a cell-boat drifts close to us on the beach, settles askew like a ship run aground, we leap across and into it, now it tilts from Fritz Kahn to side, we push off and sail away. Everything Fritz Kahn need to know about and expect during. Roosevelt as "Frank D. Start your review of Fritz Kahn. Wikimedia Commons. There are tiny humans on the illustration so if we presume this is an illustration about how the human body works, this is actually a fractal. Read more From Wikipedia, the free encyclopedia. Ishana Basu rated it liked it Jun 04, We are sailing! The von Debschnitz write: His factories, engine-rooms and laboratories do not work on their own, but are operated and driven by large numbers of workers. Note to the staff. It challenged the viewer to explore these spaces independently, to Fritz Kahn [his Fritz Kahn her] place in them, and develop new perspectives from there — a life-saving ability in a crisis-torn Fritz Kahn like that of [the world war]. Retrieved Fritz Kahn is itself a miracle of human imagination, wholeheartedly recommended. The couple, who reunited shortly before Arthur left for America, kept in touch via mail. Kahn could also be considered a pioneer of interactive storytelling long before the technologies of interaction existed. Create Fritz Kahn account. As his profile grew, so did the tension against him. This one is huge, and heavy. In the alternative historical dystopian television series The Man in the High Castlea high school on Long Island is named after Kuhn. The last girl standing demo. Fritz Kahn also denied that the Bund had any agenda Fritz Kahn introducing fascism to the United States. Bandcamp Album of the Day Jul 3, Namespaces Article Talk. World fascism: a historical encyclopedia, Volume 1. Bobby rated it it was amazing Jan 05, In more human terms, this means that whenever you buy a book on Amazon from a link on Fritz Kahn, I receive a small percentage of its price. Julie rated it really liked it Mar 03, He was one of the Jewish refugees assisted by the US agent Varian Fry ; [1] in earlywith the help of Albert Einsteinthey were able to emigrate to the USA, [3] where they settled in Manhattan. Wikimedia Commons has media related to Fritz Kahn. As a scientist, he understood the visual bias of our brains ; as an Fritz Kahn minded design-thinker, he knew how powerfully graphics could convey ideas and ideologies ; as a man of medicine, Fritz Kahn grasped the importance of visualizing the body to illuminate its inner workings. His factories, engine- rooms and laboratories do not work on their own, but Fritz Kahn operated and driven by large numbers of workers. https://cdn.shopify.com/s/files/1/0501/3671/1347/files/idylls-48.pdf https://uploads.strikinglycdn.com/files/6e13421e-c67b-4acf-9e24-2c7947ebea48/exploring-mathematics-through-play-in-the-early-childhood- classroom-argument-writing-inquiry-and-11.pdf https://uploads.strikinglycdn.com/files/17aafe18-f589-4261-8bc5-150f84c0769f/american-desperado-my-life-as-a-cocaine-cowboy-80.pdf https://uploads.strikinglycdn.com/files/e333eb19-4bff-4355-b92e-d64593627d0b/pharmacology-for-health-professionals-6.pdf https://cdn.shopify.com/s/files/1/0501/4703/3242/files/margret-ha-reys-curious-george-and-the-hot-air-balloon-75.pdf https://uploads.strikinglycdn.com/files/069fe0d1-8669-4731-8d6f-97ccf73fe722/second-sight-77.pdf.
Load more

Recommended publications
  • Die Vernichtung Der Firma Herzog & Co. Und Die Erinnerungen Werner Kahns
    3 Die Vernichtung Eine Auswahl der autobiographischen Mitteilungen Werner Kahns schließt sich an. der Firma Herzog & Co. Ein vollständiges Exemplar dieses Briefwech - und die Erinnerungen sels habe ich mit dem Einverständnis von Werner Kahn dem Stadtarchiv Eschwege Werner Kahns übergeben. von Dietfrid Krause-Vilmar Die Vernichtung der Firma Herzog & Co. Die Anprangerung Im Rahmen meines Gutachtens zur politi - Am Anfang stand eine kleine Notiz. „Die schen Tätigkeit des Eschweger Bürgermeisters Firma Herzog & Co., Duftmittel Fabrik,“ – so Dr. Alexander Beuermann war ich auf einen notierte der Eschweger Bürgermeister am in den Akten nachweisbaren Vorgang einer so 3.Mai 1937 handschriftlich – „hat einen irre - genannten Arisierung eines Eschweger Unter - führenden Namen, weil der Anschein er - nehmens gestoßen. Die staatlichen Maßnah - weckt wird, als handele es sich um eine ari - men waren dabei gegen Friedrich (bzw. Fritz) sche Firma. So kommt es, dass dort fortge - Kahn gerichtet, den im Jahre 1937 alleinigen setzt Parteistellen kaufen, obgleich die Firma Inhaber der Firma Herzog & Co. rein jüdisch ist.“ 1 Die Sache sei mit Assessor Den Kontakt mit seinem Sohn Werner Kamlah, dem Registerrichter am Amtsgericht Kahn erhielt ich durch dessen Vetter Kurt Eschwege, besprochen worden. „Er wird die Pappenheim (Schmalkalden), mit dem ich Firma zur Änderung veranlassen.“ Auch no - seit Jahren in Verbindung stehe, da er uns tierte er, dass am 20. September 1927 bei wichtige Dokumente und Bilder zur Ge - der Eintragung der Firma in das Handels - schichte seines Vaters Ludwig Pappenheim register „Herzog sofort von der Vertretung zur Verfügung stellte. Ludwig Pappenheim ausgeschlossen“ war. Nicht ermittelbar war, war einer der ersten politischen Schutzhaft - auf welchem Weg der Stadtchef zu dieser gefangenen des Konzentrationslager Breite - Feststellung gekommen war bzw.
    [Show full text]
  • Information Issued by The
    Volume XXIII No. 4 April, 1968 INFORMATION ISSUED BY THE ASSOCIATION OF JEWISH REFUGEES IN GREAT BRITAIN fiobert Wehsch Elly Heuss were present. They were waiting for an attack on Stolper's house that evening which, however, did not occur then (it took place three nights later). All were very pessi­ DATES TO REMEMBER mistic but did not know what to do. Miss Wiskemann was not in Berlin on the When the first great blow fell on German Jews a strong sense of destiny and of soli­ 1st of April and she does not mention that Jewry just 35 years ago, only very few people darity, but they also made possible an orderly spectacular date at all. She went back to realised that this was an event of universal emigration of a large part of the Jewish London on March 26 and was deeply dis­ importance which opened the floodgate to population. appointed when she noticed the apathy and destruction and chaos in the whole of Europe, This was by no means an easy job. It is incredulity of the public. Even such men ^^i indeed in the whole world. unnecessary to point out that emigration from as Sir Herbert Samuel and Colonel Wedgwood The 1st of April, 1933, remains inscribed a country where one had thought to be secure are said to have been unresponsive to her 5s a black day in the Jewish Calendar. Those is a shattering event, not only economically warnings. In London, she felt, " it was quite Who remember it know well that on that day and socially but also psychologically.
    [Show full text]
  • 6 Doi:10.1162/GREY a 00148 “The Act of Seeing.” from Fritz Kahn, Das Leben Des Menschen, Vol. 4 (1929)
    “The act of seeing .” From Fritz Kahn, Das Leben des Menschen , vol. 4 (1929). 6 doi:10.1162/GREY_a_00148 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/GREY_a_00148 by guest on 25 September 2021 Recording on Film, Transmitting by Signals: The Intermediate Film System and Television’s Hybridity in the Interwar Period ANNE-KATRIN WEBER In 1928, Telefunken (a major German telecommunications cor - poration) prepared two technological novelties for the visitors to its exhibition booth at the Funkausstellung, the annual radio fair held in Berlin. Materializing “the future” of the radio industry, the two exhibits promised new ways of seeing and hearing “at a distance.” 1 The “television Karolus” (named after its inventor, August Karolus, who had developed the apparatus in collabora - tion with the corporation’s laboratories) was praised as “the ultimate stage in the development of picture telegraphy.” 2 Its transmitter allowed the broadcasting of slides and film excerpts via wire over a short distance. On the receivers’ end, the visitors saw a screen eight-by-eight centimeters in size, as well as a pro - jector that could enlarge the televisual image up to seventy-five square centimeters. 3 “This is how pictures can be made accessi - ble to a certain number of persons at a time,” a German scientific journalist wrote for the British journal Television .4 In the imme - diate vicinity of this technological attraction, a second experi - mental machine was exhibited: the Gleichlaufkino (synchronized cinema). This invention added a visual element to radio broad - casting by allowing its users “to show the same movie simultane - ously in any number of places and in exact synchronicity with the acoustic component.” 5 Standing in front of a microphone and a cinema screen, a lecturer provided a live commentary on the projected silent film.
    [Show full text]
  • Directories, Lists, Necrology (1982)
    Directories Lists Necrology National Jewish Organizations1 UNITED STATES Organizations are listed according to functions as follows: Religious, Educational 303 Cultural 297 Community Relations 293 Overseas Aid 301 Social Welfare 321 Social, Mutual Benefit 319 Zionist and Pro-Israel 325 Note also cross-references under these headings: Professional Associations 332 Women's Organizations 333 Youth and Student Organizations 334 COMMUNITY RELATIONS Gutman. Applies Jewish values of justice and humanity to the Arab-Israel conflict in AMERICAN COUNCIL FOR JUDAISM (1943). the Middle East; rejects nationality attach- 307 Fifth Ave., Suite 1006, N.Y.C., 10016. ment of Jews, particularly American Jews, (212)889-1313. Pres. Clarence L. Cole- to the State of Israel as self-segregating, man, Jr.; Sec. Alan V. Stone. Seeks to ad- inconsistent with American constitutional vance the universal principles of a Judaism concepts of individual citizenship and sep- free of nationalism, and the national, civic, aration of church and state, and as being a cultural, and social integration into Amen- principal obstacle to Middle East peace, can institutions of Americans of Jewish Report. faith. Issues of the American Council for Judaism; Special Interest Report. AMERICAN JEWISH COMMITTEE (1906). In- stitute of Human Relations, 165 E. 56 St., AMERICAN JEWISH ALTERNATIVES TO N.Y.C., 10022. (212)751-4000. Pres. May- ZIONISM, INC. (1968). 133 E. 73 St., nard I. Wishner; Exec. V. Pres. Bertram H. N.Y.C., 10021. (212)628-2727. Pres. Gold. Seeks to prevent infraction of civil Elmer Berger; V. Pres. Mrs. Arthur and religious rights of Jews in any part of 'The information in this directory is based on replies to questionnaires circulated by the editors.
    [Show full text]
  • Featured Releases Spring Highlights 98 Specialty
    Sonia Delaunay, “Five Designs for Children’s Clothing,” 1920. From Sonia Delaunay: Art, Design, Fashion, published by Fundación Colección Thyssen-Bornemisza. See page 18. FEATURED RELEASES 2 Journals 90 Limited Editions 92 Lower-Priced Books 94 Backlist Highlights from Lars Müller 95 Backlist Highlights from Skira 96 Backlist Highlights from Heni & Inventory Press 97 CATALOG EDITOR Thomas Evans ART DIRECTOR SPRING HIGHLIGHTS 98 Stacy Wakefield IMAGE PRODUCTION Art 100 Hayden Anderson, Isabelle Baldwin Photography 130 COPY WRITING Architecture & Design 148 Janine DeFeo, Thomas Evans Art History 166 PRINTING Sonic Media Solutions, Inc. Writings 169 FRONT COVER IMAGE SPECIALTY BOOKS 176 Burt Glinn, “Jay DeFeo in Her Studio,” 1960. From The Beat Scene, published by Reel Art Art 178 Press. See page 41. Group Exhibitions 194 BACK COVER IMAGE Photography 198 Anna Zemánková, untitled pastel, oil and ink drawing, early 1960s. From Anna Zemánková, Backlist Highlights 206 published by Kant. See page 109. Index 215 Bruce Nauman: Disappearing Acts Edited by Kathy Halbreich, Isabel Friedli, Heidi Naef, Magnus Schaefer, Taylor Walsh. Text by Thomas Beard, Briony Fer, Nicolás Guagnini, Kathy Halbreich, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. At 76 years old, Bruce Nauman is widely ac- knowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world.
    [Show full text]
  • Moteur Humaine
    After suffering a dearth of attention, the intricate mechanico-anatomical illustrations produced under the guidance of German-Jewish surgeon, gynecologist, obstetrician, writer and polymath, Fritz Kahn (1888-1968), have attracted a plethora of publicity. In 2009 Uta and Thilo von Debschitz's monograph with 350 illustrations was published by Taschen.1 The following year, the first large-scale exhibition of his work was held in Berlin at the Medizinhistorisches Museum der Charité followed by several others including, in 2017-18, Transformer. Infografik 1920 bis 1945: Fritz Kahn, Otto Neurath et al at the Deutsches Buch und Schriftmuseum, Leipzig, and Can Graphic Design Save Your Life? at the Wellcome Collection.2 Nevertheless the most incisively analytical and theoretical is the recently published book, Body Modern: Fritz Kahn, Scientific Illustration and the Homuncular Subject, by the academic based at the Swedish Collegium for Advanced Study in Uppsala, Michael Sappol. Judiciously Sappol chooses his quotes to convey Taylorist industrialization and visual modernity experienced by “the salaried masses” when Kahn embarked upon commissioning illustrations in 1922 from Roman Rechn, Alwin Freund-Beliani and Otmar Trester for Das Leben des Menschen. “The experience of this century mocks human laws”, wrote Joseph Roth. “Man surrounded by machines, is compelled to become a machine himself.” 3 Acutely aware of his beholders’ experience of machines, Kahn and his team of illustrators developed, according to Sappol, modernizing tropes of scientific and medical illustrations not to explain how the human body looks but to reveal how it functions as an invisible industrial process like a factory or machine. While Corbusier conceived the home as a machine to live in, Sappol surmizes that Kahn reconceived the body as a machine to live in.4 Fittingly industrial technologies were used to produce the 1,200 halftone photomechanical and photolithographic images illustrating this concept.
    [Show full text]
  • Information Issued by The- Association of Jewish Refugees in Great Britain
    VOL. XX No. 1 January, 1965 INFORMATION ISSUED BY THE- ASSOCIATION OF JEWISH REFUGEES IN GREAT BRITAIN 8 FAIRFAX MANSIONS. FINCHLEY RO. (corn*r Falrtax Rd,), London. N.W.S Olfict and Coiaulting Houn: Tolophont : MAIda Vala 9096/7 (Conoral OAct and Wolfar* tor tht Aiotf). Monday to Thurtday Wa.m.—fp.m. 3—6p.i MAIda Vala 4449 (Employmtnt AsanCT, annually llctnttd by tha L.CC., and Social Sorvicas Dtpt.) Friday lOa.m.—l p.m. C. Kapralik its attention to problems of compensation and restitution, and helped to create the U.R.O. (United Restitution Organisation), the J.R.S.O. (the Jewish Restitution Succes­ JUBILEE OF "JOINT" sor Organisation for the U.S.A. Zone of Germany), the J.T.C. (the Jewish Trust Cor­ .The American Joint Distribution Com- Then in 1933, the Nazis came to power, poration for the British and French Zones), niittee (AJDC) was 50 years old a few and the " Joint" immediately went into and later on the Claims Conference. Weeks ago, and the grateful thanks and action again. There is no room to give While the improvement in Europe ^est wishes of the Association of Jewish details of the help extended to Jews enabled the " Joint" to withdraw from a Kofij^egs and the Nazi victims in the United in Germany, Austria, Czechoslovakia and number of countries, its attention in the •^mgdom go out to that unique organisa­ in the countries of immigration, both in last ten years has been focused on the tion. Europe and overseas ; it is within the living plight of Jewry in North Africa and other The AJDC was formed on 27th Novem­ memory of most of the readers of this countries where Jews have been living in ber, 1914^ on the incentive of the late paper.
    [Show full text]
  • Nieuwe Inzichten in Behandeling Van Chronisch Hepatitis-C Virusinfectie Bij Druggebruikers Stereotactische Borstbiopsie Met B-Fast Naar China
    Tijdschrift België-Belgique Toelating - Gesloten verpakking P.B. 3500 Hasselt 1 3500 Hasselt 1 - n° 12/2726 12/2726 Afgiftekantoor: 3500 Hasselt 1 Toelatingsnr. P109087 Tijdschrift van de Wetenschappelijke Raad Ziekenhuis Oost-Limburg, Schiepse Bos 6, 3600 Genk Jaargang 8 - nr. 30, oktober/november/december 2008 Verschijnt driemaandelijks Nieuwe inzichten in behandeling van chronisch hepatitis-C virusinfectie bij druggebruikers Stereotactische borstbiopsie Met B-Fast naar China ZOLarium_2008-4(H).indd 1 28-10-2008 11:18:49 Inhoud Dossier • Hoe chronische hepatitis-C virusinfectie behandelen bij druggebruikers? 4-7 Officiële In de wachtkamer opening nieuwe • Stereotactische borstbiopsie excellent voor evaluatie kleine letsels 11-13 • Ernstige obesitas: een gewichtig probleem 8-10 Sint-Barbara Eponiemenkabinet Op vrijdag 3 okto- • Fritz Kahn (1888 - 1968) 14-16 ber werd de ver- nieuwde campus Kort Sint-Barbara van • ZOL schenkt operatiemateriaal aan UHasselt 17 het Ziekenhuis Oost- • Nieuwbouw en renovatie op campus St.-Jan 17 Limburg plechtig • Nieuwe geneesheren 17 ingehuldigd door de heer Steven Vanackere, Vlaams In de kijker minister van Welzijn, Volksgezondheid • Projecten patiëntveiligheid in het ZOL 18-19 en Gezin. • Derde Wereld en infertiliteit 19 De vernieuwing van de operatiekamers in de eerste helft van dit jaar was het laatste in een lange reeks van renova- tie- en uitbreidingswerken, die hier op campus St.-Barbara tijdens de voorbije 5 jaar plaatsvonden. Deze - en ook de Buitenuit andere grote investeringsprojecten - • ZOLapothekeres kaderen in een globaal zorgstrategisch met B-FAST naar plan dat 12 jaar geleden bij het begin China 20-23 van de fusie werd opgesteld. Er werd toen gekozen voor een evolutie van drie naar twee campussen, één in Genk en één in Lanaken.
    [Show full text]
  • The Intermediate Film System and Television's Hybridity in the Interwar
    “The act of seeing .” From Fritz Kahn, Das Leben des Menschen , vol. 4 (1929). 6 doi:10.1162/GREY_a_00148 Recording on Film, Transmitting by Signals: The Intermediate Film System and Television’s Hybridity in the Interwar Period ANNE-KATRIN WEBER In 1928, Telefunken (a major German telecommunications cor - poration) prepared two technological novelties for the visitors to its exhibition booth at the Funkausstellung, the annual radio fair held in Berlin. Materializing “the future” of the radio industry, the two exhibits promised new ways of seeing and hearing “at a distance.” 1 The “television Karolus” (named after its inventor, August Karolus, who had developed the apparatus in collabora - tion with the corporation’s laboratories) was praised as “the ultimate stage in the development of picture telegraphy.” 2 Its transmitter allowed the broadcasting of slides and film excerpts via wire over a short distance. On the receivers’ end, the visitors saw a screen eight-by-eight centimeters in size, as well as a pro - jector that could enlarge the televisual image up to seventy-five square centimeters. 3 “This is how pictures can be made accessi - ble to a certain number of persons at a time,” a German scientific journalist wrote for the British journal Television .4 In the imme - diate vicinity of this technological attraction, a second experi - mental machine was exhibited: the Gleichlaufkino (synchronized cinema). This invention added a visual element to radio broad - casting by allowing its users “to show the same movie simultane - ously in any number of places and in exact synchronicity with the acoustic component.” 5 Standing in front of a microphone and a cinema screen, a lecturer provided a live commentary on the projected silent film.
    [Show full text]
  • Music – Bodies – Machines: Fritz Kahn and Acousmatic Music Martine Louise Rossiter A
    Airea: Arts and Interdisciplinary Research DOI: DOI: https://doi.org/10.2218/airea.5041 www.journals.ed.ac.uk/airea ARTICLE Music – Bodies – Machines: Fritz Kahn and Acousmatic Music Martine Louise Rossiter a This article provides an overview of the Music – Bodies – Machines: Fritz Kahn and Acousmatic Music project and accompanying suite of music – Der Industriepalast. The project is inspired by the work of infographics pioneer Fritz Kahn (1888-1968) who developed works such as Der Mensch als Industriepalast. There is a body of work examining Kahn’s work (Sappol, 2017; Von Debschitz, 2017; Doudova, Jacobs, et al.) that has revealed Kahn’s intent of making the human anatomy accessible to the non-specialised reader through visual metaphors; unlike the descriptive anatomical illustrations of the eighteenth and nineteenth centuries, which show how the human body looks, Kahn’s works visually explain how internal structures work using concepts, metaphors, and allusions. This article explores some of the ways in which Kahn’s striking visual images have inspired the composition of five novel acousmatic works of music. The article starts with a survey of existing works making use of similar, extra- musical influences to examine how extra-musical influences such as infographics and painting may influence the formal design of acousmatic music. It goes on to consider how, exactly, the infographics of Fritz Kahn have been used within the project. In some cases, this guides the choice of particular materials (such as the sound of a beating heart to represent an image of a heart monitor), but in other cases, there is influence on phrasing, placement, and even the formal design of entire pieces.
    [Show full text]
  • 2 Hans Berger's Long Path to The
    Brainwaves In the history of brain research, the prospect of visualizing brain processes has continually awakened great expectations. In this study, Cornelius Borck focuses on a recording technique developed by the German physiologist Hans Berger to register electric brain currents; a technique that was expected to allow the brain to write in its own language, and which would reveal the way the brain worked. Borck traces the numerous contradictory interpretations of electroencephalography, from Berger’s experiments and his publication of the first human EEG in 1929, to its international proliferation and consolidation as a clinical diagnostic method in the mid-twentieth century. Borck’s thesis is that the language of the brain takes on specific contours depending on the local investigative cultures, from whose conflicting views emerged a new scientific object: the electric brain. Cornelius Borck is Professor of History, Theory and Ethics of Medicine and Science and Director of the Institute of History of Medicine and Science Studies at the University of Lübeck, Germany. Science, Technology and Culture, 1700–1945 Series Editors Robert M. Brain The University of British Columbia, Canada and Ernst Hamm York University, Canada Science, Technology and Culture, 1700–1945 focuses on the social, cultural, industrial and economic contexts of science and technology from the ‘scientific revolution’ up to the Second World War. Publishing lively, original, innovative research across a broad spectrum of subjects and genres by an international list of authors,
    [Show full text]
  • From Ancient Greece. It Was for Schiele That Roessler Coined the Term “Neo
    10. Egon Schiele, from ancient Greece. It was for Schiele that have all long been somewhat different, have Self-Seers II, 1911, oil on Roessler coined the term “neo-Gothic” to been far more than what would normally be canvas. Leopold Museum, indicate an approach in which all that is cor- observed. This is above all the case with his Vienna poreal is viewed as no more than mere “husks double self-portraits. of the soul.”35 Schiele further supported this contention through his own claim, in a letter These have, rightly, been viewed as a high of January 1911, that the pictures he painted point of Schiele’s work that, to this day, remains came “not from me, but out of me.”36 puzzling.37 How alien these works really are within the context of art history is revealed by DOUBLING ONESELF— the rarely successful search for precedents. SCHIELE AND HIS “SELF-SEERS” Among the work of the Old Masters, there are In employing the maxim “pictures not from me, only a few examples to be found that show but out of me,” Schiele effectively inverted the one and the same individual from diverse conventional scientific definition of the “mirror points of view. The best-known of these is the image.” In physics, an image reflected in a mir- triple portrait of the English King Charles I ror is understood to “occupy” a position as dis- by Anthony van Dyck.38 Painted in England in tant from that mirror as is the original, while a 1635-36, it was sent to Rome in order to strict symmetry obtains between original and serve the celebrated architect and sculptor reflection.
    [Show full text]