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ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
History and Vision in Byron, the Shelleys, and Keats Timothy Ruppert
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Spring 2008 "Is Not the Past All Shadow?": History and Vision in Byron, the Shelleys, and Keats Timothy Ruppert Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Ruppert, T. (2008). "Is Not the Past All Shadow?": History and Vision in Byron, the Shelleys, and Keats (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1132 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. “IS NOT THE PAST ALL SHADOW?”: HISTORY AND VISION IN BYRON, THE SHELLEYS, AND KEATS A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University in partial fulfillment of the requirements for the degree of Doctor of Philosophy By Timothy Ruppert March 2008 Copyright by Timothy Ruppert 2008 “IS NOT THE PAST ALL SHADOW?”: HISTORY AND VISION IN BYRON, THE SHELLEYS, AND KEATS By Timothy Ruppert Approved March 25, 2008 _____________________________ _____________________________ Daniel P. Watkins, Ph.D. Jean E. Hunter , Ph.D. Professor of English Professor of History (Dissertation Director) (Committee Member) _____________________________ _____________________________ Albert C. Labriola, Ph.D. Magali Cornier Michael, Ph.D. Professor of English Professor of English (Committee Member) (Chair, Department of English) _____________________________ Albert C. Labriola, Ph.D. Dean, McAnulty College and Graduate School of Liberal Arts Professor of English iii ABSTRACT “IS NOT THE PAST ALL SHADOW?”: HISTORY AND VISION IN BYRON, THE SHELLEYS, AND KEATS By Timothy Ruppert March 2008 Dissertation Supervised by Professor Daniel P. -
Science and Sensation in Romantic Poetry Noel Jackson Index More Information
Cambridge University Press 978-0-521-86937-9 - Science and Sensation in Romantic Poetry Noel Jackson Index More information Index Abrams, M. H. 29, 126, 250 Barbauld, Anna Letitia 47, 59 abstraction 8, 9, 10, 71, 73--4, 150--1, Bate, Walter Jackson 29, 171 153--9, 178 Baumgarten, Alexander 2 and aesthetic value 165--6, 169--70, 172--5, Beddoes, Thomas 5 183--, 194, 198--9 Bell, Charles 120, 170, 178--80, 182 and embodiment 10, 12--13, 14--15, 135--6, Benhabib, Seyla 252 151--9, 158--9 Benjamin, Walter 69, 96 historical-materialist critiques of 31, 32, Bennett, Andrew 169, 172, 174 134--5, 150, 168, 188--90, 204--5 Bentham, Jeremy 5 see also associationism Berkeley, George 35, 114, 230 Adair, James Makittrick 150--1, 157 Bewell, Alan 245 Addison, Joseph 12, 231 Blake, William 18, 91--8 Adorno, Theodor W. 15, 60--1, 69, 131, 200, America, A Prophecy 92--5, 458 252, 263 “Annotations to Wordsworth’s Preface to aesthetic, the The Excursion” 67 autonomy of 3, 7--8, 11, 13--14, 15, 28--9, “Auguries of Innocence” 72, 98 59--0, 178, 182, 209 “The Human Abstract” 94 historicity of 1--2, 4--5, 6, 11, 13, 14, 15--16, “Introduction” to the Songs of Innocence 47 16--0, 18, 24--6 “Jerusalem” (Preface to Milton) 32 ideology of 3, 16, 17--19, 24--6, 42, 134, 148, The Marriage of Heaven and Hell 93, 244 182, 198, 204, 220 Milton 64, 91, 98 reparatory function of 6, 23, 113, 132--4, Vala,orThe Four Zoas 95--8 137--, 145, 154--6, 159, 160, 161--2 Bloom, Harold 104, 138, 171, 201 the “return to” 13--14, 167, 220 Bourdieu, Pierre 19, 24--5, 27, 42, 167, 195, -
Connecticut College Alumni Magazine, Summer 1972
Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives Summer 1972 Connecticut College Alumni Magazine, Summer 1972 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Alumni Magazine, Summer 1972" (1972). Alumni News. 182. https://digitalcommons.conncoll.edu/alumnews/182 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Connecticut College Alumni Magazine VOLUME XLIX, NUMBER 3, SPRING 1972 25th Anniversary of the Connecticut College American Dance Festival 2 Dance at Connecticut 3 American Dance 4 Experimental Dance: Firebrands and Visionaries Marcia B, Siegel '54 6 This Return to Romanticism Allen T. Carroll '73 8 Whom Will You Marry? Bernard I. Murstein 10 Operation Deep Freeze Fanchon Hartman Title '20 12 The President's Conference 16 Commencement 18 Focus on Reunion 25 The Agnes Berkeley Leahy Alumnae Award 30 Recommended Reading James Clouser 31 In the Mailbox 31 Class Notes 33 COVER ILLUSTRATION: Marjory Dressler '67 PHOTOGRAPHS AND GRAPHICS: pp. 1-7 designed by Sarah Hargrove Sullivan '57; montage pp. 8, 9 and graphics pp. 36, 38, 40, 46 by Rita Daly M.A. '71; photographs by Philip Biscuti except p. 11 by Paul Tisher '74; pp. 13, 14, 15 by George Holton; p. -
Coleridge and His Poetic Work
88 Coleridge and his Poetic Work. [Jan. ARTICLB IV. COLERIDGE AND HIS POETIC WORK. BY PROFJtSSOll TBJ«)DOllK W. HlJliIT, PH.D., U.TT.D. LIFE AND CHARACTER. SAMUEL TAYI.OR COLElUDGE, son of Rev. John C. Cole ridge, of Devonshire, England (Ouery St. Mary), Head master of the Grammar School, was, from the first, a ehar acter of unique and even eccentric interest. As he says of his own boyhood, "I never thought as a child, never had the language of a child." As a mere lad, he was inquisi tive as to the nature and reasons of things, speculative and imaginative, cogitating or dreaming when his companions were playing. At school at "Christ's Hospital," we find him at Cam bridge, in 1791, which university, for some unexplained reason, he suddenly left, enlisting as a private in the Fif· teenth Light Dragoons, returning, however, to Cambridge in April, 1794- In 1795, he entered on the r6le of a lec turer at Bristol, a city of importance in the history of Cole ridge, as it was there he met Southey, whom he had seen at Oxford, and Lovell, the publisher, which two married sisters of the lady, Miss Fricker, whom Coleridge was yet to marry. His lectures, "Conciones ad Populum," as they were called, were designed to be popular, political discus sions, in the service of what he deemed to be the rights and liberties of the people. In 1796, a journalist in the pages of Tire Watchman and, later, in The Morning Post and Morning Chronicle and The Fn-end, all of these schemes were unsuccessful, as might have been supposed, Digitized by Coogle 1901.] Colerttlge and his Poet£c Work. -
The Clockwork Muse: Rituals of Writing in Nineteenth-Century Britain
THE CLOCKWORK MUSE: RITUALS OF WRITING IN NINETEENTH-CENTURY BRITAIN Grace Campbell Vasington West Hartford, Connecticut Bachelor of Arts, University of Connecticut, 2013 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English Language and Literature University of Virginia May 2019 Acknowledgements This dissertation is a project about daily life and daily writing. The daily experience of writing these pages has been infinitely enriched by the people who have seen me through it. I can only begin to tally up their contributions and their time. Suffice to say, without their advice, creativity, and boundless generosity, this dissertation would not have been possible. To my brilliant committee, who shepherded this project out of an ungainly adolescence and have by now read far too many drafts. Thank you to Andy Stauffer for always knowing the right questions to ask, and for foreseeing the pitfalls along the way. Thank you also to Steve Arata, who reads novels with such astonishing insight and who has responded to this material with generosity and care at every stage of the process. And to Chip Tucker, who has supported this project day in and day out, and whose wisdom and wit have made this work such a joy. Thank you for allowing me the freedom to follow this topic where it led me, even and especially when the path felt beyond my abilities. I owe many other debts, not least to Susan Fraiman, who has given more of her time over the years than I have any right to expect. -
Revolutions in Thought and Action
‗THE BALANCE OR RECONCILIATION OF OPPOSITE OR DISCORDANT QUALITIES‘: POLITICAL TENSIONS AND RELIGIOUS TRANSITIONS IN THE WORKS OF SAMUEL TAYLOR COLERIDGE KATHRYN ELIZABETH BEAVERS A thesis submitted in partial fulfilment of the requirements of the University of Greenwich for the Degree of Doctor of Philosophy June 2011 DECLARATION I certify that this work has not been accepted in substance for any degree, and is not concurrently being submitted for any degree other than that of PhD being studied at the University of Greenwich. I also declare that this work is the result of my own investigations except where otherwise identified by references and that I have not plagiarised another‘s work. Student: 31 May 2011 Supervisor: 31 May 2011 ii ACKNOWLEDGEMENTS There are many people who have supported me in various ways over the course of my PhD, whom I would like to take a moment to thank here. Particularly, I would like to thank my family for their continual support and encouragement: Jon, for enduring my thesis-related mood-swings and crises over the last seven years, whilst also simultaneously handling his own; Mum and Dad, for their sustained financial and emotional support; Granddad, for his enthusiastic support in the early stages of my PhD; Sarah and Adam, Mike and Chris, for their sustained interest and encouragement, especially valued at times when the going was rough; and Jan and Gordon, for their continued and sustained interest in many areas of my life, in addition to my thesis. I would particularly like to express my gratitude to Gordon for his sound advice, and constructive criticism and suggestions, as well as his willingness to transfer his interest and abilities from aeronautical engineering to Romantic poetry. -
The Public Sphere of the Hunt Circle in Early Nineteenth
THE PUBLIC SPHERE OF THE HUNT CIRCLE IN EARLY NINETEENTH- CENTURY POLITICS AND CULTURE A Dissertation by BYOUNG CHUN MIN Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 Major Subject: English THE PUBLIC SPHERE OF THE HUNT CIRCLE IN EARLY NINETEENTH- CENTURY POLITICS AND CULTURE A Dissertation by BYOUNG CHUN MIN Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Terence Hoagwood Committee Members, Susan Egenolf Mary Ann O’Farrell James M. Rosenheim Head of Department, Jimmie Killingsworth May 2010 Major Subject: English iii ABSTRACT The Public Sphere of the Hunt Circle in Early Nineteenth-Century Politics and Culture. (May 2010) Byoung Chun Min, B.A., Seoul National University; M.A., Seoul National University Chair of Advisory Committee: Dr. Terence Hoagwood This dissertation examines the Hunt circle’s public activities and its historical significance in terms of public-sphere theory proposed by Jürgen Harbermas. Recent studies on Romantic literature have attended to how Romantic writers’ literary practices were conditioned upon their contemporary history, as opposed to the traditional notion of Romanticism based on an affirmation of individual creativity. Although these studies meaningfully highlight the historicity inherent in seemingly individualistic Romantic texts, they have frequently failed to assess the way in which this historicity of Romantic texts is connected to Romantic writers’ own will to engage with public issues by placing too much emphasis on how history determines individuals’ activities. -
Poetry in an Age of Revolution
3 P. M. S. DAWSON Poetry in an age of revolution Poets are no more insulated from political events and controversies than are any other class of people. Indeed, they are less so, in that poets work in language , the same medium in which political concepts and demands are formulated, contested, and negotiated. If this is generally true it is of particular relevance in periods of signifi cant historical change, when pol- itical issues impress themselves with increased urgency on all sections of society and give rise to vigorous debates concerning fundamental polit- ical prin ciples. The period between 1780 and 1830, during which the great Romantic poets came to maturity and produced their most import- ant works, was such a period, as they were all aware. Wordsworth told an American visitor that “although he was known to the world only as a poet, he had given twelve hours thought to the conditions and prospects of society, for one to poetry.” 1 Coleridge and Southey were both active as political journalists, and Coleridge produced a number of signifi cant works of political theory. Byron spoke on political issues in the House of Lords, as well as satirizing political opponents and the political situation in gen- eral in his poetry. 2 Shelley wrote to his friend Peacock, “I consider Poetry very subordinate to moral & political science, & if I were well, certainly I should aspire to the latter” (Shelley, Letters , ii , 71). His interest in politics is evidenced by the political pamphlets he wrote. William Blake could express regret that his countrymen should “trouble themselves about politics” and state “Princes appear to me to be Fools Houses of Commons & Houses of Lords appear to me to be fools they seem to me to be something Else besides Human Life” (Blake, Poetry and Prose , p. -
Catherine the Great and Poland
Notes Introduction: The Other East 1. That lineage continues into the twenty-first century. For a very recent example, see the hero Lev of Rose Tremain’s 2007 novel The Road Home. London: Vintage, 2008. 2. The Global Eighteenth Century. Ed. Felicity A. Nussbaum. Baltimore: Johns Hopkins Uni- versity Press, 2003; Travels, Explorations and Empires, 1770–1835: Travel Writings on North America, the Far East, North and South Poles and the Middle East. Eds. Tim Fulford and Peter J. Kitson. 8 vols. London: Pickering & Chatto, 2001. 3. The quote comes from Dobson’s brief introduction, which is not paginated. For indus- trial and economic links between Poland and Scotland in the nineteenth century, see McLeod. 4. Thomas Gladsky, Princes, Peasants and Other Polish Selves. Amherst: University of Massachusetts Press, 1992; Francois Rosset, L’Arbre de Cracovie: Le mythe polonais dans la littérature française. Paris: Imago, 1996; Hubert Orlowski, Polnische Wirtschaft: Zum deutschen Polendiskurs der Neuzeit. Wiesbaden: Harrassowitz Verlag, 1996. As I note above, several useful studies focusing on British representations of Russia already exist. 1 ‘That Woman, Lovely Woman! May Have Dominion’: Catherine the Great and Poland 1. Walpole does not clear the Russian people of responsibility. His letter continues, ‘What! are there no poissardes at Petersburg? are they afraid of a greater fury than themselves? – or, don’t they venerate her, because she is a Mirabeau in petticoats, and execrable enough to be a queen to their taste?’ While individual Britons (like Walpole) may note the hypocrisy of their own leaders, the same is not possible in Russia, where Catherine’s followers differ from her only in their degree of baseness. -
Samuel Taylor Coleridge - Poems
Classic Poetry Series Samuel Taylor Coleridge - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Samuel Taylor Coleridge(1772-1834) Coleridge was the son of a vicar. He was educated at Christ's Hospital, London, where he became friendly with Lamb and Leigh Hunt and went on to Jesus College Cambridge, where he failed to get a degree. In the summer of 1794 Coleridge became friends with the future Poet Laureate Southey, with whom he wrote a verse drama. Together they formed a plan to establish a Pantisocracy, a Utopian community, in New England. They married sisters, but the scheme fell apart and they argued over money and politics. Coleridge at this time was an ardent non-conformist and in 1796 preached throughout the West Country, deciding, however, not to become a minister. In 1797 he met William Wordsworth and for the next year and a half lived and worked closely with him, collaborating to produce the Lyrical Ballads. In 1798, disillusioned with English politics, Coleridge set out for Germany, where he studied Kant, Schiller and Scheling. On his return he moved to the Lake District to be with the Wordsworths, but suffered from his failing marriage and an increasing dependence on opium. He also fell hopelessly in love with Wordsworth's future sister-in-law, Sara Hutchinson, the inspiration for his love poems of this period, and separated from his wife in 1807. Coleridge failed to restore his health or mental balance and quarrelled irrevocably with Wordsworth in 1810, alienating also Dorothy and Sara, with whom he had been editing a periodical The Friend. -
Connecticut College Alumni Magazine, Summer 1972 Connecticut College
Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives Summer 1972 Connecticut College Alumni Magazine, Summer 1972 Connecticut College Follow this and additional works at: http://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Alumni Magazine, Summer 1972" (1972). Alumni News. Paper 182. http://digitalcommons.conncoll.edu/alumnews/182 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Connecticut College Alumni Magazine VOLUME XLIX, NUMBER 3, SPRING 1972 25th Anniversary of the Connecticut College American Dance Festival 2 Dance at Connecticut 3 American Dance 4 Experimental Dance: Firebrands and Visionaries Marcia B, Siegel '54 6 This Return to Romanticism Allen T. Carroll '73 8 Whom Will You Marry? Bernard I. Murstein 10 Operation Deep Freeze Fanchon Hartman Title '20 12 The President's Conference 16 Commencement 18 Focus on Reunion 25 The Agnes Berkeley Leahy Alumnae Award 30 Recommended Reading James Clouser 31 In the Mailbox 31 Class Notes 33 COVER ILLUSTRATION: Marjory Dressler '67 PHOTOGRAPHS AND GRAPHICS: pp. 1-7 designed by Sarah Hargrove Sullivan '57; montage pp. 8, 9 and graphics pp. 36, 38, 40, 46 by Rita Daly M.A. '71; photographs by Philip Biscuti except p. 11 by Paul Tisher '74; pp. 13, 14, 15 by George Holton; p.