THE D.A.P. CATALOG SPRING 2020 Atlas of Furniture Louise Bourgeois: Design an Unfolding Portrait
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THE D.A.P. CATALOG SPRING 2020 Atlas of Furniture Louise Bourgeois: Design An Unfolding Portrait VITRA DESIGN MUSEUM THE MUSEUM OF MODERN ART, NEW YORK ISBN 9783931936990 Hbk, u.s. $250.00 cdn $350.00 ISBN 9781633450417 Available Hbk, u.s. $55.00 cdn $72.50 A Book of Birds Available By Humphrey Ocean. Mitch Epstein: ROYAL ACADEMY OF ARTS Sunshine Hotel ISBN 9781912520374 STEIDL/PPP EDITIONS Hbk, u.s. $17.95 cdn $24.95 Available ISBN 9783958296091 Clth, u.s. $75.00 cdn $105.00 Available Recent Releases Barkley L. Hendricks, Ft. Charles Crocodile, 1998. From Barkley L. Hendricks: Landscape Paintings, published by Skira/Jack Shainman Gallery. See page 30. Featured Releases 2 Limited Editions 86 Journals 87 CATALOG EDITOR Moving to Mars David Benjamin Sherry: Thomas Evans Spring Highlights 88 Design for the Red Planet DESIGNER Photography 90 American Monuments Martha Ormiston Art 112 THE DESIGN MUSEUM RADIUS BOOKS PHOTOGRAPHY ISBN 9781872005461 ISBN 9781942185611 Justin Lubliner Architecture 154 Hbk, u.s. $35.00 cdn $39.95 Hbk, U.S. $75.00 CDN $105.00 COPY WRITING Design 164 Available Available Arthur Cañedo, Miles Champion, Janine DeFeo, Megan Ashley DiNoia, Thomas Evans, Valentine Ferrante, Joey Gonella, Lily Majteles Specialty Books 168 Gordon Parks: R. Buckminster Fuller: FRONT COVER IMAGE Art 170 Donald Judd, Untitled, 1960. From Judd, published by the Museum of Modern Art, New York. © 2019 Judd Muhammad Ali Photography 189 Pattern-Thinking Foundation / Artists Rights Society (ARS), New York. See page 11. STEIDL/THE GORDON PARKS FOUNDATION/THE NELSON- LARS MÜLLER PUBLISHERS BACK COVER IMAGE Primrose Confectionery candy cigarette box, 1969. From Wrappers Delight , published by Fuel. See page 44. Backlist Highlights 198 ATKINS MUSEUM OF ART ISBN 9783037786093 ISBN 9783958296190 Pbk, u.s. $40.00 cdn $55.00 Index 207 Clth, u.s. $55.00 cdn $75.00 Available Plus sign indicates that a title is listed on Edelweiss Available Writing the Future: Basquiat and the Hip-Hop Generation How hip-hop culture and graffiti electrified the art of Jean-Michel Basquiat and his contemporaries in 1980s New York In the early 1980s, art and writing labeled as graffiti began to transition from New York City walls and subway trains onto canvas and into art galleries. Young artists who freely sampled from their urban experiences and their largely Black, Latinx and immigrant histories infused the downtown art scene with expressionist, pop and graffiti-inspired compositions. Jean-Michel Basquiat (1960–88) became the galvanizing, iconic frontrunner of this transformational and insurgent movement in contemporary American art, which resulted in an unprecedented fusion of creative energies that defied longstanding racial divisions. Writing the Future features Basquiat’s works in painting, sculpture, drawing, video, music and fashion, alongside works by his contemporaries—and “By making the leap from trains to mass media and sometimes collaborators—A-One, ERO, Fab 5 mainstream galleries, these artists were the ambitious Freddy, Futura, Keith Haring, Kool Koor, LA2, Lady Pink, Lee Quiñones, Rammellzee and Toxic. shock troops of an incendiary cultural movement, the Throughout the 1980s, these artists fueled new directions in fine art, design and music, reshaping hip-hop revolution to come.” the predominantly white art world and driving the now-global popularity of hip-hop culture. –GREG TATE, “HIP-HOP’S AFROFUTURISTIC HIVE MIND” Writing the Future, published to accompany a major exhibition, contextualizes Basquiat’s work in relation to his peers associated with hip-hop culture. It also marks the first time Basquiat’s extensive, robust and reflective portraiture of his Black and Latinx friends and fellow artists has been given prominence in scholarship on his oeuvre. With contributions from Carlo McCormick, Liz Munsell, Hua Hsu, J. Faith Almiron and Greg Tate, Writing the Future captures the energy, inventiveness and resistance unleashed when hip-hop hit the city. MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON ARTISTS INCLUDE: Kool Koor Edited by Liz Munsell, Greg Tate. Text by J. Faith Almiron, Dakota DeVos, Hua Hsu, Carlo McCormick. Basquiat LA2 ISBN 9780878468713 U.S. $50.00 CDN $69.95 A-One Hbk, 9.5 x 10.75 in. / 200 pgs / 200 color. Lady Pink April/Art/African American Art & Culture/ ERO Lee Quiñones Fab 5 Freddy Rammellzee Futura Toxic ALSO AVAILABLE Keith Haring and more Basquiat’s “Defacement” ISBN 9780892075485 EXHIBITION SCHEDULE: Pbk, U.S. $29.95 CDN $39.95 Boston, MA: Museum of Fine Arts, 04/05/20–08/02/20 Guggenheim Museum Miami, FL: Pérez Art Museum Miami, 09/19/20–02/14/21 2 artbook.com artbook.com 3 NEW REVISED EDITION Philip Guston Now THE OFFICIAL PHILIP GUSTON Philip Guston: RETROSPECTIVE CATALOG A long-overdue retrospective of Philip Guston’s influential work, from social ACCOMPANIES THE FOLLOWING Poor Richard realism to abstract expressionism to tragicomic, cartoony figuration EXHIBITIONS: Philip Guston’s legendary, prescient Philip Guston—perhaps more than any other figure in recent memory—has given contemporary political satire of Richard Nixon, artists permission to break the rules and paint what, and how, they want. His nonlinear career, presented for the first time as the embrace of “high” and “low” sources, and constant aesthetic reinvention defy easy categorization, Washington, DC: artist envisioned it and his 1968 figurative turn is one of 20th-century art’s most legendary conversion narratives. “I National Gallery of Art, was feeling split, schizophrenic. The war, what was happening in America, the brutality of the world. In the summer of 1971—two years What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about 06/07/20–09/13/20 before Watergate—Richard Nixon was everything—and then going into my studio to adjust a red to a blue?” an incumbent fighting to hold onto the And so Guston’s cross-hatched abstractions gave way to large, cartoonlike canvases populated by presidency. Philip Guston was holed up in lumpy, lugubrious figures and personal symbols in a palette of meaty pinks. That Guston continued Houston, TX: Woodstock, New York, still rebounding from mining this vein for the rest of his life—despite initial bewilderment from his peers—reinforced his the punishing critical response to the debut reputation as an artist’s artist; he has become hugely influential as contemporary art has followed Museum of Fine Arts, of his recent figurative work. Inspired in part Guston into its own antic figurative turn. by the work of his friend Philip Roth, who Published to accompany the first retrospective museum exhibition of Guston’s career in 15 years, 10/18/20–01/18/21 had just finished Our Gang, Guston began Philip Guston Now includes a definitive chronology reflecting many new discoveries. It highlights drawing the object of his political angst and the voices of artists of our day who have been inspired by the full range of his work: Tacita Dean, despair—Richard Nixon, transformed into Peter Fischli, Trenton Doyle Hancock, William Kentridge, Glenn Ligon, David Reed, Dana Schutz, Amy London, UK: the character “Poor Richard.” Sillman, Art Spiegelman and Rirkrit Tiravanija. Essays trace the influences, interests and evolution of Tate Modern, In a series of 72 drawings, Guston tells this singular force in modern and contemporary art—including a close look at the 1960s and ’70s, the story of Poor Richard (rendered with a when Guston gradually abandoned abstraction, returning to the figure and to current history but 02/16/21–06/13/21 distinctively phallic nose and scrotal jowls) with a personal voice, by turns comic and apocalyptic, that resonates today more than ever. as he stumbles through his rise to power, Born in Canada and raised in Los Angeles, Philip Guston (1913–80) was largely self-taught, reared plotting strategy, shamelessly pandering on Renaissance painters in reproduction, Walter and Louise Arensberg’s modern art collection, and Boston, MA: to voters and planning his triumphant the Mexican muralism of Orozco and Siqueiros. After finding success as a New York School painter, “Asian Tour.” in 1968 Guston began painting in a figurative mode, marshaling all those early influences into his Museum of Fine Arts, Guston carefully sequenced the drawings iconic, bleakly funny images of midcentury America’s violence and anxiety. He died in Woodstock in 1971 and planned to publish them as a in 1980. 07/17/21–10/17/21 book, even designing an original title page. But he held back, and the images were never published during his lifetime; only in 2001 were the drawings exhibited for the first time, accompanied by a publication of the series from the University of Chicago Press. Philip Guston: Poor Richard brings Guston’s series back into print. Reproducing Guston’s own sequencing, layout and original title page from 1971, Philip Guston: Poor Richard presents this shockingly fresh, delightfully profane series for the first time exactly as the artist intended it. D.A.P./NATIONAL GALLERY OF ART Text by Harry Cooper. ISBN 9781942884576 U.S. $14.95 CDN $21.00 Pbk, 8.5 x 7 in. / 96 pgs / 75 color. June/Art/ D.A.P./NATIONAL GALLERY OF ART Text by Harry Cooper, Mark Godfrey, Alison de Lima Greene, Kate Nesin. Contributions by Jennifer Roberts, Tacita Dean, Peter Fischli, Trenton Doyle Hancock, William Kentridge, Glenn Ligon, David Reed, Dana Schutz, Amy Sillman, Art Spiegelman, Rirkrit Tiravanija. ISBN 9781942884569 U.S. $60.00 CDN $85.00 Clth, 9.5 x 11.5 in. / 288 pgs / 275 color. June/Art/ 4 artbook.com artbook.com 5 WINTER MIDSEASON SUPPLEMENT NEW REVISED EDITION JR: Chronicles Weegee’s Naked City A comprehensive overview on the French artist Weegee’s noir classic on the secret life of New who has transformed cities worldwide with his York, now in a beautifully printed new edition epic portraits of their inhabitants Weegee wandered the streets of 1940s New York at Over the past two decades, French artist JR has massively night looking for lovers, corpses and criminals to shoot for expanded the impact of public art through his ambitious tabloid readers who “had to have their daily blood bath projects that give visibility and agency to people around and sex potion to go with their breakfast” (as Weegee put the world.