Towards Meaningful Images of the User in Design Scenarios BLYTHE, M
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25 December 2020 Page 1 of 3
BBC 4 Listings for 19 – 25 December 2020 Page 1 of 3 SATURDAY 19 DECEMBER 2020 beyond including all the big hits, rare 60s performances from SUN 23:00 Soul Noel: Gospel and Soul Stars Sing European TV, including a stunning I Started a Joke, a rarely Christmas (b00wvcs3) SAT 19:00 The Two Ronnies Sketchbook (b007cdzh) seen Top of the Pops performance of World, the big hits of the A Christmas concert with a difference, as carols, Christmas Christmas 70s and some late performances from the 90s, with the brothers anthems and the odd pop classic are performed with a gospel Gibb in perfect harmony. and soul twist. Back again for one very last extra special Christmas outing, the Two Ronnies bring you their favourite treats from their many Warm yourself on a winter's night with gospel, soul, reggae, ska classic Christmas shows. Look out for The Milkman's SAT 00:30 Disco at the BBC (b01cqt74) and soca versions of classics such as Silent Night, Hark the Christmas Message, Christmas Day in the Yukon and a lavish A foot-stomping return to the BBC vaults of Top of the Pops, Herald Angels Sing, Jingle Bells, God Rest Ye Merry interpretation of Alice through the Looking Glass - Ronnies The Old Grey Whistle Test and Later with Jools as the Gentlemen and many more. style. Music comes courtesy of Katie Melua singing Have programme spins itself to a time when disco ruled the floor, the Yourself a Merry Little Christmas. airwaves and our minds. The visual floorfillers include classics Filmed at the Porchester Hall in west London, it features UK from luminaries such as Chic, Labelle and Rose Royce to glitter soul diva Beverley Knight, the multi- talented jazz blues soul ball surprises by The Village People. -
Teaching Machiavelli, Or How I Learned to Love the Prince
Alan E. Miller Drawing on The Simpsons Teaching Machiavelli, and other contemporary references, Miller describes or How I Learned how the 15th-century classic can still resonate to Love The Prince with young adults. ritten by a petty bureaucrat and dip- that could unify much of the fiction, drama, and lomat for Lorenzo de Medici, a short stories they would read during the school member of one of the ruling fami- year? Couldn’t the Macbeths be considered typical lies of Europe, Niccolò Machiavelli’s Machiavellian rulers? Couldn’t Oedipus be blamed The Prince (1532) is a slim volume concerned pri- for sharing power and underestimating a possible Wmarily with advising Medici on how to acquire, “religious” rival in the Delphic Oracle? Were the maintain, and sustain power over a state. Its difficult Ibo, as depicted in Things Fall Apart, too accommo- and often archaic vocabulary aside, at first glance it dating of the white settlers encroaching on their hardly seems an ideal text for the sophomores I often territory with a new religion, powerful weapons, teach. Nearly 500 years old, it features a glib atti- destabilizing economic strategies, and potentially tude about violence and a cynical opinion of human- oppressive laws? Indeed, weren’t the British in Ni- kind. And hardly anyone teaches the book in its geria perfecting Machiavelli’s techniques? Not only entirety at the secondary level—probably because did The Prince provide a way of understanding these it’s repetitive, dense, and sometimes frustrating. problems, it also offered some principles for leaders Ironically, the things that make it a questionable concerned with how and when to act effectively to choice also make it an excellent challenge, or maintain control of their lands. -
Brand and the BBC – the Full Expletive-Riddled Truth
Brand and the BBC – the full expletive-riddled truth blogs.lse.ac.uk/polis/2008/11/05/brand-and-the-bbc-the-full-expletive-riddled-truth/ 2008-11-5 Was it a storm in a tea-cup or a symbol of a wider malaise at the BBC? Well Polis has got the full, expletive-riddled story from a senior BBC figure. Caroline Thomson is the BBC’s Chief Operating Officer, second only in importance at the corporation to her namesake, Mark. In a speech to Polis she gave a lengthy and carolinethomson.jpg candid narrative of the whole Brand/Ross prank phone call saga. In it she makes a staunch defence of the BBC’s actions and calls on the corporation to continue taking risk. But she recognised in her speech, and the subsequent exchange we had, that it does raise a wider question: Is the BBC too keen to do too much instead of focusing on what it does best. Here is her speech which I think is well worth reading in full – it will also go up on the main Polis website. The BBC: The Challenge to Appeal to All Audiences Caroline Thomson, Chief Operating Officer, BBC POLIS Media Leadership Dialogues London School of Economics, Tuesday 4 November What a week – when I agreed to do this talk I thought I would focus on transforming the BBC – getting it to be a networked organisation, representing the whole of the UK with London as its hub, not its dominant force, with our plans for our new base in the Manchester region as the central theme. -
A Linguistic Analysis of Postmodern Comedy by Barbara Ann Karman
Postmodern Power Plays: A linguistic Analysis of Postmodern Comedy by Barbara Ann Karman Submitted in partial Fulfillment of the Requirements for the Degree of Master ofArts in the English Program Youngstown State University August, 1998 Postmodern Power Plays: A Linguistic Analysis of Postmodern Comedy Barbara Ann Karman I hereby release this thesis to the public. I understand this thesis will be housed at the Circulation Desk of the University library and will be available for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: ~ Ii q;;. ~~QL<~ Student Date Approvals: Thesis Advisor Date LC~L L}~lGl ~~b~ L~{S-.-..;;;;~ 0 --c' __(s+-II CommitteiMember 0 Date iii Abstract Postmodern Power Plays: A Linguistic Analysis of Postmodern Comedy The goal of this thesis is to first acquaint readers with the literature on humor that will be useful in analyzing postmodern comedy from a linguistic perspective. As a genre-specific theoretical tool for viewers-- and readers-- of television texts, this thesis provides a means to an end: a way to "fine tune" our perception and understanding ofpostmodern comedy, and more importantly, provide concrete means to analyze the structure and implicit messages of one of its primary modes of expression--the prime time television situation comedy. Two case studies will consider the linguistic and textual construction of The Simpsons and Home Improvement and show how each sitcom relies on a postmodern power play between competing interests to engage the audience, subvert, and yet also subtly reinforce some ofour traditional notions ofgender and family relations in a patriarchal society. -
A M D G Beaumont Union Review Summer 2018
A M D G BEAUMONT UNION REVIEW SUMMER 2018 Those of you who attended the lunch at St John‘s on Remembrance Sunday last year may recall, that in my words of thanks to the Headmaster and Staff, I said that we talk of this nebulous concept of the ―Spirit of Beaumont‖. I continued: ―Yet we have the living embodiment of that Spirit right here‖. Up until 1967 St John‘s was always considered part of Beaumont and its Old boys whether they continued to the College or not eligible for The Union. That year they were cast adrift and I think the feeling of the Committee was that it was now the Stonyhurst prep in the south of England and it would have a new allegiance. 50 years on and this is no longer the case. They wear our colours, harbour our traditions, sing the Carmen. They play cricket on our grounds and honour the dead at the War Memorial. It is long overdue to rectify the situation and bring the BU and the SJBOBA into closer alignment (sounds Brexit). In 1905, younger members of the Union founded the Beaumont Casuals whose activities were more in keeping with their generation. It lasted four years when the Club came to an end, yet it was written that ―the idea of younger members associating together for sports and social gatherings is a good one, and it is hoped that one day the Casuals will come to life again‖. I think that time has come. ANNOUNCEMENTS MUSEUM In February I met with Giles Delaney at St John’s and I know you will all be pleased to hear that our memorabilia will, where possible, soon go on display. -
25 Years of Eastenders – but Who Is the Best Loved Character? Submitted By: 10 Yetis PR and Marketing Wednesday, 17 February 2010
25 years of Eastenders – but who is the best loved character? Submitted by: 10 Yetis PR and Marketing Wednesday, 17 February 2010 More than 2,300 members of the public were asked to vote for the Eastenders character they’d most like to share a takeaway with – with Alfie Moon, played by actor Shane Ritchie, topping the list of most loved characters. Janine Butcher is the most hated character from the last 25 years, with three quarters of the public admitting they disliked her. Friday marks the 25th anniversary of popular British soap Eastenders, with a half hour live special episode. To commemorate the occasion, the UK’s leading takeaway website www.Just-Eat.co.uk (http://www.just-eat.co.uk) asked 2,310 members of the public to list the character they’d most like to ‘have a takeaway with’, in the style of the age old ‘who would you invite to a dinner party’ question. When asked the multi-answer question, “Which Eastenders characters from the last 25 years would you most like to share a takeaway meal with?’, Shane Richie’s Alfie Moon, who first appeared in 2002 topped the poll with 42% of votes. The study was entirely hypothetical, and as such included characters which may no longer be alive. Wellard, primarily owned by Robbie Jackson and Gus Smith was introduced to the show in 1994, and ranked as the 5th most popular character to share a takeaway with. 1.Alfie Moon – 42% 2.Kat Slater – 36% 3.Nigel Bates – 34% 4.Grant Mitchell – 33% 5.Wellard the Dog – 30% 6.Peggy Mitchell – 29% 7.Arthur Fowler – 26% 8.Dot Cotton – 25% 9.Ethyl Skinner – 22% 10.Pat Butcher – 20% The poll also asked respondents to list the characters they loved to hate, with Janine Butcher, who has been portrayed by Rebecca Michael, Alexia Demetriou and most recently Charlie Brooks topping the list of the soaps most hated, with nearly three quarters of the public saying listing her as their least favourite character. -
Erzaehlen Und Selbstreflexivitaet
Erzählen und Selbstreflexivität: Glawoggers Dokumentarfilme „Megacities“ und „Workingman’s Death“ Magisterarbeit vorgelegt von: Fabian Kösters Hinweis zum Copyright: Bis auf Weiteres liegt diese Arbeit unter den strikten gesetzlichen Urheberrechts- Bestimmungen vor. Alle genutzten Zitate, Bildausschnitte und Quellenangaben sind eindeutig gekennzeichnet und werden im Sinne des "fair use" für wissenschaftliche Arbeiten verwendet. Selbstverständlich darf – nach den üblichen Regelungen (Namensnennung, Angabe des genauen Titels inkl. Link zur Quelle, Datum der letzten Abfrage) – auch aus dem vorliegenden Text zitiert werden. Ich bin auf der Suche nach einer geeigneten CreativeCommons-Lizenz oder ähnlichem. Eine Version, die unter dieser zu findenden Lizenz veröffentlicht werden soll, wird die hier vorliegende Version dann ersetzen. 22.3.2017 © Copyright by Fabian Kösters. All rights reserved. Inhalt: 1 Einleitung: Geschichten Erzählen als kulturelle Praxis .................................. 3 2 Narrativität im Dokumentarfilm...................................................................... 7 2.1 Diegese und diegetische Ebenen ........................................................... 12 2.2 Fokalisierung und Fokus ....................................................................... 15 2.3 Faktizität und Fiktionalität .................................................................... 17 2.4 Selbstreflexivität und Metareflexivität im Dokumentarfilm................. 24 2.5 Motivation und Bedeutung................................................................... -
The Simpsons Tapped out - Analysis and Proposed Events Overview
The Simpsons Tapped Out - Analysis and Proposed Events Overview Players like myself have faithfully enjoyed The Simpsons Tapped Out (TSTO) for several years. The developers have continued to expand the game and provide updates in response to player feedback. This has been evident in tools such as the IRS Building tap radius, the Introduction Unemployment Office Job Manager and the Cut & Paste feature, all of which are greatly appreciated by players and have extended the playability of TSTO for many of us who would have otherwise found the game too tedious to continue once their Springfields grew so large. Notably, as respects Events, positive reactive efforts were identifiable in the 2017 Winter Event and the modified use of craft currency. As evident from the forums, many dedicated and heavily-invested players have grown tired with some of TSTO's stale mechanics and gameplay, as well as the proliferation of uninspired content, much of which has little to no place in Springfield, if even the world of "The Simpsons." This Premise player attitude is often displayed in the later stages of major Events as players begin to sense monotony due to a lack in changes throughout an Event, resulting in a feeling that one is merely grinding through the game to stock up on largely unwanted Items. Content-driven major Events geared toward "The Simpsons" version of Springfield with changes of pace, more like mini-Events, and the Solution addition of new Effects, enabling a variety of looks while injecting a new degree of both familiarity and customization for players. The proposed Events and gameplay changes are steeped in canonical content rather than original content. -
Radyr Chain 191 – December 2010
The three Wise Christmas - The Story is the brainchild Men will be of Sally Humble-Jackson, a Cardiff riding their church-goer, who in the past has camels in to the worked both in theatre and as a heart of the writer. city's shopping “We think it's important that the centre this nativity story is restored to our Christmas, as collective consciousness, and that a Cardiff gets set new generation does not grow up in to pioneer a dramatic event, the first ignorance - in the interests of social of its kind in the UK. Called Christmas cohesion, if nothing else. Because we - The Story, it's a nativity play - and have the involvement of a major more - which will be performed every charity, it is planned that Christmas - day, throughout the day, from The Story, piloted in Cardiff this year, December 1-18. Forget tea towels and will be replicated in town centres cute angels, this production will be a across Britain next year and into the visual feast performed by adults and future. which aims to become as essential to every family's Christmas as a trip to “The entire project is run by Santa's grotto. volunteers giving up their time and offering their services and areas of In future years Christmas - The Story expertise for free. Obviously there will become a tradition, an annual will be certain materials, services and event in towns and cities across the UK skills we will need to buy in, but these The project was inspired by a shocking we anticipate being funded by the survey which showed that there was a members of the Churches of Cardiff as woeful lack of knowledge of the a gift to the people of Cardiff. -
PROJECTIONS Welcome to the December Acknowledge That You Still Have the Best and Most and January Bumper Issue! Rewarding Part of Your Year to Come
Hey Everyone! mountain or temple you’ve been meaning to see and PROJECTIONS Welcome to the December acknowledge that you still have the best and most and January bumper issue! rewarding part of your year to come. We hope everyone’s had an We’ve been hearing loads of exciting news and stories amazing Christmas and from Desk Officers who are just returning from visits and celebrated New Year in good all is well. Thanks again to those of you whom we spirits. Going back to your visited for showing us a great time. We look forward to routine after the party season seeing the rest of you soon enough! can be difficult, so don’t be disheartened if you feel a A further thank you to those who have sent in pictures little bit flat. The best way to and tales of your life overseas. Our office is awash of tackle this is to keep busy, colour from all over the world. Keep sending in your this is the time to really push yourself; after all it’s a new great pictures. It gives us something to smile about year. So put your fantastic ideas for secondary projects into during these long, cold winter nights on Coll… practise, keep up your language learning, visit that Photo: Laura in RSA. Around the World with Project Trust Malawi Fieke and Mia have been loving the huge challenges their to a still born kid. They even gave the mother goat unique project at Nsanje in Malawi has been throwing their way. aftercare, a crushed paracetamol in water. -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
{Dоwnlоаd/Rеаd PDF Bооk} Babysitting Bandit
BABYSITTING BANDIT PDF, EPUB, EBOOK Carolyn Keene,Macky Pamintuan | 96 pages | 01 Jan 2010 | SIMON & SCHUSTER | 9781416978138 | English | New York, NY, United States Simpsons Babysitter Bart The episode was first directed by Kent Butterworth. Klasky-Csupo , the animation studio that produced the earlier Simpsons shorts, was in charge of the animation, with one exception. During the years of producing the shorts, everything was created in-house. The producers felt the animation did not exhibit a distinct style envisioned for the show. At the time, there were only a few choices for animation style; usually, animators would follow the styles of Disney , Warner Bros. Disney and Warner Bros. Meanwhile, Hanna-Barbera's style relied on exaggerated sound effects, which they did not want to use either. The producers considered aborting the series if the next episode, " Bart the Genius ", turned out as this episode, but fortunately it turned out to suffer only a few easily-fixed problems. The premiere then switched to " Simpsons Roasting on an Open Fire ", which had to be aired in December; being a Christmas special. Directorial retakes were handled by David Silverman , who already had considerable experience directing the shorts. Most of these retakes consisted of changing the backgrounds. The result is an episode where the animation is uneven because it shifts between the early animation and the retakes. The episode featured several early character designs; Moe Szyslak has black hair in this episode, which was later changed to grey, while Barney Gumble has yellow hair, which was later changed to brown in order to differentiate the character's hair color from that of his skin.