Samuel Taylor Coleridge - Poems
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Destiny of the Nations Free
FREE DESTINY OF THE NATIONS PDF Alice A. Bailey | 161 pages | 01 Feb 1987 | Lucis Press Ltd | 9780853301028 | English | London, United Kingdom The Destiny of Nations - Wikipedia By Julie of Light Omega. The world of nations comes into existence according to a planfulness that is similar to the incarnation of an individual soul. Thus, a nation is conceived as idea, is born, carries its own vibration upon the earth, and endeavors within the limits of its consciousness to fulfill the blueprint for its own creation. Each national identity that is conceived develops first as an idea in the Mind of God. It is not accidental according to the historical trends of a culture or civilization. Rather, the entire global harmonic and vibration of the earth is composed, in part, of the individual vibrations of national entities whose purposes, when held in light, contribute to the overall wellbeing of the planet. Nations, like individuals, can depart from their sacred purpose. They can misrepresent the ideals that they have come into being to fulfill. And whether there is more on the side of light and of the fulfillment of Divine expectations that is expressed through that nation's policies and actions, or more on the side of darkness and self-seeking which takes a nation out of the global Destiny of the Nations and more into its own sphere of self-interest, is a choice that individual governments, peoples, and societies make over time. The current situation related to national identity is one that is very precarious based on the intrusive presence of those who would seek to influence the national identity of other nations. -
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https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Veronika Ruttkay The rhetoric of feeling: S. T. Coleridge’s lectures on Shakespeare and the discourse of philosophical criticism’ Doctoral dissertation submitted to the University of Glasgow, Department of English Literature Supervisor: Professor Richard Cronin December 2006 © Veronika Ruttkay 2006 ProQuest Number: 10390611 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10390611 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLO. -
ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
Towards a Poetics of Becoming: Samuel Taylor Coleridge's and John Keats's Aesthetics Between Idealism and Deconstruction
Towards a Poetics of Becoming: Samuel Taylor Coleridge’s and John Keats’s Aesthetics Between Idealism and Deconstruction Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV (Sprach- und Literaturwissenschaften) der Universität Regensburg eingereicht von Charles NGIEWIH TEKE Alfons-Auer-Str. 4 93053 Regensburg Februar 2004 Erstgutachter: Prof. Dr. Rainer EMIG Zweitgutachter: Prof. Dr. Dieter A. BERGER 1 TABLE OF CONTENTS PAGE DEDICATION .............................................................................................................. I ACKNOWLEDGMENTS ........................................................................................... II ABSTRACT ............................................................................................................... VI English........................................................................................................................ VI German...................................................................................................................... VII French...................................................................................................................... VIII INTRODUCTION Aims of the Study......................................................................................................... 1 On the Relationship Between S. T. Coleridge and J. Keats.......................................... 5 Certain Critical Terms................................................................................................ -
Unit 5: Samuel Taylor Coleridge: Life and Works
Samuel Taylor Coleridge: Life and Works Unit 5 UNIT 5: SAMUEL TAYLOR COLERIDGE: LIFE AND WORKS UNIT STRUCTURE: 5.1 Learning Objectives 5.2 Introduction 5.3 Samuel Taylor Coleridge: The Poet 5.3.1 His Life 5.3.2 His Works 5.4 Critical Reception of Coleridge as a Romantic Poet 5.5 Let us Sum up 5.6 Further Reading 5.7 Answers to Check Your Progress (Hints Only) 5.8 Possible Questions 5.1 LEARNING OBJECTIVES After going through this unit, you will be able to: • read briefly about the life and works of Samuel Taylor Coleridge • discuss certain basic features of English Romanticism through Coleridge’s poetry • identify the themes that consist in the philosophy of Coleridge as a poet • make an assessment of Coleridge as a poet of his time 5.2 INTRODUCTION This unit introduces you to Samuel Taylor Coleridge another of the important English poet, literary critic, philosopher and theologian of the Romantic era. With his friend Wordsworth, about whom you have read in the previous units, was the founder of the Romantic Movement in England. Coleridge was also a member of the group of poets known as the Lake Poets. He is well known for his poems like “The Rime of the Ancient Mariner” and “Kubla Khan”, as well as for his major critical work Biographia Literarira. Coleridge coined many familiar words and MA English Course 3 (Block 1) 81 Unit 5 Samuel Taylor Coleridge: Life and Works phrases, including the very famous ‘Willing Suspension of Disbelieve’. In this unit, an attempt has been made to discuss the life and works of S. -
Ecologies of Contemplation in British Romantic Poetry
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry Sean M. Nolan The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4185 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE LODGE IN THE WILDERNESS: ECOLOGIES OF CONTEMPLATION IN BRITISH ROMANTIC POETRY by SEAN NOLAN A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 © 2020 Sean Nolan All Rights Reserved ii The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry by Sean Nolan This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _______________________ ____________________________________ Date Nancy Yousef Chair of Examining Committee _______________________ ____________________________________ Date Kandice Chuh Executive Officer Supervisory Committee Alexander Schlutz Alan Vardy Nancy Yousef THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry by Sean Nolan Advisor: Nancy Yousef This dissertation argues that contemplation is often overlooked in studies of British Romantic poetry. By the late 1700s, changing commercial and agricultural practices, industrialism, secularization, and utilitarianism emphasizing industriousness coalesced to uproot established discourses of selfhood and leisure, and effected crises of individuation in Romantic poetry and poetics. -
The Life of Samuel Taylor Coleridge by James Gillman
The Life of Samuel Taylor Coleridge by James Gillman The Life of Samuel Taylor Coleridge by James Gillman Produced by Clytie Siddall, Stan Goodman and Distributed Proofreaders THE LIFE OF SAMUEL TAYLOR COLERIDGE BY JAMES GILLMAN 1838 '... But some to higher hopes Were destined; some within a finer mould Were wrought, and temper'd with a purer flame: To these the Sire Omnipotent unfolds The world's harmonious volume, there to read page 1 / 340 The transcript of himself ....' TO JOSEPH HENRY GREEN, F.R.S. PROFESSOR OF ANATOMY OF THE ROYAL ACADEMY, ETC. ETC. THE HONOURED FAITHFUL AND BELOVED FRIEND OF SAMUEL TAYLOR COLERIDGE, THESE VOLUMES ARE MOST RESPECTFULLY AND AFFECTIONATELY INSCRIBED. PREFACE. The more frequently we read and contemplate the lives of those eminent men so beautifully traced by the amiable Izaak Walton, the more we are impressed with the sweetness and simplicity of the work. Walton was a man of genius--of simple calling and more simple habits, though best known perhaps by his book on Angling; yet in the scarcely less attractive pages of his biographies, like the flowing of the gentle stream on which he sometimes cast his line, to practise "the all of treachery he ever learnt," he leads the delighted reader imperceptibly page 2 / 340 on, charmed with the natural beauty of his sentiments, and the unaffected ease and simplicity of his style. In his preface to the Sermons of (that pious poet and divine,) Dr. Donne, so much may be found applicable to the great and good man whose life the author is now writing, that he hopes to be pardoned for quoting from one so much more able to delineate rare virtues and high endowments: "And if he shall now be demanded, as once Pompey's poor bondman was, who art thou that alone hast the honour to bury the body of Pompey the great?" so who is he who would thus erect a funeral pile to the memory of the honoured dead? .. -
Link to Coleridge Poems
1 Poems for S. T. Coleridge Edward Sanders 1. Coleridge won a medal his 1st year in college (Cambridge 1792) for a “Sapphic Ode on the Slave Trade” 2. Pantisocracy Sam Coleridge and Bob Southey conceived of Pantisocracy in 1794 just five years after the beautiful tearing down of the Bastille twelve couples would found an intentional community on the Susquehanna River which flows from upstate New York ambling for hundreds of miles down thru Pennsylvania & emptying into the Chesapeake Bay The plan was to work maybe 2-3 hours a day with sharing of chores Each couple had to come up with 125 pounds So Southey & Coleridge strove to earn their shares through writing C. wrote to Southey 9-1-94 2 that Joseph Priestly might join the Pantisocrats in America The scientist-philosopher had set up a “Constitution Society” to advocate reform of Parliament inaugurated on Bastille Day 1791 Then “urged on by local Tories” a mob attacked & burned Priestly’s books, manuscripts laboratory & home so that he ultimately fled to the USA. 3. Worry-Scurry for Expenses In Coleridge from his earliest days worry-scurry for expenses relying on say a play about Robespierre writ w/ Southey in ’94 (around the time Robe’ was guillotined) to pay for their share of Pantisocracy on the Susquehanna & thereafter always reliant on Angels & the G. of S. Generosity of Supporters & brilliance of mouth all the way thru the hoary hundreds 3 4. Coleridge & Southey brothers-in-law —the Fricker sisters, Edith & Sarah Coleridge & Sarah Fricker married 10-4-95 son Hartley born September 19, 1996 short-lived Berkeley in May 1998 Derwent Coleridge on September 14, 1800 & Sara on Dec 23, ’02 5. -
Samuel Taylor Coleridge John Spalding Gatton University of Kentucky
The Kentucky Review Volume 4 Number 1 This issue is devoted to a catalog of an Article 6 exhibition from the W. Hugh Peal Collection in the University of Kentucky Libraries. 1982 Catalog of the Peal Exhibition: Samuel Taylor Coleridge John Spalding Gatton University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Gatton, John Spalding (1982) "Catalog of the Peal Exhibition: Samuel Taylor Coleridge," The Kentucky Review: Vol. 4 : No. 1 , Article 6. Available at: https://uknowledge.uky.edu/kentucky-review/vol4/iss1/6 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Samuel Taylor Coleridge Gc car un1 To brc de~ In Wordsworth's judgment, Samuel Taylor Coleridge (1772-1834) was "the most wonderful man" he ever met. Endowed with one of So1 the most brilliant and complex minds of his day, he would, like bUJ Chaucer's parson, "gladly .. learn, and gladly teach." If he an< squandered a wealth of thought in correspondence and wh conversation, and left unfinished or merely projected major poems, Rh lectures, and systematic expositions of his philosophical tenets, his pre critical theories, and his theology, he nevertheless produced a vast So1 and impressive array of poetry, prose, and criticism. -
Samuel Taylor Coleridge Father Anglican Vicar
CONTEXT Samuel Taylor Coleridge Father Anglican vicar. Moved to London when was young. There attended at school - “Frost at Midnight” Devon, England (1772-1834) 62 XVIII England & France at war. Coleridge as a political radical an important young poet (Wordsworth, Southey) Lyrical Ballads revolution (1798). Coleridge contribution with Wordsworth ROMANTIC ERA (England) Natural speech over poetic Ornament, Emotion over Abstract thought, Natural beauty over Urban sophistication Coleridge = IMAGINATION, relation between NATURE & MIND as it exits as a separate entity “The Rime of the Ancient Mariner” Married in 1795. In 1799, met Sara Hutchinson, fell deeply in love. Became an opium addict “Kubla Khan” Moved w/ the surgeon to preserve his health: composed many of his important non-fiction works Biographia Literaria Coleridge is remembered primarily for the poems wrote in his 20s. ANLYSIS Wordsworth’s idealization of nature, on human joy vs. Coleridge’s musical effects over the plainness of common speech The fragility of the child’s innocence by relating his own urban childhood “Frost at Midnight” The division between own mind and the beauty of the natural world “Dejection: An Ode” “Nightingale” Privileges weird tales, bizarre imagery over the commonplace “Rime” (later Shelley) feelings of alienation The stereotype of the suffering Romantic genius, often charact. by drug addiction: figure of the idealist THEMES (3) 1 The Transformative Power of the Imagination active imagination a vehicle for transcending unpleasant circumstances -
Coleridge's Imperfect Circles
Coleridge’s Imperfect Circles Patrick Biggs A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2012 2 Contents Abstract 3 Acknowledgements 4 Note on Abbreviations 5 Introduction 6 The Eolian Harp 16 This Lime-Tree Bower My Prison 37 Frost at Midnight 60 Conclusion 83 Bibliography 91 3 Abstract This thesis takes as its starting point Coleridge’s assertion that “[t]he common end of all . Poems is . to make those events which in real or imagined History move in a strait [sic] Line, assume to our Understandings a circular motion” (CL 4: 545). Coleridge’s so-called “Conversation” poems seem to conform most conspicuously to this aesthetic theory, structured as they are to return to their starting points at their conclusions. The assumption, however, that this comforting circular structure is commensurate with the sense of these poems can be questioned, for the conclusions of the “Conversation” poems are rarely, if ever, reassuring. The formal circularity of these poems is frequently achieved more by persuasive rhetoric than by any cohesion of elements. The circular structure encourages the reader’s expectations of unity and synthesis, but ultimately these expectations are disappointed, and instead the reader is surprised by an ending more troubling than the rhetoric of return and reassurance would suggest. Taking three “Conversation” poems as case studies (“The Eolian Harp,” “This Lime-Tree Bower My Prison,” and “Frost at Midnight”), this thesis attempts to explicate those tensions which exist in the “Conversation” poems between form and effect, between structure and sense. -
The Ancient Mariner"
COLERIDGE I S CONCEPTION OF SUI IN liTHE ANCIENT lflil.RlNER" COLERIDGE'S CONCEprrION OF SIN IN liTHE ANCIENT MARINER" BY RICHARD STUART BIRCH, BoA. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University September, 1972 MASTER OF ARTS (1972) McMASTER UNIVERSITY (English) Hamilton, On"tario TITLE: Coleridge's Conception of Sin in "The Ancient Mariner" AUTHOR: Richard Stuart Birch, B .. A" (University of Waterloo) SUPERVISED: Dro We J e B. Owen NUMBER OF PAGES: vi t 121 ii PRJt.,'FACE The bulk and variety of criticism on Samuel Taylor Coleridge's liThe Rime of the Ancient Mariner" attest to the fact that I am not alone in expressing a dissatisfaction with the critical response over the last hillldred years to the poem. The Mariner has been seen variously as a pa\'m in the cosmic game of Hartleian Necessi ty by Ss Fo Gingerich, as a commentator upon the imagination by Hobert Penn vfarren, as a man in search of an identity who asserts the validity ,of his existence by Harold Bloom, and as a figure who undergoes an adventure comparable to that of the epic hero by Karl Kroeber. I am attracted most (although certainly not convinced) to these final two approaches, both of which stress an attitude of free \'lill rather than mechanistic behaviour, and \-,hich suggest something similar to a. Christian existentia.l a.pproach to the poem. Coleridge's devotion to Hartley and his philosophy of Necessity as detailed in the early letters and poetry is \'lidely known.