Science and Sensation in Romantic Poetry Noel Jackson Index More Information

Total Page:16

File Type:pdf, Size:1020Kb

Science and Sensation in Romantic Poetry Noel Jackson Index More Information Cambridge University Press 978-0-521-86937-9 - Science and Sensation in Romantic Poetry Noel Jackson Index More information Index Abrams, M. H. 29, 126, 250 Barbauld, Anna Letitia 47, 59 abstraction 8, 9, 10, 71, 73--4, 150--1, Bate, Walter Jackson 29, 171 153--9, 178 Baumgarten, Alexander 2 and aesthetic value 165--6, 169--70, 172--5, Beddoes, Thomas 5 183--, 194, 198--9 Bell, Charles 120, 170, 178--80, 182 and embodiment 10, 12--13, 14--15, 135--6, Benhabib, Seyla 252 151--9, 158--9 Benjamin, Walter 69, 96 historical-materialist critiques of 31, 32, Bennett, Andrew 169, 172, 174 134--5, 150, 168, 188--90, 204--5 Bentham, Jeremy 5 see also associationism Berkeley, George 35, 114, 230 Adair, James Makittrick 150--1, 157 Bewell, Alan 245 Addison, Joseph 12, 231 Blake, William 18, 91--8 Adorno, Theodor W. 15, 60--1, 69, 131, 200, America, A Prophecy 92--5, 458 252, 263 “Annotations to Wordsworth’s Preface to aesthetic, the The Excursion” 67 autonomy of 3, 7--8, 11, 13--14, 15, 28--9, “Auguries of Innocence” 72, 98 59--0, 178, 182, 209 “The Human Abstract” 94 historicity of 1--2, 4--5, 6, 11, 13, 14, 15--16, “Introduction” to the Songs of Innocence 47 16--0, 18, 24--6 “Jerusalem” (Preface to Milton) 32 ideology of 3, 16, 17--19, 24--6, 42, 134, 148, The Marriage of Heaven and Hell 93, 244 182, 198, 204, 220 Milton 64, 91, 98 reparatory function of 6, 23, 113, 132--4, Vala,orThe Four Zoas 95--8 137--, 145, 154--6, 159, 160, 161--2 Bloom, Harold 104, 138, 171, 201 the “return to” 13--14, 167, 220 Bourdieu, Pierre 19, 24--5, 27, 42, 167, 195, aesthetics 2, 25 197--, 199, 265 determinations of value in 12, 19, 20, 166--8, Braddon, Mary Elizabeth 211 197--0, 203, 205--6, 210, 218--20 Bromwich, David 177, 262 and the medical sciences 1, 7--8, 15, 44--5, 68 Brown, Thomas 36--7, 230 Alison, Archibald 41 Burke, Edmund 45--7, 73, 96, 110 Aristotle 137 Reflections on the Revolution in France 5, 43, Arnold, Matthew 20, 40, 135, 165, 166, 175, 48, 53 180, 192, 209 Burney, Frances 45 on Wordsworth’s “healing power” 132, 134, Bush, Douglas 264 137--, 140, 148, 160, 166, 206--7, 216 Byron, Lord George Gordon 137, 161, 194 see also aesthetic; reparatory function of associationism 8, 26, 35, 36, 41, 72, 77 Cameron, Sharon 185, 186 new historicist interpretations of 81--3, Campbell, Thomas 171 204--5, 266 Carpenter, William 216 Carroll, Lewis 154 Babbitt, Irving 27, 28, 30, 32, 33, 34, 35, 45 Caruth, Cathy 241 Baker, Keith 70 Caygill, Howard 25 284 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86937-9 - Science and Sensation in Romantic Poetry Noel Jackson Index More information Index 285 Chandler, James K. 68 disinterestedness Cheyne, George 75 Kantian 108--9, 130, 197 Clery, E. J. 152 in relation to the senses 108--10, 131, 176--82 Coleridge, Hartley 37 A Dissertation Upon the Nerves (1768) 146 Coleridge, Samuel Taylor 41, 44, 128, 143, Donoghue, Denis 267 147, 178, 208 Biographia Literaria 48, 103, 127--8, Eagleton, Terry 26, 134, 148 139--40, 160 electricity 263 “Dejection: An Ode” 186 animal 54 “Frost at Midnight” 18, 107, 118--23, 125 effects of writing compared to 47, 51, 53--4, Notebooks 105, 107, 117, 123, 127 55--9, 58--9 “The Rime of the Ancient Mariner” 152 Eliot, George 195--6, 264 The Watchman 5, 43 Eliot, T. S 29, 34 on Wordsworth (excluding Biographia empiricism 2, 4, 35, 69--70, 72, 110--11, Literaria) 6--7, 10, 140 113--14 Collins, Wilkie 20, 200, 201, 212--19 Empson, William 82--3, 207 The Moonstone 201, 214--19 Engels, Friedrich 189 The Woman in White 213 experimentation on Wordsworth 215--16 in empiricist philosophy and science 56, Collins, William 214 105--6, 107, 111--13, 113--17, 122, 129 common sense 19, 36, 103--4, 106--7, 109--10, in literary practice 19, 105, 106--7, 109--10, 113--2, 121--2, 124, 127 111, 117--18, 121--2, 126, 129, 130, 131, defamiliarization of 23, 29, 107, 114--15, 215, 217 116, 117--18, 121--2, 124, 126, 158, 159, 212 Febvre, Lucien 64, 65, 68--9, 70 Condillac, E´tienne Bonnot de 70, 97 feeling 2, 3, 6--7, 8--9, 13, 18--19, 26, 67--8, consensus 16, 19, 133--5, 139, 147--8, 157 108--, 134, 136, 138, 145--9, 161--2, derivation from physiology 145--6 183--, 200, 206--10 resistance to in The Excursion 141--3 see also pleasure; sensibility; touch Wordsworth’s provisional notion of 136, Ferguson, Frances 250 158--1, 160--1, 160--2, 258 Ford, Jennifer 4, 129, 249 see also aesthetic, reparatory function of; Foucault, Michel 65--6, 76, 98, 148, 237, 241 “consentaneity”; sensibility, ethics of The Order of Things: An Archaeology of the “consentaneity” 146--8, 149, 156, 159 Human Sciences 64, 65--6, 67, 71, 95, 107 Cooper, Astley 179, 181 Franc¸ois, Anne-Lise 266 Corbin, Alain 64--5, 68--9, 84, 85 French Revolution 4, 5, 11--12, 18, 27, 32, Courthope, W. J. 212 43--9, 140 Cullen, William 68, 76, 87, 88, 145, 240, 241 Fricker, Sara 123--4 “An Essay on Custom” 77--8, 79 custom 73, 76--8, 79, 127 Gallagher, Catherine 222, 263 Galvani, Luigi 54, 56 Darwin, Erasmus 5, 36 Commentary on the Effects of Electricity on The Temple of Nature; or, The Origin of Society Muscular Motion 56 4, 35, 37 George III, king of England 45 Zoonomia, or, the Laws of Organic Life 35, 77, Gifford, Don 67 86, 87, 88, 89, 242 Godwin, William 5, 71, 150 Davy, Humphry 5, 44--5, 112, 129 Goldsmith, Oliver 122 de Bolla, Peter 13, 225 Goodman, Kevis 14, 226, 237 De Quincey, Thomas 90--1, 129--30, 215, gothic 9, 12, 152, 198, 202 217, 252 Gramsci, Antonio 103--4 Derrida, Jacques 151--2, 153, 258 Gray, Thomas 142 Descartes, Rene´ 105, 245 Guillory, John 166--8, 195 Dewey, John 189 Dickens, Charles 142 Hacking, Ian 111 didacticism 11, 148, 207 Hallam, Arthur Henry 59--60, 61, 202, 215 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86937-9 - Science and Sensation in Romantic Poetry Noel Jackson Index More information 286 Index Hamilton, Paul 3, 221 “Specimen of an Induction to a Poem” Harrington, Anne 178 172, 184 Hartley, David 77, 82 “When I have fears” 182 Hartman, Geoffrey 40, 82, 84, 195, 262 Kittler, Friedrich 12, 224 Hays, Mary 42, 43, 74 Klancher, Jon 50 Hazlitt, William 62, 103, 176--7, 180 Knapp, Steven 257, 260 on Wordsworth 104 Korsgaard, Christine 108, 123 Hegel, G. W. F. 2, 210 Kosciusko, Tadeusz 181 Helve´tius, Claude-Adrien 70, 71, 176 Kramnick, Jonathan Brody 171 history of the senses 64--75, 80, 84--6, 98--9 Hobbes, Thomas 87 Lacan, Jacques 194 Hollander, John 127 Lamb, Charles 10--11 Home, Everard 144 Langan, Celeste 140, 256 Hough, Graham 208 Law, Jules 113 human sciences, the 1, 4--6, 8, 65--6, 67, 105 Lessing, G. E. 28 Hume, David 46, 51, 76, 108, 114, 124, Levinson, Marjorie 27, 30--4, 81, 168--9, 173, 142, 247 174, 191, 192, 194 Hunter, John 54 Liu, Alan 81, 225--6, 412 Hutchinson, Sara 153, 156 Lloyd, David and Paul Thomas 134, 157 Huyssen, Andreas 210 Locke, John 4, 70, 87, 134, 191 Luka´cs, Georg 3, 60 ideal presence (see Kames, Lord Henry Home) interiority 6--7, 14, 18, 31, 50, 55, 56--8, 60, Mackenzie, Henry 218 61, 104--7, 110, 120--5, 131 Mackintosh, James 45--6 Manning, Peter 157, 257 Jacobus, Mary 106 Marcuse, Herbert 134 Jameson, Fredric 13, 224 Marx, Karl 17, 31, 142, 151, 158, 168, 170, Jarvis, Simon 266 188--, 191 Jeffrey, Francis 40--1, 128--9 McGann, Jerome J. 24, 182 Johnson, Samuel 145 McLane, Maureen 237 Johnston, Kenneth 9 Mee, Jon 228 Jones, Chris 12, 228 meter 97--8, 126--8 Miall, David S. 126 Kames, Lord Henry Home 85--6, 143, Mill, John Stuart 17, 123, 138, 156 150, 157 Millar, John 75--6, 78 Kant, Immanuel 14, 15, 106, 108--10, 117, Milton, John 34--5, 54, 82, 87--8, 250 130, 197 Monro, Alexander secundus 116, 122, 145 Kaufman, Robert 15, 221 Morton, Timothy 262 Keats, John 9, 14, 19, 65, 200, 205, 209, 263 “To Autumn” 182 Natarajan, Uttara 261 “Bards of passion and of mirth” 175, 178 nerves / nervous system 3, 54, 77, 93--4, 144, “In drear-nighted December” 184--8, 192 145--80, 178--80 Endymion 165, 171, 183 see also electricity, animal; feeling; sensibility “The Eve of St. Agnes” 193 Nietzsche, Friedrich 135 The Fall of Hyperion: A Dream 6, 133, 137 “To Kosciusko” 181 Oliphant, Margaret 213, 218 “Lamia” 192--4, 196 “To My Brother George” (epistle) 38--9, Paine, Thomas 45, 47--8 172--, 182 Parker, Reeve 119, 120 “Ode on a Grecian Urn” 184, 187, 191 Pater, Walter 11, 20, 200, 201, 207--13 “Ode to a Nightingale” 184, 187, 195 anonymously reviewed in the Examiner “On Sitting Down to Read King Lear Once 211--12, 214 Again” 193 on Wordsworth 208--10 “Sleep and Poetry” 133, 172, 173, 174, Peacock, Thomas Love 11, 147, 171 180, 264 Pease, Allison 265 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86937-9 - Science and Sensation in Romantic Poetry Noel Jackson Index More information Index 287 periodization “Julian and Maddalo” 94 of disease in medical writing 75--6, 78 “On launching some bottled filled with historical 18, 65--6, 67--8, 68--9, 80 Knowledge into the Bristol Channel” and historiographical operation of poetry 18, 234 67--5, 74--5, 78--80, 85, 86, 91, 97--8 A Philosophical View of Reform 58 Phillips, Mark Salber 85, 86, 90 Prometheus Unbound 18, 58, 61--2, 78, 97 physiology 3, 4--5, 68, 75--6 “Sonnet, To a balloon, laden with politicization of during the French Knowledge” 58--9 Revolution 4, 5, 45--6, 145--6 Sidney, Philip 81 see also aesthetics, and the medical sciences; sight (see vision) human sciences; nerves / nervous system Simmel, Georg 69 Plato 137 Simpson, David 154 pleasure 14, 26, 138, 194, 202--6, 224, 226 Siskin, Clifford 134, 148, 253 Poe, Edgar Allan 34 Smith, Adam 176, 241 Poovey, Mary 134 Smith, Barbara Herrnstein 167, 259 Postone, Moishe 259 solipsism, charges of (see interiority) Pottle, Frederick 69 Southey, Robert 44, 171 Priestley, Joseph 47 Spenser, Edmund 165, 170, 172, 174, 193 Starobinski, Jean 262 Redfield, Marc 2, 253 Sterne, Laurence 10, 146, 148--9, 255 Rees, Alexander 76 Stewart, Dugald 36, 113, 125, 129, 251 Reid, Thomas 37, 110, 117, 120, 122, Stewart, Susan 237 125, 128 Strickland, Stuart 112 An Inquiry into the Human Mind 36, 43, suggestion 18, 26, 33, 34--7, 40, 42, 57, 77, 113--, 248 135, 172, 233 see also common sense; suggestion and historical consciousness 18, 26--8, 30, 32, Richards, I.
Recommended publications
  • History and Vision in Byron, the Shelleys, and Keats Timothy Ruppert
    Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Spring 2008 "Is Not the Past All Shadow?": History and Vision in Byron, the Shelleys, and Keats Timothy Ruppert Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Ruppert, T. (2008). "Is Not the Past All Shadow?": History and Vision in Byron, the Shelleys, and Keats (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1132 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. “IS NOT THE PAST ALL SHADOW?”: HISTORY AND VISION IN BYRON, THE SHELLEYS, AND KEATS A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University in partial fulfillment of the requirements for the degree of Doctor of Philosophy By Timothy Ruppert March 2008 Copyright by Timothy Ruppert 2008 “IS NOT THE PAST ALL SHADOW?”: HISTORY AND VISION IN BYRON, THE SHELLEYS, AND KEATS By Timothy Ruppert Approved March 25, 2008 _____________________________ _____________________________ Daniel P. Watkins, Ph.D. Jean E. Hunter , Ph.D. Professor of English Professor of History (Dissertation Director) (Committee Member) _____________________________ _____________________________ Albert C. Labriola, Ph.D. Magali Cornier Michael, Ph.D. Professor of English Professor of English (Committee Member) (Chair, Department of English) _____________________________ Albert C. Labriola, Ph.D. Dean, McAnulty College and Graduate School of Liberal Arts Professor of English iii ABSTRACT “IS NOT THE PAST ALL SHADOW?”: HISTORY AND VISION IN BYRON, THE SHELLEYS, AND KEATS By Timothy Ruppert March 2008 Dissertation Supervised by Professor Daniel P.
    [Show full text]
  • Revolutions in Thought and Action
    ‗THE BALANCE OR RECONCILIATION OF OPPOSITE OR DISCORDANT QUALITIES‘: POLITICAL TENSIONS AND RELIGIOUS TRANSITIONS IN THE WORKS OF SAMUEL TAYLOR COLERIDGE KATHRYN ELIZABETH BEAVERS A thesis submitted in partial fulfilment of the requirements of the University of Greenwich for the Degree of Doctor of Philosophy June 2011 DECLARATION I certify that this work has not been accepted in substance for any degree, and is not concurrently being submitted for any degree other than that of PhD being studied at the University of Greenwich. I also declare that this work is the result of my own investigations except where otherwise identified by references and that I have not plagiarised another‘s work. Student: 31 May 2011 Supervisor: 31 May 2011 ii ACKNOWLEDGEMENTS There are many people who have supported me in various ways over the course of my PhD, whom I would like to take a moment to thank here. Particularly, I would like to thank my family for their continual support and encouragement: Jon, for enduring my thesis-related mood-swings and crises over the last seven years, whilst also simultaneously handling his own; Mum and Dad, for their sustained financial and emotional support; Granddad, for his enthusiastic support in the early stages of my PhD; Sarah and Adam, Mike and Chris, for their sustained interest and encouragement, especially valued at times when the going was rough; and Jan and Gordon, for their continued and sustained interest in many areas of my life, in addition to my thesis. I would particularly like to express my gratitude to Gordon for his sound advice, and constructive criticism and suggestions, as well as his willingness to transfer his interest and abilities from aeronautical engineering to Romantic poetry.
    [Show full text]
  • The Public Sphere of the Hunt Circle in Early Nineteenth
    THE PUBLIC SPHERE OF THE HUNT CIRCLE IN EARLY NINETEENTH- CENTURY POLITICS AND CULTURE A Dissertation by BYOUNG CHUN MIN Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 Major Subject: English THE PUBLIC SPHERE OF THE HUNT CIRCLE IN EARLY NINETEENTH- CENTURY POLITICS AND CULTURE A Dissertation by BYOUNG CHUN MIN Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Terence Hoagwood Committee Members, Susan Egenolf Mary Ann O’Farrell James M. Rosenheim Head of Department, Jimmie Killingsworth May 2010 Major Subject: English iii ABSTRACT The Public Sphere of the Hunt Circle in Early Nineteenth-Century Politics and Culture. (May 2010) Byoung Chun Min, B.A., Seoul National University; M.A., Seoul National University Chair of Advisory Committee: Dr. Terence Hoagwood This dissertation examines the Hunt circle’s public activities and its historical significance in terms of public-sphere theory proposed by Jürgen Harbermas. Recent studies on Romantic literature have attended to how Romantic writers’ literary practices were conditioned upon their contemporary history, as opposed to the traditional notion of Romanticism based on an affirmation of individual creativity. Although these studies meaningfully highlight the historicity inherent in seemingly individualistic Romantic texts, they have frequently failed to assess the way in which this historicity of Romantic texts is connected to Romantic writers’ own will to engage with public issues by placing too much emphasis on how history determines individuals’ activities.
    [Show full text]
  • Poetry in an Age of Revolution
    3 P. M. S. DAWSON Poetry in an age of revolution Poets are no more insulated from political events and controversies than are any other class of people. Indeed, they are less so, in that poets work in language , the same medium in which political concepts and demands are formulated, contested, and negotiated. If this is generally true it is of particular relevance in periods of signifi cant historical change, when pol- itical issues impress themselves with increased urgency on all sections of society and give rise to vigorous debates concerning fundamental polit- ical prin ciples. The period between 1780 and 1830, during which the great Romantic poets came to maturity and produced their most import- ant works, was such a period, as they were all aware. Wordsworth told an American visitor that “although he was known to the world only as a poet, he had given twelve hours thought to the conditions and prospects of society, for one to poetry.” 1 Coleridge and Southey were both active as political journalists, and Coleridge produced a number of signifi cant works of political theory. Byron spoke on political issues in the House of Lords, as well as satirizing political opponents and the political situation in gen- eral in his poetry. 2 Shelley wrote to his friend Peacock, “I consider Poetry very subordinate to moral & political science, & if I were well, certainly I should aspire to the latter” (Shelley, Letters , ii , 71). His interest in politics is evidenced by the political pamphlets he wrote. William Blake could express regret that his countrymen should “trouble themselves about politics” and state “Princes appear to me to be Fools Houses of Commons & Houses of Lords appear to me to be fools they seem to me to be something Else besides Human Life” (Blake, Poetry and Prose , p.
    [Show full text]
  • Catherine the Great and Poland
    Notes Introduction: The Other East 1. That lineage continues into the twenty-first century. For a very recent example, see the hero Lev of Rose Tremain’s 2007 novel The Road Home. London: Vintage, 2008. 2. The Global Eighteenth Century. Ed. Felicity A. Nussbaum. Baltimore: Johns Hopkins Uni- versity Press, 2003; Travels, Explorations and Empires, 1770–1835: Travel Writings on North America, the Far East, North and South Poles and the Middle East. Eds. Tim Fulford and Peter J. Kitson. 8 vols. London: Pickering & Chatto, 2001. 3. The quote comes from Dobson’s brief introduction, which is not paginated. For indus- trial and economic links between Poland and Scotland in the nineteenth century, see McLeod. 4. Thomas Gladsky, Princes, Peasants and Other Polish Selves. Amherst: University of Massachusetts Press, 1992; Francois Rosset, L’Arbre de Cracovie: Le mythe polonais dans la littérature française. Paris: Imago, 1996; Hubert Orlowski, Polnische Wirtschaft: Zum deutschen Polendiskurs der Neuzeit. Wiesbaden: Harrassowitz Verlag, 1996. As I note above, several useful studies focusing on British representations of Russia already exist. 1 ‘That Woman, Lovely Woman! May Have Dominion’: Catherine the Great and Poland 1. Walpole does not clear the Russian people of responsibility. His letter continues, ‘What! are there no poissardes at Petersburg? are they afraid of a greater fury than themselves? – or, don’t they venerate her, because she is a Mirabeau in petticoats, and execrable enough to be a queen to their taste?’ While individual Britons (like Walpole) may note the hypocrisy of their own leaders, the same is not possible in Russia, where Catherine’s followers differ from her only in their degree of baseness.
    [Show full text]
  • John Keats's to Autumn
    1 Nicholas Roe English Restored: John Keats’s To Autumn .I. ‘Yesterday I went to town: I called on Mr. Abbey; he began again (he has done it frequently lately) about that hat-making concern—saying he wish you had hearkened to it: he wants to make me a Hat-maker’.1 So John Keats reported in March 1819: Richard Abbey, his guardian, saw no future for him in writing poetry and, for different reasons, F. W. Bateson was inclined to agree. While Bateson didn’t envisage hat making as an option, he was convinced that if Keats had lived longer he ‘would have abandoned poetry’.2 His argument was that Keats’s poetic vision could not be fulfilled, because it was self-cancelling: in ‘Sleep and Poetry’ Keats had anticipated a ‘nobler life’ of writing that would ‘find the agonies, the strife / Of human hearts’ (123-5), only to deflect his poem away from humanity in pursuit of a celestial ‘charioteer’, ‘shapes of delight’ and ‘ever-fleeting music’ (138, 141); following a similarly evasive trajectory, ‘Ode to a Nightingale’ eventually admits what ‘Sleep and Poetry’ had overlooked — that fancy is a ‘cheat’, a ‘deceiving elf’ (ll. 73-4).3 The weakness of the ‘sole self / deceiving elf’ rhyme, noted in this journal by Kingsley Amis, signalled for Bateson a much deeper crisis: ‘the “vision” of the “Ode to a Nightingale” was, [Keats] had decided, only a “waking dream”’, and consequently he ‘had in fact condemned himself to poetic silence’.4 Disillusioned, ill, Keats gave up on Hyperion roughly one hundred years before 2 Wilfred Owen wrote ‘Strange Meeting’—a poem that for Bateson ‘can perhaps be said to carry on where ‘“The Fall of Hyperion” … had left off’.5 Keats’s ‘precocious maturity’ and incipient silence required further explanation.
    [Show full text]
  • Free Download PDF-File Glottometrics 42, 2018
    Glottometrics 42 2018 RAM-Verlag ISSN 2625-8226 Glottometrics Indexed in ESCI by Thomson Reuters and SCOPUS by Elsevier Glottometrics ist eine unregelmäßig er- Glottometrics is a scientific journal for the scheinende Zeitschrift (2-3 Ausgaben pro quantitative research on language and text Jahr) für die quantitative Erforschung von published at irregular intervals (2-3 times a Sprache und Text. year). Beiträge in Deutsch oder Englisch sollten Contributions in English or German writ- an einen der Herausgeber in einem gängi- ten with a common text processing system gen Textverarbeitungssystem (vorrangig (preferably WORD) should be sent to one WORD) geschickt werden. of the editors. Glottometrics kann aus dem Internet her- Glottometrics can be downloaded from the untergeladen werden (Open Access), auf Internet (Open Access), obtained on CD- CD-ROM (PDF-Format) oder als Druck- ROM (as PDF-file) or in form of printed version bestellt werden. copies. Herausgeber – Editors G. Altmann Univ. Bochum (Germany) [email protected] K.-H. Best Univ. Göttingen (Germany) [email protected] R. Čech Univ. Ostrava (Czech Republic) [email protected] F. Fan Univ. Dalian (China) [email protected] E. Kelih Univ. Vienna (Austria) [email protected] R. Köhler Univ. Trier (Germany) [email protected] H. Liu Univ. Zhejiang (China) [email protected] J. Mačutek Univ. Bratislava (Slovakia) [email protected] A. Mehler Univ. Frankfurt (Germany) [email protected] M. Místecký Univ. Ostrava (Czech Republic) [email protected] G. Wimmer Univ. Bratislava (Slovakia) [email protected] P. Zörnig Univ. Brasilia (Brasilia) [email protected] External academic peers for Glottometrics Prof.
    [Show full text]
  • Introduction: Placing Lamb
    Notes Introduction: Placing Lamb 1. For the poem, see Graeme Stones and John Strachan, Parodies of the Romantic Age, 5 vols (London, 1999), I: 269–85; for more details on Gillray, see Richard T. Godfrey and Mark Hallett, James Gillray: The Art of Caricature (London, 2001). 2. For a full discussion, see Winifred F. Courtney, ‘Lamb, Gillray and the Ghost of Edmund Burke’, CLB 12 (1975), 77–82. 3. Edmund Spenser, Book I: canto i, stanza 20, The Faerie Queene, ed. A. C. Hamilton, 2nd edn. rev. eds, Hiroshi Yamashita and Toshiyuki Suzuki (Harlow, 2007), 36. 4. C. C. Southey, ed., The Life and Correspondence of the Late Robert Southey, 6 vols (London, 1849), I: 345. 5. Thomas Noon Talfourd, ed., The Works of Charles Lamb, 2nd edn, 2 vols (London, 1850), I: 72. Cited by Burton R. Pollin, ‘Charles Lamb and Charles Lloyd as Jacobins and Anti-Jacobins’, SiR (1973), 633–47 (633), who gives a full account of how Lamb has been viewed as apolitical. 6. E. V. Lucas, The Life of Charles Lamb, 2 vols (London, 1921), I: 165. 7. See Denys Thompson, ‘Our Debt to Lamb’, in Determinations, ed. F. R. Leavis (London, 1934), 199–217 (205), and Cyril Connolly, Enemies of Promise, rev. edn. (Harmondsworth, 1961), 23. Thompson’s complaint, to which I will return in Chapter 1, also encompasses readers of Lamb. 8. Joseph E. Riehl, That Dangerous Figure: Charles Lamb and the Critics (Columbia, SC, 1998), 93. 9. See also Jane Aaron, ‘Charles and Mary Lamb: The Critical Heritage’, CLB 59 (1987), 73–85.
    [Show full text]