Coleridge and His Poetic Work
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Destiny of the Nations Free
FREE DESTINY OF THE NATIONS PDF Alice A. Bailey | 161 pages | 01 Feb 1987 | Lucis Press Ltd | 9780853301028 | English | London, United Kingdom The Destiny of Nations - Wikipedia By Julie of Light Omega. The world of nations comes into existence according to a planfulness that is similar to the incarnation of an individual soul. Thus, a nation is conceived as idea, is born, carries its own vibration upon the earth, and endeavors within the limits of its consciousness to fulfill the blueprint for its own creation. Each national identity that is conceived develops first as an idea in the Mind of God. It is not accidental according to the historical trends of a culture or civilization. Rather, the entire global harmonic and vibration of the earth is composed, in part, of the individual vibrations of national entities whose purposes, when held in light, contribute to the overall wellbeing of the planet. Nations, like individuals, can depart from their sacred purpose. They can misrepresent the ideals that they have come into being to fulfill. And whether there is more on the side of light and of the fulfillment of Divine expectations that is expressed through that nation's policies and actions, or more on the side of darkness and self-seeking which takes a nation out of the global Destiny of the Nations and more into its own sphere of self-interest, is a choice that individual governments, peoples, and societies make over time. The current situation related to national identity is one that is very precarious based on the intrusive presence of those who would seek to influence the national identity of other nations. -
ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
Samuel Taylor Coleridge and the Genesis of the OED
University of Montana ScholarWorks at University of Montana English Faculty Publications English 8-1992 "Living Words": Samuel Taylor Coleridge and the Genesis of the OED James C. McKusick University of Montana - Missoula, [email protected] Follow this and additional works at: https://scholarworks.umt.edu/eng_pubs Part of the English Language and Literature Commons Let us know how access to this document benefits ou.y Recommended Citation McKusick, James C., ""Living Words": Samuel Taylor Coleridge and the Genesis of the OED" (1992). English Faculty Publications. 6. https://scholarworks.umt.edu/eng_pubs/6 This Article is brought to you for free and open access by the English at ScholarWorks at University of Montana. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. "Living Words": Samuel Taylor Coleridge and the Genesis of the OED JAMES C. McKUSICK University of Maryland, Baltimore County Today we are at a crucial moment in the evolution of the Oxford En glish Dictionary, as the dog-eared volumes are withdrawn from library shelves and replaced by the sleek second edition of 1989. This new OED bears witness to the continuing relevance and utility of the "New English Dictionary on Historical Principles" for the current generation of literary scholars. The event of its publication provides an opportunity for a fresh historical perspective on the circum stances surrounding the production of the original OED, which was published between 1884 and 1928 in a series of 125 fascicles and bound up into those thick volumes so familiar to students and teachers of English literature. -
Ecologies of Contemplation in British Romantic Poetry
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry Sean M. Nolan The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4185 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE LODGE IN THE WILDERNESS: ECOLOGIES OF CONTEMPLATION IN BRITISH ROMANTIC POETRY by SEAN NOLAN A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 © 2020 Sean Nolan All Rights Reserved ii The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry by Sean Nolan This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _______________________ ____________________________________ Date Nancy Yousef Chair of Examining Committee _______________________ ____________________________________ Date Kandice Chuh Executive Officer Supervisory Committee Alexander Schlutz Alan Vardy Nancy Yousef THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry by Sean Nolan Advisor: Nancy Yousef This dissertation argues that contemplation is often overlooked in studies of British Romantic poetry. By the late 1700s, changing commercial and agricultural practices, industrialism, secularization, and utilitarianism emphasizing industriousness coalesced to uproot established discourses of selfhood and leisure, and effected crises of individuation in Romantic poetry and poetics. -
Imaginative Transference in Coleridge's Poetry
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1984 Imaginative Transference in Coleridge's Poetry Kevin Coakley-Welch College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Coakley-Welch, Kevin, "Imaginative Transference in Coleridge's Poetry" (1984). Dissertations, Theses, and Masters Projects. Paper 1539625263. https://dx.doi.org/doi:10.21220/s2-nt8g-yn85 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. IMAGINATIVE TRANSFERENCE il IN COLERIDGE’S POETRY A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts fey Kevin Coakley-Welch 1984 APPROVAL SHEET This thesis is submitted in partial fulfillment the requirements for the degree of Master of Arts Author Approved, June 1980 vatu. < < . c . u r Nathaniel Y. Elliott Wayne ¥/. Glausser / ■/ Terry Meyers 7 ABSTRACT The purpose of this thesis is to trace the use of a poetic technique labeled "imaginative transference” in a series of poems written by Samuel Taylor Coleridge. Imaginative transference is identified as that process through which Coleridge, appearing as a character in each of the poems, transfers emotions or perceptions from himself to another chosen character in the same poem. -
Mont Blanc in British Literary Culture 1786 – 1826
Mont Blanc in British Literary Culture 1786 – 1826 Carl Alexander McKeating Submitted in accordance with the requirements for the degree of Doctor of Philosophy University of Leeds School of English May 2020 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Carl Alexander McKeating to be identified as Author of this work has been asserted by Carl Alexander McKeating in accordance with the Copyright, Designs and Patents Act 1988. Acknowledgements I am grateful to Frank Parkinson, without whose scholarship in support of Yorkshire-born students I could not have undertaken this study. The Frank Parkinson Scholarship stipulates that parents of the scholar must also be Yorkshire-born. I cannot help thinking that what Parkinson had in mind was the type of social mobility embodied by the journey from my Bradford-born mother, Marie McKeating, who ‘passed the Eleven-Plus’ but was denied entry into a grammar school because she was ‘from a children’s home and likely a trouble- maker’, to her second child in whom she instilled a love of books, debate and analysis. The existence of this thesis is testament to both my mother’s and Frank Parkinson’s generosity and vision. Thank you to David Higgins and Jeremy Davies for their guidance and support. I give considerable thanks to Fiona Beckett and John Whale for their encouragement and expert interventions. -
Reminiscences of Samuel Taylor Coleridge and Robert Southey by Joseph Cottle
Reminiscences of Samuel Taylor Coleridge and Robert Southey by Joseph Cottle Reminiscences of Samuel Taylor Coleridge and Robert Southey by Joseph Cottle Produced by Jonathan Ingram, Thomas Berger, Charles Franks and the Online Distributed Proofreading Team. [Illustration: Portrait.] * * * * * REMINISCENCES OF SAMUEL TAYLOR COLERIDGE AND ROBERT SOUTHEY by JOSEPH COTTLE * * * * * INTRODUCTION. It is with a solemnized feeling that I enter on these Reminiscences. page 1 / 646 Except one, I have survived all the associates of my earlier days. The young, with a long life in perspective, (if any life can be called long, in so brief an existence) are unable to realize the impressions of a man, nearer eighty than seventy, when the shadows of evening are gathering around, and, in a retrospective glance, the whole field of past vision appears, in all its complexities, like the indistinct tumults of a dream. The acute reasoner--the fiery politician--the eager polemic--the emulous aspirant after fame; and many such have I known, where are they? and how mournful, if any one of them should be found, at last, to have directed his solicitudes, alone, to material objects;--should have neglected to cultivate his own little plot of earth, more valuable than mines! and have sown no seeds for eternity. It is not a light motive which could have prompted me, when this world of "Eye and Ear" is fast receding, while grander scenes are opening, and so near! to call up almost long-forgotten associations, and to dwell on the stirring, by-gone occurrences that tend, in some measure, to interfere with that calm which is most desirable, and best accords with the feelings of one who holds life by such slender ties. -
Selected Poems
Samuel Taylor Coleridge Selected Poems Compiled by Emma Laybourn 2019 This is a free ebook from www.englishliteratureebooks.com It may be shared or copied for any non-commercial purpose. It may not be sold. Introduction Samuel Taylor Coleridge was born in 1772 in Devon, the youngest of ten children. His father, a vicar and headmaster, died when Samuel was eight, and he was sent to a charity school in London, Christ’s Hospital, where he became friendly with the writer Charles Lamb. He went on to study at Jesus College, Cambridge, and became interested in radical politics. Along with the poet Robert Southey, he planned a commune in New England under a scheme they called ‘Pantisocracy’. The friends married two sisters, but then fell out with each other. Coleridge moved to Somerset, where his wife Sara (nee Fricker) bore the first of their four children, Hartley, in 1796. The following year Coleridge met William Wordsworth, beginning a friendship and collaboration that was to shape the lives and work of each. Coleridge had already published a number of poems, but now began to write some of his best- known works, including The Rime of the Ancient Mariner. This was published in Lyrical Ballads (1798) – a collection of works by both poets that proved to be a seminal point in literary Romanticism. After a spell in Germany, Coleridge moved to the Lake District, as did the Wordsworths. However, by this time his marriage was in trouble, and he was becoming increasingly addicted to laudanum, an opiate drug, which he seems to have taken for neuralgia and depression. -
Coleridge's New Poetry
Proceedings of the British Academy, 94, 127–156 WARTON LECTURE ON ENGLISH POETRY Coleridge’s New Poetry J. C. C. MAYS University College Dublin THE LAST ATTEMPT TO COLLECT Coleridge’s poetical writing, plays as well as poems, was in 1912. The 1912 edition, edited by Ernest Hartley Coleridge for the Clarendon Press,1 proved remarkably durable but mistakes and omissions have become evident; also, expectations con- cerning the way poetry texts should be presented have altered in the intervening years. In EHC’s edition, the poems were arranged in two categories: Volume I was made up of a main sequence of serious and achieved poems, and Volume II contained sequences of different sub- canonical forms and levels of achievement (epigrams, jeux d’esprit, metrical experiments, drafts and fragments). The effect of the divided arrangement was to relegate Volume II material to a category where it appeared extra, optional, ignorable. The less literary and the less finished were bundled away and excluded, the implication being that there are higher and lower levels of poetic activity and those which fail to preserve decent poetic reputation are best ignored. The old edition was put together at a time when poetry aimed to be poetic in a late nineteenth-century, high serious or at least magical kind of way, and times have changed. The canonical/non- canonical separation is nowadays more contentious than helpful, and the poems in the forthcoming new edition are therefore arranged in a unified chronological sequence. Read at the Academy 24 April 1996. q The British Academy 1997. 1 The Complete Poetical Works of Samuel Taylor Coleridge, ed. -
Symbolism in Coleridge's Minor Poetry
SYMBOLISM IN COLERIDGE'S MINOR POETRY APPROVED: Major Professor MincwOProressor C: S Director of thp Department of English , f C D6ah of the Graduate School SYMBOLISM IN COLERIDGE'S MINOR POETRY THESIS Presented to the Graduate Council of the North Texas State University Partial Fulfillment of the R eq u ire-ments For the Degree of v MASTER OF ARTS By Viola D:?vnii Macevell, B.A. Denton, Texas Atto'u s t f 1968 TABLE OF CONTENTS ••'aqe Chapter I. INTRODUCTION . , II. PHYSICAL SYMBOLS Physical Symbols Relating to the Ce1es ti al Bodies Physical Symbols Relating to Flowers, Plants, and Trees Physical Symbols Relating to the Animal Kingdom Physical Symbol? Relating to Persons# Real and Imaginary,. Past and Present j Physical Symbols Re1?ting to Nature and Her li'le.iv^nts Physical Symbols Rile,ting to Mi3ce11aneou3 Objects III. NON-PHYSICAL SYMBOLS „ 56 V Non-Physical Symbols Concerned with the Various Stages of Light No'v-Physioai Symbols Concerned with Movement Non-Physical Symbols Concerned with the Various Aspccts of Time So.n-Phy sica 1 Symbols Concernad with Concepts Whic.ii Car, Or.ly Be Con- ceived in the Mind •••'on™Physical Syisools Concerned, with jT;tuOtions or Emotional Abstractions Selected Miscellaneous Uon-Physical Symbols IV. RELIGIOUS SYMBOLS ............... 85 Religious Symbols Pertaining to People„ Real and Imaginary \ Religious Symbols Pertaining to Animals Religious Symbols Pertaining to " Nature Chapter Page Religious Syjiibol's Pertaining to Miscellaneous Objects or Ideas V. CONCLUSIONS * 94 BIBLIOGRAPHY . 37 XV CHAPTER I INTRODUCTION Symbols in poetry are; frequently somewhat ambiguous. Often, no one, excluding possibly the author of the selection in question, can accurately inteipret any given set of 1 iter<try syrabols. -
The Poems of Samuel Taylor Coleridge By
The Poems of Samuel Taylor Coleridge by SAMUEL TAYLOR COLERIDGE 1787-1833 DjVu Editions E-books © 2001, Global Language Resources, Inc. Coleridge: Poems Table of Contents Easter Holidays . 1 Dura Navis . 2 Nil Pejus est Caelibe Vitæ . 4 Sonnet to the Autumnal Moon . 5 Anthem for the Children of Christ’s Hospital . 6 Julia . 7 Quae Nocent Docent . 8 The Nose . 9 To the Muse . 11 Destruction of the Bastile . 12 Life . 14 Progress of Vice . 15 Monody on the Death of Chatterton . 16 An Invocation . 19 Anna and Harland . 20 To the Evening Star . 21 Pain . 22 On a Lady Weeping: Imitation from the Latin of Nicolaus Archius . 23 Monody on a Tea-kettle . 24 Genevieve . 26 On Receiving an Account that his Only Sister’s Death was Inevitable . 27 On Seeing a Youth Affectionately Welcomed by a Sister . 28 A Mathematical Problem . 29 Honour . 32 On Imitation . 34 Inside the Coach . 35 Devonshire Roads . 36 Music . 37 Sonnet: On Quitting School for College . 38 Absence: A Farewell Ode on Quitting School for Jesus College, Cambridge . 39 Happiness . 40 A Wish: Written in Jesus Wood, Feb. 10, 1792 . 43 An Ode in the Manner of Anacreon . 44 To Disappointment . 45 A Fragment Found in a Lecture-Room . 46 Ode . 47 A Lover’s Complaint to his Mistress . 49 With Fielding’s ‘‘Amelia’’ . 50 Written After a Walk Before Supper . 51 Imitated from Ossian . 52 The Complaint of Ninathóma: From the same . 53 Songs of the Pixies . 54 The Rose . 57 - i - Kisses . 58 The Gentle Look . 59 Sonnet: To the River Otter . -
Samuel Taylor Coleridge
Samuel Taylor Coleridge: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge, Samuel Taylor, 1772-1834 Title: Samuel Taylor Coleridge Collection Dates: 1786-1949, undated Extent: 3 document boxes (1.26 linear feet), 1 oversize box, 2 oversize folders (osf) Abstract: Includes manuscripts and letters written and received by English poet, critic, and philosopher Samuel Taylor Coleridge. While several of the manuscript works are written in Coleridge's hand (most extensively the poems in the Rugby Manuscript), others are later copies made by various members of the Coleridge family. Call Number: Manuscript Collection MS-0865 Language: English Access: Open for research Administrative Information Processed by: Joan Sibley and Jamie Hawkins-Kirkham, 2011 Note: This finding aid replicates and replaces information previously available only in a card catalog. Please see the explanatory note at the end of this finding aid for information regarding the arrangement of the manuscripts as well as the abbreviations commonly used in descriptions. Repository: The University of Texas at Austin, Harry Ransom Center Coleridge, Samuel Taylor, 1772-1834 Manuscript Collection MS-0865 2 Coleridge, Samuel Taylor, 1772-1834 Manuscript Collection MS-0865 Works: The annual anthology: Poems and epigrams by S. T. Coleridge in volume II, Container handwritten manuscript/ copy, 4 pages, 1800; transcriptions made by Sara Coleridge 1.1 Coleridge in the 1840s. Christabel, handwritten manuscript/ copy written in notebook, 43 pages, 1843, undated; copied by Sarah Fricker Coleridge; also written in notebook are On the poet laureate by Hartley Coleridge, handwritten manuscript/ copy, 1816; To Edith Container during Sara's absence, handwritten manuscript/ copy, undated; Sonnet by a young 1.2 old man, handwritten manuscript/ copy, 1829; and some of Sara Fricker Coleridge's accounts.