Abacus, 1–2, 111, 636, 716, 950, 1341–1342, 1371, 1375, 1397
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The Two-Piece Corinthian Capital and the Working Practice of Greek and Roman Masons
The two-piece Corinthian capital and the working practice of Greek and Roman masons Seth G. Bernard This paper is a first attempt to understand a particular feature of the Corinthian order: the fashioning of a single capital out of two separate blocks of stone (fig. 1).1 This is a detail of a detail, a single element of one of the most richly decorated of all Classical architec- tural orders. Indeed, the Corinthian order and the capitals in particular have been a mod- ern topic of interest since Palladio, which is to say, for a very long time. Already prior to the Second World War, Luigi Crema (1938) sug- gested the utility of the creation of a scholarly corpus of capitals in the Greco-Roman Mediter- ranean, and especially since the 1970s, the out- flow of scholarly articles and monographs on the subject has continued without pause. The basis for the majority of this work has beenformal criteria: discussion of the Corinthian capital has restedabove all onstyle and carving technique, on the mathematical proportional relationships of the capital’s design, and on analysis of the various carved components. Much of this work carries on the tradition of the Italian art critic Giovanni Morelli whereby a class of object may be reduced to an aggregation of details and elements of Fig. 1: A two-piece Corinthian capital. which, once collected and sorted, can help to de- Flavian period repairs to structures related to termine workshop attributions, regional varia- it on the west side of the Forum in Rome, tions,and ultimatelychronological progressions.2 second half of the first century CE (photo by author). -
The Five Orders of Architecture
BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna. -
Proquest Dissertations
University of Alberta Qin Jiushao and His Mathematical Treatise in Nine Sections in Thirteenth-Century China by Ke-Xin Au Yong A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in History History and Classics ©Ke-Xin Au Yong Fall 2011 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de ('edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-81281-5 Our file Notre reference ISBN: 978-0-494-81281-5 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. -
Schematizing Plum Blossoms
Schematizing Plum Blossoms: Understanding Printed Images in Thirteenth-Century China By Mengge Cao B.A., McGill University, 2014 A Thesis Submitted to Department of the Art History and Communication Studies of McGill University In Partial Fulfillment of the Requirements For the Degree of Master of Arts Department of Art History and Communication Studies McGill University Montreal, Quebec December 2016 © Mengge Cao 2016 ABSTRACT This thesis examines the significance of the printed images in the Register of Plum Blossom Portraits (Meihua xishen pu, d. 1238), the earliest extant book illustrating plum blossoms. In particular, it focuses primarily on the visual analogs in the Register, which consists of one hundred titled picture-poem sequences. Approaching the Register through the method of “period eye,” this thesis emphasizes on two factors that shaped the author’s compositional strategy: the potentiality of the print medium and the influence of the Learning of the Way (daoxue) conceptual framework. Section 1 offers factual information concerning the production and reception of the Register. Section 2 reveals the connection between the printed plum blossoms and their counterparts in the Song dynasty (960–1279) illustrated books. Section 3 investigates the conceptual foundation of the visual analogs in the Learning of the Way framework. ii RESUME Cette thèse examine l’impact historique des images imprimées dans la Chine du treizième siècle à travers l’étude du Registre des portraits de fleurs de prunier (Meihua xishen pu, d. 1238), le livre le plus ancien illustrant des fleurs de prunier. Elle concerne plus particulièrement les séquences de poèmes-images présents dans le Registre en tant qu’analog mot-image documenté par la circulation des livres ayant permis une nouvelle approche pour traiter les données visuelles. -
Tracing Changes in Acu- Moxa Therapy During the Transition from the Tang to the Song Dynasties 1
EASTM 18 (2001): 75-11 I Changing Standards: Tracing Changes in Acu moxa Therapy During the Transition from the Tang to the Song Dynasties 1 Asaf Goldschmidt [Asaf Goldschmidt is a lecturer at Tel Aviv University, Israel. He received his Ph.D. in History and Sociology of Science from the University of Pennsylvania in I 999. His dissertation was on "The transformations of Chinese medicine dur ing the Northern Song dynasty (920-1127)." The dissertation analysed how by the end of the Northern Song dynasty three past medical approaches converged into one comprehensive medical system. He is currently working on a history of the first imperially sponsored pharmacy in China and on the influence of the Song emperor Huizang on medicine.] * * * Acupuncture is probably one of the most renowned topics when traditional Chi nese medicine is discussed. Indeed, more often than not, when people discuss traditional Chinese medicine one of the first issues they discuss is acu-moxa therapy (see definition below). Acu-moxa therapy is certainly one of the most intriguing and unintuitive therapeutic skills in the arsenal of traditional Chinese medicine. However in spite of this, little research has been conducted on the history of this topic. Existing works mostly concentrate on either the question of the origin of acu-moxa therapy or provide a general overview of its history.2 This paper offers a different approach - it compares the contents of six surviving texts of acu-moxa therapy dating to the late Tang and early Song dynasties. By com paring the contents of these works, I attempt to examine changes in the manu scripts available to practitioners of that era. -
Introduction to Neijing Classical Acupuncture Part II: Clinical Theory Journal of Chinese Medicine • Number 102 • June 2013
20 Introduction to Neijing Classical Acupuncture Part II: Clinical Theory Journal of Chinese Medicine • Number 102 • June 2013 Introduction to Neijing Classical Acupuncture Part II: Clinical Theory Abstract By: Edward Neal As outlined in Part I of this article, the theories and practices of Neijing classical acupuncture are radically different from the type of acupuncture commonly practised today. In essence, Neijing classical acupuncture is Keywords: a form of clinical surgery, the goal of which is to restore the body’s circulatory pathways and tissue planes to a Acupuncture, state of dynamic balance. In its clinical application, Neijing classical acupuncture is a physician-level skill built Neijing, classical, upon a sophisticated understanding of the innate patterns of nature and an in-depth knowledge of the structure history, basic and physiology of the human body. Neijing classical acupuncture does not depend on point-action theory - the principles conceptual framework that dominates most current thinking in modern acupuncture - for its therapeutic efficacy. Rather, the goal of Neijing classical acupuncture is to regulate the different tissue planes of the body in order to restore the free circulation of blood, and in doing so allow the body to return to its original state of balance and innate self-healing. I. Background theoretical descriptions of acupuncture were outlined The detailed writings laid down in the original texts in the original medical texts where their core principles of Chinese medicine during the later Warring States period (475-221 BCE) and Western Han Dynasty (206 that is the least understood today.3 BCE-9 CE) represent a comprehensive theoretical system that has stood the test of time for over two History of the Lingshu family of texts millennia. -
Abacus the Uppermost Member of a Capital
FINAL CRA SUBMITTAL GLOSSARY Arcade (fig. g.1) A series of arches supported on piers or columns and attached or detached from the wall. Americans with Disabilities Act (ADA) (fig. g.2) Law prohibiting discrimination to persons with disabilities, by requiring, among other things, that places generally open to the public, such as restaurants and hotels is made accessible. Special rules apply to historic buildings and facilities. Balloon Framing A method of wood frame construction, referring to the skeletal framework of a building. Studs or uprights run from sills to eaves, and horizontal bracing members are nailed to them. Balustrade A series of balusters with a top and bottom rail. Bracket A decorative support element located under eaves or overhangs. Base Flood Elevation The computed elevation to which floodwater is anticipated to rise during the base flood. Base Flood Elevations (BFEs) are shown on Flood Insurance Rate Maps (FIRMs) and on the flood profiles. CRA Design Guidelines Glossary Glossary Page 1 FINAL CRA SUBMITTAL Bay The division of a face of a building, defined by structural spacing, window, and door openings. Beltcourse A flat, horizontal member of relatively slight projection, marking the division in a wall plane. Belvedere (fig. g.3) A rooftop pavilion that affords a view of the landscape or waterscape (see also Roof Deck and Widow’s Walk). Braced Frame A wooden structural system, consisting of heavy corner posts and heavy horizontal timbers and light, closely spaced studs, nailed between the horizontal timbers. Building Envelope-planning (fig.g.4) The building envelope is the remaining volume of space where a principle structure may built after setbacks, height limits, and view corridors are subtracted. -
Scavenger Hunt Glossary
GLOSSARY DOWNTOWN NORFOLK VIRTUAL SCAVENGER HUNT A Hampton Roads Chapter of the American Institute of Architecture HISTORIC PRESERVATION MONTH EVENT May 15-31, 2020 Architecture has a language unto itself. Every piece of a building, every type of ornamentation, every style has a distinct name and so does each detail you will encounter in our Scavenger Hunt. Below are definitions of typical architectural features you will see in the photos embedded in the Virtual Scavenger Hunt Interactive Map and the Official Virtual Scavenger Hunt Entry Form. Choose from these definitions for the description that is the best match to the details to be found. Enter this on the Entry Form (see example on the bottom right of the Official Entry Form). HINT: Not all are used; some are used more than once. Acroterion – A classical ornament or crowning adorning a pediment Fleuron – Ornament at the center of the Ionic abacus. Classically usually at gable corners and crown, generally carvings of monsters, it is a floral ornament, but in modern interpretations, can be sphinxes, griffins or gorgons, sometimes massive floral complexes. anthropomorphic (e.g. human forms). Art Deco Ornament – Popular decorative arts in the 1920s–30s Fretwork – Ornament comprised of incised or raised bans, variously after WWI. Identified by geometric, stylized, designs and surface combined and typically using continuous lines arranged in a ornamentation in forms such as zigzags, chevrons and stylized floral rectilinear or repeated geometric pattern. Also called a Meander. motifs. Geison – The projection at the bottom of the tympanum formed by Bas Relief Ornamentation – Carved, sculpted or cast ornament the top of the Cornice. -
Arch 150: Appreciation of Architecture I
Arch 150: Appreciation of Architecture I Professor Alex T. Anderson 170F Architecture Hall [email protected] campus phone: 616-1261 office hours: W 1:30-3:30 (or by appointment) Course Assistants Shima Mohajeri, Ph.D. [email protected] office hours: TBA Supasai Vongkulbhisal [email protected] office hours: TBA Vy Nguyen [email protected] office hours: TBA Arch 150: Appreciation of Architecture I a broad introduction to the architecture before the modern era in which you should: • gain a sense of the global history of architecture from prehistory to 1400 • be able to identify key works of architecture from the period • have a good understanding of architectural principles and techniques • be able to interpret buildings critically or Read the textbook! Available at the University Book Store (4th edition only) or as an E-Book at Amazon or On reserve in the CBE and Odegaard Libraries Textbook Recommended Text Available as an E-book at the UW Library and On reserve in the CBE Library Use the website! (https://canvas.uw.edu/courses/1062938 ) Use the website! (https://canvas.uw.edu/courses/1062938 ) Arch 150: Appreciation of Architecture I Course grading • 4 online tests (80%) • 2 assignments (20%) Arch 150: Appreciation of Architecture I Please: • avoid distractions during the lectures – no cell phones, computers (except for note-taking), talking, etc. • talk to me after class, rather than before • communicate with us via e-mail or the Canvas site, but don’t expect long or complex answers… Appreciation of architecture? The Parthenon The Parthenon (Temple of Athena Polias, Athens, Greece, 432 bce) The Acropolis (plan, 2nd c. -
1 Classical Architectural Vocabulary
Classical Architectural Vocabulary The five classical orders The five orders pictured to the left follow a specific architectural hierarchy. The ascending orders, pictured left to right, are: Tuscan, Doric, Ionic, Corinthian, and Composite. The Greeks only used the Doric, Ionic, and Corinthian; the Romans added the ‘bookend’ orders of the Tuscan and Composite. In classical architecture the selected architectural order for a building defined not only the columns but also the overall proportions of a building in regards to height. Although most temples used only one order, it was not uncommon in Roman architecture to mix orders on a building. For example, the Colosseum has three stacked orders: Doric on the ground, Ionic on the second level and Corinthian on the upper level. column In classical architecture, a cylindrical support consisting of a base (except in Greek Doric), shaft, and capital. It is a post, pillar or strut that supports a load along its longitudinal axis. The Architecture of A. Palladio in Four Books, Leoni (London) 1742, Book 1, plate 8. Doric order Ionic order Corinthian order The oldest and simplest of the five The classical order originated by the The slenderest and most ornate of the classical orders, developed in Greece in Ionian Greeks, characterized by its capital three Greek orders, characterized by a bell- the 7th century B.C. and later imitated with large volutes (scrolls), a fascinated shaped capital with volutes and two rows by the Romans. The Roman Doric is entablature, continuous frieze, usually of acanthus leaves, and with an elaborate characterized by sturdy proportions, a dentils in the cornice, and by its elegant cornice. -
Luis Roncero Mayor La Tradicion Esoterica Taoista Tesis De Doctorado
UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS Tesis doctoral LA TRADICIÓN ESOTÉRICA TAOÍSTA: LOS FUNDAMENTOS DE LA ALQUIMIA INTERIOR TAOÍSTA Y SUS CORRESPONDENCIAS EN LA ALQUIMIA MEDIEVAL ESPAÑOLA Luis Roncero Mayor Directores de la tesis: Taciana Fisac Badell José Ramón Álvarez Méndez-Trelles Departamento de Lingüística, Lenguas Modernas, Lógica y Filosofía de la Ciencia, Teoría de la Literatura y Literatura Comparada. Programa de Doctorado en “Lengua, Literatura y Sociedad” AGRADECIMIENTOS En primer lugar, quisiera agradecer a mis dos tutores: Taciana Fisac y José Ramón Álvarez. Además de contar con su valiosa dirección y guía durante la redacción de la tesis, Taciana Fisac me ha apoyado en todos mis proyectos desde que empecé a estudiar chino en 1996 en la Universidad Autónoma de Madrid, y ha sido un apoyo imprescindible para mi desarrollo académico. Sin su experiencia escribir esta tesis habría sido mucho más tedioso; el gran pesar que habría sentido cuando estaba estancado en algunas secciones posiblemente me habría hecho abandonar. Por su parte, José Ramón Álvarez ha compartido conmigo sus profundos conocimientos sobre el Daodejing y el taoísmo, que tan presente está en el día a día de la sociedad taiwanesa. Además, han sido muy valiosas también las historias reales de la vida en Taiwán y cómo las relaciona con la mentalidad taoísta. Ambas perspectivas han servido de complemento fundamental para redactar algo que se habría quedado en pura teoría. A mis progenitores no sólo es menester agradecerles por haberme dado el mayor regalo—la vida—sino también por haberme mostrado la importancia del trabajo y de la responsabilidad. -
Redalyc.EVOLUCIÓN HISTÓRICA DE LA MEDICINA TRADICIONAL CHINA
Comunidad y Salud ISSN: 1690-3293 [email protected] Universidad de Carabobo Venezuela Reyes G., Ariel E. EVOLUCIÓN HISTÓRICA DE LA MEDICINA TRADICIONAL CHINA Comunidad y Salud, vol. 6, núm. 2, julio-diciembre, 2008, pp. 42-49 Universidad de Carabobo Maracay, Venezuela Disponible en: http://www.redalyc.org/articulo.oa?id=375740243004 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Comunidad y Salud Jun-Dic, Vol. 6, Nº 2, Año 2008 Forum Comunitario EVOLUCIÓN HISTÓRICA DE LA MEDICINA ......................................................................... TRADICIONAL CHINA Historical Evolution of Chinese Traditional Medicine Ariel E. Reyes G..1 INTRODUCCIÓN La Medicina Tradicional China (MTCH), En los rasgos primitivos de la escritura china, medicina ancestral originaria de la antigua China, ha grabados en huesos de animales o en caparazones de perdurado y ha evolucionado a lo largo de la historia. tortuga, descubiertos en la dinastía Han, había Durante la segunda mitad del siglo XX, esta terapia ha anotaciones sobre la medicina, la asistencia médica y la ido introduciéndose en los países occidentales y ha sanidad pública, incluso referencias a más de 10 tipos obtenido una gran aceptación entre los usuarios de estos de enfermedades sus síntomas y su tratamiento. La etnia países que han encontrado una medicina diferente, nada de los han, más que ninguna otra, fue quien forjó, a agresiva y muy preventiva, mediante la cual se obtienen través de milenarias experiencias y de formulaciones resultados eficaces y rápidamente.