The Art of Ornament Senses, Archetypes, Shapes and Functions
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From Azulejos to Zaguanes: the Islamic Legacy in the Built
From Azulejos to Zagutmes: The Islamic Legacy in the Built Environment of Hispano-America R. Brooks Jeffery They lack our faith, but we lack their works. - Cardinal Ximenez de Cisneros Prior to the Spanish colonization of the Americas, beginning at the end of the fifteenth century, Spain was completing the final chapters of the Reconquest of the Iberian Peninsula after eight centuries of Islamic rule and cultural dominance. Although often ignored in the histories of the Spanish colonial period, people of Muslim descent traveled to Hispano- America1 during its initial colonization. Evidence of this cultural assim- ilation can be seen in the profound legacy of Islamic architectural characteristics in the Hispano-American built environment that is still evident today. This paper attempts to recognize this Islamic legacy through an analysis of three levels of the Hispano-American built envi- ronment: ornamentation, architectural form, and open space. Historical Background Beginning in 711, a succession of Islamic dynasties ruled the Iberian Peninsula, including the Umayyads (711-750), Abbasids (750-1082), Almoravids (1082-1147), Almohads (1147-1184), and the Nasrids (1184-1492), producing many of Islamic architecture's finest monu- ments: the Great Mosque of Cordoba (786-991), the rural palatial complex of Medinat az-Zahra (936), and the Alhambra (1238-1492). Not long after the Islamic Empire reached its northernmost expansion at the Pyrenees Mountains of Spain in the eighth century, Christian R. Brooks Jeffrey earned Bachelor of Architecture and Master of Library Science degrees from the University of Arizona. He is the coordinator of the Preservation Studies Program in the College of Architecture and Landscape Architecture, University of Arizona. -
Reasons for the Spread of the Glamour Style in Modern Interiors, and The
1/2019 PUA DOI: 10.4467/00000000PUA.19.003.10006 Maryna Gurenko ([email protected]) Kyiv National University of Culture and Arts Reasons for the spread of the glamour style in modern interiors, and the specifics of its manifestation Powody rozpowszechniania stylu glamour w nowoczesnych wnętrzach i specyfika jego manifestacji Abstract The article analyses the origin of a peculiar phenomenon of glamour in different fields of human life and in various types of art. Based on the analysis of the source base, a direct connection of the appearance of glamour with the emergence of a new elite in the political arena was proven. The article has analysed the manifestations of glamour in interior design; it presents an assessment of this phenomenon and examples of the modern interior in the style of glamour. Keywords: glamour, interior design, philosophical and culturological phenomenon Streszczenie W artykule zostały przeanalizowane źródła szczególnego zjawiska splendoru (glamour) w różnych dziedzinach życia człowieka i w różnych odmianach sztuki. Na podstawie przeanalizowania bazy źród- łowej udowodniono bezpośrednie powiązanie powstania splendoru ze stanowieniem na politycznej arenie nowej elity. Przeanalizowano przejawy splendoru w designie wnętrz oraz przedstawiono oce- nę tego zjawiska. Słowa kluczowe: splendor (glamour), design wnętrz, zjawisko filozoficzne i kulturologiczne 42 PRZESTRZEŃ/URBANISTYKA/ARCHITEKTURA 1. INTRODUCTION In the present day, in the stylistic diversity of modern interiors, a separate ‘glamour’ style has emerged as an identification of refinement and treasures, and a demonstration of the social status of a customer and his or her personal image. The use of modernised elements of the styles of previous epochs which personified magnificence and pomposity became widespread. -
A Study of Bavarian Rocaille
Dissolving Ornament: A Study of Bavarian Rocaille Olaf Recktenwald School of Architecture McGill University, Montreal March 2016 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Olaf Recktenwald 2016 To my parents Table of Contents List of Illustrations vii Abstract viii Résumé ix Acknowledgments xi Introduction 1 1. Concerning Rocaille 1.1 Introduction 9 1.2 National Considerations 11 1.3 Augsburg and Johann Esaias Nilson 17 1.4 Rocaille Theory 24 1.5 Style, Form, and Space 31 1.6 Rocaille and Rococo 45 1.7 Bavaria’s Silence 50 1.8 Eighteenth-Century Critiques 54 1.9 Nineteenth- and Twentieth-Century Critiques 75 1.10 Conclusion 84 2. Ornament and Architecture 2.1 Introduction 87 2.2 Architectural Ornament and Ancient Rhetoric 89 2.2.1 Introduction 89 2.2.2 Aristotle 97 2.2.3 Rhetorica ad Herennium 100 2.2.4 Cicero 103 2.2.5 Vitruvius 116 2.2.6 Quintilian 123 2.2.7 Tacitus 131 2.2.8 Conclusion 133 2.3 Alberti’s Interpretation of Ornament 134 2.4 Alberti’s Perspectival Frame 144 2.5 Conclusion 156 3. Nature and Architecture 3.1 Introduction 161 3.2 Biblical Cities 162 3.3 Ruins 170 3.4 Grottoes 178 3.5 Symbols 191 3.6 Conclusion 197 4. Theatricality 4.1 Introduction 199 4.2 Departure from Andrea Pozzo 200 4.3 Relation to Ferdinando Galli-Bibiena 215 4.4 Conclusion 228 Conclusion 231 Illustrations 238 Bibliography 255 List of Illustrations 1. -
Art Masterpiece Training Guide
Art Masterpiece Training Guide The Art Masterpiece Training Program is facilitated by the Phoenix Art Museum Docents, a Support Group of Phoenix Art Museum. The material provided in this guide supports discussions and demonstrations offered during the annual on-site focused training program for elementary-level classroom volunteers serving at the request of their individual schools and PTOs. Note that this program is not comprehensive of all art forms, cultures or time periods, but reflects generally the collections of Phoenix Art Museum. Table of Contents MUSEUM MEMBERSHIP FOR YOUR SCHOOL STARTING AN ART MASTERPIECE PROGRAM Who Supports You? Where do you find images? How Do You Get Volunteers? How are Posters Selected? What Has Worked for Others? How Do You Organize the Program? What Should Be in a Research Packet? What Visuals Work for Media Boards and Bags? How Can You Display Student Artwork? RESOURCES Art Distributors, Publishers and Organizations; Art Resource Bibliography Art Websites Bookseller Websites PREPARING CLASSROOM PRESENTATIONS Visual Arts Standards Art Appreciation by Grade Level Hints for Successful Presentations How to Study a Painting Strategies: Asking Questions Sample Questions for Approaching a Work of Art More Questions You Can Ask The Generic Art Game Describing Artwork with Polar Pairs UNDERSTANDING ART: TERMS & TECHNIQUES Basic Elements of Art How Lines Speak to Us Media Definitions ART HISTORY OVERVIEW Art and History Timeline Art and History of Asia Chronology Art Movements Pronunciation of Select Artists' -
La Alhambra in Granada, One of the Most Beautiful and Admired Monuments in the Wold
La Alhambra in Granada, one of the most beautiful and admired monuments in the wold. An old legend says that the Alhambra was built by night, in the light of torches. Its reddish dawn did believe the people of Grenada that the color was like the strength of the blood. The Alhambra, a monument of Granada for Spain and the world. La Alhambra was so called because of its reddish walls (in Arabic, («qa'lat al-Hamra'» means Red Castle ). It is located on top of the hill al-Sabika, on the left bank of the river Darro, to the west of the city of Granada and in front of the neighbourhoods of the Albaicin and of the Alcazaba. The Alhambra is one of the most serenely sensual and beautiful buildings in the world, a place where Moorish art and architecture reached their pinnacle. A masterpiece for you to admire, and it is in Granada, a city full of culture and history. Experience the beauty and admire this marvel of our architectural heritage. Let it touch your heart. Granada is the Alhambra and the gardens, the Cathedral, the Royal Chapel, convents and monasteries, the old islamic district Albayzin where the sunset is famous in the world or the Sacromonte where the gypsies perform flamenco shows in the caves where they used to live...Granada is this and many more things. The Alhambra is located on a strategic point in Granada city, with a view over the whole city and the meadow ( la Vega ), and this fact leads to believe that other buildings were already on that site before the Muslims arrived. -
{PDF} Portuguese Inspired Tile Cuff Ebook Free Download
PORTUGUESE INSPIRED TILE CUFF PDF, EPUB, EBOOK Julianna Avelar | none | 19 Mar 2016 | Interweave Press | 9781632504401 | English | none Portuguese Inspired Tile Cuff PDF Book We can thank King Manuel I for this as it was he who decided to have his palace built with tiles after being intrigued by the design he saw when he visited Seville in Sticker By Olga Matskevich. They expanded southwards, by conquering ethnic nations employing superior tactics of war, better weapons, and military organization. In this case, simply mask out the registration marks with pieces of blue tape, and align the stencil by eye by centering it on each old tile. The exterior of the building itself is a feast for the eyes with its imperious decorative tiles. Morocco Circular Tile Sticker By mattpanta. Gorgeous patterns. Ritz Deco Grey Tiles. Enz River runs through the northern Black Forest in Germany which is considered to have the most attractive landscapes for nature lovers, ramblers and mountain bikers. Tags: portuguese rooster with portuguese tile design, portuguese, rooster, tile, stencil, stenciled, tiles, azulejos, portugal, traditional, good luck symbol, good, luck, symbol, galo de barcelos, galo, de, barcelos, pretty, different, style, unique, blue, red. They also have beautiful murals although they are a bit expensive. An error has occurred, please try again later. Classico Daisy Bloom Pattern Tiles. Himba is famous for its beautiful women painted with Place of Origin : Portuguese. It's always better if your fabric doesn't have too much texture. It really depends on what surface you're stenciling. Beachy blues - Blue and white tiles Sticker By Joejo Tile Sticker By Asaints Tags: portuguese tile, spanish tile, tile, european tile, ottoman, pattern, colorful tile, historic tile, different tile, pattern tile, color pattern, lisbon, portugal, small tile, porcelain, backsplash, vintage. -
Chapter 26 Rococo to Neoclassicism: the 18Th Century in Europe And
Chapter 26 Rococo to Neoclassicism: The 18th Century in Europe and America Social, political, economic, and technological change, as well as transformation in the arts. In 1700 Louis XIV still ruled as Sun King at Versailles. His palace inspired construction of many grandiose homes in the early 18th century. By 1800 revolutions had overthrown monarchy in France and achieved independence in America from Britain. Industrial Revolution transformed economies. Death of Louis XIV in 1715 – elite abandoned court of Versailles and resided in hotels (townhouses) of Paris, decorated in ligg,hthearted, softer Rococo style. Aristocrats reestablished predominance as art patrons. The Rococo style was replaced by the Neoclassical, which was perceived as more democratic Enlightenment brought about a rejection of royal and aristocratic authority Neoclassicism was inspired by the unearthing of the ruins at Pompeii. Even if works of art depict current events or contemporary portraits, there are frequently classical allusions. The late eighteenth century was the age of the Industrial Revolution: new technologies such as cast iron were introduced into architecture, and for the first time it became more economical to carve from bronze than marble. 3 Rocaille (pebble) – small stones and shells that decorated grotto interiors (natural or man-made caves). Shell forms – principal motifs in Rococo ornamentation. Women dominated cultural sphere and held influential positions in Europe. Rococo salons –center of Parisian society Wealthy, ambitious, clever society hostesses, referred to as femmes savants (learned women) competed to attract most famous and accomplished people to their salons. More intimate and decentralized culture based in private homes. Rococo interiors were total works of art with elab orat e furnishings – ceramics, silver, small ppgaintings and tapestries. -
Cerámica Y Vidrio ARTICULO
BOLETIN DE LA SOCIEDAD ESPAÑOLA DE Cerámica y Vidrio ARTICULO Las cerámicas españolas de la Hispanic Society of America (Archer Milton Huntington y su museo) M. CONNORS MCQUADE The Hispanic Society of America. New York. EE.UU. Archer Milton Huntington. Huntington fundó la Hispanic Society of America para establecer un museo y una bliblioteca públicos y gratuitos con el fin de difundir la cultura de España y América Latina. Cuando la Sociedad abrió sus puertas al público en 1908, Huntington ya había adquirido y puesto en exposición una de las colecciones más importantes de cerámica española del mundo, incluyendo 60 piezas hispanomusulmanas de reflejo metálico, contando hoy día con 150 ejemplares. Continuando con la labor de completar la colección, la Sociedad adquirió otras piezas de cerámica española y mejicana pro- cedentes de alfares como Talavera de la Reina, Buen Retiro, Alcora, Puente del Arzobispo, Toledo, Sevilla, la ciudad de Méjico y Puebla. En este trabajo se dá una visión de la colección de cerámicas españolas y mejicanas que posee la Hispanic Society y de la historia de su adquisición. Además, se examiná la difusión e influencia de la cerámica española en la cerámica meji- cana y su posterior evolución. El estudio de las colecciones de la Hispanic Society constata que en este museo se encuentran los ejemplares más sobresalientes de porcelana y de mayólica de España y de Méjico. Palabras clave: La Hispanic Society of America, Archer Milton Huntington, Cerámica española, Cerámica hispano-musulmana, Cerámica de Puebla (México). "Archer Milton Huntington and the Ceramics Collection at The Hispanic Society of America" Archer Milton Huntington founded The Hispanic Society of America with the objective of establishing a free museum and reference library for the study of the arts and culture of the Iberian Peninsula and Latin America. -
Azulejo Blues – an Analytical Study of the Blue Colours in Portuguese Azulejos
This is a repository copy of Azulejo blues – An analytical study of the blue colours in portuguese azulejos. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/81798/ Version: Accepted Version Proceedings Paper: Fares, M, Mimoso, J, Pais, A et al. (4 more authors) (2012) Azulejo blues – An analytical study of the blue colours in portuguese azulejos. In: UNSPECIFIED International Congress Azulejar 2012, 10-12 Oct 2012, Aveiro, Portugal. (Unpublished) Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ . AZULEJO BLUES – AN ANALYTICAL STUDY OF THE BLUE COLOURS IN PORTUGUESE AZULEJOS Marzia Fares; Università di Bologna, Italy; former LNEC trainee;[email protected] João Manuel Mimoso; Laboratório Nacional de Engenharia Civil (LNEC), Lisbon, Portugal; [email protected]; Alexandre N. -
Timeline / 1860 to After 1930 / FINE and APPLIED ARTS
Timeline / 1860 to After 1930 / FINE AND APPLIED ARTS Date Country Theme 1860 - 1910 Germany Fine And Applied Arts Realism (a backlash to both Classicism and Romanticism) is exemplified by French artist Gustave Courbet’s Die Steinklopfer (1849), although long before then Albrecht Dürer had painted his highly realistic Junger Feldhase (1502). 1860 Romania Fine And Applied Arts 7 November: on the initiative of painter Gheorghe Panaitescu-Bardasare, a School of Fine Arts and an art gallery are founded in Ia#i. 1860 Republic of Macedonia Fine And Applied Arts (FYROM) The icon “Seven Holy Teachers” (Sedmochislenitzi) is painted by the most significant representative of Christian religious art in Macedonia, Dicho Krstevic Zograph, at the peak of his creativity. It represents the Slav missionaries Sts Cyril and Methodius and their disciples Clement, Nahum, Gorazd, Sabbas and Angelarij in a solo composition. His icons are distinguished by bright colour and baroque features. 1860 Spain Fine And Applied Arts The Manises pottery begins to produce objects in lustreware. 1860 - 1918 Jordan Fine And Applied Arts Newcomers to Transjordan, whether from neighbouring Arab countries such as Syria, Palestine and Hijaz or from further afield such as Caucasus, bring with them not only artefacts of their home culture, including personal ornaments, weapons, costumes and treasured items, but also the necessary skills and social habits that help them to adapt in their new homeland. 1860 - 1870 Italy Fine And Applied Arts In opposition to academic painting, the Macchiaioli movement (Telemaco Signorini, Vincenzo Cabianca and Silvestro Lega) experiments with “spot painting”, based on the strong contrast between light and shadow. -
X X X X X X X X X X X
Ch 14 The Baroque Age: Glamour and Grandiosity 1600-1715 X § Introduction - p. 373 X § The Baroque: Variations on an International Style - pp. 379 - 396 X § The Florid Baroque X § The Classic Baroque X § The Restrained Baroque X § Literature & Baroque Literature in France & England X § Music X § Legacy of the Baroque Age KEY CULTURAL TERMS Baroque Florid Baroque style baldacchino illusionism Classical Baroque style Restrained Baroque style virtuoso opera bel canto clavier fugue oratorio Ch. The Baroque Age II: Revolutions in Scientific and Political Thought X § Introduction - p. 403 X § The Impact of Science on Philosophy - p. 410-412 X § The Revolution in Political Thought - p. 413-416 X § The Legacy of the Revolutions in Scientific and Political Thought - p. 420 X KEY CULTURAL TERMS Scientific Revolution geocentrism empiricism inductive reasoning deductive reasoning heliocentrism social contract liberalism tabula rasa virtuoso Ch The Age of Reason - 1700-1789 X § Introduction - p. 423 X § The Enlightenment - p. 425 X § The Philosophes and Their Program X § Deism X § The Encycolopédie X § The Physiocrats X § The Legacy of the Age of Reason KEY CULTURAL TERMS Enlightenment philosophes Deism Physiocrats Rococo style fête galante rocaille Neoclassical style style galant pianoforte Classical style (in music) sonata form symphony concerto sonata key tempo mood scherzo Ch. 17 Revolution, Reaction, and Cultural Response - 1760-1830 X § Introduction - p. 451 X § Revolutions in Art and Ideas: From Neoclassicism to Romanticism - pp. 458-474 X § The Legacy of the Age of Revolution and Reason KEY CULTURAL TERMS Romanticism Sublime Sturm und Drang Faustian program music art song (lied) idée fixe Ch. -
Dictionary of Islamic Architecture
DICTIONARY OF ISLAMIC ARCHITECTURE DICTIONARY OF ISLAMIC ARCHITECTURE Andrew Petersen London and New York First published 1996 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 First published in paperback 1999 © 1996 Andrew Petersen All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data A catalogue record for this book is available from the Library of Congress ISBN 0-415-06084-2 (hbk) ISBN 0-415-21332-0 (pbk) ISBN 0-203-20387-9 Master e-book ISBN ISBN 0-203-20390-9 (Glassbook Format) Contents Preface vii Acknowledgements ix Entries 1 Appendix The Mediterranean World showing principal historic cities and sites 320 The Middle East and Central Asia showing principal historic cities and sites 321 Dedication This book is dedicated to my friend Jamie Cameron (1962–95) historian of James V of Scotland. Preface In one of the quarters of the city is the Muhammadan town, where the Muslims have their cathedral, mosque, hospice and bazar. They have also a qadi and a shaykh, for in every one of the cities of China there must always be a shaykh al- Islam, to whom all matters concerning Muslims are referred.